An Open Letter to Omaha

An Open Letter to Omaha

by Daena Schweiger

First, thank you for taking the time to read this. I debated long and hard before doing this. It may not help. It may, in the end, not be a good thing. But it comes from the heart. If I didn’t feel as I did, I would keep my thoughts to myself. And these are MY THOUGHTS. Mine alone. Want to be clear about that.

Okay. Let’s get real.

The reality is SNAP! Productions and The Shelterbelt Theatre need your help if we are to find a home in 2020. If we don’t find a home in 2020, that’s it. No more. We will have given it our best shot for two years. The longer we stay away the harder it is to come back. We had a shot at a space a year ago. A legit shot. And we lost it. Not because of anything we did or did not do. We lost it because the landlord walked away at the 11th hour. Literally.

We have searched high and low for a space that meets updated code requirements that a 25 year grandfathered status no longer affords us. Finding a space that had things that we ABSOLUTELY NEED – ADA bathrooms, HVAC system – at a rent price that was at a level we could afford is a daunting task.

We looked at gutted spaces but other building codes kept us at bay, not to mention a hefty price tag to add those absolute needs that our former space didn’t have, and didn’t require. 2019 was as depressing as 2018 when it came to finding what we needed.

Okay. Let’s get more real. *SPOILER ALERT *

We have a space. Some of you out there know about this. Despite the fact that the boards were sworn to secrecy. So, it’s not truly a spoiler. We have a space. Well, technically it’s not OURS. YET. But we have one. All we need to do is sign a Letter of Intent. It has everything we need – ADA bathrooms, HVAC systems, a PARKING LOT… everything you could want in a theatre… except… well, a theatre space in the space.

And therein lies the rub.

Renovations.

We need to renovate the space to make it a theatre. It’s move in ready. Except we need to make a theatre. And a rehearsal space. And a green-room. And the cost to do those renovations are a lot. How much? High five-figure to low six-figure depending on what we determine are high / low needs vs wants. It’s the difference between a wall separating a rehearsal space and curtains, light trees vs a light grid, wooden platforms or flex seating.

Those numbers are for a move-in ready space that will provide our patrons with a serviceable theatre space with upgraded amenities.

SIGN. THE. LEASE. You say. We do too. But the funding…

Both theatres have skin in the game. But, we need some assurances from our community that you will help with the rest. Yep, we’re working out the details for a capital campaign. We’re doing this the right way.

But, we survived for 25 years through grants, ticket sales and donations. Fundraising will take time for us. And time is something we don’t have.

We can’t sign a letter of intent unless we know how much we can put into renovations. We can’t announce the location because we don’t have a signed letter of intent. We can’t fundraise until we announce a location and sign a Letter of Intent.

You see a pattern here? A chicken-egg scenario.

So, there it is. That’s the scenario both theatres are dealing with as I type this.

Many of you have spoken to members of both theatres lamenting the loss in the community. We feel it too. 8 productions lost. No place for actors, playwrights, directors, designers to cut their teeth. No place to produce new works or produce works that mirror the changing climate in our communities.

We need sustained financial support from you to make this a reality in 2020.

We lost a space a year ago. Please help us to keep from losing what may well be our last shot.

How Can You Help?

RENT SPONSORS

Make a 5 year commitment to become a rent sponsor for one of the theatres. 5 years at whatever level you can contribute. Our suggestion is between $500 – $2,000 each year for 5 years. Why a rent sponsor? A Rent sponsor allows us to build our audience without worrying about paying the rent and build a rent account to draw from year 6 on so that we’re always working ahead of the game.

“GET US OFF THE GROUND” DONATIONS

Help us get to the point where we can effectively run a capital campaign. 20 people making a donation pledge of $5,000 or more would help us secure the renovations we need to sign the letter of intent and move us into the space so we may begin producing again. 40 people making a $2,000 pledge or more would help us secure the renovations we need. 60 people… well, you get the idea.

MATCHING GIFTS

If you belong to a company willing to provide us with a matching gift, please have them contact me.

That’s it. That’s the pitch.

I am passionate (to a fault) about these two spaces. I have been on both boards, cut my teeth doing productions at both theatres, and am feeling all the feels now that they are gone. I felt like I needed to address the elephant in the room after two years.

I have no development background. Don’t claim to. I don’t believe this will hurt our chances. I’m gambling it will help. If nothing else, at least you’ll understand that we’ve actually been trying to do SOMETHING to keep it going.

If you can help, please send me an email at daena.schweiger@gmail.com.

Let me reiterate – while I once served as a board member for Shelterbelt, and am at present a board member for SNAP! Productions, I am not speaking as a board member. I am speaking as a playwright, an actor, a stage director, a lighting designer, and a box office volunteer. These theatres lasted for 25 years before losing their space through no fault of their own. We need these two theatres to survive. And we need your help, and the help of others you may know, to help get us up and running so we can move forward for the next 25 years.

