OCP Reimagines 96th Season

OCP ANNOUNCES REVAMPED 2020/21 SEASON LINEUP, SAFETY PRECAUTIONS

Omaha, NE.– The Omaha Community Playhouse has announced a new, revamped 2020/21 season lineup with special precautions in place to protect audiences, volunteers and staff from COVID-19.

A SEASON REIMAGINED

This year, COVID-19 brought the world to its knees, and the performing arts—including live theatre—were hit hard. From London’s West End to Broadway, New York, to right here in Omaha, stages around the world have gone dark.

At OCP, we have worked tirelessly to invent new ways to keep performing art alive during this crisis. From streaming productions online to moving shows outdoors, we have adapted and innovated to keep art in our community.

While we’ve been imagining new ways to stay connected, we’ve also been reimagining what a safe in-theatre experience could look like in the era of COVID. We believe we’ve created a plan that places the health of our community first while creating a safe environment for live theatre to thrive. It begins with our reimagined 2020/21 season lineup.

OCP’s New 2020/21 Season Lineup

Billy McGuigan‘s Pop Rock Orchestra*

Aug. 5 – 23

Storz Parking Lot at OCP

Don’t Stop Me Now! A Celebration of Rock Musicals

Aug. 28 – Sept. 20

Storz Parking Lot at OCP

Grounded

Sept. 25 – Oct. 18

Howard Drew Theatre

Yesterday and Today: The Interactive Beatles Experience*

Oct. 2 – Nov. 1

Hawks Mainstage Theatre

I Am My Own Wife

Oct. 30 – Nov. 15

Howard Drew Theatre

A Christmas Carol*

Nov. 13 – Dec. 23

Hawks Mainstage Theatre

Title To Be Announced

Nov. 27 – Dec. 23

Howard Drew Theatre

The Last 5 Years

Jan. 15 – Feb. 7

Hawks Mainstage Theatre

The Candy Project Presents: Guttenberg! The Musical!*

Feb. 12 –March 14

Howard Drew Theatre

Agatha Christie’s Murder on the Orient Express

Feb. 26 – March 21

Hawks Mainstage Theatre

In The Heights

April 16 – May 9

Hawks Mainstage Theatre

Clybourne Park

May 7 – 30

Howard Drew Theatre

Roald Dahl’s Willy Wonka

May 28 – June 27

Hawks Mainstage Theatre

*Special engagement; Not a regular season production

We reimagined our season lineup.

  • We added concert-style drive-in shows to take advantage of our outdoor space as long as possible.
  • We removed shows with large cast sizes from our fall and winter time slots. In their place, we have added four wonderful productions with two performers or fewer. The new shows are compelling, entertaining and—most importantly—safe. The small cast sizes will allow our actors to safely rehearse and perform, create plenty of room for our backstage crew to social distance and help protect our patrons by reducing the overall number of people present in the theatre.
  • Fan favorite Yesterday and Today: The Interactive Beatles Experience will move to the larger Hawks Mainstage theatre and open in October. The larger stage will allow the band to socially distance and the larger theatre will safely accommodate the show’s many fans.
  • The holiday tradition of A Christmas Carol will live on for 2020 in a unique and imaginative small cast format.
  • Finally, we shuffled four titles from our original lineup to the end of the season. While these shows do feature more cast members, we are hopeful that these productions will be safe to carry out by next Spring. These four shows were selected based on existing ticket sales (via subscriptions), director availability, and royalties logistics.

We reimagined our performance spaces.

  • Patrons attending a show in either theatre will be socially distanced from other guests with all groups at least 6 feet apart.
  • In the Howard Drew theatre, a plexiglass barrier will be installed around the perimeter of the stage to provide separation between guests and performers.
  • Productions will not incorporate any physical audience participation.

We reimagined our safety precautions.

  • All audience, staff and volunteers will be required to wear masks. Masks will be available free of charge and must be worn properly in accordance with CDC guidelines.
  • Audience members will be required to self-screen for a fever and symptoms of illness prior to arriving at OCP. Those with fever or other symptoms may exchange their ticket at no cost.
  • New arrival and dismissal procedures will help encourage social distancing, including staggered vehicle loading/unloading, assigned will call pick up times and row-by-row dismissal after a show.
  • Lobbies, reception areas and lines will be arranged and marked to encourage social distancing.
  • Plexiglass barriers will be installed in the box office windows with cash-free payments encouraged, touchless credit card transactions offered and touch-free ticket pickup available.
  • Common areas and performance halls will be cleaned and sanitized on a daily basis with both cleanser and electrostatic technology.
  • All restrooms will be outfitted with touchless fixtures and will be sanitized daily and throughout performances.
  • We will no longer hold post-show meet and greets with the actors in the lobby.
  • Concessions and drinks will not be available and public water fountains will be closed.
  • For a full list of safety precautions, please visit the Omaha Community Playhouse website at omahaplayhouse.com

OCP will continue to evaluate our processes and procedures to ensure we are constantly creating the safest environment possible for our patrons, artists, volunteers and staff. For the most up-to-date information, please visit our website.

