OCP Reimagines 96th Season

OCP ANNOUNCES REVAMPED 2020/21 SEASON LINEUP, SAFETY PRECAUTIONS

Omaha, NE.– The Omaha Community Playhouse has announced a new, revamped 2020/21 season lineup with special precautions in place to protect audiences, volunteers and staff from COVID-19.

A SEASON REIMAGINED

This year, COVID-19 brought the world to its knees, and the performing arts—including live theatre—were hit hard. From London’s West End to Broadway, New York, to right here in Omaha, stages around the world have gone dark.

At OCP, we have worked tirelessly to invent new ways to keep performing art alive during this crisis. From streaming productions online to moving shows outdoors, we have adapted and innovated to keep art in our community.

While we’ve been imagining new ways to stay connected, we’ve also been reimagining what a safe in-theatre experience could look like in the era of COVID. We believe we’ve created a plan that places the health of our community first while creating a safe environment for live theatre to thrive. It begins with our reimagined 2020/21 season lineup.

OCP’s New 2020/21 Season Lineup

Billy McGuigan‘s Pop Rock Orchestra*

Aug. 5 – 23

Storz Parking Lot at OCP

Don’t Stop Me Now! A Celebration of Rock Musicals

Aug. 28 – Sept. 20

Storz Parking Lot at OCP

Grounded

Sept. 25 – Oct. 18

Howard Drew Theatre

Yesterday and Today: The Interactive Beatles Experience*

Oct. 2 – Nov. 1

Hawks Mainstage Theatre

I Am My Own Wife

Oct. 30 – Nov. 15

Howard Drew Theatre

A Christmas Carol*

Nov. 13 – Dec. 23

Hawks Mainstage Theatre

Title To Be Announced

Nov. 27 – Dec. 23

Howard Drew Theatre

The Last 5 Years

Jan. 15 – Feb. 7

Hawks Mainstage Theatre

The Candy Project Presents: Guttenberg! The Musical!*

Feb. 12 –March 14

Howard Drew Theatre

Agatha Christie’s Murder on the Orient Express

Feb. 26 – March 21

Hawks Mainstage Theatre

In The Heights

April 16 – May 9

Hawks Mainstage Theatre

Clybourne Park

May 7 – 30

Howard Drew Theatre

Roald Dahl’s Willy Wonka

May 28 – June 27

Hawks Mainstage Theatre

*Special engagement; Not a regular season production

We reimagined our season lineup.

  • We added concert-style drive-in shows to take advantage of our outdoor space as long as possible.
  • We removed shows with large cast sizes from our fall and winter time slots. In their place, we have added four wonderful productions with two performers or fewer. The new shows are compelling, entertaining and—most importantly—safe. The small cast sizes will allow our actors to safely rehearse and perform, create plenty of room for our backstage crew to social distance and help protect our patrons by reducing the overall number of people present in the theatre.
  • Fan favorite Yesterday and Today: The Interactive Beatles Experience will move to the larger Hawks Mainstage theatre and open in October. The larger stage will allow the band to socially distance and the larger theatre will safely accommodate the show’s many fans.
  • The holiday tradition of A Christmas Carol will live on for 2020 in a unique and imaginative small cast format.
  • Finally, we shuffled four titles from our original lineup to the end of the season. While these shows do feature more cast members, we are hopeful that these productions will be safe to carry out by next Spring. These four shows were selected based on existing ticket sales (via subscriptions), director availability, and royalties logistics.

We reimagined our performance spaces.

  • Patrons attending a show in either theatre will be socially distanced from other guests with all groups at least 6 feet apart.
  • In the Howard Drew theatre, a plexiglass barrier will be installed around the perimeter of the stage to provide separation between guests and performers.
  • Productions will not incorporate any physical audience participation.

We reimagined our safety precautions.

