OCP Announces Auditions for ‘Little Shop of Horrors’

Omaha, NE–The Omaha Community Playhouse (OCP) is holding in-person auditions for Little Shop of Horrors at the Omaha Community Playhouse on December 3 and 4 and Latino Center for the Midlands on December 5. To schedule an audition, please visit the website here.

Through upholding high ethical standards, demonstrating respect for all and consciously working to provide diverse representation, OCP is committed to creating an inclusive and safe environment in which all community members feel a sense of belonging and does not discriminate in casting practices on the basis of an individual’s ethnicity, age, gender, physical and cognitive ability, sexual orientation, gender identity, religion, country of origin or other factors. Omaha Community Playhouse is committed to diverse and inclusive casting.

Production: Little Shop of Horrors

Credits: Book and Lyrics by Howard Ashman; Music by Alan Menken

Director: Stephen Santa

Choreographer: DJ Tyree

Music Director: Jim Boggess

Show Dates: April 14-May 7, 2023 Omaha Community Playhouse, Hawks Mainstage Theatre

Rehearsals: Begin February 26, 2023

Show Synopsis: Seymour, a nerdy store clerk at Mushnik’s flower shop, is thrust into the spotlight when he happens upon a new breed of carnivorous plant. But his newfound fame comes at a cost when Seymour discovers the sassy seedling has an unquenchable thirst for human blood. Ravenously fun, dripping with camp and nostalgia. Disclaimer: Contains mild adult content and language.

Auditions: Saturday, Dec. 3, 1-4 p.m. (Latino Center for the Midlands, 4937 S. 24th St., Omaha, NE 68107)

Sunday, Dec. 4, 10 a.m.-1 p.m. (Omaha Community Playhouse, 6915 Cass St, Omaha, NE 68132)

Monday, Dec. 5, 6-9 p.m. (Omaha Community Playhouse)

Callbacks: Tuesday, Dec. 6, 2022, 6-10 p.m. (Omaha Community Playhouse)

Notes: Auditions are by appointment only. Please complete the audition form to schedule a time. When arriving to audition at the Playhouse, please enter through the Stage Door entrance on the West side of the building. Those auditioning should be prepared to spend 60-90 minutes at the audition.

Audition preparation: Two 32 bar songs – Pop, R&B, or Contemporary Musicals. Accompanist will be provided.

Roles: Click here for character breakdown.

Compensation: Onstage performers 19 and older for this show will be compensated $700 in total.

Contact: For more information, please visit omahaplayhouse.com.

Great Plains Theatre Announces Auditions for Season 29

Auditions for Season 29 for Great Plains Theatre open December 1st, 2023! Artistic Director, Mitchell Aiello, will be holding in person auditions, and accepting virtual audition submissions for this season. All shows and roles are listed below. Please see details and information on which contracts have already been offered. In person details and virtual submission information is listed below. If you would like to be considered for any shows in the next season (2023) or would like to be acknowledged for a possible replacement track, please email Mitchell at mitchell@greatplainstheatre.com.

IN PERSON AUDITION

Saturday, January 7th

9:00am – 12:00pm & Dance Call at 1:00pm

Please bring one current head shot and resume and prepare a 32-bar cut of a song that showcases you, a 60-second monologue, and be ready with extra materials should Mitchell need to see it. The dance call will be held after lunch at 1:00pm. Please bring clothes to move in. All callback materials will be sent via e-mail and accepted by video.

To sign up for in person auditions (adult and youth slots), please click the link below!

VIRTUAL AUDITION SUBMISSIONS

Please send a current head shot, resume, and an audition video package for consideration. Your audition video package should contain a 32-bar song cut, 60-second monologue, and any dance/movement footage for consideration. All videos MUST be sent via an unlisted YOUTUBE link. All materials required should be e-mailed directly to the Artistic/Education Director, Mitchell Aiello, at mitchell@greatplainstheatre.com. If needed, callback materials will be sent out by the end of February 2023. Thank you for your time, talent, and commitment! 

VIRTUAL AUDITION SUBMISSION DEADLINE: January 27, 2023

Thank you and happy auditioning!

