An Independent Man in Independence, MO: The Silver Heart Inn

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It was a scorching summer’s day to start another of my little road trips.  But a little AC and some tunes made for a very quick and pleasant drive.

I was off to Independence, MO where I would be staying at the Silver Heart Inn, owned and operated by Perry and Melanie Johnson, as well as reviewing The Crucible for the Barn Players.

I only made one miscalculation for the trip.  With only an overnight stay planned, I had to be selective in the activities I chose to do.  I decided to visit the Truman Presidential Museum and Library and figured an hour would be enough time to get through it.

It was not enough time.

I did manage to get through Truman’s presidential years, but did not make it through the section detailing his personal life.  Rest assured, I will rectify this error if and when my travels bring me through this area again.

Truman was a very interesting President.  He was a common man who came from a period where you didn’t have to be wealthy to run for the Presidency.  He was a simple farmer who had deep ties to labor.  He wasn’t a good speaker.  He was put into power by a political machine, yet he was a incredibly honest man who vowed to get things done the right way.  Despite holding the prejudices of his time and place, Truman helped launch the Civil Rights movement after observing the horrible treatment of black people after World War II.  He made the decision to drop the atomic bomb.  Truman also had the biggest upset in political history when he was reelected to the Presidency in his own right when it was believed he would be crushed by his opponent, Thomas Dewey.  This was due to his Whistlestop Campaign where he rode a train through numerous communities to share his message, sometimes speaking at a dozen stops a day.

What I found most interesting about Truman was that he seemed to have no aspirations to be President.  It was his everyman quality (especially his ties to farming and labor) that secured his nomination for the Vice Presidency.  In reality, the Democrats were really looking for the next President as it was obvious FDR would not be long for the world.  In fact, he died shortly after he was reelected to his fourth term.

I also had great respect for Truman’s decency.  When his term of office expired, he was not a wealthy man and could have earned fat fees doing public speaking tours, but he refused to trade on the office of President.  Instead, he founded the Presidential Library which was the first in our country and I look forward to completing my tour of the museum some future day.

About 3pm, I headed to Silver Heart Inn to check in.  I pulled into the parking area, sidestepped a few chickens wandering about the property, and headed to the back door entrance where I was quickly greeted and led to my room.

I had been expecting to stay in the Roy Gamble Room, but was upgraded to the Napolian Stone Room instead.  It was one of the smaller rooms I had stayed in, but I enjoyed the rich brown of the walls, the soft and comfortable queen bed, and the gas fireplace.  I made my normal explorations and then killed a couple of hours reading Face to Face by Ellery Queen and brushing up on Silver Heart Inn’s history.

The Silver Heart Inn was built 1856 by local businessman, Napolian Stone.  The house used to be twice its original size and originally built in a T formation.  That changed when Judge George Jennings, the house’s owner in 1923 had the house split in half and moved to the same side of the street.  This was done as Jennings recognized that Noland Street (where the home is located) was becoming Independence’s main thoroughfare.  The inn, itself, was the back wing of the house.  The front wing fell into disrepair and was destroyed in the 1960s.

At 5pm, I headed off for an early dinner.  I once again dined at Corner Café, which you may remember from my trip to Liberty, MO about a year ago.

The restaurant was packed so I took advantage of my solo status to dine at the counter.  I ordered the Turkey Melt, one of the house specials, with a side of loaded French Fries.  Within five minutes of my hour, a plate of piping hot food appeared which I relished as I continued to read my novel.

Once fed, I drove to Mission, KS to enjoy another stellar production by the Barn Players.  It was one of the finest dramas I had ever watched and I could not wait to get back to the inn to start writing.  You can read the review here.

After I finished writing, I curled up in my bed for a restful night’s slumber.

When I awoke the next morning, I drew a hot bath and enjoyed a long soak before wandering downstairs in search of breakfast.

Breakfast was a rather pleasant, if quiet, affair.  I continued reading my mystery as I enjoyed a dish of yogurt, blueberries, granola, and cream for an appetizer followed by the main entrée of turkey sausage (I think) and an Eggs Benedict omelet served with goblets of water and orange juice.  After this tasty affair, I settled up my bill and headed off to worship services at St Mark’s before heading for home.

I definitely would recommend a stay at Silver Heart Inn if you find yourself in the Independence area.  It’s quiet and comfortable and you’ll get yourself a tasty meal (and some other perks offered by the inn if you’re so inclined).  You’ll just be minutes away from the Truman Museum and can’t pick up a little history if you wish.

Until the next time, happy travels.

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In the Garden of Evil

One girl’s lie to avoid trouble for dabbling in a voodoo ceremony unleashes a swathe of evil upon the city of Salem.  Under the hysteria of witchcraft, secret hatreds and jealousies are vented through baseless accusations sending innocent victims to the gallows.  Will a farmer burdened by his own secret sin be able to halt the onslaught?  Find out in Arthur Miller’s The Crucible currently playing at the Barn Players.