  • All audience, staff and volunteers will be required to wear masks. Masks will be available free of charge and must be worn properly in accordance with CDC guidelines.
  • Audience members will be required to self-screen for a fever and symptoms of illness prior to arriving at OCP. Those with fever or other symptoms may exchange their ticket at no cost.
  • New arrival and dismissal procedures will help encourage social distancing, including staggered vehicle loading/unloading, assigned will call pick up times and row-by-row dismissal after a show.
  • Lobbies, reception areas and lines will be arranged and marked to encourage social distancing.
  • Plexiglass barriers will be installed in the box office windows with cash-free payments encouraged, touchless credit card transactions offered and touch-free ticket pickup available.
  • Common areas and performance halls will be cleaned and sanitized on a daily basis with both cleanser and electrostatic technology.
  • All restrooms will be outfitted with touchless fixtures and will be sanitized daily and throughout performances.
  • We will no longer hold post-show meet and greets with the actors in the lobby.
  • Concessions and drinks will not be available and public water fountains will be closed.
  • For a full list of safety precautions, please visit the Omaha Community Playhouse website at omahaplayhouse.com

OCP will continue to evaluate our processes and procedures to ensure we are constantly creating the safest environment possible for our patrons, artists, volunteers and staff. For the most up-to-date information, please visit our website.

The Omaha Community Playhouse has served our community for nearly 100 years. We are confident that with a little (re)imagination, the art will always live on. We hope you enjoy our reimagined 2020/21 season, and we can’t wait to have you back at OCP!

Information for Subscribers:

  • Subscribers may select any regular season production from the new lineup above to replace any canceled productions from their original subscription package.
  • To select a new show for your package, call the OCP Box Office during the Subscriber Presale to reserve tickets to the new show of your choice.
  • New Subscriber Presale dates for all shows will be announced on a rolling basis throughout the season via email and the OCP website.
  • For additional information, please contact the OCP Box Office by phone at (402) 553-0800. For Box Office hours please visit the OCP website at omahaplayhouse.com

OCP Holding Auditions for 96th Season

Omaha, NE.– The Omaha Community Playhouse will hold auditions for its 2020-21 season musicals July 11-13 for children under age 16 and July 23-26 for adults. Auditions are by appointment only. Special COVID-19 safety precautions will be observed.  Vocal auditions will be on the Playhouse’s Hawks Mainstage. Dance skills will be evaluated at callbacks.

Musicals this season include:

A Christmas Carol, Nov. 20 through Dec. 23, Hawks Mainstage. Directors: Kimberly Faith Hickman, Ablan Roblin

The Scottsboro Boys, Feb. 12 through March 14, 2021, Howard Drew Theatre. Director: Kimberly Faith Hickman

Kinky Boots, Feb. 26 through March 21, 2021, Hawks Mainstage. Director: Ablan Roblin

In the Heights, April 16 through May 9, 2021, Hawks Mainstage. Director: Kathy Tyree

Willy Wonka, May 28 through June 27, 2021, Hawks Mainstage. Director: Kimberly Faith Hickman

Music director is Jim Boggess. Choreographer is Michelle Garrity.

Audition dates and times:

Children (under age 16)

Saturday, July 11, 10:30 a.m. to 1:30 p.m. and 2 p.m. to 5 p.m.

Sunday, July 12, 1 p.m. to 4 p.m. and 4:30 p.m. to 7:30 p.m.

Monday, July 13, 6 p.m. to 9 p.m.

Adults (16 or older)

Thursday, July 23, 6 p.m. to 10 p.m.

Friday, July 24, 6 p.m. to 10 p.m.

Saturday, July 25, 10:30 a.m. to 1:30 p.m. and 2 p.m. to 5 p.m.

Sunday, July 26, 1 p.m. to 4 p.m. and 4:30 p.m. to 7:30 p.m.

Auditioners must fill out paperwork in advance, not at the audition. They can return completed paperwork by email or bring it with them. Specific dates and time slots will be set in advance for each auditioner. Auditions will be in groups of no more than 15. Temperatures of auditioners will be taken upon arrival. You may wear a facemask if you prefer. Auditioners will be allowed to sing only 16 bars of a song of their choosing, for which they should bring sheet music. Provided seating will be plastic or metal chairs only, no fabric upholstery. The audition space will be sanitized between groups. When arriving to audition, please enter through the south entrance lobby doors.