Great Plains Theatre’s 28th Season (Main Stage):

The Wedding Singer (Rehearsals: May 22-June 1, Performances: June 1-11)

Oliver! (Rehearsals: June 12-22, Performances: June 23-July 2)

Nunsense (Rehearsals: July 3-13, Performances: July 14-30)

Around the World in 80 Days (Rehearsals: August 28-September 7, Performances: September 8-24)

Miracle on 34th Street (Rehearsals: November 19-30, Performances: December 1-17)

Great Plains Theatre’s 28th Season (Live Literature Series):

Pinocchio (Rehearsals: February 14-28, Performances: March 1-11)

Around the World in 80 Days (Rehearsals: August 28-September 7, Performances: September 8-24)

Questions? Contact Artistic Director, Mitchell Aiello, at mitchell@greatplainstheatre.com

Click Here to SIGN UP for Season 29 Auditions

Season 29 Main Stage/Live Lit AUDITION – Breakdown

**ALL ROLES listed below are available EXCEPT for the roles notated. Mitchell receives thousands of virtual and in person auditions each season and is astounded with all of the talent and dedication. Thank you for your patience. GPT is excited to continue sharing the magic of live theatre through the sensational talent and outstanding shows presented.

PINOCCHIO

Pinocchio – The most famous puppet

Blue Fairy – Guiding Light for Pinocchio

Geppetto – Older man who builds Pinocchio

Fox/Mr. Big/Mr. Bunksterburger – Multiple-character track

Cricket/Whale/Talking Piece of Wood – Multiple-character track

THE WEDDING SINGER

Robbie Hart – Tenor. The lead singer of a band. Handsome and charismatic. A truly ‘nice’ guy that has the classic lead singer aura and personality. Also, a bit of a dreamer. In love with love until Linda leaves him at the altar and breaks his heart. Ability to play instruments a plus.

Julia Sullivan – Mezzo-Pop. Waitress. The pretty “girl next door” in looks and personality. Engaged to Glen but falls in love with Robbie and is conflicted as to who to choose. Empathetic, caring, and brave.

Holly – Mezzo-Pop. Julia’s cousin. Sexually promiscuous and always up for a good time but wants to be loved and is looking for romantic fulfillment in all the wrong places. She is in love with Sammy. Must be strong belter

Sammy – Tenor. The bass player in the wedding band and one of Robbie’s best friends. A total guy’s guy, but beneath his pretending to love being a bachelor he is actually in love with Holly.

George – Tenor. The wedding band’s keyboardist and one of Robbie’s best friends. He is sensitive and somewhat flamboyant. The foil to Sammy’s super guy attitude.

Glen Guglia – Tenor. Julia’s fiancé. A Wall Street broker. He is rich, shallow, and materialistic. Constantly tries to buy Julia’s love with money. He is a bit of a womanizer.

Rosie – Alto. Robbie’s grandmother who raised him. Motherly but adventurous and always trying to remain “hip” despite her age.

Linda – Mezzo. Robbie’s fiancé who leaves him at the altar. Keeps Robbie around as a back-up plan. Is more in love with the idea of Robbie being a rock star than she actually is with Robbie.

FEATURED ENSEMBLE INCLUDING:

(Many of these roles will be combined into multi-track ensemble roles)

Harold & Debbie Fonda – First bride & groom in the show.

David Fonda – Drunk brother of the groom at the first wedding; gives the worst speech ever.

Priest – Priest at Robbie and Linda’s wedding

Angie – Julia’s mom. Divorced and still bitter about it. Good Singer.

Crystal & Mookie – A stereotypical Jersey guy and girl. Mookie is very macho and Crystal loud and pushy. Crystal should be a good singer

Tiffany & Donnie – Another couple who gets engaged at the restaurant. Tiffany should sound like Janice from “Friends”

Waiters 1 & 2 – Waiters at restaurant where Glenn proposes to Julia

Donatella & Shane McDonnough – Bride and groom at the second (disastrous) wedding. Donatella speaks in an obnoxious baby‐talk voice.

Donatella’s Mother – A very assertive woman

Sales Clerk, Ricky, Bum, Agent – Good singers throughout show with solo lines

Impersonators – Billy Idol, Cyndi Lauper, Mr. T, Ronald Reagan, Tina Turner, Nancy Reagan, Imelda Marcos

OLIVER!

Fagin – Baritone. Middle aged leader of a children’s band of thieves. Cockney accent. Described as devious, a user, sly fox, con man, very personable. Must work well with young actors.

