Broken Dreams

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From left to right, Tony Schik as Lennie and Josh Peyton as George

George and Lennie have a simple dream.  They just want a piece of land of their own where they can grow some vegetables, tend some rabbits, and live life as they please.  On the cusp of realizing that dream, the ground suddenly threatens to fall away from under their feet with the most cataclysmic reality.  This is John Steinbeck’s Of Mice and Men currently running at the Omaha Community Playhouse.

Reviewing this show is a true pleasure as it is not only the best show I’ve seen this season, but also the best local show I’ve seen in the past few years.

I’m truly grateful that Steinbeck chose to translate his classic novel to the stage himself as I do not think any writer would have been able to properly communicate his ideas and themes as well as he could.  What made Steinbeck’s writing so beautiful is that he was able to present an incredible amount of themes and power, but kept it wrapped up in a relatively simple story.  At its heart, this is a story of friendship and loyalty, but Steinbeck also introduces themes of greed, poverty, infidelity, hope, frustration, love, and racism.  And he presents these ideas through ordinary, realistic conversation.

A great work needs great direction to properly relay the story to an audience and Ablan Roblin’s direction is a piece of art.  Rarely have I seen such skillful handling of a dialogue driven play.  Roblin keeps the words energized and moving.  He never allows the scenes to become static as he inserts just enough movement and animation to keep them lively and real.  His understanding of the turns and twists of the plot allows him to make sequoias bloom from the tiniest moments.  And the coaching of his cast is championship caliber.  Each actor is fully aware of her or his function and utterly confident in his or her abilities.  This allows them to come together as a whole and create something that is truly greater than the sum of its parts.

There isn’t a weak link in this cast, but some exceptional performances from the supporting cast include Donte Plunkett as a broken, acerbic ranch hand forced to live separately from his working class brethren due to the color of his skin; Mallory Vallier as the lonely, man-hungry wife of The Boss’ son, Curley; and Nick Zadina as the tough, but level headed bunkhouse leader, Slim.

Dennis Collins has a powerful turn as the one handed ranch hand, Candy.  Collins well essays the loneliness and feelings of uselessness of this character.  He’s an older man approaching the end of his days, barely able to work due to his missing appendage, and friendless except for his beloved hound.  The utter joy Collins displays through his eyes and inflection when he is allowed the opportunity to share in George and Lennie’s dream is a true treat for the audience.

Josh Peyton’s handling of George is so effortless that it almost doesn’t seem like he’s acting.  One can actually feel his bond of brotherhood with Lennie and all that entails.  Yes, you can see George’s love for Lennie as he cares for him and stands up for him, but you can also really feel his frustration at the difficulties of caring for Lennie.  Peyton’s emotional choices with his words and body language are always spot on and he is especially compelling when he has to make a crucial decision about Lennie in the play’s final moments.

I was leveled by Tony Schik’s portrayal of Lennie.  It is truly a revelatory performance that’s certain to place him in the running for the Playhouse’s prestigious Fonda-McGuire Award.  He is so utterly believable as the simple, childlike man whose intelligence and maturity is incapable of handling his incredible strength.  Shick brilliantly communicates Lennie’s essence with a slack jaw, veiled eyes, constant excited giggling, and a delivery that shows that Lennie really has to think about what he wants to say before he can say it.  You can’t help but love this big kid, yet ache at the fact that his immaturity and unpredictability make him hard to handle, though life is certainly never dull with him around.

Jim Othuse has crafted another winner with his bunkhouse set.  It is exactly what it needs to be:  simple, dilapidated, but functional for working men.  His lights enhance the moments from darkening at climactic moments to the night sky in the opening scene.  Darin Kuehler’s props add to the effect with his bunk beds and authentic bales of hay.  John Gibilisco’s sounds strongly support the work with sounds of ranch hands talking and the clink of horseshoe playing.  Amanda Fehlner’s costumes are perfect from the elegant dress of Curley’s Wife to the rich clothing of The Boss to the gear of the ranch hands and the poor, common clothing of George and Lennie.  An original score by Timothy Vallier helps to sweep the audience into this world.

