Omaha Playhouse Announces 96th Season

Omaha, NE.–The Omaha Community Playhouse (OCP) has announced the titles to be produced during their 96th season, which will run from August 2020 through June 2021. Subscriptions for OCP’s 2020/21 season are now available for purchase through the OCP Box Office at 6915 Cass Street, Omaha, NE 68132, by phone at (402) 553-0800 or online at OmahaPlayhouse.com.

OMAHA COMMUNITY PLAYHOUSE 2020/21 SEASON PRODUCTIONS

*Billy McGuigan’s Pop Rock Orchestra

Aug. 7–16, 2020

Hawks Mainstage Theatre

Featuring Billy McGuigan | Music Director Steve Gomez | ©2007 by Rave On Productions

Billy McGuigan’s Pop Rock Orchestra is a high-energy concert experience packed with rock ‘n’ roll mega hits from the 50s, 60s and 70s. Led by international touring artist Billy McGuigan and backed by the 14-piece Pop Rock Orchestra, these all-star musicians serve up fresh, original arrangements covering everything from the Beach Boys to Billy Joel, and everything in between.

*Special Event—Not part of the regular season series.

Clybourne Park

Aug. 21–Sept. 20, 2020

Howard Drew Theatre

By Bruce Norris

Pulitzer Prize and Tony Award®-winning comedy Clybourne Park serves as prequel and sequel to A Raisin in the Sun. A 1950s couple faces sharp backlash from neighbors for selling their home in the all-white Clybourne Park to a black family. Fifty years later, a white couple attempts to purchase the same home in the now predominantly black neighborhood, igniting fears of gentrification.

Disclaimer: Contains adult language and themes of racial tension.

Kinky Boots

Sept. 25–Oct. 25, 2020

Hawks Mainstage Theatre

Book by Harvey Fierstein | Music and Lyrics by Cyndi Lauper

Original Broadway Production Directed and Choreographed by Jerry Mitchell

Based on the Miramax motion picture Kinky Boots

Written by Geoff Deane and Tim Firth

Flashy, inspiring and downright fun, Kinky Boots is the Tony Award®-winning musical warming hearts around the world. After returning to his hometown to manage his late father’s failing shoe factory, Charlie meets Lola, an outspoken and unapologetic drag queen in need of a sturdy pair of exotic boots. Together, the unlikely pair cobble a heartwarming tale of acceptance and friendship.

Orchestra Sponsor: Woodmen Life

Hawks Series Sponsor: Immanuel Communities

Water by the Spoonful

Oct. 16–Nov. 8, 2020

Howard Drew Theatre

By Quiara Alegría Hudes

Winner of the 2012 Pulitzer Prize for Drama, Water by the Spoonful follows Elliott, an Iraq war vet struggling to care for his dying aunt, and Odessa, a recovering drug addict fighting to stay sober with the support of her online companions. When their two worlds unexpectedly collide, everyone’s progress comes crashing down in this thought-provoking and beautifully human tale.

Disclaimer: Contains adult themes and language.

Presenting Sponsor: Conagra Brands Foundation

*A Christmas Carol

Nov. 20–Dec. 23, 2020

Hawks Mainstage Theatre

Written by Charles Dickens | Adapted by Charles Jones

Musical Orchestration by John J. Bennett

It just isn’t Christmas without A Christmas Carol! Experience Omaha’s favorite holiday tradition as Ebenezer Scrooge takes us on a life-changing journey to discover the true meaning of Christmas. Filled with stunning Victorian costumes, festive music and crisp, wintry sets, A Christmas Carol is a beautiful reminder that love and generosity are the heart of the Christmas holiday.

*Special Event—Not part of the regular season series.

Presenting Sponsor: First National Bank

Artistic Team Sponsor: Omaha Steaks

Orchestra Sponsor: KPMG

Bakery Shoppe/Special Effects Sponsor: Rotella’s Bakery

*Yesterday and Today:  An Interactive Beatles Experience

Nov. 27–Dec. 31, 2020

Howard Drew Theatre

Featuring Billy McGuigan | Music Director Matthew McGuigan | ©2007 by Rave On Productions

Cap off 2020 with a shot of Beatlemania! Yesterday and Today is the smash hit, all-request Beatles show controlled by the audience. Share your favorite stories and relive your fondest memories with the songs that defined a generation. With no two shows the same, fans will be dancing in the aisles and singing along to all their favorite hits.