Those who cannot attend in person may submit a vocal-audition video.

 

The Omaha Community Playhouse has scheduled auditions for three Fall 2020 plays.

Auditions will be by appointment only. Special COVID-19 safety precautions will be observed.

The show titles, run dates and audition schedule:

CLYBOURNE PARK, by Bruce Norris

Show runs Aug. 21-Sept. 20 in the Howard Drew Theatre.

Director: Kimberly Faith Hickman

Hickman was assistant director of the original Tony Award-winning Broadway production   

Audition dates and times:

Monday, July 6, 6:30 p.m. to 9:30 p.m.

Tuesday, July 7, 6:30 p.m. to 9:30 p.m.

Callbacks will be Wednesday, July 8, starting at 6:30 p.m.

Agatha Christie’s MURDER ON THE ORIENT EXPRESS, adapted by Ken Ludwig

Show runs Sept. 25-Oct. 18 in the Hawks Mainstage Theatre.

Director: Anthony Clark-Kaczmarek

Audition dates and times:

Sunday, July 12, 2 p.m. to 5 p.m.

Monday, July 13, 7 p.m. to 10 p.m.

Callbacks will be Tuesday, July 14, and Wednesday, July 15, starting at 7 p.m. both evenings.

OUTSIDE MULLINGAR, by John Patrick Shanley

Show runs Oct. 16-Nov. 8 in the Howard Drew Theatre.

Director: Kaitlyn McClincy

Audition dates and times:

Saturday, Aug. 15, 2 p.m. to 5 p.m

Tuesday, Aug. 18, 7 p.m. to 10 p.m.

Callbacks will be Saturday, Aug. 22, starting at 2 p.m., and Sunday, Aug. 23, starting at 7 p.m.

Specific dates and time slots will be set in advance for each auditioner. Auditioners must fill out paperwork in advance, not at the audition. They can return completed paperwork by email or bring it with them. Tryouts will be in groups of no more than 12 per hour. COVID-19 screening questions will be asked of each auditioner upon arrival. You may wear a facemask if you prefer. Provided seating will be plastic or metal chairs only, no fabric upholstery. The audition space will be sanitized between groups. When arriving to audition, please enter through the west-entrance stage door.

To make an audition appointment, email Becky Deiber at bdeiber@omahaplayhouse.com.

Omaha Playhouse Announces 96th Season

Omaha, NE.–The Omaha Community Playhouse (OCP) has announced the titles to be produced during their 96th season, which will run from August 2020 through June 2021. Subscriptions for OCP’s 2020/21 season are now available for purchase through the OCP Box Office at 6915 Cass Street, Omaha, NE 68132, by phone at (402) 553-0800 or online at OmahaPlayhouse.com.

OMAHA COMMUNITY PLAYHOUSE 2020/21 SEASON PRODUCTIONS

*Billy McGuigan’s Pop Rock Orchestra

Aug. 7–16, 2020

Hawks Mainstage Theatre

Featuring Billy McGuigan | Music Director Steve Gomez | ©2007 by Rave On Productions

Billy McGuigan’s Pop Rock Orchestra is a high-energy concert experience packed with rock ‘n’ roll mega hits from the 50s, 60s and 70s. Led by international touring artist Billy McGuigan and backed by the 14-piece Pop Rock Orchestra, these all-star musicians serve up fresh, original arrangements covering everything from the Beach Boys to Billy Joel, and everything in between.

*Special Event—Not part of the regular season series.

Clybourne Park

Aug. 21–Sept. 20, 2020

Howard Drew Theatre

By Bruce Norris

Pulitzer Prize and Tony Award®-winning comedy Clybourne Park serves as prequel and sequel to A Raisin in the Sun. A 1950s couple faces sharp backlash from neighbors for selling their home in the all-white Clybourne Park to a black family. Fifty years later, a white couple attempts to purchase the same home in the now predominantly black neighborhood, igniting fears of gentrification.

Disclaimer: Contains adult language and themes of racial tension.