The Omaha Community Playhouse has served our community for nearly 100 years. We are confident that with a little (re)imagination, the art will always live on. We hope you enjoy our reimagined 2020/21 season, and we can’t wait to have you back at OCP!

Information for Subscribers:

  • Subscribers may select any regular season production from the new lineup above to replace any canceled productions from their original subscription package.
  • To select a new show for your package, call the OCP Box Office during the Subscriber Presale to reserve tickets to the new show of your choice.
  • New Subscriber Presale dates for all shows will be announced on a rolling basis throughout the season via email and the OCP website.
  • For additional information, please contact the OCP Box Office by phone at (402) 553-0800. For Box Office hours please visit the OCP website at omahaplayhouse.com

Help the Ibsen Costume Gallery

For 40 years, Ibsen Costume Gallery has been providing costumes for Omaha, NE area productions (over 3,000 shows!!).  The COVID-19 pandemic is currently threatening to close up its doors.  If you’re able to help, please click on the below link to their GoFundMe campaign and help keep their doors open.

Fundraiser for Ibsen Costume Gallery

Isolated Oasis: Echo Canyon & Sulphur, OK

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The mansion at Echo Canyon Spa Resort

Today the road has brought me to Sulphur, OK.

With the tiniest starts of a return to normalcy, I began to wonder if it were possible to get away from it all.  And I realized that it was a possibility, provided I got away from it all.

One perk of my particular calling is that the inns I visit tend to be in small towns, thus making social distancing considerably easier.  So a small town in a relatively unaffected county would make a visit possible, though it would have to be a special inn as I took it for granted that normal goings-on would either still be curtailed if not outright on hiatus.

I found such an inn in the form of Echo Canyon Spa Resort owned and operated by Joe and Carol Van Horn.

But, before we get to the inn, let’s look at the first part of the journey.

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Holiday Inn Express & Suites in Emporia, KS

To break up the long drive, I journeyed to the town of Emporia, KS where I made the inaugural use of my IHG membership with a reservation at a Holiday Inn Express and Suites.  For an extra $10, I opted to go ahead and get a suite for maximum relaxation and comfort.  Before heading to my room, I did wander around the hotel to see how the pandemic had affected it.  Notably, the exercise room and swimming pool were closed, but the hotel did still promise breakfast in the morning.

I headed up to my room and either the hotel is new or the rooms have been remodeled because this suite looked like it had just rolled off the assembly line.

The idea of a hotel suite seems to be rapidly changing.  When I think suite, I think a living room and a bedroom, but the modern hotel suite seems to be a very big room with a hideaway bed.  Not that it wasn’t comfortable, I just like the homeyness of a traditional suite.

I did need a little something to eat so I decided to give Braum’s a try.  This restaurant chain is prevalent in Kansas, Oklahoma, Texas, Missouri, and Arkansas and is known for its ice cream, burgers, and fresh market.  I tried a pepper jack and jalapeno burger and decided to indulge in a vanilla shake.  Unlike other fast food chains, a shake can be had at Braum’s instead of a beverage for no additional charge on most of their meals.

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Braum’s

I brought my dinner back to my room and was quite pleased by the shake and crinkle cut fries.  The burger wasn’t too bad either.  As it was already late, I did my nighttime rituals and got a good night’s sleep in the king sized bed.

I arose in the morning, caught a bath, and then went down to see what the hotel offered for breakfast.

I was somewhat disappointed, but not entirely surprised by the limited selection.  No hot items were available, though milk, juice, cereal, coffee, and pastries were available.  I grabbed a glass of juice and took some milk and Apple Jacks back to my room for a light breakfast.

At 10am, I was back on the road.  The drive was pretty smooth and even the normally dull drive of the Kansas Turnpike wasn’t so bad due to construction adding some color and the addition of a few Dunkin Donuts that broke up the monotony of McDonald’s and Valeros.

Around 2pm, I arrived in the tiny town of Sulphur.  A brief drive through the Chickasaw National Rec Area brought me to the gate of Echo Canyon, winner of several hospitality awards and voted the best inn in Oklahoma by MSN in 2015.

As this is a private, secluded property, you have to call for the gate code in order to be admitted, but you are admitted into a marvelous oasis.