John Steinbeck was truly one of America’s greatest writers and this is one of his finest works.  It may not be the feel good play of the year, but it could very well be the best play of the year.

Of Mice and Men plays at the Omaha Community Playhouse through March 17.  Showtimes are Wed-Sat at 7:30pm and Sundays at 2pm.  Tickets start at $40 ($24 for students) and can be obtained at the OCP box office, online at www.omahaplayhouse.com, or by calling the box office at 402-553-0800.  Parental discretion is advised due to some strong language and a few scenes of violence.  The Omaha Community Playhouse is located at 6915 Cass St in Omaha, NE.

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The Big Bad Woolf

A late night party between a pair of couples begins civilly.  As the couples continue to imbibe, old wounds and frustrations begin to manifest, resulting in a hideous game of oneupsmanship between the older couple that threatens to tear both pairs apart.  This is Edward Albee’s Who’s Afraid of Virginia Woolf? currently playing at the Performing Artists Repertory Theatre.

Edward Albee had a real talent for revealing the unsavory underbelly of humanity.  And he does it so subtly and with a tragic poetic beauty.  What starts out as good natured jabbing between an older couple while hosting a young couple transforms into something much darker as the ripostes and reactions become a little more cutting and a bit more brutal.  Suddenly the younger couple gets dragged into the tidal wave of verbal sewage until the disaster hits its peak.  Then it drains slowly away and under all the bilge is still a touch of hope and beauty.

Gordon Cantiello does quite superlative work with his direction.  He makes wonderful use of the theatre in the round space with highly animated staging which allows the actors to keep up the energy of the show and play to all sides of the theatre.  He also thoroughly did his homework on this piece as he understands the numerous twists, beats, and climaxes of each scene and has his insanely talented cast play them to perfection.

Delaney Driscoll rules the stage as Martha.  Ms Driscoll’s Martha is truly a vile piece of humanity.  At one point she says she wears the pants in the family and that’s certainly true as she rules with a iron fist.  She derives a sadistic pleasure out of torturing her husband with vicious comments about his failures and embarrassments or just simply ogling and seducing the young new faculty member visiting their home while guzzling booze and snacking on liquor soaked ice cubes.

Ms Driscoll’s presence defies belief and fills the entire theatre as she charmingly essays a bag of human misery.  And yet, she still is able to make you feel a bit of sympathy towards her when you finally understand what fuels her vicious behavior.

Brent Spencer gives a nuanced, well-balanced performance as George, Martha’s husband.  The best way to describe Spencer’s George is if Machiavelli were a spineless weakling.  Nobody with an ounce of self-respect would put up with the abuse with which Martha subjects George.  Not that he’s a wimp.  He can give as good as he gets with his verbal shots and Spencer’s understated delivery allows him to spout insults that leave people wondering if they have just been zinged.  But when he’s pushed too far, watch out!

When this worm finally turns, he does so with devastating effect.  Spencer’s George gleefully develops horrific games such as “Get the Guests” and “Bringing Up Baby” to inflict maximum punishment on his wife and guests.

Mark Booker underplays Nick so beautifully.  He is clearly the parallel to Martha as he is the boss of his family unit and also trapped in a unsuccessful marriage.  Unlike Martha, he can be kind as he does defend his wife, Honey, from some of the verbal fusillade spewing from George’s mouth.  My favorite part of Booker’s interpretation was how he slowly revealed the spiteful, vengeful side of his personality as he got further into his cups.  This is not a man I would want to cross as he delivers double the punishment for every blow he gets.  Not only can he stand toe to toe verbally with George, he unabashedly makes love to Martha just to twist the knife a bit further.