Kinky Boots

Sept. 25–Oct. 25, 2020

Hawks Mainstage Theatre

Book by Harvey Fierstein | Music and Lyrics by Cyndi Lauper

Original Broadway Production Directed and Choreographed by Jerry Mitchell

Based on the Miramax motion picture Kinky Boots

Written by Geoff Deane and Tim Firth

Flashy, inspiring and downright fun, Kinky Boots is the Tony Award®-winning musical warming hearts around the world. After returning to his hometown to manage his late father’s failing shoe factory, Charlie meets Lola, an outspoken and unapologetic drag queen in need of a sturdy pair of exotic boots. Together, the unlikely pair cobble a heartwarming tale of acceptance and friendship.

Orchestra Sponsor: Woodmen Life

Hawks Series Sponsor: Immanuel Communities

Water by the Spoonful

Oct. 16–Nov. 8, 2020

Howard Drew Theatre

By Quiara Alegría Hudes

Winner of the 2012 Pulitzer Prize for Drama, Water by the Spoonful follows Elliott, an Iraq war vet struggling to care for his dying aunt, and Odessa, a recovering drug addict fighting to stay sober with the support of her online companions. When their two worlds unexpectedly collide, everyone’s progress comes crashing down in this thought-provoking and beautifully human tale.

Disclaimer: Contains adult themes and language.

Presenting Sponsor: Conagra Brands Foundation

*A Christmas Carol

Nov. 20–Dec. 23, 2020

Hawks Mainstage Theatre

Written by Charles Dickens | Adapted by Charles Jones

Musical Orchestration by John J. Bennett

It just isn’t Christmas without A Christmas Carol! Experience Omaha’s favorite holiday tradition as Ebenezer Scrooge takes us on a life-changing journey to discover the true meaning of Christmas. Filled with stunning Victorian costumes, festive music and crisp, wintry sets, A Christmas Carol is a beautiful reminder that love and generosity are the heart of the Christmas holiday.

*Special Event—Not part of the regular season series.

Presenting Sponsor: First National Bank

Artistic Team Sponsor: Omaha Steaks

Orchestra Sponsor: KPMG

Bakery Shoppe/Special Effects Sponsor: Rotella’s Bakery

*Yesterday and Today:  An Interactive Beatles Experience

Nov. 27–Dec. 31, 2020

Howard Drew Theatre

Featuring Billy McGuigan | Music Director Matthew McGuigan | ©2007 by Rave On Productions

Cap off 2020 with a shot of Beatlemania! Yesterday and Today is the smash hit, all-request Beatles show controlled by the audience. Share your favorite stories and relive your fondest memories with the songs that defined a generation. With no two shows the same, fans will be dancing in the aisles and singing along to all their favorite hits.

*Special Event—Not part of the regular season series.

The Miracle Worker

Jan. 15–Feb. 7, 2021

Hawks Mainstage Theatre

By William Gibson

The Miracle Worker is the incredible true story of Helen Keller, deaf and blind since age one, and the extraordinary woman who changed her life. Unable to communicate with their daughter, the Keller family enlists the help of Annie Sullivan, a woman determined to rescue Helen from the dark, tortured silence imprisoning her mind. A story that has inspired audiences for generations.

Hawks Series Sponsor: Immanuel Communities

The Scottsboro Boys

Feb. 12–March 14, 2021

Howard Drew Theatre

Music and Lyrics by John Kander & Fred Ebb

Book by David Thompson

Original Direction and Choreography by Susan Stroman

The Scottsboro Boys follows the wrongful conviction of nine black teenagers in Scottsboro, Alabama in the 1930s—an infamous case that helped ignite the modern civil rights movement. From the composers of Chicago and Cabaret, this 12-time Tony® Award nominee alternates toe-tapping musical numbers with heart-wrenching ballads to tell a harrowing tale of bravery and strength in the face of great adversity.

Disclaimer: Contains themes and language related to racial tension.

In the Heights

Feb. 26–March 21, 2021

Hawks Mainstage Theatre

Music and Lyrics by Lin-Manuel Miranda

Book by Quiara Alegría Hudes

Before there was Hamilton, there was In the Heights. From the revolutionary musical mind of Lin-Manuel Miranda, this Tony® Award-winning musical recounts three days in the vibrant Latino neighborhood of Washington Heights, NYC, where the Spanish-speaking residents chase American dreams. This bubbly fusion of rap, salsa, Latin pop and soul music boasts an infectious enthusiasm from beginning to end.