I have been involved with theatre for nearly 22 years.  I’ve acted, directed, stage managed, worked on crew, run lights and sounds, and reviewed shows.  Having experienced all of these different aspects of theatre has helped me to develop a sixth sense about plays and I’ve usually got a good feel for the quality of a show as I head into it.  As I walked into the theatre for tonight’s production of The Crucible, I had a feeling that this was going to be a pretty good show.  However, I must admit that my sixth sense was wrong.

This show wasn’t “pretty good”.  It was beyond amazing!!  It may very well be the very best drama I’ve ever seen staged.

Few writers could pen a tragedy as well as Arthur Miller due to his understanding of the human condition.  In The Crucible, he presents humanity at its basest and its stupidest.  It’s hard to fathom people being depraved enough to lie about their neighbors in order to steal their property or to satisfy a hidden grudge.  But it’s even harder to realize that supposedly intellectual judges could fail to see through such a farrago of nonsense and deception and forget that justice means innocent until proven guilty and not the other way around.

The Barn Players was fortunate to have David Martin helming this show because his direction was transcendent.  He brought Miller’s story to life in its full glory.  He not only understood the story’s darkness, but he also found the glimmers of hope and humor buried in the tale and brought them to light as well.  His staging was impeccable and made full use of the entire theatre.  You couldn’t punch a hole in the quality of his cast’s acting.  He also did double duty on sound design which was so apropos from the creepy, haunting music heading into the first scene to the relentless drumbeat to close out the show.

This is one of those shows where I’d like to do a write up on every single actor, but, for the sake of brevity, let me assure you that there wasn’t a weak link in the lot.  Each and every one was fully immersed in the story which only brought the audience deeper and deeper into it.  But I want to especially note the work of Charles Christesson who brought intelligence, levity, and heartbreak into the character of Giles Corey; Scott Shaw’s Rev. Samuel Parris, the “man of God” more concerned with power and reputation than faith; and Emma Cook’s portrayal of Mary Warren, a servant stretched to the edge of sanity due to being the rope in a spiritual tug of war between John Proctor and Abigail Williams.

I was particularly impressed with what Michael Juncker dug out of the role of Deputy Governor Danforth.  He plays Danforth as a man of strong, if misguided, character.  He truly believes in the cause of justice and honestly believes he is doing his part to rid Salem of witchcraft.  Yet his appalling cluelessness is sickening as he can’t see through the histrionics of the accusers, puts the letter of the law above its spirit, and claims to be doing the will of God, yet ignores the undisputed expert on witchcraft and true man of faith, John Hale.

Jessica Franz’s take on Elizabeth Proctor is as strong as it is tragic.  Ms Franz well communicates the sickliness of the recovering Elizabeth and ably portrays the duality of warmth and iciness in the character.  Elizabeth wants to love and trust her husband, but has difficulty doing so due to an infidelity on his part.  When her warmth finally wins out, it makes her horror at dooming John Proctor due to a lie she concocts to protect his honor all the more believable and heartrending.

I loved Phil Howard’s take on Rev. John Hale.  Howard’s Hale is a good man.  He is a decent man.  Sadly, when all is said and done, he is also a broken man.  Howard presents Hale as a truly devout man dedicated to God and ending the scourge of witchcraft.  But he is also an intelligent and just man who is dedicated to discovering the truth more than anything.   Howard’s anguish is palpable when he realizes the truth behind the Salem witch trials and tries to mitigate the damage by persuading accused witches to give false confessions which will preserve their lives, but excommunicate them.

Abigail Williams truly is a witch, but not in the magical sense.  In Lauren Hambleton’s capable hands, you will experience one of the greatest villains I have seen on stage.  Ms Hambleton’s Abigail is unspeakably disgusting and diabolically clever.  What begins as a simple lie to avoid punishment for participating in a voodoo ceremony evolves into a cunning plan to rid herself of her perceived rival in Elizabeth Proctor for the love of John Proctor, with whom she had an affair, and a chance to revenge herself on the “hypocrites” (though some truly are) of the town.  Evil just oozes from Ms Hambleton’s pores and I really appeciated the smarts she brought to Abigail who enhances her lies through information she gleans from Rev. Hale’s questions and books.

Andy Penn’s work as John Proctor is a tour de force performance.  Penn brilliantly essays the walking paradox that is Proctor.  He is a good man, but is bowed by the guilt of his infidelity with Abigail Williams.  He believes in God, but hates the hypocrisy of his church.  He is willing to make a false confession to save his life partially because he doesn’t want to have his death be a lie about him being a saint.  Penn provides a clinic in acting as he finds beats within beats within beats as he creates a man you will admire for his strength and pity for his weakness.