Nancy – (Offer Pending) Mezzo. When she was younger worked for Fagin, now a “barmaid” at the Three Cripples Bar. Cockney accent. She lives with and loves Bill Sykes, pretty, intelligent, longs for a better life. Must be a belter and move well. Must work well with young actors.

Bill Sykes – Baritone. Also worked for Fagin as a youth now a feared master criminal. Cockney accent. Good looking in a rough sort of way, sociopath, a killer who only looks out for himself

Mr. Bumble/Others – Baritenor. The Master of the Workhouse. Cockney accent. A large, pompous and corrupt bureaucrat. Must work well with young actors. Will be other small roles throughout the show.

Widow Corney/Others – Mezzo-Soprano. The Mistress of the Workhouse. Cockney accent. Sharp tongued widow, also corrupt. Must work well with young actors. Will be other small roles throughout the show.

Bet – Mezzo. Nancy’s friend, may also have worked for Fagin. Cockney accent. She idolizes Nancy. Must move well and work well with young actors.

FEATURED ENSEMBLE INCLUDING:

(Many of these roles will be combined into multi-track ensemble roles)

Mr. Sowerberry – The undertaker. Cockney accent. Kind of creepy, “buy” Oliver from Bumble to work in the funeral home as a coffin follower. Good Singer.

Mrs. Sowerberry – The undertaker’s wife. Cockney accent. More business savvy than her husband. Good Singer.

Noah Claypole – Undertaker’s apprentice. Cockney accent. May have also come from Workhouse. Feels threatened by, dislikes and torments Oliver.

Charlotte – Sowerberry’s daughter. Cockney accent. Attracted to Noah, kind of flirty.

Mr. Brownlow – Older gentleman. British (not cockney) accent. Kind upper class gentleman, Oliver’s grandfather.

Dr. Grimwig – A doctor. British (not cockney) accent. Upper class, friend of Mr. Brownlow.

Mrs. Bedwin – A housekeeper. British (not cockney) accent. Works for Mr. Brownlow. Warm personality.

Solo Singing Roles – The Rose Seller (mezzo), Strawberry Seller (soprano), Milk Maid (soprano), Knife Grinder (baritone) and Long Song Seller (Tenor)

NUNSENSE

Sister Mary Regina (Mother Superior) – Mezzo-Belt. A feisty, Sophie Tucker-type who can’t resist the spotlight. The head of the convent, she is respected greatly by the sisters. While she is strict, she has a hard time keeping the craziness of the convent at bay. She keeps her guard up in front of the nuns but has an extroverted side. Role requires some very physical humor. Must be able to move well.

Sister Mary Hubert (Mistress of Novices) – Mezzo-Belt. Hubert is in charge of novices but fancies herself a Mother Superior and is constant competition with Mary Regina. She exudes maternal wisdom to novices, but also likes to let loose. Must be able to move well and tap.

Sister Robert Anne – Mezzo-Soprano Belt. Once a child delinquent herself, this rough tough nun is a jokester and constantly challenging authority. She speaks with a thick Brooklyn accent and constantly displays her lack of refinement. Must be able to move well and tap.

Sister Mary Amnesia – Soprano Belt (classical and Country). As the name suggests, she has lost her memory and does not know who she is except that she is a nun. She is spacey and incoherent, often slipping into displays inappropriate for a nun. Must be able to move well and tap. Extra: puppetry and ventriloquism a plus.

Sister Mary Leo – Soprano. Leo is the novice nun who has entered the convent with the firm desire to become the first nun ballerina. Still learning the way and coming to terms with her decision to give up “civilian” life, she deems herself quite the ballerina and displays her talents through much of the show. She is easily swayed to join in mischief. Must be able to move well, tap, and pointe ballet.

AROUND THE WORLD IN 80 DAYS

Phileas Fogg

Actor 1 – Plays multiple roles.

Actor 2 – Plays multiple roles.

Actor 3 – Plays multiple roles.

Actor 4 – Plays multiple roles.

(All actors may be played by any gender.)

MIRACLE ON 34th STREET

Doris Walker – Mezzo-Soprano. Special Event Coordinator for Macy’s Department Store. She is a driven career woman and free thinker who has recently divorced. Hard-working and cynical. Must work well with young actors.

Fred Gaily – Baritenor. A handsome Military Captain mustering out into civilian life. Smart, hopeful and warm. Must work well with young actors.

