Nebraska Shakespeare will hold auditions for the professional company of artists to perform in its 30th Anniversary Season of Shakespeare On The Green:
THE TAMING OF THE SHREW and MACBETH
Residency Dates: May 23-July 10
Performance Dates: June 23 – July 10
Audition Dates (Adult): February 13, 4:00 – 9:00 PM, by appointment.
Location: Lied Education Center for the Arts (2500 California Plz #1, Omaha, NE)
This year’s On The Green company will consist of at least 12 men, 6 women, as well as 1-2 male youth (10-16 years of age) and 1 female youth (8-14 years of age). There are Equity and non-Equity contracts available. Those interested in auditioning for Shakespeare On The Green should prepare two contrasting monologues. One comedy and one dramatic piece are preferred. Youth auditioning should prepare one Shakespearean monologue and sides will be made available. Total audition time is 3 minutes. All actors are encouraged to audition.
To schedule an audition, contact Wesley A. Houston, Director of Production at whouston@nebraskashakespeare.com
Nebraska Shakespeare’s production of THE TAMING OF THE SHREW, directed by Amy Lane, will utilize traditional practices, combining Elizabethan casting practices with Commedia performance techniques. An all male cast will explore role-playing and traditional gender perception in The Taming of the Shrew.
Available Roles Include:
Baptista 50’s-70’s. Male. Any ethnicity. Father of Kate and Bianca, and a Lord in Padua. Pompous, pedantic, and fraudulent. Inept, long-winded, and ineffectual in most situations. [Likely doubles as Duncan in Macbeth]
*Katherine 30’s. Female played by a male. Any ethnicity. The “shrew” of the title. Seemingly bold, pretentious, and swaggering. Notorious for her temper and sharp tongue. Beneath it all, Katherine is a lover at heart. [Likely doubles as Malcolm in Macbeth]
Bianca Early 30’s. Female played by a male. Any ethnicity. Sister of Kate. Innocent and wholesome. Extremely egotistic and eloquent. Having a singular focus on the one she loves, she often speaks with grand declarations of love. [Likely doubles as Banquo in Macbeth]
*Petruchio 30’s. Male. Any ethnicity. Suitor of Kate. A self-appointed soldier, who is seemingly bold, pretentious, and swaggering. Loud, boisterous, and quick-witted. [Likely doubles as Macduff or Mentieth in Macbeth]
*Grumio Late 30’s/Early 40’s. Male. Any ethnicity. (Asian or African-American if doubled with Macbeth). Petruchio’s servant and the fool of the play. With Petruchio he is playful, witty, childlike, and passionate. To other servants, he is Sophisticated, but arrogant, quick-witted, and opportunistic. [Likely doubles as Macbeth in Macbeth]
Nathaniel 20’s. Male. Any ethnicity. Petruchio’s servant. Physically adept, witty, childlike, and passionate. Doubles as Vincentio and Musician in The Taming of the Shrew. [Like doubles as Lennox in Macbeth]
Curtis 20’s. Male. Any ethnicity. Petruchio’s servant. Physically adept, witty, childlike, and passionate. Doubles as Officer, Widow, and Musician in The Taming of the Shrew. [Likely doubles as Seyton or Donalbain in Macbeth]
*Gremio 50’s-60’s. Male. Any ethnicity. Gentleman of Padua. Elderly suitor of Bianca. Able-bodied/athletic. Rich, retired, and miserly. Though he is in control of the money and is quite cunning, he is often deceived and disobeyed. [Likely doubles as Hecate in Macbeth]
*Hortensio Early 30’s. Male. Any ethnicity. Gentleman of Padua. Suitor of Bianca. Pompous, pedantic, and fraudulent. Inept, long-winded, and ineffectual in most situations. [Likely doubles as Stadlin, Seyton, or Ross in Macbeth]
Lucentio Early 20’s.. Male. Any ethnicity. Young student from Pisa. Good-natured, adventurous. Extremely egotistic and eloquent. Having a singular focus on the one he loves, he often speaks with grand declarations of love. [Likely doubles as Menteith or Macduff in Macbeth]
*Tranio Late 20’s. Male. Any ethnicity. Lucentio’s servant. Physically adept, witty, childlike, and passionate. [Likely doubles as Ross, Stadlin, or Seyton in Macbeth]
Biondello 10-16. Male. Any ethnicity. Lucentio’s young servant. Simpleminded, honest, young, and personable. Loves intrigue, which usually lands him in difficult situations. [Possibly doubles as Fleance in Macbeth]
Tailor 20’s. Male. Any ethnicity. Doubles as Merchant and Musician in The Taming of the Shrew. Simpleminded, honest, young, and personable. [Likely doubles as Donalbain in Macbeth]
MACBETH, directed by Vincent Carlson-Brown, takes place in an imagined world. Where the Thanes of Scotland reside, juxtaposed, next to the ghosts of Japan. Where the tenets of tribal warfare mix with the principles of the samurai. Where the monarchy of Shakespeare’s created history mingles its tale with Eastern mysticism. Six Sisters, led by the Priestess, Hecate, will witness Macbeth’s ambitious rise and tragic fall. Each Weyward Sister will play multiple characters throughout.
