Ho Ho Homicide: Mont Rest & Bellevue, IA

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Mont Rest Bed and Breakfast

Ah, Christmas!  Without question it is my favorite time of the year.  I love the feelings of goodwill, the sense of family, the music, the decorations, going to church, the lights, everything.  I also especially enjoy visiting bed and breakfasts during the holiday season just to see how they ring in the holidays.  So, it is with great pleasure that I bring to you the tale of my 5th annual Christmas B & B review.

For this journey, I would be visiting Iowa’s most luxurious inn, Mont Rest Bed and Breakfast of Bellevue, IA, owned by Christine Zraick.  I had been looking forward to this inn for quite a long time due to its penchant for offering nearly weekly murder mystery events.  When I found out the inn also really enjoys going all out for Christmas, I finally booked the trip.

Mont Rest has a very interesting history.  It was built in 1893 by Seth Luellyn Baker, a wealthy land developer for the price of $6,000.  Nicknamed “The Castle”, Mont Rest soon developed a reputation for illegal high stakes poker games.  His passion for poker would end up biting Baker hard as he once put the deed to Mont Rest up against a doctor for a $6,000 pot.  After the hand, Baker went downstairs and told his wife they had 2 weeks to vacate the property.

Fast forward to 1986, when the property, long since dilapidated and falling to pieces, was purchased by its current owner, Christine Zraick.  She began the long arduous process of refurbishing it back to its Victorian glory and opening it as a country inn.  It soon developed a stellar reputation for its murder mystery parties.

On Dec 24, 1996, the tale of Mont Rest almost came to an end when a devastating fire broke out and gutted the house from top to bottom.  Christine almost threw in the towel, but support from the citizens of Bellevue and her own sense of stewardship compelled her to roll up her sleeves and begin the process of rebuilding Mont Rest in the spring of 1997.

Needless to say, it was a massive success and today Mont Rest stands as Iowa’s most luxurious inn.

I was truly blessed with some unseasonably beautiful weather for my long trek to Bellevue.  When I arrived in town, I was immediately struck by its quaintness.  It is a peaceful town right on the coast of the Mississippi River.

I readily found the inn where my eyes confirmed what the photos had suggested.  This was easily the biggest inn I had ever seen.  The nickname of “The Castle” was well suited as the inn stands alone on top of a large hill and takes up the equivalent of a city block or two and holds an astonishing 13 bedrooms.

As I made the way from my car to the large wraparound porch, I smiled at the visage of Jolly old Saint Nick meeting me on the porch.  The inn was already into the spirit of Christmas as tinsel decorated the porch and decorations were being set up in the front yard.

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The kindly staff warmly welcomed me inside and gave me the nickel tour culminating in a stop at the gift shop which holds a representation of the World’s Fair complete with lights, sound, and animation.

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From there, I was led to Ginny’s Woodlawn View, my base of operations for the next few days.

When I think of B & B rooms, Ginny’s Woodlawn View is what springs to mind.  It has an understated elegance with its soft, blue-green carpet, electric wood fireplace, and Jacuzzi bathtub.  With Christmas on the horizon, it even had a lovely little Christmas tree and a stocking hung by the chimney with care.

From there, I did my normal explorations which took a little longer than normal.  As I said, this mansion is huge.  One could easily get lost in here.  I wandered about the house enjoying the numerous Christmas trees and decorations littered throughout the home.  The inn even has an observation deck on the top of the home which holds a hot tub as well as magnificent views of Bellevue and the Mississippi.

I had very little time to get settled in as I had a heavy night of activities planned.  Within an hour of my arrival, I was already back on the road seeking an early dinner.  I opted for a little good old fashioned comfort food as I stopped at Richman’s Café.

Like the name suggests, it’s a quiet little diner, but it dishes up a mean patty melt and shoestring fries.  Having the cavity filled, I was then off to the nearby town of Dubuque, IA to begin my night’s activities.

As I truly love holiday lighting displays, the staff at Mont Rest told me about Reflections in the Park, an elaborate display showcased at Louis Murphy Park.  This event has been a Christmas tradition for over two decades and I would like to thank the staff at the event for giving me a free pass to experience this tradition.

If you are in or near Dubuque during the holidays, visit Reflections in the Park.  It is a truly beautiful and entrancing display of lights and holiday cheer that will brighten your night both literally and emotionally.