Kris Kringle – Baritone. Kind old man who believes he is Santa Claus. He embodies all of the classic characteristics of the jolly, friendly, warm-hearted icon. Must work well with young actors.

Marvin Shellhammer – Baritone. An aggressive but somewhat bungling junior executive and the head of Public Relations.

R.H. Macy – Baritone. The boss of Macy’s. Very concerned with public opinion.

FEATURED ENSEMBLE INCLUDING:

(Many of these roles will be combined into multi-track ensemble roles)

Judge Harper – Presides over Kringle’s hearing; Judicial; likeable; a bit political.

Dr. Pierce – -Physician at Maplewood Home; warm, caring

Sawyer – Macy’s vocational guidance counselor; character role requiring great comic timing.

Mara – Prosecuting attorney; somewhat jaded; sticks to the letter of the law.

Halloran – Judge Harper’s political campaign manager.

Finley – Bailiff in Judge Harper’s court.

Bloomingdale – Owner and manager of Bloomingdale’s Department Store

ENSEMBLE

Season 29 YOUTH Main Stage AUDITION

Saturday, January 7th

9:00am – 12:00pm & Dance Call at 1:00pm

Please bring one current head shot and resume and prepare a 32-bar cut of a song that showcases you, a 60-second monologue, and be ready with extra materials should Mitchell need to see it. The dance call will be held after lunch at 1:00pm. Please bring clothes to move in. All callback materials will be discussed with Mitch after the dance call.

To sign up for in person auditions (adult and youth slots), please click the link below

Click Here to SIGN UP for Season 29 Auditions

Season 29 YOUTH Main Stage AUDITION – Breakdown

Seeking the following youth roles for the 2023 Main Stage Season

TEEN ENSEMBLE – The Wedding Singer – Male & Female, 13-18

FEATURED ENSEMBLE – The Wedding Singer – Male & Female, 13-18

OLIVER TWIST – Oliver! – Male, 7-13, An orphan workhouse boy. British (not cockney) accent, bright and innocent. Must be strong singer and actor. Must be good at memorizing.

ARTFUL DODGER – Oliver! – Male or Female, 8-15, A street kid. Cockney accent. Very energetic, highly personable, intelligent and savvy beyond his/her years.

ORPHANS – Oliver! – Male & Female, 6-15

FAGIN’S CREW – Oliver! Male & Female, 8-18

SUSAN WALKER – Miracle on 34th Street – Female, 7-13, Daughter to Dorris. She is wise beyond her years and a self-sufficient city girl. Must be good actor and singer.

YOUTH ENSEMBLE – Miracle on 34th Street – Male & Female, 8-18

It’s Your Constitutional Right to Audition for this Show

BlueBarn Theatre Announces Auditions for:

What the Constitution Means to Me

About the Play: Fifteen year old Heidi earned her college tuition by winning Constitutional debate competitions across the United States. In this hilarious, hopeful, and achingly human new play, she resurrects her teenage self in order to trace the profound relationship between four generations of women and the founding document that shaped their lives. Hailed as the best play of the year in 2019 by the New York Times and earning two Tony Award nominations, this boundary-breaking play breathes new life into our Constitution and imagines how it will shape the next generation of Americans.

Audition Dates: Nov 5 from 10am-12:30pm and Nov 7 from 5pm-7:30pm at BlueBarn Theatre (1106 S 10th St, Omaha, NE)

Director: Susan Clement

Rehearsal Dates: January 1 – February 1
Production Dates: February 2 – February 26

***All artists working at the BLUEBARN are required
to have been vaccinated for COVID-19***

Roles

Heidi Schreck: Woman, age 35-50 (possible double cast role).  A former teen debate champion who travelled the country giving speeches about the Constitution who is now reflecting upon those speeches and her present views. Engaging, dynamic, smart, and witty.

American Legionnaire: Man, age 35-50.  An American Legionnaire monitoring the speech and debate who is also a friend of Heidi and a positive male energy. Commanding, in-charge, yet reflective and genuine.

Debater: Young Woman, age 14-17  (this role will be double cast).