Presenting Sponsor: Heider Family Foundation

Producing Partner: Physicians Mutual

Hawks Series Sponsor: Immanuel Communities

*THE CANDY PROJECT PRESENTS:

Gutenberg!  The Musical!

March 18–21, 2021

Howard Drew Theatre

By Anthony King and Scott Brown

Starring Steve Krambeck and Dan Chevalier

Join The Candy Project, friends of OCP, for a special presentation of Gutenberg! The Musical! A pair of aspiring playwrights audition their newest work—a big, splashy musical about the inventor of the printing press—for an audience of potential investors. This two-man musical spoof offers an unending supply of enthusiasm and laughs.

*Special Event—Not part of the regular season series.

Agatha Christie’s Murder on the Orient Express

April 16–May 9, 2021

Hawks Mainstage Theatre

Adapted for the stage by Ken Ludwig

A thrilling whodunit set aboard the world’s most famous luxury locomotive, Murder on the Orient Express will keep you guessing until the very end. When the Orient Express becomes stranded by a snow storm, a passenger is found stabbed to death in his private room. With the murderer still on board, a detective must solve the crime before the train reaches its destination.

Producing Partner: UNMC

Hawks Series Sponsor: Immanuel Communities

Outside Mullingar

May 7–30, 2021

Howard Drew Theatre

By John Patrick Shanley

This charming romantic comedy follows Anthony and Rosemary, two introverts who grew up on neighboring farms in rural Ireland. Rosemary secretly fell in love with Anthony at age six, but after a bought with heartbreak, Anthony swore off women forever. The now middle-aged pair must overcome their own aloofness—as well as a family property dispute—to find their way to one another.

Roald Dahl’s Willy Wonka

May 28–June 27, 2021

Hawks Mainstage Theatre

Music and Lyrics by Leslie Bricusse and Anthony Newley

Adapted for the Stage by Leslie Bricusse and Timothy Allen McDonald

Based on the Book Charlie and the Chocolate Factory by Roald Dahl

Oompa-Loompa-Doom-Pa-Dee-Doo! We’ve got a family favorite for you! Grab your golden ticket as Willy Wonka takes your family on a whimsical tour of the chocolate factory—with Charlie Bucket, Augustus Gloop, Veruca Salt, and all of your favorite characters. Featuring songs from the hit film, Willy Wonka will open up a world of pure imagination.

Presenting Sponsor: Mutual of Omaha

Orchestra Sponsor: Kiewit

Hawks Series Sponsor: Immanuel Communities

Pardon Me, Boys, is that the Murdering Choo-Choo?

A shady businessman is found murdered in his locked sleeping compartment on the Orient Express.  Will the famed Belgian detective, Hercule Poirot, be able to solve the mystery with his formidable “little gray cells” or has he finally met a killer too cunning for him?  Find out in Murder On the Orient Express adapted by Ken Ludwig from a novel written by Agatha Christie.  It is currently playing at the Bellevue Little Theatre.

It’s awfully hard to write about the plot without being too spoilery so I’ll simply say that Ludwig does an admirable job hitting the essential points of the classic mystery.  With his involvement, I was expecting more of a comedy, but Ludwig plays this script surprisingly straight, though he does leave room open for a bit of over the topness with some of the characters.  The mash-up of comedy and drama weaken the first act slightly, but he sticks the ending on the second act as he seems to have decided to be almost totally dramatic with that act.

Todd Uhrmacher provides a solid piece of direction for the production, handling the dual natures of comedy and drama in the first act quite well and excelling with the nearly purely dramatic second act.  I liked the staging of his show as he placed his actors well in the cramped confines of the train without the actors ever seeming bunched up or blocking each other.  Uhrmacher guided his actors to well-defined performances as each imbued a distinct character.