Katie Otten broke my heart with her take on Honey.  She is the lone, wholly sympathetic character in the piece.  Her ramrod posture indicates the constant level of tension she lives with and is only able to cope with copious amounts of alcohol.  When she’s blitzed her real personality of a fun-loving, uneducated party girl shines through. Miss Otten’s Honey seems a poor match for her genius husband until the truth of their relationship is revealed.

One of my friends once described watching this show as the verbal equivalent of having the skin flayed off his body.  That seems a rather apt description as the power of Albee’s words combined with a superior cast will take the audience along on a bitter, intense roller coaster ride that will leave you feeling beaten and wearied by the end.  That feeling is further enhanced by the skillful sound effects of Doug Huggins as his noises buoy the show’s most powerful and key moments.  It is not an easy show to watch, but it is enthralling.

Who’s Afraid of Virginia Woolf? continues at the PART through Feb 17.  Showtimes are 7pm Fri-Sat and 2pm on Sundays.  Tickets cost $35 ($30 for seniors (60+) and $25 students.  For tickets, contact the box office at 402-706-0778.  Due to mature themes, the show is not recommended for children.  The PART is located inside of Crossroads Mall next to Target at 7400 Dodge St in Omaha, NE.

 

American Classic on Tap for OCP

Of Mice and Men Opens Feb 15 at Omaha Community Playhouse

Omaha, NEOf Mice and Men will open Friday, Feb 15 at the Omaha Community Playhouse.  The show will run in the Howard Drew Theatre from Feb 15-Mar 17, 2019.  Performances wil be held Wed-Sat at 7:30pm and Sundays at 2pm.

Migrant ranch workers in California during the Great Depression, George–an intelligent, but uneducated man–and Lennie–a large man with the mind of a child–dream of making enough money to buy their own land.  When a crime is accidentally committed, the two men are faced with a moral predicament in one of the most powerful and devastating stories of the 20th century.

Directed by Ablan Roblin, the play based on the critically acclaimed classic American novel by John Steinbeck explores the ultimate meaning of friendship.

Tickets are on sale now starting at $40 for adults and $24 for students ticket prices varying by performance.  Tickets may be purchased at the Omaha Community Playhouse box office located at 6915 Cass St, by phone at 402-553-0800 or online at www.omahaplayhouse.com.

Production:  Of Mice and Men

Written By:  John Steinbeck

Directed By:  Ablan Roblin

Cast

Josh Peyton as George

Tony Schik as Lennie

Dennis Collins as Candy

Nick Zadina as Slim

Mike Leamen as Carlson

Steve Catron as Curley

Mallory Vallier as Curley’s Wife

Donte Plunkett as Crooks

Randy Vest as The Boss

Benjamin Battafarano as Whit

 

A, E, I and You

Caroline and Anthony are partners on a project analyzing the use of I and you in Walt Whitman’s “Song of Myself”.  On the surface the two have little in common as Anthony is cheerful, laid back, and outgoing while Caroline is sickly, angry, and seems unable to communicate outside of social media.  As they analyze Whitman’s poem, they begin to peel back their own layers to fully reveal each to the other and a friendship grows between them. . .and perhaps something far more.  This is I and You by Lauren Gunderson and currently playing at the Blue Barn Theatre.

Lauren Gunderson has crafted something truly original with this play.  It is a slice of life in its purest sense.  The play eschews the normal narrative style.  Instead it relies on a powerful sense of voice as the construction of the dialogue is purely conversational.  There doesn’t seem to be a plot as the two characters engage in ordinary conversation.  Yet through this conversation you see the bonds of friendship come into existence and strengthen.  A nice touch to the story is how Ms Gunderson makes the two characters two sides of the same coin.  Each is nearly a polar opposite in terms of personality, height, gender, race, and philosophies.  In spite of these surface differences, one finds they have much in common as they slowly show their real selves to the other.  The play also contains one of the most satisfactory endings I’ve seen in almost any show.