From there, I went to the famed Grand Opera House of Dubuque where I took in a production of It’s a Wonderful Life.  For the first time in years, I attended this play purely as a patron, but was so moved and impressed by the production that I decided to review it anyway.  You can read it here.

After the fabulous show, I returned to Mont Rest when I settled into bed with a bone aching weariness where I instantly succumbed to oblivion.

In the morning, I took a long Jacuzzi bath before heading downstairs to breakfast.  There I met Doug & Pamela and Mark & Holly who would also be joining me for the murder mystery dinner later that night.  Breakfast at Mont Rest is served family style so we all enjoyed dishes of fruit along with a repast of blueberry muffins, cherry turnovers, bacon, hash browns, and 2 kinds of omelets along with some conversation.

Normally I like to schedule a lot of activities to get the full experience of the towns I visit.  This time I decided to put the brakes on.  After breakfast, I simply wrote my play review and organized my photos.  Then I took a very long walk along the riverside where I shared a phone conversation with my best friend and stopped in at Grandpa’s Parlor for a vanilla shake.  From there, I went back to inn, sampled some delicious homemade brownies, and caught a quick nap.

When I regained consciousness, I walked the few blocks to attend worship services at St Joseph’s Catholic Church.  After I got my praise on, I returned to the inn for the mystery.

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St Joseph Catholic Church

I went downstairs to the living room where I once again met Mark and Holly and began sharing conversation.  Shortly later, we were joined by Jim and Elizabeth and by Doug and Pamela a little after that.  As we talked, we were treated to some light hors d’ouevres of canapés, bacon wrapped water chestnuts, crackers, cheese, meats, and veggies.

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Mmm!! Hors d’ouevres.

We would take part in the mystery of Where There’s a Will, There’s Away.  We were assigned characters and told that one of us was a murderer, but that the murderer would be unaware of that fact.  A very intriguing twist on the mystery.

I picked the character of Dr. Benjamin Pike.  He was a very successful doctor who had grown bored with his work.  He had been the personal physician of the wealthy businessman for the past 10 years and was preparing to lead a UNICEF group funded by his friend to teach advanced medical techniques to the locals in South America.  Dr. Pike was connected to two other suspects:  the businessman’s widow, Marion, with whom he had an intense and instant dislike and Nurse Freda Moore with whom he’d had a brief fling.  Freda had taken the break-up quite badly and Pike had fired her hoping to put their relationship in the past by keeping her away.

The inn has costumes for the event and I was dressed in a tuxedo dress shirtt, black dress pants, a black vest, gray cravat, and white dinner jacket.  In my room were waiting my personal dress shoes and socks to complete the illusion.  As I read the dossier, I drew on my theatre background and decided Pike should be an arrogant, sharp tongued jerk, but tempered with a powerful sense of morality.

Once downstairs, we were met by Gloria Gottrocks, the queen of accessorizing, who furthered our outfits.  From Ms Gottrocks, I received a gray fedora, stethoscope, and organ transplant bag.  I don’t want to spoil the mystery, but I will say the key is to use your knowledge of the characters and their relationships to ferret out clues that point to the truth.

But the centerpiece of the event is the dinner.  I’d gladly do this again and again simply for the meal.  Our night began with a dinner salad with a berry vinaigrette dressing and some fluffy, buttery croissant rolls.  During the first course, Officer Ima Fuzz joined us and told us of the death of Arthur and to take our preparation orders.  Amazingly, all of us had ordered the Steak Lilli.

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Officer Ima Fuzz

As we discussed the case, the chef brought out the main course of Steak Lilli, butternut squash, and rice pilaf.  As I began to cut my medium steak, I noted how tender it was.  But after that first bite, I was in heaven.  Hands down, the very best steak I have ever tasted.  During the main course, Officer Fuzz came back with the autopsy report and pieces of evidence found at the scene of the crime and to take orders for dessert.

I opted for Death by Chocolate.  As I savored dessert, Officer Fuzz came back one more time to bring Arthur’s will to his lawyer.  We had the reading of the will, a final discussion, and then Officer Fuzz solved the crime.

It was truly a grand evening.  Once done, I got back into my civvies and shared some conversation with Pamela, Doug, Jim, and Elizabeth before retiring to my room for the evening.