A visit to this private resort all but guarantees that you won’t have to leave the property unless you REALLY want to as the property not only contains an inn, but a spa in the form of the Aloha Spa, a swimming pool, bar, gift shop, and a five star gourmet restaurant called Baron of Beef.

Unlike most B & Bs, Echo Canyon maintains a regular staff and one of the staff gave me a brief tour of the property before leading me to the mansion and the Chardonnay Chalet which would be my base of operations for the next few days.

Every room at Echo Canyon bursts with luxury as each contains a queen or king sized bed along with a fireplace, JASON jacuzzi chromotherapy tub, and a large screen TV with over 50 movie channels available.  I marveled at the quality of the room before getting situated and spending a few minutes looking out at the vista from my private balcony.

Once settled, I wandered around the property and got a look of the inn’s private orchard and garden.  The inn is known for its peaches which it uses in its signature peach hibiscus juice which was a cornucopia of flavor.

I puttered around the inn and room until 6:45 when I headed to Baron of Beef for dinner.

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Baron of Beef

Come hungry if you choose to have dinner because it is a feast.  The meal began with garlic bread with a homemade basil pesto sauce.  The bread was warm and chewy and I actually accepted an offer of a second piece because it was so good.  The first course was a house salad with fresh vegetables and greens and what I believe was a house Italian.  The main course was a triple entrée of a 10 oz beef fillet with smaller servings of Roasted New England duck breast marinated in plum sauce and an Alaskan halibut with a cream sauce.  For side courses, there was a twice baked potato with green beans.

I can’t remember the last time I had a meal this wonderful. The beef was cooked just right.  The duck didn’t have a trace of gaminess.  Be certain to slice it thin if you have it as it brings out the best flavor.  The halibut was right on the mark.  The potato was a work of art and the green beans were fresh and crisp.  I was stuffed to the gills before the end and I had to take my dessert course of chocolate truffle cake with me to be enjoyed as a bedtime snack.

Back in my room, I gave the jacuzzi tub a spin.  The water is from mineral springs located on the property and reportedly have a very therapeutic effect on the body.  I added some bath salts and shower gel to the tub and enjoyed a leisurely soak before sinking into the deep, cushy mattress of my queen sized 4 poster bed.

I woke up slowly and leisurely the next morning where I watched a little TV before heading back to the manor for breakfast.  I poured a glass of orange juice as I took a corner seat by a window.  Breakfast is a two course meal consisting of a first plate and a main course and each has a few options to choose from.  I chose the banana cinnamon coffee cake with fruit for my first plate and a tomato and spinach frittata with honey sausage, fried potatoes, and a biscuit with gravy for my main course.  Another fine meal and I was ready to. . .not really do a whole lot this day.

I did take a drive through the Chickasaw National Rec Area where I got a look at Little Niagara Falls.  I also took a drive over to Turner Falls Park in the hopes of seeing the namesake falls, but a very large line of cars was heading into the park and I decided it would be too difficult to social distance so I headed back to the inn where I read, watched TV, and caught a nap.

I decided to head off property for dinner and visited Fat Bully’s By the Lake which claims to have the best burger in Oklahoma.  After tasting it, I’m willing to support that claim.

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Fat B

Fat Bully’s has the look and feel of a hole in the wall which usually serves the best food.  It also boasts itself as a motorcycle themed restaurant which is bolstered by the pictures of bikers and motorcycles on the table and the restaurant seems to be popular with bikers due to the plethora of motorcycles I saw in the parking lot.

I had the Fat Bully which is an old-fashioned hamburger with the works plus bacon.  This was a perfect hamburger.  So juicy and tasty.  The vegetables tasted like they were just pulled from the ground.  And the fries were hot and perfect.  After a refreshing meal, I took a drive to Veterans Lake where I gazed at the water for a bit before heading back to Echo Canyon to relax for the evening.

The next morning I performed my ablutions, then headed to breakfast which was a repeat of yesterday’s menu, though I opted for the oat waffle for my first plate.

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Oat Waffle

I am going to make it a point to revisit this place after things return fully to normal in order to enjoy the Aloha Spa and visit the local sites.  But even with social distancing, Echo Canyon is a place where one can truly get away from it all and enjoy a taste of supreme luxury.  So when you feel ready to travel again, I encourage a visit to this isolated oasis.

Until the next time. . .stay safe and healthy. . .and happy travels.

AUTHOR’S NOTE:  When researching inns, there are many websites from which to choose.  Personally, I use the bed and breakfast association of each state and I always make certain to visit the website of each inn when available.  And when I book, I always book directly with the inn.  While third party sites can be an aid, they don’t always have reliable information as Carol shared with me a story of a third party site that erroneously listed Echo Canyon as booked for months on end when reservations were actually plentiful.  So remember, when you want to book a B & B, always book direct.