Barry Carman provides a very fine piece of direction to this work.  His staging is of superlative quality as his actors stay pretty far apart from each other when the show begins to show the gap between them.  But they physically move closer and closer to each other as their friendship grows.  His understanding of the script is both deft and delicate as he knows how to get his actors to hit the beats just right so the discoveries always pop with surprise.  Carman has also led his two performers to sterling characterizations.

Early in the show, the character of Caroline refers to herself as “small, but mighty”.  However, small, but fierce might be a better descriptor.  In the hands of Anna Jordan, the character is simply acting gold.  Ms Jordan brings a real sense of anger, distrust, and determination to the role.  Caroline suffers from a bad liver which has kept her a virtual shut-in for most of her life.  Being cut off from the outside world has kept her away from a lot of joys in life.  The nuances of face to face conversation elude her as social media is her primary means of communication.  Pleasures like reading seem to be anathema to her as she’d rather google things.  She’s resigned herself to being alone and dying young, though what she wants is to be out in the crowd and living life.

Ms Jordan’s physicality is tremendous as her anger manifests in her rigid, rodlike posture and body language.  So ever present is her anger that this physicality is used even when she is having fun like dancing in her room which was one of the show’s highlights.  As Anna loosens and opens up, so, too, does her physicality.  Her movements become more fluid and culminate in a rocking air piano solo to Jerry Lee Lewis’ “Great Balls of Fire”.

Jordan Isaac Smith keeps pace with Ms Jordan with his own excellent portrayal of Anthony.  Where Caroline is tight and withdrawn, Anthony is completely loose and open.  Smith’s physicality is almost gliding as he practically floats around the room, especially when he is gushing over the work of Walt Whitman.  He gives a very convincing portrayal of being a good kid.  He’s close with his family, gets good grade, and is popular.  But he also does fine work in playing typical teenage behaviors such as his sheepish looks and delivery when he confesses to Caroline that he’s put off this project until the last minute.

Smith is equally skilled at playing the heaviness of Anthony as well as his lightness.  Though Anthony is a pretty happy person, he does carry his own well of sadness that he slowly reveals to Caroline as their friendship grows.

Martin Scott Marchitto has designed a stellar set for this show.  It truly looks like a typical teen’s bedroom.  His set is further enhanced by the properties of Amy Reiner.  Few can dress a stage like Ms Reiner as her properties of books, toys, records, computer, and furniture add to the messy, lived in quality of this room.  Josh Mullady’s lights add their own brilliant life to the show.  Especially impressive are his use of planetarium lights from Caroline’s toy turtle and the subtle transition from light to dark to light during a moment of awakening in the show.  Molly Welsh’s sounds blend so smoothly into the show that you are sometimes unaware of their presence until powerful moments end and you realize the sound was adding to the moment.

The play’s narrative style may catch a few off guard as it doesn’t follow the ordinary path of a story, but its utter realism and naturalism are crucial to the unfolding of this tale.  With sure and stable direction combined with a pair of potent performances, I and You is another winner in the Blue Barn legacy.

I and You plays at the Blue Barn through Feb 24.  Showtimes are Thurs-Sat at 7:30pm and Sundays at 2pm with the exception of a 6pm performance on Feb 17.  Tickets are $35 for general admission and $30 for seniors.  For reservations, call 402-345-1576 or visit www.bluebarn.org.  The Blue Barn is located at 1106 S 10th St in Omaha, NE.

A Bit of German Americana: Bingham Hall & New Ulm, MN

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Bingham Hall

Today the road has brought me to New Ulm, MN.

Truly this has been one of my most enjoyable trips.  The primary reason for this is that New Ulm is the home of my second oldest friend, Lee Harrington, whom I hadn’t seen in nearly 20 years and a visit with him was my top reason for coming to visit this pleasant little hamlet.