*Special Event—Not part of the regular season series.

The Miracle Worker

Jan. 15–Feb. 7, 2021

Hawks Mainstage Theatre

By William Gibson

The Miracle Worker is the incredible true story of Helen Keller, deaf and blind since age one, and the extraordinary woman who changed her life. Unable to communicate with their daughter, the Keller family enlists the help of Annie Sullivan, a woman determined to rescue Helen from the dark, tortured silence imprisoning her mind. A story that has inspired audiences for generations.

Hawks Series Sponsor: Immanuel Communities

The Scottsboro Boys

Feb. 12–March 14, 2021

Howard Drew Theatre

Music and Lyrics by John Kander & Fred Ebb

Book by David Thompson

Original Direction and Choreography by Susan Stroman

The Scottsboro Boys follows the wrongful conviction of nine black teenagers in Scottsboro, Alabama in the 1930s—an infamous case that helped ignite the modern civil rights movement. From the composers of Chicago and Cabaret, this 12-time Tony® Award nominee alternates toe-tapping musical numbers with heart-wrenching ballads to tell a harrowing tale of bravery and strength in the face of great adversity.

Disclaimer: Contains themes and language related to racial tension.

In the Heights

Feb. 26–March 21, 2021

Hawks Mainstage Theatre

Music and Lyrics by Lin-Manuel Miranda

Book by Quiara Alegría Hudes

Before there was Hamilton, there was In the Heights. From the revolutionary musical mind of Lin-Manuel Miranda, this Tony® Award-winning musical recounts three days in the vibrant Latino neighborhood of Washington Heights, NYC, where the Spanish-speaking residents chase American dreams. This bubbly fusion of rap, salsa, Latin pop and soul music boasts an infectious enthusiasm from beginning to end.

Presenting Sponsor: Heider Family Foundation

Producing Partner: Physicians Mutual

Hawks Series Sponsor: Immanuel Communities

*THE CANDY PROJECT PRESENTS:

Gutenberg!  The Musical!

March 18–21, 2021

Howard Drew Theatre

By Anthony King and Scott Brown

Starring Steve Krambeck and Dan Chevalier

Join The Candy Project, friends of OCP, for a special presentation of Gutenberg! The Musical! A pair of aspiring playwrights audition their newest work—a big, splashy musical about the inventor of the printing press—for an audience of potential investors. This two-man musical spoof offers an unending supply of enthusiasm and laughs.

*Special Event—Not part of the regular season series.

Agatha Christie’s Murder on the Orient Express

April 16–May 9, 2021

Hawks Mainstage Theatre

Adapted for the stage by Ken Ludwig

A thrilling whodunit set aboard the world’s most famous luxury locomotive, Murder on the Orient Express will keep you guessing until the very end. When the Orient Express becomes stranded by a snow storm, a passenger is found stabbed to death in his private room. With the murderer still on board, a detective must solve the crime before the train reaches its destination.

Producing Partner: UNMC

Hawks Series Sponsor: Immanuel Communities

Outside Mullingar

May 7–30, 2021

Howard Drew Theatre

By John Patrick Shanley

This charming romantic comedy follows Anthony and Rosemary, two introverts who grew up on neighboring farms in rural Ireland. Rosemary secretly fell in love with Anthony at age six, but after a bought with heartbreak, Anthony swore off women forever. The now middle-aged pair must overcome their own aloofness—as well as a family property dispute—to find their way to one another.

Roald Dahl’s Willy Wonka

May 28–June 27, 2021

Hawks Mainstage Theatre

Music and Lyrics by Leslie Bricusse and Anthony Newley

Adapted for the Stage by Leslie Bricusse and Timothy Allen McDonald

Based on the Book Charlie and the Chocolate Factory by Roald Dahl

Oompa-Loompa-Doom-Pa-Dee-Doo! We’ve got a family favorite for you! Grab your golden ticket as Willy Wonka takes your family on a whimsical tour of the chocolate factory—with Charlie Bucket, Augustus Gloop, Veruca Salt, and all of your favorite characters. Featuring songs from the hit film, Willy Wonka will open up a world of pure imagination.

Presenting Sponsor: Mutual of Omaha

Orchestra Sponsor: Kiewit

Hawks Series Sponsor: Immanuel Communities

I’ve Gotta Get Back in Thyme. . .Again

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Friday, July 29:  the day the road took me to my most poignant place.