OCP Holding Auditions for 96th Season

Omaha, NE.– The Omaha Community Playhouse will hold auditions for its 2020-21 season musicals July 11-13 for children under age 16 and July 23-26 for adults. Auditions are by appointment only. Special COVID-19 safety precautions will be observed.  Vocal auditions will be on the Playhouse’s Hawks Mainstage. Dance skills will be evaluated at callbacks.

Musicals this season include:

A Christmas Carol, Nov. 20 through Dec. 23, Hawks Mainstage. Directors: Kimberly Faith Hickman, Ablan Roblin

The Scottsboro Boys, Feb. 12 through March 14, 2021, Howard Drew Theatre. Director: Kimberly Faith Hickman

Kinky Boots, Feb. 26 through March 21, 2021, Hawks Mainstage. Director: Ablan Roblin

In the Heights, April 16 through May 9, 2021, Hawks Mainstage. Director: Kathy Tyree

Willy Wonka, May 28 through June 27, 2021, Hawks Mainstage. Director: Kimberly Faith Hickman

Music director is Jim Boggess. Choreographer is Michelle Garrity.

Audition dates and times:

Children (under age 16)

Saturday, July 11, 10:30 a.m. to 1:30 p.m. and 2 p.m. to 5 p.m.

Sunday, July 12, 1 p.m. to 4 p.m. and 4:30 p.m. to 7:30 p.m.

Monday, July 13, 6 p.m. to 9 p.m.

Adults (16 or older)

Thursday, July 23, 6 p.m. to 10 p.m.

Friday, July 24, 6 p.m. to 10 p.m.

Saturday, July 25, 10:30 a.m. to 1:30 p.m. and 2 p.m. to 5 p.m.

Sunday, July 26, 1 p.m. to 4 p.m. and 4:30 p.m. to 7:30 p.m.

Auditioners must fill out paperwork in advance, not at the audition. They can return completed paperwork by email or bring it with them. Specific dates and time slots will be set in advance for each auditioner. Auditions will be in groups of no more than 15. Temperatures of auditioners will be taken upon arrival. You may wear a facemask if you prefer. Auditioners will be allowed to sing only 16 bars of a song of their choosing, for which they should bring sheet music. Provided seating will be plastic or metal chairs only, no fabric upholstery. The audition space will be sanitized between groups. When arriving to audition, please enter through the south entrance lobby doors.

Those who cannot attend in person may submit a vocal-audition video.

 

The Omaha Community Playhouse has scheduled auditions for three Fall 2020 plays.

Auditions will be by appointment only. Special COVID-19 safety precautions will be observed.

The show titles, run dates and audition schedule:

CLYBOURNE PARK, by Bruce Norris

Show runs Aug. 21-Sept. 20 in the Howard Drew Theatre.

Director: Kimberly Faith Hickman

Hickman was assistant director of the original Tony Award-winning Broadway production   

Audition dates and times:

Monday, July 6, 6:30 p.m. to 9:30 p.m.

Tuesday, July 7, 6:30 p.m. to 9:30 p.m.

Callbacks will be Wednesday, July 8, starting at 6:30 p.m.

Agatha Christie’s MURDER ON THE ORIENT EXPRESS, adapted by Ken Ludwig

Show runs Sept. 25-Oct. 18 in the Hawks Mainstage Theatre.

Director: Anthony Clark-Kaczmarek

Audition dates and times:

Sunday, July 12, 2 p.m. to 5 p.m.

Monday, July 13, 7 p.m. to 10 p.m.

Callbacks will be Tuesday, July 14, and Wednesday, July 15, starting at 7 p.m. both evenings.

OUTSIDE MULLINGAR, by John Patrick Shanley

Show runs Oct. 16-Nov. 8 in the Howard Drew Theatre.

Director: Kaitlyn McClincy

Audition dates and times:

Saturday, Aug. 15, 2 p.m. to 5 p.m

Tuesday, Aug. 18, 7 p.m. to 10 p.m.

Callbacks will be Saturday, Aug. 22, starting at 2 p.m., and Sunday, Aug. 23, starting at 7 p.m.

Specific dates and time slots will be set in advance for each auditioner. Auditioners must fill out paperwork in advance, not at the audition. They can return completed paperwork by email or bring it with them. Tryouts will be in groups of no more than 12 per hour. COVID-19 screening questions will be asked of each auditioner upon arrival. You may wear a facemask if you prefer. Provided seating will be plastic or metal chairs only, no fabric upholstery. The audition space will be sanitized between groups. When arriving to audition, please enter through the west-entrance stage door.