I got an early start for this journey, leaving at 6:30am.  Omaha had experienced a bit of a dusting the previous night so I slowly drove through the metro area.  I was surprised at how many cars were actually out on the road on a frosty Saturday morning, but once I hit I-29, I pretty much had the road to myself and the roads cleared up remarkably.

It was a real pleasure to have a whole new route to drive as I enjoyed the countryside and listened to some tunes.  I made a brief stop in Whiting, IA for some gas and noted a quaint little café that I may have to visit at a future time, but gasoline is quite expensive in this little town.  I paid nearly $2.30 a gallon to fuel up my car, yet if I’d been able to last another 30-40 miles I could have paid $1.90 a gallon.  Ah, well, what can one do?

I was actually on the interstate for only a short period of time as the route is mostly highways.  Surprisingly, I did not pass through many small towns though I did pass through a couple and the cold weather had me thinking of what they might look like at Christmas.

Shortly before noon, I reached the German town of New Ulm, the polka capital of America.  Its Germanic history was readily apparent as a large sign bid me “Wilkommen” as I entered the town.  New Ulm is a pretty easy town to navigate as everything seems built around its main street of Broadway and I’ve learned that there is a lot to do in the area with breweries, Renaissance faires, and music festivals.

I made my way to Happy Joe’s Pizza and Ice Cream where I met my old friend Lee and his daughter, Caitie, and her boyfriend, Joe.  It was as if no time had passed as Lee greeted me with a hug and paid the tab for lunch (thanks, btw).

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Happy Joe’s Pizza and Ice Cream

Happy Joe’s serves a smorgasboard luncheon and it is a pretty good spread.  They have a decent salad bar and serve a good set of hot entrees including a mean piece of fried chicken and their pizza wasn’t too bad as I sampled slices of pepperoni, chicken, bacon, and ranch, and taco.  I spent about an hour and a half conversing with Lee and his family (truthfully, the two of us did most of the yakking) where we caught up on things and shared a lot of old stories about some of the adventures and wacky hijinks we experienced in our childhood and teen years.  Tears were streaming down my face by the end of the visit as I was laughing so hard.

Sadly, it did have to come to an end, but I look forward to another visit in the future where more stories can be shared over a round of HeroQuest (a fantasy role-playing game we played as teens).

From Happy Joe’s, I made my way to the August Schell Brewery.  The brewery is the biggest in Minnesota and the second oldest family owned brewery in the country.  The business has been in the family for five generations and is heading into a sixth one which is highly unusual as most family run businesses only last into the third generation.

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Schell’s Brewery

For a brewery that does such big business, Schell’s is actually quite small.  Only several buildings are on the property which includes one which holds a mini-museum, gift shop, and tasting room; the actual plant; the former boardinghouse, now office for the company’s president, Theodore Marti; and the old family mansion which is now used for events as the current family lives elsewhere.

I highly recommend a tour as it only costs $5 and includes a free tasting session at the end.  At the end, adult tour visitors get to sample at least six different kinds of beer (the kiddos get Schell’s 1919 root beer) and then get a free 12 oz serving of whatever beer they liked the best.

While guests were encouraged to sample 2 oz servings, I limited it to just sips as I still had to drive and I’m a borderline teetotaler anyway.  However, of the samples, I especially enjoyed a seasonal beer called Goosetown which was honestly the second best tasting beer I have ever had.  Had I not had to be on my way, I would have taken a 12 oz glass of that.  I did, however, have a glass of the root beer which was quite tasty.

From the brewery I headed off to Loretto Park to walk The Way of The Cross.  The Way of the Cross are walking Stations of the Cross (a Catholic meditation going through Jesus’ crucifixion and resurrection) and can be found all over the country.  Unfortunately, I’m guessing it, too, must be seasonal as the way was covered in snow and the stations had no statues.  I will have to file that away for another visit.

I killed a little bit of time at the library before I headed over to Bingham Hall, owned and operated by Shannon McKeeth, to check in.