This was the best sleep I had enjoyed in ages.  I rose early to begin writing and went down to breakfast at 9am where I met the usual crowd and we were joined by another couple, Steve & Sheryl.

Today’s meal consisted of fried potatoes (perhaps with some rosemary), a dish of fruit, sausage, and a quiche made of eggs, peppers, and mushrooms.  Again it was another fantastic meal made all the more memorable by great conversation.  Sadly, it all had to come to an end and we had to break up the group to go our separate ways.  This was the best group of people I had met at an inn and I hope to stay in touch and, God willing, I hope our paths cross again.

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Quiche, fried potatoes, sausage.

I had a feeling that this particular outing was going to be something special and my instincts were correct.  Mont Rest Inn is a must see experience and it gets my highest recommendation for a visit. If you want to experience a vintage B & B, then you need to go to Mont Rest. Naomi and Company are wonderful cooks and hostesses.  The inn is comfortable and beautiful.  There’s much to do in the area.  And there is a plethora of dining events to be enjoyed at the inn, though I certainly would recommend your taking part in a murder mystery.  This is an inn that I’m going to make a point of returning to at some point in the future.  They also know how to do Christmas right.

Until the next time, happy travels.

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It’s a Wonderful Play

George Bailey is a good man who has been pushed to his breaking point.  Deciding that the world would be better off without him, George contemplates suicide.  But a kindly angel trying to earn his wings is about to show George the difference one person can make.  This is It’s a Wonderful Life by Phillip Grecian and it is currently playing at the Grand Opera House.

It’s rare, but once in a great while I actually get to attend a show purely as a patron.  However, I was so touched and impressed by this production that I felt compelled to put fingers to keyboard and share its wonderfulness.  This is a terrific show for the holidays and Grecian has written a beautiful script that is full of warmth, sensitivity, strong dialogue, a bit of melancholy, and is so full of hope.  His words are brought to incredible life by a powerhouse cast that maximizes the fullest potential of the script.

Michelle Blanchard deserves the highest, possible praise for her direction of this story.  It is so strong and confident.  She knows exactly where this story is going and knows how to get her cast to that destination.  Every beat is a bullseye.  Every emotional shift is spot on.  Ms Blanchard has coached her cast to superb performances and this cast, without question, projected better than any I have previously heard.

With a cast of excellent actors, it’s very hard to limit myself to just a few choice performances.  But some of the quality performances you will see in this show come from Helen Waldmeier who brings a sweetness and fun to her portrayal of Mary Hatch-Bailey; Trenton Sanchez who ably plays the younger version of George Bailey with his integrity and gentleness; and John Gunther whose rich baritone voice rings with a kindly authority as Joseph, God’s right hand angel.

Stephen Green is all aces as George Bailey.  Green’s Bailey is so full of decency and goodness that you feel better about yourself for having met him.  Green is so, so convincing as a man who has constantly sacrificed his dreams and desires in order to fulfill a greater good.  He also wisely adds just the right touch of sadness to Bailey to show that he often muses about what might have been which makes his joy when he realizes his true value all the more moving.  The only slight difficulty with his performance is that Green seems to suffer from the same issue as Gregory Peck.  He’s so good at being good that his rare moments of anger and frustration seem a pinch off the target.

Robert Armstrong brings a quiet strength to his take on Clarence.  He’s a simple angel second class who has been trying to earn his wings for 200 years.  He’s a good listener and has genuine empathy for people.  Armstrong also gives his Clarence the ability to think fast on his feet as his idea of jumping into the river to get George to save him seems very extemporaneous. He also injects a bit of playfulness into the role with his confrontation with the play’s de facto villain, Mr. Potter.

Danny Fairchild’s Henry Potter is the guy you love to hate.  Fairchild steals his scenes with a Potter who is oily, manipulative, curmudgeonly, and vengeful.  Fairchild is an amazing actor with a grand gift for a turn of the phrase.  His sense of timing was deadly accurate and, son of a gun, he managed to be humorous in his unlikability as well.  It is a well constructed and crowd pleasing performance.