Some enjoyable performances were supplied by Michael Taylor-Stewart who comes off as somewhat off-kilter and creepy as the secretary of the murder victim and Gene Hinkle as the genial CEO of the company that owns the Orient Express.  But Jeff Garst deserves special notice for an exceptional performance as the conductor, Michel.  He gives Michel a very efficient nature and he nails a brief, heart-wrenching moment at the show’s finale.

Jon Flower is an extremely worthy Hercule Poirot.  He has a firm grip on the sleuth with a flawless Belgian accent, well communicating Poirot’s genius with his deductions, displaying a very gentlemanly and cultured nature, and demonstrating Poirot’s fastidious personality with the care he gives to Poirot’s signature moustache.  Flower also brings a certain weightiness to Poirot who has to wrestle with a choice between his devotion to the law and his dedication to justice which, for the first time in his career, may not be one and the same.

D. Laureen Pickle is utterly obnoxious as Mrs. Hubbard. Almost from the get-go one begins looking for a muzzle to clamp shut the mouth of the man-hungry, stuck-up, grating American snob. Pickle plays this character slightly over the top, but always keeps it in the realm of believability.  She also deftly handles the character’s more dramatic moments when certain secrets begin to come to light.

I don’t think Joey Lorincz could design a bad set even if he was working blindfolded.  He has created one of the most ambitious sets I’ve seen on the Bellevue stage with a three room revolving set that shows an elegant dining room, an office/rear of the train, and the tiny, sleeping compartments one would expect to find on a train.  Lorincz does double duty on lights which were also quite effective, especially the dark blue of the recalling of clues during the denouement.  Todd Urhmacher also pulls double duty with his designing of the costumes which evoke memories of the 1930s with the elegant dresses of the ladies and the snappy suits of the men and the classic conductor’s tunic for Michel.  My program lacked a credit for sound effects, but liked the sounds of the train whistle and the rumble of the wheels on the track.

I thought the pace of the first act could have had a snappier pace and there were a few moments when speaking actors were in darkness.  Volume and projection could have been a bit stronger on the parts of some of the actors and accents were a bit of a mixed bag.

Ultimately, this show is a very pleasant theatre experience with the combination of a faithful telling of a legendary mystery and compelling characters making for a respite from the real world for a few hours.

Murder On the Orient Express plays at Bellevue Little Theatre through Feb 2.  Showtimes are 7:30pm Fri-Sat and 2pm on Sundays.  Tickets cost $20 for adults, $18 for seniors, and $10 for students.  Tickets can be obtained at bellevuelittletheatre.weebly.com or calling 402-291-1554 during the hours of 10am-4pm Mon-Sat.  Bellevue Little Theatre is located at 203 W Mission Ave in Bellevue, NE.

BLT Wants You to Take Part in a Murder

Bellevue Little Theatre presents
Murder on the Orient Express Auditions

Sunday, November 3 @ 7:00 pm
Monday, November 4 @ 7:00 pm

Location:  Ralston Performing Arts Centre (8989 Park Dr in Ralston, NE)

Interested parties need only attend one day of auditions, so please feel free to select the date that is most convenient for you.  Actors will be asked to read from the script.  No prior work with the text is required.

Rehearsals will begin on November 17
Performance Dates: January 17 – February 2, 2020
Performances are Fri., Sat. evenings at 7:30 and Sunday afternoons at 2 pm.

Cast requirements are:
Number of male characters: 5
Number of female characters: 5

Hercule Poirot
Monsieur Bouc
Mary Debenham
Hector MacQueen
Michel the conductor
Princess Dragomiroff
Greta Ohlsson
Countess Andrenyi
Helen Hubbard
Colonel Arbuthnot
Samuel Ratchett (doubles with the Colonel)
Head Waiter (doubles with Michel)

Synopsis:
Just after midnight, a snowdrift stops the Orient Express in its tracks. The luxurious train is surprisingly full for the time of the year, but by the morning it is one passenger fewer. An American tycoon lies dead in his compartment, stabbed a dozen times, his door locked from the inside. Isolated and with a killer in their midst, detective Hercule Poirot must identify the murderer – in case he or she decides to strike again.