Steven Ansel James has prepared a wonderful bare bones set with its extended stage, docks, and chalk drawings of trees, heretical words, and occult symbols.  Chuck Cline’s lights gorgeously animate all of the emotional moments of the show.  Jenny Knecht’s costumes perfectly reflected the Puritan time period.

At one point, Rev. Hale wonders if the devil has come to Salem.  The sad truth is that he did because the people of Salem opened the doors and invited him in by succumbing to their own evil desires.  But even in all the darkness and mayhem, Arthur Miller still manages to show where there is a kernel of faith, hope, and decency, the devil can still be overcome.

This play is storytelling at its zenith.  If you want to see compelling, powerful, thought provoking drama, then you need to buy a ticket and see The Crucible.  It’s the best thing going in theatre this summer.

The Crucible plays at the Barn Players through July 30.  Showtimes are Fri-Sat at 7:30pm and Sundays at 2pm.  Tickets cost $18 ($15 for seniors 65+ & $12 for students with ID and groups of 10 or more).  There will be an Industry Night performance on July 24 at 7:30pm.  All tickets for this performance will be $12 at the door.  For tickets, visit the Barn Players at www.thebarnplayers.org or call 913-432-9100.  The Barn Players is located at 6219 Martway in Mission, KS.

Rock Twist and Shout

It’s rock numbers done with a big band flair.  It’s big band numbers done rock style.  It’s Billy McGuigan’s Rock Twist and it is rocking out at the Omaha Community Playhouse.

If there is anyone out there who harbors any doubts about the talent of Billy McGuigan, they will surely be dispelled after watching this show.  Putting it simply, this man is a musical and performing savant.  There isn’t a genre of music he can’t play.  He has stage presence for which directors would kill.  He has a charming affability which makes you feel like an old friend spending an evening at his house.

Even I, who has had the pleasure of listening to Billy’s shows pretty regularly over the past 15 years, was completely blown away by this production.  It has something for everyone.  Do you like rock?  Well, you’ll get to hear the Beatles, the Who, the Beach Boys, Elvis, and Billy Joel.  Is adult contemporary/jazz your bag?  You’ll hear some Frank Sinatra and Harry Connick, Jr.  And each song has a unique arrangement that will make it seem like you’re hearing it for the first time all over again.

From the opening number of Billy Joel’s “Scenes From an Italian Restaurant”, Billy had the crowd eating out of the palm of his hand.  His pure tenor soared throughout the night as he sang renditions of “Yesterday”, “Luck be a Lady”, “God Only Knows”, “Time Won’t Let Me”, “Heartbreak Hotel”, “Pinball Wizard” and a cover of “Here, There, and Everywhere” supported only by bass and percussion that was so moving that I started to tear up a bit.

Billy was just as adept keeping the audience’s attention between numbers with a low key storytelling style as he shared stories behind the numbers, regaled us with some humorous anecdotes, and told a couple of tender tales about his career and life.

Every good front man needs an excellent band and McGuigan’s band brought it and then some.  Steve Gomez’s bass hummed all night long and his musical direction was so precise and on target.  Andrew Janak stunned on the tenor saxophone and I tip my hat to him for arranging all of these sensational numbers.  Max Meyer’s lead guitar work was the feat of a prodigy.  Tomm Roland’s drum work never missed a beat.  Omaha legend, Doyle Tipler, never fell flat with his trumpeting.  Patrick Brown shined on the alto sax and Patrick Peters’ trombone playing couldn’t have been any tighter.  Tara Vaughan’s piano playing is always a treat for the ears and her rich alto got its own moment to shine with a medley of “Downtown” and “To Sir, With Love”.  Backup vocals were supplied by the multitalented trio of Matthew and Ryan McGuigan and Jessica Errett who dazzled in their own featured songs, “634-5789” and “We’re Going to a Go-Go”.  And I’d like to give special notice to Steve Wheeldon whose lighting was so atmospheric and enhanced every song.

To be frank, when I first heard about Billy’s new show I thought he had taken on a real challenge for himself by putting new twists on old classics.  But he proved why he is Omaha’s premiere entertainer with this brand new show that will undoubtedly be another roaring success.  My only disappointment was that there wasn’t another hour to this show.  Or two.  Perhaps five.  Well, you get the idea.  This show only has a limited run, so get your tickets fast and prepare yourselves for an amazing time.

Billy McGuigan’s Rock Twist plays at the Omaha Playhouse from July 12-23.  Showtimes are Wed-Sat at 7:30pm and Sundays at 2pm.  Tickets cost $40 or $35 for groups of 12 or more.  For tickets, contact the box office at 402-553-0800 or visit www.omahaplayhouse.com or www.ticketomaha.com.  The Omaha Playhouse is located at 6915 Cass Street in Omaha, NE.