Frank McClain’s sounds were some of the best I’ve heard in a production, especially the twinkling sound effects when Clarence was communicating with Heaven.  Jan LaVacek has made a nearly bare bones set with the bridge over Bedford Falls being the only constant.  I liked the efficiency of his set which could rapidly change into Ma Bailey’s home to the Bailey home to the Bailey Building and Loan to Potter’s office.  Gloria Fitzpatrick’s costumes were so natural and suitable that I thought the cast was wearing their own clothes.

As I earlier stated, this is the perfect show for the holiday season.  It’s sweet.  It’s funny.  It’s hopeful.  It also show us just what great gifts we can be and that we all have the power to be that force for good in the lives of others.  There are only 2 performances left.  Don’t miss out on this touching show.

It’s a Wonderful Life continues at the Grand Opera House until Dec 3.  There is a performance tonight at 7:30pm and tomorrow at 2pm.  For tickets, contact the theatre at 563-588-1305 or visit www.thegrandoperahouse.com.  Tickets cost $20 for adults and $12 for 17 and younger.  The Grand Opera House is located at 135 W 8th St in Dubuque, IA.

The McGuigans Shine On (Like the Moons, and the Stars, and the Sun)

It was ten years ago this day

That these boys got the chance to play

Some great music that will make you smile

And forget about life for a while.

So may I introduce to you

The act you’ve known for ten great years?

The McGuigans and their rockin’ Beatles band!!!!!

It’s the tenth anniversary run of Yesterday and Today and it’s playing at the Omaha Community Playhouse.

Now it’s possible that there are some reading this review and wondering, “What is Yesterday and Today?”  Well, allow me to enlighten you.  Yesterday and Today is the tribute of three brothers (Billy, Ryan, and Matthew) to the music of the Beatles and to their late father who passed on his love of the Fab Four to his sons.

There’s no gimmickry with this band.  They don’t ape the Beatles.  They just play the music of rock’s greatest group, but fuel it with their own special energy for one amazing night of entertainment.

It’s also never the same show twice.  This is a request show where the audience chooses the night’s numbers.  Pick anything you like because this band can play them all from their biggest hits to their obscurest tunes.

Two years ago, I had the honor of reviewing this show and I felt privileged to come back and review its 10th anniversary run.  As a writer, I couldn’t help but wonder, “What new insights might I glean to share with the public?”  As it turns out, I had very little to fear because, as the Beatles did, this show just continues to evolve and grow with each passing year.

Not only did the audience get a new, simplified two tiered stage from Jim Othuse, but a slight change in the formatting of the show put more control in the hands of the audience than ever before.  As Billy correctly states, “If you’re not having fun, it’s your own fault.”

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This band plays the music of this legendary group with a reverence and passion no mere tribute band could ever hope to match.  I have seen this show in many, many incarnations over the years and I assure you, tonight’s performance was the best I have seen yet.  Not only were the performers beyond on, but this audience picked some of my all time favorite Beatles tunes.

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Billy McGuigan

Billy McGuigan is your Sgt. Pepper of the evening.  Using his magical wit and charm, Billy serves as the band’s spokesperson as he banters with the audience and shares a few heartfelt stories along the way.  He also dazzled the crowd with his skill on guitar and keyboard.  He got the night off to a fiery start with “Get Back”, sang a catchy cover of “When I’m Sixty-Four”, and paid heartfelt tribute to his father with his favorite Beatles song, “Let it Be”.

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Ryan McGuigan

Ryan McGuigan was a force to be reckoned with in tonight’s show.  Proving he may well be the second coming of John Lennon as he possesses the same beautiful, raw tenor singing voice; Ryan sang lead on quite a few numbers, blasting all of them out of the park.  Some of his standout performances were his harmony part on “It Won’t Be Long”, his haunting rendition of “A Day in the Life”, and an unbelievably nuanced take on the ethereal and stream of consciousness “Across the Universe”.

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Matthew McGuigan

Matthew McGuigan lent a hand with his top notch bass playing and own formidable tenor.  He got the crowd rocking with “Hey Bulldog”, took us back to yesteryear with “Eight Days a Week”, and poured his heart into “While My Guitar Gently Weeps”.

And let us not forget the rest of the talented group.  Jay “Superman” Hanson blew the crowd away with his fluid and difficult guitar work and got a moment in the spotlight with the sweet “Here Comes the Sun”.  Rich Miller’s drumming kept a steady beat and his own baritone voice was put to good use in “Yellow Submarine”.  Tara Vaughan had great presence with her animated tambourine and keyboard playing and was splendid with a solo in “Oh, Darling!”.  Aaron Slagle satisfied the audience’s need for more cowbell in “A Hard Day’s Night”.