Director: Todd Uhrmacher

When Irish Eyes are Smiling, Day 7: Sailing into Mystery

Breakfast at the Trident was the only one that differed from the other hotels.  They did have a continental breakfast buffet with some cold cuts where I sampled smoked salmon, another stalwart of Irish menus.  But at this hotel, we were also permitted to order something off of the menu.  So for this breakfast I ordered Eggs Benedict.  Unlike the American version which is served on an English muffin with ham, this was served on toast with bacon.  But delicious no matter what way you slice it.

This day was the quietest that we had for the trip.  After checking out of the oh so wonderful Trident, we hopped on the bus and headed off to Bantry Bay where we were going to take a ferry ride over to Garinish Island.

Bantry Bay is known for its warm waters.  So warm are the waters that it often attracts seals to the outcroppings and we saw a plethora of these magnificent beasts as we slowly sailed over to the island.

Garinish Island was once the private paradise of an extremely wealthy family called Bryce.  It’s known for its lush gardens and opulent pieces of architecture.  Another fun fact was that the Bryce family was very close friends with Agatha Christie, the acclaimed mystery writer.  In fact, the Bryce House still exists on the island and it holds some of the original editions of Christie’s work.

I spent quite a while simply soaking in the beauty of the island as you can see from the below photos.

I did find the Bryce House, but had just missed the only tour I could have taken.  However, my parents did make it on the tour, so I entertained myself by making goofy faces at them whenever they passed by the windows.  Yes, I admit it.  I’m a big kid at heart.

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Bryce House

After a few hours on the island, we returned to the mainland and continued our bus tour along the Ring of Kerry which featured some of the prettiest scenery I think I’ll see this side of heaven.

We ended up stopping at a place called Ladies View which has some stunning views of the Lakes of Killarney.  Once upon a time, the queen of England and her husband had lunch at this spot.  Not only did we take a group photo here, but Mom and Dad bought some paintings from a local artist.

After our brief stop, we continued journeying to our final stop, but were met with a surprise on the road.  As we drove, we suddenly saw a group of people gathered on the left side of the road.  We all craned our necks to see and we saw a car precariously perched on its front after having gone over a cliff!!

Luckily, nobody was hurt.  The driver and passenger were staring forlornly at their car while the Garda (Ireland’s national police force) drove up to see what they could do.  A story in the next day’s Irish Times told the story that the driver had accidentally hit the gas instead of the brake which sent the car over the cliff.

In the afternoon, we reached the town of Killarney where we checked into the Scotts Hotel.  As fabulous as the Trident was, I rather liked the Scotts as I actually had my own alcove and finally had a bit of privacy for writing, though I was unable to make use of that.

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Scotts Hotel

After an hour of rest, we headed out to the corner where we took a jaunting car ride or a horse and buggy ride as we’d call it here.  These rides are famous for the jarveys (drivers) who provide a witty and entertaining stream of talk on the rides.  Ours was similar to Don Rickles.

We rode through the Killarney National Park and made a brief stop at Ross Castle during the drive.

My dad and I fell into conversation with our jarvey who told us about the education system of Ireland when we spotted some children walking home from school.  School in Ireland begins at 9am and ends at 4pm.  All schools have a uniform code and their students dress very elegantly.

As the drive continued, our jarvey asked us where we were going to eat and I mentioned that our tour guide had mentioned a place called The Meadows.  Our jarvey snorted and said it was a tourist trap that overcharged for its food.  Given my years of travel, I seized on the moment as I know the locals always know the best eateries and asked what he would recommend.  He thought for a moment and said there was a place called the Failte right across the street from our hotel.  It was a family run place and served good food at a good value.

So at dinnertime, we went to the Failte and this was my favorite meal of the entire trip.  We were served shepherd’s pie which is a lamb stew served in a mashed potato crust.  This was so good and so warm and filling and I was so glad to try it once.

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The Failte

With full stomachs, Mom went back to the hotel while Dad and I walked about the town.  We ended up stopping in a grocery store as Dad was looking for some aspirin for Mom’s sore feet while I continued my search for Mountain Dew.

I should explain.