Bingham Hall is a fine old-fashioned inn.  I was greeted at the door by Shannon’s husband, Todd, who ran my card and led me to the Hemle.

Quiet elegance is the best way to describe this room.  The walls are painted cranberry which had a remarkable calming effect.  The centerpiece of the room is its canopy queen bed and memory foam topper.  The room also boasts a uber comfortable easy chair with massage pad, gas fireplace, and a 42 inch cable TV with accesses to over 2,000 free movies.  The bathroom contains an ergonomic one person Jacuzzi bath.

Once I got organized I let the massage pad give me a rubdown before resting on the bed until it was time for church.

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Church of St Mary

Today I attended services at The Church of St Mary and it was quite convenient as it was literally across the street from the inn.  I found the service quite enjoyable as Father was quite earnest in the faith.  Afterwards, I returned to the inn as the temperature was plunging into the sub-zero temps.

I got a fire going, posted some pictures, and took advantage of the film library to watch Play Misty for Me.  The film was Clint Eastwood’s directorial debut and though it had a few pacing issues, I rather liked it as it featured a strong, somewhat un-Eastwood performance as he plays a not entirely likable DJ and an especially creepy performance from Jessica Walter who played his deranged stalker.

The day’s travel and escapades began to catch up with me so I drew a bath where I soaked for a while, shaved, and just enjoyed the jetted water.  I attempted to start a new novel about Blight County sheriff, Bo Tully, but found my lights going out, so I called it a night.

Memory foam is the best.  I slept straight through to dawn.  I took it easy in the morning before heading down to breakfast.

Breakfast was toast, fruit (honeydew, orange, and pineapple), cheese & mushroom quiche, seasoned potatoes, and ham with a glass of orange juice.  I also had a great conversation with Todd and Shannon who are quite proud of their little town and all of its history and things to do.

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Orange juice, ham, fruit, cheese & mushroom quiche, and toast.

I had to cut things a bit short as there is a threat of heavy snowfall over the area and there is a polar vortex blasting the region with sub-zero temps.  But stop in New Ulm if you have a chance.  Bingham Hall is a cozy, comfortable inn of understated elegance and there’s plenty to do in this little German town especially after winter when the town’s activities really get going.

Until the next time, happy travels.

The Game Will be Afoot at BLT

BELLEVUE LITTLE THEATRE PRESENTS
“BASKERVILLE” AUDITIONS

Saturday, February 9, 2019 @ 1:00 – 4:00 pm
Sunday, February 10, 2019 @ 1:00 – 4:00 pm

Interested parties need only attend one day of auditions, so please feel free to select the date that is most convenient for you.

Actors should come prepared to move (not dance), demonstrate a variety of accents and dialects, and read from the script.

Please bring a resume and head shot if you have them and a list of conflicts between March 18 and May 19. Excessive conflicts and conflicts after April 19 may affect casting decisions.

Callbacks: Sunday, February 17
Rehearsals will begin February 18 (evenings and weekends)
Performance Dates: May 3 – 19, 2019
Performances are Fri., Sat. evenings at 7:30 and Sunday afternoons at 2 pm.

Questions? Contact Director, Suzanne Withem at suzannewithem@gmail.com

“Baskerville,” by Ken Ludwig, is a comedic retelling of “The Hound of the Baskervilles,” the classic Sherlock Holmes mystery written by Sir Arthur Conan Doyle. In Ludwig’s version, three actors play nearly 40 supporting characters to the leads, Holmes and Dr. Watson.

Actors of all genders will be considered for all roles, and actors of any gender, race, or ethnicity who are 18 or older are encouraged to audition. All actors will utilize various dialects, but a strong standard British dialect is required.