This show is fantastic for any Beatles fan from the casual to the ultrafan and from the young to the young at heart.  I defy anyone who watches it not to feel like they’re flying ten feet off the ground when the night is over.  My only disappointment is that two hours feels like two minutes and I (and the rest of the crowd) could have easily spent all night rocking out with the band.

The opening night production was completely sold out, so if you’ve never seen this show, get a ticket right away.  And if you are a fan, you better have a ticket because I don’t see them lasting very long.  Find out why Yesterday and Today is the hottest show this holiday season.  A splendid time is guaranteed for all.

They’re the McGuigans and their Beatles band,

You’re going to enjoy the show.

The McGuigans and their Beatles band,

You’ll be sorry when it’s time to go.

The McGuigans and their

The McGuigans and their

The McGuigans and their rockin’ Beatles band!!!!

Yesterday and Today plays at the Omaha Community Playhouse through Dec 31.  Showtimes are 7:30pm Thurs-Sat and 6:30pm on Sundays.  There will be an extra performance at 2pm on Nov 26 and no performances on Nov 30 and Dec 24.  Tickets cost $40 a person.  On Dec 31, there will be performances at 7pm ($50 tickets) and 10pm ($75 tickets).  For tickets, contact the Omaha Playhouse at 402-554-553-0800 or visit www.TicketOmaha.com or www.omahaplayhouse.com.  The Omaha Playhouse is located at 6915 Cass Street in Omaha, NE.

(Photography provided by Sonia Keffer)

The Death of Innocence

A group of youths in provincial Germany experience the thrill of their emerging adulthood and the pain of losing their childhood innocence.  This is Spring Awakening with book and lyrics by Steven Sater and music by Duncan Sheik based off of Frank Wedekind’s original play of the same name.  It is currently playing at the UNO Theatre.

I’m not familiar with Wedekind’s original play, but have read praise for Sater remaining reasonably faithful to the original work.  Wedekind’s tale poses some very challenging ideas and themes that still resonate today.  The theme of emerging adulthood takes the form of their sexual awakening and the youths are thrilled and unnerved by the changes taking place within them.  However, this awakening comes at a price.

The change into adulthood comes at the cost of their innocence and hope.  Even worse, they are ill equipped to handle these changes due to a society of adults which refuses to educate and help them cope with these changes.  Instead they label the youths’ burgeoning desires as evil and hypocritically hide their own evil and cruelty to maintain a world that suits their vision.

Sater does a fine job updating Wedekind’s work for a modern audience and Sheik has written a punchy score full of catchy, memorable tunes.

It’s unusual to see two directors at the helm of a show, but Doran Schmidt and Wai Yim do quality work in guiding this musical.  Clearly both are on the exact same page with their vision, fusing their unique talents to create a strong show.  Their performers know what they are doing with their roles and where they are going.  Ms Schmidt’s musical direction is spot on and Yim’s gift for designing movement keeps this story going as there is never a static movement.  The actors make full use of the performance space in an effortless and unceasing flow of movement and action.

The supporting cast is skilled and unified.  They harmonize well.  They play well off each other.  All manage to find the ebbs and flows and the humorous and serious moments of the production.  But I’d like to single out Bethany Bresnahan for a memorable cameo performance as Ilse.  Ms Bresnahan’s Ilse is the lone character who seems to retain her childhood innocence as she transitions into adulthood.  She had a dynamic presence, beautiful animation, and a haunting sequence in “Don’t Do Sadness/Blue Wind”.

Ryan McCann is wonderful as Melchior.  McCann well plays the duality of this character as Melchior is both the angel and the devil.  He is a playful, intelligent wit and loyal friend.  But he also has the makings of a fiend within him with his whipping (albeit requested) and possible raping of a childhood friend.  Truly, he seems to be the character in the most danger of becoming part of the cruel, hypocritical society he lives in until he finds the strength to overcome it with a little help from his spiritual friends.

McCann’s tenor was in fine form all night.  His voice captured all of the important nuances both musically and orally.  He especially shone in “The Guilty Ones”, “Those You’ve Known”, and the night’s best number, “Totally F@!#ed”.