To make an audition appointment, email Becky Deiber at bdeiber@omahaplayhouse.com.

The Eve the Music Returned

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In a time when the world has begun to take the tiniest of steps back to normalcy, it’s a relief to know that there are still some constants in the world.  And one of those constants is the awesomeness of a live show with Billy McGuigan and his band.  That awesomeness is available for your enjoyment again as Billy and his band bring you Rave On:  The Music of Buddy Holly in the parking lot of the Omaha Community Playhouse.

This time around the show is not about Billy being Buddy or his extemporaneous wit and humor.  This time, it’s all about a band playing non-stop, untarnished, unvarnished, old-fashioned rock and roll with a 50s drive-in flair on an unseasonably perfect night for an outdoor concert.

It wouldn’t be a Billy McGuigan show without some of his classic storytelling, but the tales were kept to a minimum as he and his band were clearly hungry for a live audience and gave us their all in a 90 minute rockfest that featured the hits and obscurities of the late, great Buddy Holly along with a few other surprises as well.

McGuigan was in rare form tonight as he fueled himself on the applause and horn honks of an energetic audience and fired that energy right back at us with takes on “Maybe Baby”, “That’ll Be the Day”, “Handsome Brown Eyed Man”, a rare performance of one of Holly’s earliest recordings, “Midnight Shift”, and a 15 minute medley framed by “Oh, Boy!”.  Occasionally Billy would slow things down a few notches with his mellifluous tenor serenading the crowd with Richie Valens’ “Donna” and Holly’s own legendary soft song “True Love Ways” before ramping it back up a bit with “Crying, Waiting, Hoping” and the Everly Brothers hits, “Bye Bye Love” and “Wake Up Little Suzie” and closing things out with “Rave On” and an original rocker of his own creation, “Me and Peggy Sue”.

McGuigan was excellently supported by his band as we were treated to numerous saxophone solos from Darren Pettit and nearly as many guitar solos from Max Meyer, a phenom with chops to rival Jimi Hendrix.  Ryan McGuigan rocked out on rhythm guitar and provided a nifty little solo with Ritchie Valens’ “La Bamba” while Matthew McGuigan’s bass playing drove the beat and he got his own little chance to shine with Carl Perkins’ “Blue Suede Shoes”.  Newcomer Larell Ware dazzled on the drums as he supported the night’s numbers with a thunderous backbeat.

If you want to enjoy one of the simple pleasures of life, then you need to get a ticket to see our local master musician as he interprets the classics of a legendary artist as only he can.

Rave On:  The Music of Buddy Holly runs through June 28 in the parking lot of the Omaha Community Playhouse.  Showtimes are Wed-Sat at 7:30pm and Sundays at 6:30pm. Tickets cost $35 and can be purchased online at www.omahaplayhouse.com or by phone at 402-553-0800.  This is a cashless event and reservations are required.  CDC guidelines are being followed and parking spaces will be assigned upon arrival.  Please do not arrive earlier than 90 minutes before showtime.  The Omaha Community Playhouse is located at 6915 Cass Street in Omaha, NE.

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Top photo provided by Analisa Swerczek

Drive In to ‘Rave On’

Omaha, NE– Ready for a fresh take on an audience favorite?  Billy McGuigan’s Rave On! The Music of Buddy Holly returns to the Omaha Community Playhouse as an exciting new drive-in concert experience.  Rave On! will open Thursday, June 11, in the Playhouse parking lot, which will take on the atmosphere of a ’50s rock’n’roll drive-in.  The event will be unlike anything audiences have experienced at the Playhouse before:  a high-energy, nonstop outdoor concert that features McGuigan and his band performing Buddy Holly’s most popular songs.  The playlist also includes the hits of fellow rockers like Elvis, the Everly Brothers, Jerry Lee Lewis and more.  The show runs without intermission.

Rave On! replaces Tara Vaughan’s She Rocks, which had been scheduled to run June 11-28 in the Playhouse’s Howard Drew Theatre.  She Rocks has been canceled. Rave On! will play on all the same dates.

Billy McGuigan has received national attention and critical acclaim for his dynamic take on Buddy Holly hits.  The family friendly show’s roots trace back to when McGuigan was cast in the title role of the Omaha Community Playhouse musical Buddy! The Buddy Holly Story.  The smash hit led to McGuigan’s creation of his own show featuring Buddy Holly’s music.  Rave On! has broken box office records in theatres across North America. McGuigan is also known for the popular touring shows Yesterday and Today and Rock Twist, which have been performed at the Playhouse for many years.