Auditions will consist of prepared sides, and cold readings from the script. Prepared monologues under 2 minutes are welcome, though not required. Tell us a joke! For more information on auditions or to request a copy of the script and sides, contact Amy Reiner at areiner@bluebarn.org

Bellevue Little Theatre Holding Auditions for “A Little Night Music”

Bellevue Little Theatre Announces Auditions for:

A Little Night Music

Directed By: Todd Uhrmacher
Musical Direction By: D Laureen Pickle

Audition Dates & Time: Dec 13 and 14, 2022 at 7pm
Location: Bellevue Dance Academy (2264 Franklin St, Bellevue, NE)

Production runs March 10-26, 2023; Fridays-Sundays
Rehearsals will begin in January
Masks are strongly recommended

Production is in need of young adult & adult actors of any gender or ethnicity. BIPOC are especially encouraged to audition. Please prepare 16-32 bars of any song, and bring PRINTED music for the accompanist. Please, NO acappella. Please wear comfortable clothing for light movement and waltzing and bring/wear appropriate shoes. (Ages 16+)

More info at theblt.org

About the Musical
Set in 1900 Sweden, A Little Night Music explores the tangled web of affairs centered around actress Desirée Armfeldt, and the men who love her: a lawyer by the name of Fredrik Egerman and the Count Carl-Magnus Malcom. When the traveling actress performs in Fredrik’s town, the estranged lovers’ passion rekindles. This strikes a flurry of jealousy and suspicion between Desirée; Fredrik; Fredrick’s wife, Anne; Desirée’s current lover, the Count; and the Count’s wife, Charlotte. Both men – as well as their jealous wives – agree to join Desirée and her family for a weekend in the country at Desirée’s mother’s estate. With everyone in one place, infinite possibilities of new romances and second chances bring endless surprises.

Character Overview
-Fredrik Egerman: Successful middle-aged lawyer. Baritone A2–E4[1]
-Anne Egerman: Fredrik’s new, naive wife. Soprano G♯3–A5
-Henrik Egerman: Fredrik’s son, 20 years old. Tenor G2–B4
-Petra: Anne’s maid and closest confidante. Mezzo-soprano F♯3–F5
-Desiree Armfeldt: Self-absorbed actress. Mezzo-soprano F♯3–E5[2]
-Fredrika Armfeldt: Desiree’s 13 year old daughter. Soprano C4–E5
-Madame Armfeldt: Desiree’s mother. Contralto C3–F♯4
-Count Malcolm: Desiree’s lover. Operatic Baritone G2–F♯4
-Countess Malcolm: Carl-Magnus’ wife. Mezzo-soprano G3–F5
-Frid: Madame Armfeldt’s manservant. Has a tryst with Petra.
-The Quintet: Mr. Lindquist, Mrs. Nordstrom, Mrs. Anderssen, Mr. Erlanson and Mrs. Segstrom. Act as a Greek chorus.
-Malla: Desiree’s maid.
-Osa: Maid at Madame Armfeldt’s manse.
-Bertrand: Page at Madame Armfeldt’s manse.

Auditions Galore at OCP

Omaha, NE–The Omaha Community Playhouse (OCP) is holding in-person auditions for Fences, Dreamgirls and Rent at the Omaha Community Playhouse, located at 6915 Cass St. Omaha, NE 68132 and several off-site locations. To schedule an audition, please visit the website here.  

Through upholding high ethical standards, demonstrating respect for all and consciously working to provide diverse representation, OCP is committed to creating an inclusive and safe environment in which all community members feel a sense of belonging, and does not discriminate in casting practices on the basis of an individual’s ethnicity, age, gender, physical and cognitive ability, sexual orientation, gender identity, religion, country of origin or other factors. Omaha Community Playhouse is committed to diverse and inclusive casting. 

Production: Fences  

Credits: Written by August Wilson 

Director:  Brady Patsy  

Show Dates: Jan. 20 – Feb. 12, 2023 

Omaha Community Playhouse, Hawks Mainstage Theatre 

Rehearsals: Begin December 4, 2022 

Show Synopsis: A former African American League baseball player struggles to co-exist with the racial trauma he still carries from his time in the league. When his frustrations lead to a series of tragic choices, his relationships with his wife and son suffer the consequences. Set in the 1950s, Fences is the sixth installment in The American Century Cycle, a series of ten plays by August Wilson that trace the Black experience through 20th century America. 