OCP’s Alternative Programming Series Opens with ‘1776’ & ‘Cry-Baby’

Omaha, Neb. – Two upcoming staged readings will be held at the Omaha Community Playhouse as part of the 2017-2018 Alternative Programming series. 1776 will be held on Monday, July 17 and Cry-Baby will be held on Monday, July 31, both at 7:30 p.m. in OCP’s Howard Drew Theatre. The showings are free and open to the public with the opportunity for donation. No tickets or reservations are necessary.

1776

It’s the summer of 1776, and the nation is ready to declare independence… if only our founding fathers can agree to do it! 1776 follows John Adams of Massachusetts, Benjamin Franklin of Pennsylvania and Thomas Jefferson of Virginia as they attempt to convince the members of the Second Continental Congress to vote for independence from the shackles of the British monarchy by signing the Declaration of Independence.

In an effort to provide more performance opportunities for women actors and to look at familiar works of theatre through a different lens, this staged reading is fully cast with women playing all roles.

Event:                                   Staged reading of 1776

Show date:                         Monday, July 17, 2017, 7:30 p.m.

Credits:                                Book by Peter Stone
Music and Lyrics by Sherman Edwards
Based on a concept by Sherman Edwards
(1969 Tony Award winner for Best Musical)
Director:                              Ashley Laverty

Music Director:                 Jeff Horger

 

1776 Cast

Colleen Kilcoyne as John Adams

Jennifer Castello as Benjamin Franklin

Samantha Grimes as Thomas Jefferson

Jennifer Ettinger as Richard Henry Lee, Dr. Josiah Bartlett, and Continental Congress Member

Julianna Cooper as Martha Jefferson and Joseph Hewes

Crystal Hartford as Abigail Adams and Samuel Chase

Caitlin Mabon as Edward Rutledge

Emma Johnson as Courier

Breanna Carodine as John Dickinson

Kim Alger as John Hancock

Cecilia Poon as Stephen Hopkins

Brenda Smrdel as Roger Sherman

Kate Simmons as Robert Livingston

Robyn Helwig as James Wilson

Suzanne Withem as Charles Thomason

Katy Boone as Andrew McNair

Jana Coburn as Lewis Morris

Peggy A. Holloway as Caesar Rodney

Jessie Kellerman as Col. Thomas McKean

Phyllis Bonds as Rev. Jonathan Witherspoon and Continental Congress Member

Suzanne Rose as Dr. Lyman Hall and Continental Congress Member

 

Cry-Baby

It’s 1954. Everyone likes Ike, nobody likes communism and Wade “Cry-Baby” Walker is the coolest boy in Baltimore. He’s a bad boy with a good cause – truth, justice and the pursuit of rock and roll. Cry-Baby and the square rich girl, Allison, are star-crossed lovers at the center of this world. Based on the cult classic, 1990 John Waters film, Cry-Baby features a delightfully demented book from the writers of Hairspray and a rockabilly score from the co-founder of Fountains of Wayne and the executive producer of “The Daily Show.”

 

Event:                                   Staged reading of Cry-Baby

Show date:                         Monday, July 31, 2017, 7:30 p.m.

Credits:                                Book by Thomas Meehan & Mark O’Donnell
Music and Lyrics by Adam Schlesinger and David Javerbaum
Based on the Universal Pictures film written and directed by John Waters
Director:                              Andrew Saladino

Music Director:                 Jeff Horger

Cry-Baby Cast:

Nick LeMay as Wade ‘Cry-Baby’ Walker

Julianna Cooper as Allison Vernon-Williams

Kim Alger as Mrs. Vernon-Williams

Timothy Vallier as Baldwin Blandish

Mackenzie Dehmer as Lenora Frigid

Crystal Hartford as Pepper Walker

Sydney Readman as Wanda Woodward

Aubrey Fleming as Mona ‘Hatchet-Face’ Malnorowski

Brendan Brown as Dupree W. Dupree

Mike Shelton as Judge Stone/Father O’Brien/Officer

Justin Eller as Whiffle #1

Ben Adams as Whiffle #2

Sean Johnson as Whiffle #3

Whitney Hansen, Katy Boone, Breanna Carodine, and Jessie Kellerman as Ensemble

Location:             Omaha Community Playhouse, Howard Drew Theatre

6915 Cass Street | Omaha, NE 68132

Tickets:                The showings are free and open to the public with the opportunity for donation. No tickets or reservations are necessary.

For more information on OCP alternative programs, contact Jeff Horger at jhorger@omahaplayhouse.com or (402) 553-4890, ext. 164.