To ensure audience safety during the COVID-19 pandemic, this will be a cashless event requiring a reservation.  Cars will be parked in a checkerboard pattern for social distancing.  Audience members can choose to bring portable chairs and sit outdoors on the driver’s side of the vehicle they came in, but they may mingle only with those who came in their vehicle.  No concessions will be sold.  No smoking or alcoholic beverages will be permitted.  Bathrooms in the Playhouse main lobby will be available, with COVID sanitation and social-distancing observed.  Early arrival is recommended to allow extra time for parking.  Parking spaces will be assigned as cars arrive.  Please, no lining up to park until 90 minutes before showtime.

Tickets, starting at $35 per person, are on sale now and may be purchased by phone at (402) 553-0800 or online at OmahaPlayhouse.com.

OCP Streaming Productions from Local Talent

Omaha, NE.– The Omaha Community Playhouse will offer free online streaming of entertainments by local composers J.Isaiah Smith, starting May 15, and Tim Vallier, starting May 22.

The music events follow popular reception of two videotaped performances from Playhouse archives. The plays by local playwrights bowed online April 17 (Eminent Domain by Laura Leininger Campbell) and April 24 (Recommended Reading for Girls by Ellen Struve).

As with the earlier plays, each music event will have a Friday evening streaming debut. All four events will remain available for streaming for an indefinite period after the initial offerings. They serve to entertain Playhouse patrons at a time when social distancing makes gathering at the theater impossible. Go to omahaplayhouse.com to access links to all four events.

What A Kid Did With A Piano
Streaming Premiere: May 15, 2020 | 7:30 p.m. (available for streaming after)

This 90-minute presentation features the original music of J. Isaiah Smith, with performances by Smith, Mackenzie Zielke, Scott T. Vandentop, Breanna Francesca Carodine, and Jordan Smith. Mark M. Kurtz accompanies on piano and Jordan Smith on drums.

J. Isaiah Smith wrote a musical titled Kings, Queens, and Unruly Peasants, which is featured in the show, along with several stand-alone songs and conceptual shows. He debuted What A Kid Did With A Piano at the Holland Center. In July 2019, Smith remounted a version of the show for one night at the Playhouse.

Smith, a popular performer in Playhouse musicals, appeared as Coalhouse Walker Jr. in Ragtime, Lord Farquaad in Shrek and Cosmo Brown in Singin’ in the Rain.

One Way to Mars
Streaming Premiere: May 22, 2020 | 7:30 p.m. (available for streaming after)

One Way to Mars, a 75-minute musical audio drama by Tim and Mallory Vallier, follows Natalie, a neuroscientist and mother. Natalie isinvited to embark on a pioneering one-way trip to Mars. But to take part, she must leave everything on Earth behind.

The cast includes Leanne Hill Carlson as Natalie; Steve Krambeck as her husband, Clark; and Thomas Gjere as James, Natalie’s former colleague (and former lover), who invites her to Mars. Christi Leupold and Dustin Smith play multiple roles. Daena Schweiger directs.

This is the Valliers’ reimagining of the classic Scottish ballad “The Daemon Lover.” Both works share themes of romance, tragedy and adventure.

Tim Vallier wrote the music and designed sound, with book and lyrics by Mallory Vallier. The script will be onscreen as the original music plays, or you can just close your eyes and enjoy listening.

Tim Vallier has composed instrumental music for several recent Playhouse non-musicals, including Native Gardens, A Raisin in the Sun, and Sweat.

Nebraska Theatre Caravan Hiring & Auditioning for 2020 ‘A Christmas Carol’ Tour

Auditions

The Nebraska Theatre Caravan will hold auditions for youth (ages 7 – 18) and adults (ages 19 and older) for the anticipated national touring production of A Christmas Carol.  Auditions will be held Saturday, August 8, 2020 at the Omaha Community Playhouse, 6915 Cass Street. Please enter through the stage door on the west side of the building.  Youth auditions will be at 11am followed by adult auditions at noon.

The audition will include singing and reading from the script, followed by movement.  Applicants should bring a resume and headshot, a 16 bar cutting of a prepared song with sheet music, and be prepared to read from the script.  Applicants should also be prepared to move.  An accompanist will be provided.

Estimated contract dates for A Christmas Carol are early November through December 23, 2020.

Note:  These are touring productions and performances will be conducted across the United States.  Rehearsals will be held 9a.m.– 6p.m in Omaha.  All actors must be available to attend all rehearsals during stated times, as well as all performances.

For additional audition or production information, contact Company Manager Kate Whitecotton at kwhitecotton@omahaplayhouse.com.