Seldom have I felt the kind of empathy for a character as I did for Nick Jansen’s Moritz.  Moritz has pressures on him that few adults could be expected to handle, let alone a child.  His parents demand perfection from him.  He studies beyond the point of exhaustion.  He’s uncomfortable with his new “sticky dreams”.  Jansen does superior work in communicating the ever mounting weight on Moritz’s shoulders until he collapses under the pressure.  Jansen also has a fine tenor and falsetto best utilized in “Don’t Do Sadness/Blue Wind” and “And Then There Were None”.

Roni Shelley-Perez soars as Wendla.  Wendla may be the show’s most tragic character as her innocence makes her truly childlike.  An overprotective mother refuses to help her understand her transition into adulthood.  Her safe lifestyle has rendered her unable to feel, pushing her to request to get whipped by Melchior so she can empathize with a classmate who is routinely beaten by her father.  Due to her safety and immaturity, Wendla simply does not know how to protect herself and those who should protect her fail utterly.

Ms Shelley-Perez brilliantly essays the confusion and innocence of Wendla.  I was especially impressed with her facial expressions during her moment of intimacy with Melchior which left it beautifully ambiguous as to whether or not it was rape.

Ms Shelley-Perez can also belt out a tune with a monstrously strong soprano in “Mama Who Bore Me” and “The Word of Your Body”.

Steven Williams has designed a simple, yet imposing set of black pillars and balcony with chalk drawings all over it.  Audrey Wardian’s lights were incredible with strobe flashes and emotional colors which were all variations of the rainbow leading to subtler shades of meaning.  Valerie St Pierre Smith’s costumes invoked the sedate elegance of 19th century school uniforms and clothing.

At this preview night performance, the cast started off a bit hesitantly and quietly.  Once they reached “Totally F@!#ed” they were firing on all cylinders and the theatre was overflowing with their confidence and I do believe they are on to something quite magical.  Sound also suffered a touch from either microphone issues or dead spots on the stage.

Growing up is hard to do, especially when there isn’t an instruction book or a person with experience to lend a helping hand.  Spring Awakening does a dandy job in sharing the difficulty and pain of growing up, but it also leaves a glimmer of hope that the current generation will fix the mistakes of the previous.

Spring Awakening plays at the UNO Theatre in the Weber Fine Arts Building through Dec 2.  Showtimes are 7:30pm on Fridays and Saturdays.  Tickets cost $16 (a 2nd preview night performance on Nov 16 will be $6).  UNO students can attend the show for free.  For tickets, call 402-554-PLAY or visit www.unomaha.edu/unotheatre.  Due to strong language and sensitive themes, Spring Awakening is not suitable for children.  The UNO Theatre is located at 6001 Dodge St in Omaha, NE.

Watch Your Step at the Blue Barn

BLUEBARN THEATRE presents 

THE 39 STEPS

adapted by Patrick Barlow from the novel by John Buchanan 

The original cast returns in this retro-Award-winning flashback! Mix a 1930s Hitchcock masterpiece with a juicy film noir and a dash of Monty Python and you have an unforgettable evening of pure pleasure. Packed with nonstop laughs, over 150 characters, an on-stage plane crash, and some good old-fashioned romance, The 39 Steps is a riotous blend of virtuoso performances and wildly inventive stagecraft that’s guaranteed to thrill.

Directed by Susan Clement-Toberer; Scene Design by Martin Marchitto; Costume Design by Lindsay Pape; Costume Coordinator, Kendra Newby; Sound Design by Craig Marsh based on an original sound design by Miles Polaski; Lighting Design by Shea Saladee; Cast includes Ben Beck, Bill Grennan, Kirstin Kluver, and Ablan Roblin.

Performance dates:

November 24 – December 17, 2017

Thursday, Friday, and Saturday performances at 7:30 pm

Sunday, November 26 at 6:00 pm

Sunday, December 3 at 2:00 pm

Sunday, December 17 at 2:00 and 6:00 pm

ADDITIONAL PERFORMANCES

Wednesday, December 6 at 7:30 pm

Wednesday, December 13 at 7:30 pm

Tickets go on sale to the public Monday, October 30, 2017

Call the BLUEBARN box office 9:30am-4:30 pm M-F

Or visit www.bluebarn.org

Ticket prices:

Adults             $30

Seniors 65+    $25

Students         $25

About the BLUEBARN Theatre

The BLUEBARN Theatre has been bringing professionally-produced plays to area audiences since 1989. Since its inception, BLUEBARN has produced over 100 plays and has established itself as Omaha’s professional contemporary theatre company.  Striving to bring artistically significant scripts and professional production values to Omaha and the surrounding region, BLUEBARN is known for high-quality entertainment and the fearless pursuit of stories that challenge both theatre artists and purists.