Available Roles Include:
Duncan 50’s – 70’s. Male. Any ethnicity. The King of Scotland. [Likely doubles as Baptista in The Taming of the Shrew]
*Malcolm 30’s. Male. Any ethnicity. Duncan’s eldest son and Prince of Cumberland. [Likely doubles as Katherine in The Taming of the Shrew]
Donalbain 20’s. Male. Any ethnicity. Duncan’s younger son. [Likely doubles as Curtis or Tailor in Macbeth]
*Macbeth Late 30’s/Early 40’s. Male. Asian or African American. A general in Duncan’s army. Brave,powerful, and ambitious. [Likely doubles as Grumio in Shrew]
*Seyton Late 20’s/ Early 30’s. Male. Any ethnicity. A porter. [Likely doubles as Hortensio, Tranio, or Curtis in The Taming of the Shrew]
Banquo Early 30’s. Male. Any ethnicity. A Thane of Scotland. A brave and noble general. [Likley doubles as Bianca in The Taming of the Shrew]
Fleance 10-16. Male. Any ethnicity. The son of Banquo. [Possibly doubles as Biondello in Shrew]
*Macduff 30’s. Male. Any ethnicity. Thane of Fife. Hostile to Macbeth’s kingship. [Likely doubles as Petruchio or Lucentio in Shrew]
Lady Macduff 30’s-40’s. Female. Any ethnicity. Macduff’s wife. Angry and prideful.
*Ross Late 20’s/ Early 30’s. Male. Any ethnicity. A Thane of Scotland. [Likely doubles as Hortensio or Tranio in Shrew]
*Menteith 30’s. Male. Any ethnicity. Thane of Scotland. [Likely doubles as Petruchio or Lucentio in Shrew]
Lennox 20’s. Male. Any ethnicity. A Thane of Scotland. [Likely doubles as Nathaniel in The Taming of the Shrew]
*Hecate 50’s-60’s. Male. Any ethnicity. Goddess of witchcraft. Able-bodied/athletic. Participates in stage combat. Doubles as Macdonwald, Priestess, Old Man, and Doctor in Macbeth. [Likely doubles as Gremio in Shrew]
*Stadlin Late 20’s/ Early 30’s. Male. Any ethnicity. One of the Weyward Sisters. Doubles as Soldier, Norway and Thane in Macbeth. [Likely doubles as Hortensio or Tranio in The Taming of the Shrew]
Puckle 20’s-40’s. Female. Any ethnicity. One of the Weyward Sisters. Doubles as Groom, Murderer, and Soldier in Macbeth.
Hellwain 20’s-40’s. Female. Any ethnicity. One of the Weyward Sisters. Doubles as Groom, Thane, Woman, and Soldier in Macbeth.
Greymalkin 20’s-40’s. Female. Any ethnicity. Stadlin’s Genius (guardian spirit). Doubles as Captain, Murderer, and Soldier in Macbeth.
Paddock 20’s-40’s. Female. Any ethnicity. Puckle’s Genius (guardian spirit). Doubles as Soldier, Cawdor, and Thane in Macbeth.
Harpier 8-14. Female. Any ethnicity. Hellwain’s Genius (guardian spirit). Doubles as Macduff ‘s daughter in Macbeth.
The role of Lady Macbeth has been cast.
*denotes potential AEA role.
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