 

Touring Technical Positions

Salaries are paid for the duration of the contract, paid bi-weekly via direct deposit.  Per Diems are paid while on tour via direct deposit.  To apply, please e-mail resumes to Company Manager, Kate Whitecotton @ kwhitecotton@omahaplayhouse.com.

TOURING ROAD MANAGER
Duties include:
– Manage company and production while on tour.
– Assist with hotel reservations prior to tour.
– Plan trip routing with bus, truck drivers, company manager.
– Manage company funds.
– Serve as liaison to theatre sponsors and hotels.
– Prepare information for company members including a detailed road schedule.
– Assist Stage Manager and Technical Director in maintaining quality of performances.
– Work with Youth Performer Supervisor on
correspondence of school work.
Learn More: http://offstagejobs.com/jobdetail.php?jobID=47743

TOURING STAGE MANAGER
Duties Include:
– Run all rehearsals in Omaha.
– Run/Call the show on the road
– Run cues as needed, pending on crew and houses.
– Assist in loading/unloading truck and set up/strike.
– Manage actors to maintain quality of performance.
– Assist TD in assessing space requirements at each venue and adapt staging and spiking.
– Load ins and outs and maintenance of props.
– Instruct houses on sound and pit set up.
Learn More: http://offstagejobs.com/jobdetail.php?jobID=52770

TOURING SOUND TECHNICIAN
Duties Include:
– Assist loading/unloading of truck and set up/strike.
– Provide general assistance in all technical areas.
– Work with venue audio equipment and techs.
– Audio playback and wireless microphone reinforcement during performance.
– Responsible for care and upkeep of all tour sound equipment.
Learn More: http://offstagejobs.com/jobdetail.php?jobID=52772

TOURING LIGHTING DIRECTOR
Duties Include:
– Call ahead to venues for lighting specifications.
– Interpret original lighting design and adapt to each performance space.
– Oversee local crew for focus/color of pre-hung lights at each venue.
– Program and operate light board for show.
– Assist TD with other duties as directed.
Learn More: http://offstagejobs.com/jobdetail.php?jobID=52771

TOURING LEAD COSTUMER

Duties Include:
– Pulling costumes from existing wardrobe to remount show for tour.
– Assisting design staff with fittings and alterations.
– Loading/unloading of costumes.
– Maintenance, repair and laundry of all costumes and wigs.
– Set up dressing areas, dress show.
– Responsible for dressing and coordinating quick changes.
Learn More: http://offstagejobs.com/jobdetail.php?jobID=52773 

TOURING GENERAL TECHNICIANS
Duties Include:
– Assist loading/unloading of truck.
– Act as one of two ‘special effects’ operators moving Scrooge’s bed. Due to bed dimensions, height/weight restrictions may apply.
– Assist in maintaining set.
– Assist crew as needed with setting of stage.
-Assist in running crew as needed.
Learn More: http://offstagejobs.com/jobdetail.php?jobID=48422

TOURING YOUTH PERFORMER SUPERVISOR
Duties Include:
– Oversee the youth performers during all rehearsals, off-hours (while on tour) and performances.
– Enforce all rules as determined by the company and each child’s parents.
– While on tour, work with youth performers on daily study schedules as outlined by their parents and teachers.
– Assist youth performers with lines, blocking, props, backstage movements and quick changes.
Learn More: http://offstagejobs.com/jobdetail.php?jobID=52774

Touring Musical Positions

Salaries are paid for the duration of the contract, paid bi-weekly via direct deposit.  Per Diems are paid while on tour via direct deposit.  To apply please e-mail resumes to Company Manager, Kate Whitecotton @ kwhitecotton@omahaplayhouse.com.

MUSIC DIRECTOR/PIANIST
Duties Include:
– Teach vocals to the cast.
– Accompany rehearsals while in Omaha.
– Maintain musical aspects of production.
– Oversee musicians.
– Daily vocal warm-ups.
– Music notes to company as needed.
– Other related duties as assigned.
Learn More: http://offstagejobs.com/jobdetail.php?jobID=52775

CLARINET, FLUTE, BASSOON, FRENCH HORN
Duties Include:
– Maintain integrity of performance.
– Adjust performance as instructed by the Music Director.
– Other related duties as assigned.

Pop Rockin’ Charity

From Billy McGuigan

Hi everyone. Billy McGuigan here. I hope everyone is at home social distancing and doing their part to keep our community safe.

As many of you know, I’ve played in hundreds of venues across the country and around the globe. From world famous opera houses to international cruise liners and everything in between. But no venue is more important to me than the Omaha Community Playhouse. It’s where I got my start as a performer, but more importantly it has been a staple of the Omaha community for almost 100 years. And right now—they need our help.