It’s a McGuigan Musical Anniversary

Yesterday and Today 2

Omaha, Neb.—The Omaha Community Playhouse (OCP) presents the 10th anniversary of Yesterday and Today the Interactive Beatles Experience Nov. 24 – Dec. 31, 2017 in the Howard Drew Theatre featuring Billy McGuigan and his brothers.

Yesterday and Today is an interactive Beatles experience featuring Billy McGuigan, his brothers, Ryan and Matthew, and a backing band of local musicians. The performers play all Beatles music, take audience requests and interact with the audience; no two shows are ever the same. The brothers started the show as a tribute to their late father who loved The Beatles and introduced his children to the band’s music. The McGuigan brothers now tour the country with Yesterday and Today to create the ultimate living tribute to their father.

Billy McGuigan and his brothers are back for the 10th consecutive year at Omaha Community Playhouse! This all-request Beatles tribute show will have you dancing in the aisles and singing along to every song. Share your stories and relive your memories with your favorite Beatles songs. No two shows are the same, and every show is a guaranteed exhilarating time!

Production: Yesterday and Today: An Interactive Beatles Experience

Credits: Featuring Billy McGuigan, Music Director Rick Avard, © 2007 By Rave On! Productions

Group Members  

Billy McGuigan   (Vocals/Guitar/Keyboard)

Matthew McGuigan     (Vocals/Bass)

Ryan McGuigan     (Vocals/Acoustic Guitar)

Tara Vaughan    (Keyboard/Vocals)

Jay Hanson     (Vocals/Lead Guitar)

Rich Miller     (Percussion/Vocals)

Show dates: Nov. 24-Dec. 31, 2017; Thursday–Saturday, 7:30 p.m., Sunday, 2 p.m. (Nov. 26 only) and 6:30 p.m. (No performances Thursday, Nov. 30 or Sunday, Dec. 24.)

New Year’s Eve performances: Two performances on Sunday, December 31 (No group discounts on New Year’s Eve)

7 p.m. $50 per person
10 p.m. $75 per person
Complimentary champagne punch and cake will be served prior to each performance with a champagne toast at midnight.

Tickets: Available now at the OCP Box Office, by calling (402) 553-0800 or online at www.OmahaPlayhouse.com or www.TicketOmaha.com. Single tickets start at $40 for adults and students. Tickets for groups of 12 or more are $35.

Sponsored by:   C&A Industries, Inc. and KMTV (media sponsor).

Location:  Omaha Community Playhouse, Howard Drew Theatre, 6915 Cass St, Omaha, NE  68132

It’s Christmas Time at the Playhouse

42nd Annual A Christmas Carol at Omaha Community Playhouse

Omaha’s Holiday Tradition Opens November 17, 2017

Omaha, Neb.— A Christmas Carol will run at the Omaha Community Playhouse in the Howard and Rhonda Hawks Mainstage Theatre Nov. 17-Dec. 23, 2017. This will be the 42nd year for this holiday production at OCP. Actor Jerry Longe returns for his 12th season as Ebenezer Scrooge.

It just isn’t Christmas without A Christmas Carol. Experience Omaha’s favorite holiday tradition as Ebenezer Scrooge takes us on a life-changing journey filled with beautiful costumes, exquisite music, perfectly crafted sets and special effects second to none. Perfect for the whole family!