On this sunny day I began a journey nearly 14 years in the making.  For it was on this day that I headed to Bonner Springs, KS to be a guest at Back in Thyme Bed and Breakfast and to review The Elephant Man for The Barn Players of Mission, KS.

If you’re a first time visitor to this website, The Elephant Man is my favorite play and it played a rather profound moment in my life.  For the full details of that story, click here.  I had long made my peace with the events of that day which is why I was so excited to finally have an opportunity to see the show and come fullish circle.  The timing couldn’t be more appropriate as this article will be posted on the 14th anniversary that I heard the results of that audition.

Bonner Springs is a suburb of Kansas City so it provides a unique blend of small town living with the perks of a nearby major metropolitan area for things to do.  Back in Thyme, owned and operated by Judy Vickers, is a beautiful “new-old” Queen Anne house nestled on a secluded acreage near Nettleton Avenue.

Given the size of the house I was surprised that it only boasted 3 bedrooms for rental.  On the other hand, the limited number of rooms does make it ideal for peace and quiet.  As I climbed the porch steps, I met Brantley and Ashley, fellow guests who were in the area to see a Rascal Flatts concert.  As I reached the top step, I was greeted by Judy, a very hospitable host and a fount of knowledge on fun things to do in the area.

Judy led me to the Bay Laurel Room which would serve as my base of operations.  It’s one of the most comfortable rooms in which I’ve stayed with its soft armchairs, burgundy walls, feather pillows, and a queen bed with a firm mattress.  The room also boasts a fireplace and I mildly wished it were colder so I could get a crackling blaze going.

I unwound in my room for a while before sprucing up for the show and enjoying a 6pm appetizer with Judy and a couple of her friends.  I ended up in a great conversation with Fred, a rather intelligent man who is currently writing three books.  I enjoyed a pleasant hour conversing with Fred as we nibbled on cheese, olives, crackers, and baba ganoush.

When Fred noticed traffic starting to back up on the highway, I decided to head over to the Barn Players.  Once more, Mapquest tried to put one over on me by telling me to make a right turn on a street when it should have been a left.  Shades of Richardson, TX flashed through my brain as I got my bearings and got back on the right track.  Luckily, I made it to the theatre with about 7 minutes to spare.

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The Barn Players is a bit of an institution in Mission and has quite an impressive reputation.  Many of its alumni have gone on to professional acting careers, most notably Chris Cooper.  The show was almost everything that I hoped it would be.  A few flaws kept it out of the excellent region, but it was still very good and thoroughly enjoyable.  You can read my review for the show here.

I returned to Back in Thyme where I wrote my review and curled up in my bed for a good night’s rest.

After a comfy night’s sleep, I awoke ravenous.  I headed downstairs and enjoyed chit-chat with Brantley and Ashley as we dined on Judy’s wonderful scrambled eggs cooked in thyme butter, crispy bacon, French toast, and fried apples.

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Having restored the inner man, I went upstairs to do a little work on the computer before deciding to take advantage of the pleasant day and walk along some trails I found behind the house.  Normally I like communing with nature, but I got a faceful of nature in the most literal sense as I stumbled through myriad spider webs as I wandered through the woods.  I escaped from the woods yanking webbing off of my face and hair.

Judy had suggested several areas of interest, some of which I will save for a future visit to the K.C. area, but I did take time to visit Bonner Springs’ famed Moon Marble Company.

As the name implies, the store is famed for its marbles and even gives demonstrations into a making of marbles, but the store is so much more than that.  The store also specializes in board games, puzzles, and classic toys.  I was amazed at all of the hard to find toys and games located in the shop.  Duncan Yo-yos, rare board games, Jacob’s ladders, Fisher-Price toys that I remembered from my childhood.  If you like vintage toys and games, take some time to visit Moon Marble Company if you find yourselves in Bonner Springs.

After I drove around the downtown area, I returned to the inn where I killed a few hours watching a mystery series before cleaning up for church and dinner.

I attended services at Good Shepherd Catholic Community in Shawnee, KS where I enjoyed a wonderful service preached by Fr. Oswaldo.  When services were done, I headed over to Hereford House for dinner.

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Hereford House is a Kansas City institution and this was one of the tastiest meals I have ever eaten.  I indulged in a small salad with creamy Italian dressing before supping on the main course of a 12 oz ribeye blackened with garlic butter and a side of Cheddar Ranch potatoes and a bit of bread.  Most of my dinner came back with me where it currently rests in the inn’s guest fridge for a future meal.