Like many organizations, OCP is being hit hard by COVID-19. They’ve had to cancel performances, youth outreach programs and more. The Omaha Community Playhouse is too important to our city. We have to help. So here’s my plan…

My newest show, Billy McGuigan’s Pop Rock Orchestra, is set to open at OCP on August 7th. Tickets just went on sale today. Visit bit.ly/OCPBillyPopRock for tickets or call the OCP Box Office at (402) 553-0800.

Once we reach 3,000 tickets sold, I will donate 100% of ticket sales back to the Omaha Community Playhouse to help them rebound from this crisis.

To help us surpass this number, I’m offering:
– Lower ticket prices (now starting at $38)
– Free upgrade to our VIP package for anyone who buys tickets before May 1. VIP package includes: Invitation to VIP pre-show sound check and a photo op on stage with me and the Pop Rock Orchestra
– Exclusive access to a Yesterday and Today presale for everyone who purchases tickets.

Plus you get to see my new show, which is going to be amazing! I really hope you’ll help me support OCP during this tough time. Tickets just went on sale today, March 31. Let’s rally to help our community, and give ourselves something to look forward to once all this social distancing is over!

I can’t wait to see you all there! -Billy McGuigan

P.S. Looking for more ways to help OCP during COVID-19? Visit bit.ly/HelpOCP

Full Circle: A Tribute to Doug Marr

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Last night, Omaha lost a talented playwright, a genuine wit, and an all around great human being.

I lost a good friend.

When I think of Doug I think of a genuinely good man with a phenomenal sense of humor and a truly giving and supportive heart.  Doug was responsible for giving my theatre career one of its biggest boosts and for keeping it alive when it was on life support.

I first met Doug back in 2003 when I auditioned for the Circle Theatre’s production of One Flew Over the Cuckoo’s Nest.  I had high hopes that I would be able to net the role of Billy Bibbit, but received a surprise when I got a letter notifying me that the whole production was being postponed due to the theatre being unable to fill the key role of Chief Bromden, but Doug hoped to mount the show later that summer.

As summer closed in I asked him if Cuckoo was going to be mounted and he wrote back and said Circle would be doing Our Town and immediately offered me the role of Doc Gibbs.

I was stunned by his generosity as I was relatively an untested talent as I only had 4 small roles under my belt and this would be the first time I had something with a bit of meat.  Though he didn’t direct the production, he was present every day at his trusted post at the light and sound board.  He often regaled the cast with his off the cuff jokes and we would spend quite a bit of time talking about our mutual love for classic rock, Sherlock Holmes, and he would share with me ideas he had for future plays and stories.

I experienced a bit more of his generosity when he handed me a small check at the end of the run.  Doug always believed in paying a tiny stipend to the performers and I’m proud to have had my first paying gig under his watchful eye.

It would be nearly a decade before I crossed paths with Doug again.  At that point, I had been going through a dry spell and then he announced auditions for An Inspector Calls.  After my audition, Doug offered me the choice of either of the two young men.  Now one was a decent, level headed sort close to my real personality and the other was a drunken lout.  I opted for the lout.  Doug agreed to that as he thought that was the better of the two reads.

Doug often said that he wasn’t a director, but I think he underestimated his talents in that realm..  For starters, he was a gifted writer with an instinct for beats so he knew what points in a story needed to be hit to get maximum effect.  More importantly, he had an incredible eye for talent.  Doug intuitively understood a performer’s strengths and weaknesses and not only knew where to slot them, but also trusted their instincts so he’d only have to give slight notes to smooth out the rough edges.

I was always grateful that he let me test my range with Eric Birling and it still ranks as one of my favorite roles.

Shortly after that show, my dry spell became an arid desert.  I had grown so disheartened with the constant rejections that I made the decision to step away from theatre for a while.

Trust Doug to get me back into the swing of things.

Six months into my hiatus, Doug sent word through a mutual friend of ours asking if I would consider doing the Circle’s annual Christmas show.  I was a little hesitant because my confidence had been so battered, but he was a really hard guy to say no to so I agreed.

With his trust and support, I began to remember the things I loved so much about theatre and managed to breathe life into his creation of Gunar, the hippie elf which would become another of my favorite roles.  His kindness gave me the shot in the arm I needed and I would bag my biggest role later that season thanks to him restoring my heart.

Many in our community have shared their stories about Doug.  He was a treasure and he will be missed.  I’ll always remember him for his warmth, his good humor, his gift for wordplay, and his goodness.  Most of all, I’ll remember him for being my friend.

Rest in peace, my friend.