Auditions:           Sunday, Sept. 11, 6 p.m. – 9 p.m. (Off-site location – Pear Tree Performing Arts, 4801 NW Radial Hwy) 

                               Monday, Sept. 12, 6 p.m. – 9 p.m. (Omaha Community Playhouse) 

Callbacks: Wednesday, Sept. 14, 6 p.m. – 9 p.m. (Omaha Community Playhouse) 

Production: Dreamgirls 

Credits: Written by Tom Eyen 

Director:  Kathy Tyree   

Show Dates: March 3 – March 26, 2023  

Omaha Community Playhouse, Hawks Mainstage Theatre 

Rehearsals: Begin January 9, 2023 

Show Synopsis: A trio of women soul singers catch their big break during an amateur competition. But will their friendship—and their music—survive the rapid rise from obscurity to pop super stardom? with dazzling costumes and powerhouse vocal performances, this Tony and Grammy Award-winning musical is inspired by some of the biggest musical acts of the 1960s—The Supremes, The Shirelles, James Brown, Jackie Wilson and more. 

Auditions:           Saturday, Sept. 17, 1 p.m. – 4 p.m. (Off-site location – Pear Tree Performing Arts, 4801 NW Radial Hwy) 

                               Sunday, Sept. 18, 6 p.m. – 9 p.m. (Omaha Community Playhouse) 
Monday, Sept. 19, 6 p.m. – 9 p.m. (Omaha Community Playhouse) 

Callbacks: Tuesday, Sept. 20, 6 p.m. – 9 p.m. (Omaha Community Playhouse) 

Production: Rent 

Credits: Written by Jonathan Larson 

Director:  Stephen Santa    

Show Dates: February 10 – March 19, 2023 – 

Omaha Community Playhouse, Howard Drew Theatre 

Rehearsals: Begin January 2, 2023 

Show Synopsis: A raw and emotional year in the life of a diverse group of friends and struggling artists, chasing their dreams under the shadow of drug addictions and the HIV/AIDS epidemic. Winner of the Tony Award for Best Musical and the Pulitzer Prize, this iconic rock musical has become a cultural touchstone, rite of passage and source of joy and strength for millions. 

Auditions:           Saturday, Sept. 24, 1 p.m. – 4 p.m. (Off-site location – Latino Center of the Midlands, 4821 S 24th St.) 

                               Sunday, Sept. 25, 6 p.m. – 9 p.m. (Omaha Community Playhouse) 
Monday, Sept. 26, 6 p.m. – 9 p.m. (Omaha Community Playhouse) 

Callbacks: Tuesday, Sept. 27, 6 p.m. – 10 p.m. (Omaha Community Playhouse) 

Notes: Auditions are by appointment only. Please complete the audition form to schedule a time. When arriving to audition at the Playhouse, please enter through the Stage Door entrance on the West side of the building. Those auditioning should be prepared to spend 60-90 minutes at the audition. 

For audition preparation, character breakdown and compensation details for each show, please visit omahaplayhouse.com.  

OCP Holding Auditions for “Fences”

Omaha, NE–The Omaha Community Playhouse (OCP) is holding in-person auditions for Fences at the Omaha Community Playhouse, located at 6915 Cass St. Omaha, NE 68132 and Pear Tree Performing Arts at 4801 NW Radial Hwy Omaha, NE 68104 on Sunday, August 28 and Monday, August 29. To schedule an audition, please visit the website here.

Through upholding high ethical standards, demonstrating respect for all and consciously working to provide diverse representation, OCP is committed to creating an inclusive and safe environment in which all community members feel a sense of belonging, and does not discriminate in casting practices on the basis of an individual’s ethnicity, age, gender, physical and cognitive ability, sexual orientation, gender identity, religion, country of origin or other factors. Omaha Community Playhouse is committed to diverse and inclusive casting.

Synopsis
A former African American League baseball player struggles to co-exist with the racial trauma he still
carries from his time in the league. When his frustrations lead to a series of tragic choices, his
relationships with his wife and son suffer the consequences. Set in the 1950s, Fences is the sixth
installment in The American Century Cycle, a series of ten plays by August Wilson that trace the
Black experience through 20th century America.

Directed By: Brady Patsy

Auditions are by appointment only. Please complete the audition form to schedule a time. When
arriving to audition at the Playhouse, please enter through the Stage Door entrance on the West side
of the building. Those auditioning should be prepared to spend 60-90 minutes at the audition.