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I spent the remainder of the evening working on this article before turning in for the night.

I awoke to a rather gloomy day and am expecting some rain on the drive home.  I spent a bit of time editing this article and then went downstairs for another rousing breakfast.

At the table, I met Courtney and Ashley from Olathe, KS who had just come in from having coffee on the porch and we chatted while Judy served us a sumptuous meal of sausage, green chile egg casserole with salsa (now one of my favorite dishes), zucchini muffins, and cantaloupe.  The pleasant meal and talk was over much too quickly and I began to pack up for the drive home.

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So if you find yourself in the Kansas City area, spend an evening at Back in Thyme in Bonner Springs.  You’ll find some good (and healthy) home cooking on a peaceful estate with plenty to do nearby.

What Makes a Man?

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Take a good, long look at the above photo.  Imagine being caged in a body like that.  Hideously ugly.  Virtually crippled.  But inside that tragic figure your heart beats with the sensibilities of an artist, the innocence of a child, and the charming wit of a gentleman.  This was Joseph Merrick, the Elephant Man, who defied his pitiable circumstances to become the toast of London society.  His life story is the focus of The Elephant Man by Bernard Pomerance which is currently playing at the Barn Players Community Theatre.

Time for a little full disclosure.  This is my favorite play.  I know it backwards and forwards and am a cornucopia of knowledge in the history of the real Joseph (misnamed John) Merrick.  As you can imagine, I’ve got some pretty high standards for this show.  I’m very pleased to say that The Barn Players met my standards and even exceeded them at some points in a very powerful and poignant piece of storytelling.

Pomerance’s script is an interesting blend of historical fact (though some events are embellished for dramatic effect) and compelling themes such as strength of spirit, egoism, love, friendship, and what really makes us human.  Despite being the title character, Merrick’s presence is more of a force that touches the lives of everyone he meets in some form or another.  Some realize their own humanity while others lose theirs.  Interestingly, many of the other characters project their own qualities onto Merrick and only two actually see Merrick for the beautiful soul that he is.

These ideals make for storytelling at its finest and the cast and crew do a very good job on the whole in telling that story.

Mark Hamilton should be especially proud of his direction.  His staging is excellent and he has coached performances ranging from very good to superior from his actors.  I did note a couple of beats that could be mined for greater dramatic impact, but those moments can still bloom during this show’s run.

I consider the role of Merrick to be one of the most difficult and grueling an actor can undertake.  Not only does the actor playing the role need to be unbelievably versatile to handle the complexities of the character, he must also adopt an awkward and demanding body language to communicate the infirmities of Merrick.  With that being said, Coleman Crenshaw does extreme honor to the role.

Crenshaw certainly did his homework as he understands Merrick right down to the ground.  His physicality was tremendous, though he needs to keep that body language in mind at all times.  He made some movements that would either have been impossible for the real Merrick or done only with excruciating difficulty.  That quibble aside, his interpretation of the dialogue blew me away.

Crenshaw’s delivery is so nuanced it almost staggers the imagination.  With incredible ease, he captures Merrick’s innocence, wit, genius, fears, awkwardness, and goodness.  And he does it with a clogged and slobbering speech that still retains flawless diction.  His evolving of Merrick from frightened creature to bold man over the course of the show is a tour de force and I foresee Crenshaw being in the running for many local acting awards.

David Innis does a fairly good job as Dr. Frederick Treves, the doctor who found Merrick and gave him a home at the London Hospital.  Innis presents Treves as a full of himself young doctor who originally gets involved with Merrick solely because he is a good subject for study. His inherent decency appears when he brings Merrick to live at the London Hospital after he is abandoned by his manager.

From there, Innis does a marvelous job showing Treves’ awakening to his own humanity and ugliness as he comes to know Merrick’s internal beauty.  Treves grows to hate himself as he believes he has turned Merrick into a freak, albeit a high class one, as he introduces him to London society and bitterly regrets seeing him as a mere research subject.

One thing Innis must master during this run is to project.  He was so quiet that, had I not known the dialogue so well, I would not have understood large portions of his speeches.

Stefanie Stevens brings depth and intelligence to the role of Mrs. Kendal, the actress who befriends Merrick.  Originally brought in to visit Merrick because she is trained to hide her true emotions, Mrs. Kendal instantly recognizes the man within the monstrous body and forms a kinship with him.  Ms Stevens plays the role with an elegant sincerity and is especially impressive in the moment when she decides to grant Merrick’s fond desire of seeing a real woman in all of her naturalness.

