Shelterbelt Season Opens with a ‘Revelation’

SHELTERBELT OPENS 24th SEASON WITH REVELATION BY SAMUEL BRETT WILLIAMS

Shelterbelt Theatre is pleased to present Revelation by Samuel Brett Williams, at 3225 California Street, October 7-30. Performances are Thursday/Friday/Saturday at 8pm and Sunday at 6pm (except for the October 30th performance at 2pm.) (Plays: Thursdays | $12 (online: use ticket code THU) • Friday/Saturday/Sunday $20 – general | $15 – students, seniors 65+, TAG). Tickets are on sale at www.shelterbelt.org (click box office), or boxoffice@shelterbelt.org or 402.341.2757. On Saturday, October 8, the theatre will host a post-show talkback with the playwright.

Brandon’s Southern Baptist father always taught him to be prepared for the Rapture. Rebecca is a pre-med student, raised as an atheist. All of a sudden, people begin disappearing, the Hudson River turns to blood, and the entire state of Ohio comes down with a bad case of boils. Brandon grabs Rebecca and tries to make it from New York City to Arkadelphia, Arkansas in hopes of finding the New Jerusalem. Revelation explores faith, love, and the American landscape in a pitch black comedy about the End Days.

“I’ve been interested in the Book of Revelation and “the end of the world” for as long as I can remember,” says playwright Samuel Brett Williams. “When writing plays, I never have answers — I always just have questions that I want to explore. I’m much more interested in theme, than thesis. For this play, I kept going back to the same question — Why as a culture do we crave apocalyptic entertainment?”

The cast features: Nick LeMay, Meganne Storm, Sarah LaCount and Craig Bond. Shelterbelt’s Artistic Director Elizabeth Thompson directs. Stage Manager: Jayma Smay • Assistant Director: Emma Rasmussen • Set Design/Props: Robyn Helwig-Lighting Design: Joshua Mullady • Assistant Lighting: Beau Fisher • Sound Design: Shannon Smay • Costumes: Bridget Mueting.

“I love this play because it allows us (the audience) to see both sides of the religious discussion in humorous, honest and human ways. It’s a comedy, but it has a lot of heart and moments of real truth that I hope will allow people to relate to the characters, all of the characters, on a basic human level regardless of all the labels we place on ourselves and others. The struggle is real right now but if we open our minds, hearts and hands we can get by with a little help from our friends,” Thompson said.

This is Williams first script produced in Omaha. He says, “I came to Omaha a year ago from New York City by way of Arkansas. The theatre and film community have been incredibly welcoming and generous. I’ve fallen in love with Omaha and the art the city is producing. Shelterbelt has been tireless, professional, and utterly fearless in producing this play.”

“This experience will be unlike others in Omaha because for many in our country it feels like the End Days right now. Brett has found a way to tell this story with an open mind and heart,” said Thompson. “Answers are not given freely and questions are encouraged at the end of this world, so it makes sense that the journey should be just as loaded!”

Williams adds, “I promise that if you come see this show you will laugh. And maybe think. And hopefully even feel. But, you’ll definitely laugh.”

In the gallery, Shelterbelt presents ink and watercolor illustrations by William Holland.

Shelterbelt Theatre is Omaha’s home for new plays. This is the opening play in Shelterbelt’s 24th By Local/Buy Local season featuring scripts celebrating our local playwrights. Shelterbelt Theatre is a 2015 and 2016 recipient of the international 50/50 Applause Award by the International Centre For Women Playwrights, which applauds theatres that produce a season with an equal or greater number of plays written by female playwrights. (www.womenplaywrights.org).

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