Production: A Christmas Carol

Credits: By Charles Dickens, Adapted by Charles Jones, Musical orchestration by John J.  Bennett

Directors
:  Kimberly Faith Hickman , Jeff Horger
Music Director: Jim Boggess
Choreographer: Michelle Garrity

Cast

Jacob Roman as Fred

Don Harris as Jake, Ball Musician, Man at Cart

Amanda Charles as Nell

Jerry Longe as Ebeneezer Scrooge

Chris Berger as Bob Cratchit

Bob Gilmore as 1st Charity Man, Ghost of Christmas Present, Baker

Marcus Benzel as 2nd Charity Man, Mr. Fezziwig

Jake Parker as Peter Cratchit

Brodhi McClymont as Francis Cratchit

Maddie Smith as Belinda Cratchit

Annabelle DeWater as Tim Cratchit

Don Keelan-White as Jacob Marley, Ball Musician, Man at Cart

Lori Lynn Ahrends as Ghost of Christmas Past

Tyson Bentley, Judson Cloudt, Daniel Davis, Cal Hernandez, Lincoln Hoffart and Neal Jochim as School Boys

Andrew Hedin as Ebby

Stella Clark-Kaczmarek as Fan

Brendan Brown as Dick Wilkins, Poulterer

Catherine Vazquez as Mrs. Fezziwig, Baker’s Wife

Boston Reid as Young Scrooge

Emma Chvala as Belle Fezziwig

Jen Dillon as Mrs. Cratchit

Hannah-Kate Kinney as Martha Cratchit

Elise O’Neil as Millie

Jenna Hager as Lucy

Brandon Fisher as Topper

Amanda Charles as Myrtle Crow

Julia Ervin as Mrs. Dilber, Chestnut Vendor

Ava Palmer as Child with Sled

Adult Ensemble features Annie Hekl, Isabelle RAngel, Alex Nilius

Youth Ensemble features Cora Johnson, Lilian Johnson, Olivia Walling, and Burke Wissman

Sophia Markle as Little Bo Peep, Mary

Caeli Karasek as Little Boy Blue

Cody Girouex as Beggar

Josie Ausman as Greenery Vendor

Kristopher Fleeman as Toyshop Keeper

Fezziwig Ball Dancers will be played by Amanda Charles, Marcus Benzel, Emma Chvala, Chris Berger, Jen Dillon, Brendan Brown, Julia Ervin, Brandon Fisher, Jenna Hager, Kristopher Fleeman, Annie Hekl, Cody Girouex, Elise O’Neil, Alex Nilius, Isabelle Rangel, Boston Reid, Catherine Vazquez, and Jacob Roman

Marley Minions will be played by Jennifer Bonge, Katie Hoskins, Evelyn Kinney, and Reese Uptmor

Tyson Bentley as Joseph

Andrew Hedin, Cal Hernandez, and Neal Jochim as the Wisemen

Daniel Davis as the Innkeeper

Shepherds to be played by Judson Cloudt, Annabelle DeWater, Lincoln Hoffart, Brodhi McClymont, Bruke Wissman

Angels to be played by Josie Ausman, Jennifer Bonge, Stella Clark-Kaczmarek, Katie Hoskins, Cora Johnson, Lilian Johnson, Caeli Karasek, Evelyn Kinney, Ava Palmer, Maddie Smith, Reese Uptmor, and Olivia Walling

 

Show dates: Nov. 17-Dec. 23, 2017; Wednesdays, 7:00 p.m., Thursdays–Saturdays, 7:30 p.m.
and Sundays, 2:00 p.m. & 6:30 p.m. (No performances on Weds., Nov. 22 and Thurs., Nov. 23.)

Tickets: On sale now at the OCP Box Office, by calling (402) 553-0800 or online at www.OmahaPlayhouse.com or www.TicketOmaha.com. Before Dec. 13, tickets start at $38 (adults) and $25 (students). Dec. 13-23, tickets start at $42 (adults) and $29 (students). For groups of 12 or more, tickets are $32 (adults) and $18 (students) for all dates.

Sponsored by: First National Bank, KPMG (orchestra sponsor), JK Barker Foundation (cast dinner sponsor), Rotella’s Bakery (bakery shoppe and snow sponsor) and KETV (media sponsor)

Location: Omaha Community Playhouse, Howard and Rhonda Hawks Mainstage Theatre

6915 Cass Street | Omaha, NE 68132 

Performance note: A shadow interpreted performance for the hearing impaired is scheduled for Sunday, Dec. 10 at 6:30 p.m.

Food drive: Audience members are encouraged to bring nonperishable food items to OCP to benefit the Food Bank for the Heartland as part of Conagra Brand’s Shine the Light on Hunger campaign.