For my regular readers, you may remember that on my trips to Japan, I had a positive knack for locating Mountain Dew for my friend, David Sundberg, who is a Dew junkie.  So I decided that any international trip I now take will now include a search for the beverage as a running gag/challenge.  I learned from our jarvey that Mountain Dew is called Poteen in Ireland, so I went to the soft drinks and began looking for Poteen.  But, lo and behold, I found the honest to goodness real thing, though their Mountain Dew had the qualifier of Citrus Blast and I immediately took a picture for Dave as proof of my victory.

Dad found some aspirin so we went back to the hotel and called it a night.

A Tenuous Night of Terror

Ten strangers meet on Soldier Island.  At dinner, a disembodied voice accuses each of murder.  Soon afterwards, the guests begin to die according to a disturbing nursery rhyme.  Real horror sets in when the survivors realize that the killer must be one of them.

This is the plot of Ten Little Indians, currently playing at the Bellevue Little Theatre and based off the novel by Agatha Christie.

Translating a story from one medium to another usually proves to be a difficult chore.  Through the translation, something often gets lost or reimagined to suit the new medium and this difficulty is prevalent in the script for this show.  The novel is deeply psychological, full of tense, internal monologues and shifts all over Soldier Island and its mansion.  The play is, quite literally, a sitting room drama (said sitting room impeccably designed by Joey Lorincz).  The cast is left with the unenviable task of trying to duplicate the same sense of dread and character development without the critical clues the internal monologues provide.  God bless this cast for rising to the challenge.

Standouts in the show include Connie Lee as Emily Brent.  As Brent, Ms. Lee shines as a cold blooded religious zealot.  She utterly disappears into the character with a steely expression and unyielding posture.  Her remorseless nature and snide little asides provided a true delight for the evening.

Jon Flower absolutely nails the role of Phillip Lombard.  He is truly an insufferable ass.  The only member of the party to immediately admit his guilt, Flower magnificently makes Lombard the character you love to hate.  With a practiced ease, Flower imbues Lombard with an oily charm.  When he’s not busy trying to woo Vera Claythorne, he’s snapping out inappropriate comments or improvising new verses of the already creepy nursery rhyme which foretells the deaths of the accused.

Angela Fick is spot on as Vera Claythorne.  Beginning as an affable girl who thinks she has won a position as secretary to the woman of the house, Ms. Fick’s Claythorne is the one character who truly seems to buckle under the ominous threat looming over the guests.  Ms. Fick does an admirable job finding the ebbs and flows in her dialogue that make for a nice nuanced character.  With a character that could easily be overplayed, Ms. Fick manages to find just the right emotional beats at just the right moments to keep Vera grounded in reality.

Paul Schneider’s Sir Lawrence Wargrave is a masterfully underplayed performance.  His Wargrave is almost the glue holding these people together.  Eerily calm and painfully precise, Schneider’s Wargrave stoically examines the evidence and enunciates the points that may lead to a solution to this baffling mystery.

Jim Farmer proved to be a real surprise as William Henry Blore.  At first glance, Farmer seems to be playing Blore extremely over the top until he reveals that he’s putting on a cover and he’s really a detective called in for a job.  After the cover is blown, Farmer is all business.  His Blore is a tough cookie, though not overly bright and constantly concerned about his next meal.  However, Farmer also gives Blore some surprising depth and pathos when he tells the true story about the man he is accused of killing.

A few flaws were evident in the production.  The acting was a little shaky at points, accents were a mixed bag, and vocal projection issues were present.  The blocking also seemed a tad off as performers either upstaged themselves or were placed in such a way that they couldn’t be seen.  The denouement also seemed a touch overacted and may disappoint purists expecting the same ending as in the novel.

Ten Little Indians runs from Jan 24-Feb 9 at Bellevue Little Theatre located at 203 W Mission Ave in Bellevue, NE.  Showtimes are Fridays and Saturdays at 7:30pm and Sundays at 2pm.  Reservations can be made at 402-291-1554 between the hours of 10am-4:30pm Mon-Sat.  Tickets are $15 for adults, $13 for seniors and TAG members, and $9 for students with a valid student ID.