Thank you.

‘A Raisin in the Sun’ Launches 2nd Half of OCP Season

Omaha, NE.–The Omaha Community Playhouse (OCP) production of A Raisin in the Sun will open Friday, Jan. 17, 2020. The show will run in the Hawks Mainstage Theatre at OCP from Jan. 17 through Feb. 9. Performances will be held Wednesdays through Saturdays at 7:30 p.m. and Sundays at 2 p.m.

Tickets are on sale now starting at $24 for adults and $16 for students, with ticket prices varying by performance. Tickets may be purchased at the OCP Box Office, located at 6915 Cass Street, by phone at (402) 553-0800 or online at OmahaPlayhouse.com.

SHOW SYNOPSIS

Winner of five Tony Awards®, A Raisin in the Sun confronts life in South Side Chicago through the eyes of the Younger family. After years of battling poverty and racism, the Youngers hope an unexpected insurance check will be their ticket to a better life. With the looming fear that this may be their only chance, the family is torn apart as they struggle to agree on the most effective way to use the money.

Directed By:  Tyrone Beasley

Cast

Brandon Williams as George Murchison

Brodhi McClymont as Travis Younger

Chris Scott as Karl Lindner

Darcell Trotter as Bobo

David Terrell Green as Walter Lee Younger

Donté Lee Plunkett as Joseph Asagai

Faushia Weeden as Ruth Younger

Karen Fox as Lena Younger

Olivia Howard as Beneatha Younger

Richard Borg as Moving Man

 

OCP Invites You to Join Peter Pan’s Party

Omaha Community Playhouse Announces Auditions for For Peter Pan On Her 70th Birthday

Dates:  1/11/2020 at 11am and 1/12/20 at 6pm

Location:  6915 Cass St, Omaha, NE  68132

Director:  Kimberly Faith Hickman

Written By:  Sarah Ruhl

Synopsis

For Peter Pan On Her 70th Birthday follows 70-year-old Ann and her four siblings as they face the loss of their father. As the siblings revisit their childhood and upbringing—including Ann’s adventures onstage as the star of Peter Pan—the audience gets a sentimental glimpse at what it truly means to grow up and a touching reminder that you’re never too old to fly.

Characters

Ann: Between sixty and seventy. Plays Peter Pan.
John: Late sixties. Plays John in Peter Pan.
Jim: Mid-sixties. Plays Captain James Hook in Peter Pan.
Michael: Early sixties. Plays Michael in Peter Pan.
Wendy: Late fifties. Plays Wendy in Peter Pan.
George: Eighties. In Movement One, a dying man; in Movement Two, a ghost; in Movement Three, himself.
Those auditioning will be asked to read from the script provided at auditions.

All contact information, personal schedules and a list of rehearsal conflicts with which to fill out an audition form.

To expedite the check-in process – please bring a recent photo if you have one available. Please note, photos will not be returned.

 For additional information, please contact Tiffany, at (402) 661-8539.

The Greatest Story Ever Retold Closing Theatrical Outfit’s Season

thumbnail_art-text_cottonpatchgospel

The beloved musical returns home just when we need its radical hope – now more than ever. Inspired by Clarence Jordan’s provocative The Cotton Patch Version of Matthew and John and produced and cherished worldwide since its conception in 1981, this soul-rouser with boundless heart sets the story of Jesus in the American South. In downtown Atlanta in 2020, Cotton Patch Gospel promises to raise the roof with joy!
LocationTheatrical Outfit (84 Luckie St NW in the Balzer Theatre at Herren’s in Atlanta, GA  30303)
Dates:  April 22-May 17, 2020
Performance Times:  Wed-Sat at 7:30pm.  Sat-Sun at 2:30pm.
Tickets:  $15-$45.  Tickets may be purchased online at www.theatricaloutfit.org or contact the Box Office at 678-528-1500 between the hours of 10am-6pm Monday-Friday and 90 minutes before showtime.
Cast
Tom Key
Jeff McKerley
Cody Evan Jones
Karen Howell
Chani Maisonet
Candy McLellan
Joel Ishman
JD Myers

Join ‘A Chorus Line’

BLUEBARN THEATRE announces auditions for 

A Chorus Line    

Sunday, January 5th from 3pm-6pm

& Monday, January 6th from 6-9pm

Auditions will be held at the theatre: 1106 S. 10th St Omaha, NE 

The BLUEBARN will hold auditions for A Chorus Line in two sessions. Participants are asked to choose either the Sunday or Monday session and be available for the entire three-hour block.