Characters:
* Sherlock Holmes: (any age; any gender) The world’s greatest detective is sophisticated, quick-witted, and passionate. He is an English gentleman who is very precise in speech and manner. This actor plays only one role.
* Dr. John Watson: (any age; any gender) A kind amiable doctor and Sherlock Holmes’s faithful sidekick. A man of action, intellect and deep emotion. He is also very British.
* Actor 1: (any age; any gender) Plays more than a dozen characters – primarily the villains and baddies. Must be a versatile character actor adept a physical comedy and various accents and dialects.
* Actor 2: (any age; any gender – though likely male identifying) Plays nearly a dozen characters – primarily heroes and gentlemen. Must be a versatile character actor adept a physical comedy and various accents and dialects.
* Actor 3: (any age; any gender – though likely female identifying) Plays more than a dozen characters – primarily maids, nurses, and damsels in distress. Must be a versatile character actor adept a physical comedy and various accents and dialects and willing to challenge traditional gender roles.
* Roustabouts and Foley Artists: (any age; any gender) – These two or three nonspeaking roles will be cast and treated as members of the acting company. They will assist with scene changes, participate in comedy bits, and serve as Foley artists providing live sound effects for the production from onstage. They should be creative problems solvers adept at physical comedy and familiar with silent storytelling. They are vital to the success of keeping the “trunk show” design of the production moving forward and creating the world of the theatre in which the play is performed.

The Bellevue Little Theatre, an all volunteer organization, maintains an “equal opportunity” policy for volunteer recruitment of both board and production positions. Auditions are open to the general public, with the same “equal opportunity” policy. All roles are open for audition except an occasional role is precast and is so noted in the audition notice.

Location:  203 W Mission Ave, Bellevue, NE

“I and You” to Open at Blue Barn

I and You

by Lauren Gunderson

January 31st – February 24th, 2018

Thursday-Saturday at 7:30pm

Sunday 2/10 & 2/24 at 2pm | 2/17 at 6:00pm

About the play:  One afternoon, Anthony arrives unexpectedly at classmate Caroline’s door bearing a beat-up copy of Walt Whitman’s Leaves of Grass, and an urgent assignment from their English teacher. As these two let down their guards and share their secrets, they unlock a much deeper mystery that has brought them together. I and You is an ode to youth, life, love, and the strange beauty of human connectedness.

About the production: I and You features Anna Jordan and Jordan Smith. Directed by Barry Carman, with scenic design by Martin Marchitto, sound design by Molly Welsh, lighting design by Josh Mullady, and properties by Amy Reiner.

The production is generously sponsored by Jannette Davis, University of Nebraska Medical Center, and Mutual of Omaha.

Tickets:

General Admission ($35) and Senior ($30) tickets are available at bluebarn.org. Educator, Military, and BLUCrew tickets are available through the box office (402) 345-1576.

Engage:

Whitman Exhibit

Jan 31st-Feb 24th: Visit the Mammel Lobby at the BLUEBARN to peruse a display on the legacy of Walt Whitman curated by UNL’s Whitman Archive.

Louder than a Bomb: Songs of Ourselves

Sunday, Feb 10th @ 6:30 pm: Join us as we host Nebraska Writer’s Collective presenting spoken word poets from their Louder Than a Bomb program. Four high school teams  (Central, Abraham Lincoln, Mercy and Skutt) will compete on the Blue Barn stage in celebration of poetry, theater, Walt Whitman and young writers.

Gifts of Life

Sunday, Feb 17th, Post-Show: Following our 6pm performance, BLUEBARN convenes a forum of transplant donors, donor family members, recipients, and professionals in partnership with the UNMC Transplant Team and Live On Nebraska. Join us for a discussion on the powerful impact of organ donation and the misconceptions that may prevent some from becoming donors.

AfterWords

Thursday, Feb 14th and 21st, Post-Show: Following the show, stay for a revealing conversation with the stars of I and You, Anna Jordan and Jordan Smith. He and she will be ready and willing to answer any and all questions about I and You for you and yours.

Engagement events are free and open to the public.