Special notice also goes out to Jeph Scanlon and Sean Leistico who play the roles of Carr-Gomm and Ross.  As Carr-Gomm, the administrator of the London Hospital, Scanlon manages to be kindly if a little stiff and serious.  And I never thought I would make a critique like this, but he actually needs to enunciate a little less.  He was hitting his syllables so hard that it made his dialogue a little staccato.  Softening his syllables will let his speech have a more natural flow.

Leistico adds a third dimension to Ross with sheer force of acting ability.  The role could be treated as a throwaway, but Leistico is pathetically oily as the manager who robs Merrick of his life savings and is just pathetic when he comes crawling back, sick and dying, in the hopes that Merrick will throw away the life he’s created to be a high class freak.

Holly Daniel’s costumes are gorgeous and a perfect fit for Victorian era London.  Laura Burkhart has developed a wonderful “less is more” set that easily shifts from Merrick’s room to the hospital to Belgium.  I would also be remiss if I did not mention the music of Daniel Yung.  He provides all of the sounds and music of the show with a superior piece of cello playing that he suits to each and every moment of the play.

What ultimately makes the show so compelling is Merrick’s humanity and that teaches a valuable lesson to us all.  Life dealt him the worst possible hand and he did not become embittered by it. He rose above it and taught us all what it means to be human.

The Elephant Man plays at the Barn Players Community Theatre through August 14.  Showtimes are Fri-Sat at 7:30pm and Sundays at 2pm.  There will be an industry night performance on Monday, August 8.  Tickets cost $18 for adults, $15 for seniors, and $12 for students (w/ID) and groups of 10 or more.  Industry night tickets are $12 at the door.  To order tickets, visit the Barn Players website at www.thebarnplayers.org or call 913-432-9100.  Parental discretion is advised due to a scene of partial nudity.  The Barn Players Community Theatre is located at 6219 Martway in Mission, KS.

‘The Elephant Man’ Opens at Barn Players on July 29

The Elephant Man by Bernard Pomerance opens on July 29th! Get your tickets today at www.thebarnplayers.org/tickets

Directed by Mark Hamilton

Stage Managed by Diane Bulan
Set Design by Laura Burkhart & Mark Hamilton
Lighting Design by Phil Leonard
Costume Coordination by Ashley Christopher
Choreography & Movement Coaching by Meghann Deveroux
Assistant Stage Management by Amanda Rhodes
Sound Design by Sean Leistico
Production Intern: Alicia Miro

July 29th – August 14th
Fridays and Saturdays at 7:30pm
Sunday at 2:00pm
(Industry Night: Monday, August 8th)

STARRING
Coleman Crenshaw, David Innis & Stefanie Stevens
FEATURING
Eli Biesemeyer, Richard J. Burt, Meghann Deveroux, Dee Dee Diemer, Sean Leistico, Lindsay Lovejoy, Alicia Miro, Jeph Scanlon, Scott Turner & Daniel Yung

SYNOPSIS:
The Elephant Man is based on the life of John Merrick, who lived in London during the latter part of the nineteenth century. A horribly deformed young man, victim of rare skin and bone diseases, he has become the star freak attraction in traveling side shows. Found abandoned and helpless, he is admitted to London’s prestigious Whitechapel Hospital. Under the care of celebrated young physician Frederick Treves, Merrick is introduced to London society and slowly evolves from an object of pity to an urbane and witty favorite of the aristocracy and literati only to be denied his ultimate dream, to become a man like any other.

All performances are at:
The Barn Players Theatre, 6219 Martway, Mission, KS.

Ticket pricing:
REGULAR – $18.00
SENIORS – $ 15.00
GROUPS (10 OR MORE) – $12.00
STUDENTS (WITH A VALID STUDENT ID) – $12.00

WE ACCEPT CREDIT CARDS!
VISA, MASTERCARD & DISCOVER!
The box office opens one hour before curtain time.
For reservations, please call or call 1-800-838-3006
or visit our website at www.thebarnplayers.org

Production support provided by…
The Mainstreet Credit Union
Northeast Johnson County Chamber of Commerce
St. Pius School
Media partner support provided by…
94.9 KCMO
710 AM / 103.7 KCMO Talk Radio

The Barn Players embraces diversity in all aspects of our organization. Non-traditional and equal-opportunity casting is encouraged.