Auditions will consist of cold readings, singing and dancing.

Please wear comfortable clothing and appropriate footwear. Formal dance training not specifically required, but confidence in learning and executing a variety of dance styles, along with visible fluidity of movement, is necessary.

Please prepare 16 to 32 bars of music (or about 1 minute of singing) that showcases your vocal and storytelling abilities. Given the deeply personal and biographical content of A Chorus Line, we are specifically looking for physical and emotional connection to your material. Please do not choose a song from A Chorus Line. An accompanist will be provided. Please bring printed sheet music, double-sided, and in a three-ring binder. If your audition cut is two pages, single-sided and side-by-side in a three-ring binder is preferred.

Actors of all ethnicities and gender identities over the age of 16 are encouraged to audition. Please contact Barry, at bcarman@bluebarn.org, to sign up for a session.

A Chorus Line runs May 14th through June 14th, 2020. Rehearsals begin April 13th.

For a casting breakdown please visit us at www.bluebarn.org/auditions.

THE CUT DANCERS (18-40) All Genders & Ethnicities.  Perform entire opening sequence until cut. Dance in “At The Ballet” (looking for 2 women who can dance on point). Some may be asked to understudy. Entire ensemble will be off stage singers throughout the show.

It’s an ‘Everlasting’ Audition

Bellevue Little Theatre Presents Auditions for:

Tuck Everlasting

Location:  Central Elementary (510 W 22nd St in Bellevue, NE)

Dates:  December 15 and 16 at 7pm.  Callbacks on December 18

Director:  Suzanne Withem

Music Director:  Liz Stinman

Performance Dates:  March 13-29 (Fridays-Sundays)

Auditioners should prepare 16 to 32 bars of music (or about 1 minute of singing) that showcases your vocal and storytelling abilities. Please DO NOT choose a song from Tuck Everlasting. An accompanist will be provided. Please bring printed sheet music, double-sided, and in a three-ring binder. If your audition cut is two pages, single-sided and side-by-side in a three-ring binder is preferred. In addition, there will be a dance audition as well as scene work and reading from the script.

CAST REQUIREMENTS
WINNIE FOSTER – 11 years old
MOTHER – Winnie’s mother
NANA – Winnie’s grandmother
JESSE TUCK – the youngest of the Tuck family
MILES TUCK – Jesse’s older brother
MAE TUCK – Jesse’s mother
ANGUS TUCK – Jesse’s father
MAN IN THE YELLOW SUIT – a nefarious leader of a traveling carnival, in search of the fountain of youth
CONSTABLE JOE – head of the police force in Treegap
HUGO – Constable Joe’s sidekick and son
ENSEMBLE- performers ages 8 & up including 2 very strong dancers

Blue Barn Reinvents a Holiday Classic

BLUEBARN THEATRE presents:

The Regional Premiere of

A Very Die Hard Christmas

By Jeff Schell and the Habit

November 29th -December 22nd, 2019

Thursdays-Saturdays at 7:30pm

Wednesday 12/11 & 12/18 at 7:30pm

Sundays: 12/1 at 6pm| 12/8 at 2pm & 6pm | 12/22 at 2pm

Come out to the coast. We’ll have a few laughs.

About the play:  Yippee-Ki-Yay! An outrageous take on the Most. Beloved. Christmas Movie. Of. All Time, we cordially invite you to our company Christmas party at Nakatomi Plaza! All NYPD Blue’s John McClane wants is to come to the coast, get together with his estranged wife, and have some laughs. But when a team of well-choreographed, vaguely European terrorists start taking hostages as part of their nefarious plot to…who cares! John has to cowboy up! Starring the dead guy from The Sixth Sense, the cop outside with Twinkies, big big hair, cocaine, indoor smoking, Professor Snape, and 40 floors of sheer adventure!

About the production: A Very Die Hard Christmas features Hughston Walkinshaw, Katie Becker-Colón, Theresa Sindelar, Josh Peyton, Jonathan Purcell, Diane Watson, Raydell Cordell III, Dave Wingert, Nicole Callahan, Todd Brooks, Kerron Stark, Don Harris, Therese Rennels, Mike Markey, and Wai Yim. Directed by Susan Clement-Toberer. Dramaturgy by Barry Carman. Sound Design by Bill Kirby. Properties by Amy Reiner. Set Design by Bob Donlan. Lighting Design by Josh Mullady. Costume Design by Jenny Pool. Choreography by Melanie Walters. Fight Direction by Ezra Colón

This production is sponsored in part by Omaha Steaks

Tickets: General Admission ($35) and Senior ($30) tickets are available at bluebarn.org. Educator, Military, and BLUCrew tickets are available through the box office (402) 345-1576.

Location:  1106 S 10th St in Omaha, NE