Audition preparation: Click here for the audition material.
Roles: Click here for character breakdown.

For more information, please visit www.omahaplayhouse.com.

Tis the Season for Auditions

Omaha, NE–The Omaha Community Playhouse (OCP) is holding in-person, youth and adult auditions for A Christmas Carol at the Omaha Community Playhouse, located at 6915 Cass St. Omaha, NE 68132 and Pear Tree Performing Arts at 4801 NW Radial Hwy Omaha, NE 68104. To schedule an audition, please visit the website here.

Through upholding high ethical standards, demonstrating respect for all and consciously working to provide diverse representation, OCP is committed to creating an inclusive and safe environment in which all community members feel a sense of belonging, and does not discriminate in casting practices on the basis of an individual’s ethnicity, age, gender, physical and cognitive ability, sexual orientation, gender identity, religion, country of origin or other factors. Omaha Community Playhouse is committed to diverse and inclusive casting.

Youth Auditions: Saturday, August 13, 11:00 a.m. -2:00 p.m. (taking place at the Omaha Community
Playhouse)

Adult Auditions: Those who wish to audition may choose one of the following two audition dates:
Sunday, August 14, 6:00-9:00 p.m. (taking place at the Omaha Community Playhouse)
Monday, August 15, 6:00-9:00 p.m. (taking place at Pear Tree Performing Arts)

Youth Callbacks: Wednesday, August 17, 4:00 p.m.

Adult Callbacks: Thursday, August 18, 6 p.m. – 7 p.m.

Both callbacks will take place at Omaha Community Playhouse.

Please Bring: Please bring and prepare to sing 16-bars of a song from a musical. Dress comfortably for the dance portion of the audition.

Roles: Click here for character breakdown.

Rave On Productions is Seeking Some Candymen (Candyladies, and Candy Boys & Girls)

Rave On Productions Announces Auditions for:

Roald Dahl’s Willy Wonka

We invite interested teen and adult actors (ages 13+) to submit video auditions for the upcoming family production of Roald Dahl’s Willy Wonka being performed at the Scottish Rite Theater in Omaha, NE. This is a paid performance opportunity.

Auditions are by video submissions only. Actors should prepare and sing 16 bars of a family friendly song.

Rehearsals will be held June 26 – July 21. Weekend rehearsals will be during the day and weekday rehearsals will be held during evenings. There will not be rehearsals scheduled July 1 – 4 due to the July 4th holiday. Rehearsals will be held at the Rave On Productions/McGuigan Arts Academy Studio in Countryside Village in Omaha, NE.

Performance dates and times:
July 22 at 7:30pm
July 23 at 7:30pm
July 24 at 2:00pm
July 29 at 7:30pm
July 30 at 7:30pm
July 31 at 2:00pm

Please send video auditions along with a headshot and resume to info@billymcguigan.com. Please note that actors aged 18 or older are required to pass a background check prior to being cast. Parents and guardians are not permitted in rehearsals or backstage during the show.

Video audition submissions will be accepted through Friday May 13, 2022.

SNAP! is Back and Needs Some Guests for Supper

SNAP! Productions Proudly Announces Auditions for:

The Last Supper
by Dan Rosen

Auditions for The Last Supper will be held at HR Block (7013 Maple) on April 24 @ 1:00 pm and April 25 @ 7:00 p.m. Auditions will consist of cold readings from the script.

Rehearsal Dates: May 23 – July 7, 2022

Production Dates: July 8 – 24, 2022
Friday / Saturday at 7:30 p.m.
Sunday at 2:00 p.m.

Production Location: Bellevue Little Theatre

COMPENSATION
Onstage roles for this production will be compensated $300 in total.

Video only roles for this production will be compensated $100 in total.

SYNOPSIS
The Last Supper follows a group of liberal-minded roommates and their well-meaning descent into murder. After a dinner party goes wrong and their guest ends up unexpectedly slain after a violent political debate, the group decides that this can be their way of changing the world and making a difference…one unreasonable conservative at a time.

Unless noted in the script, all roles are open to all ethnicities.

The show will be directed by Todd Brooks.

For a list of roles and downloadable sides please visit our website
www.snapproductions.com

Chanticleer Needs Some Steppers

 Auditions for the final production of the Chanticleer Community Theater 2021 – 2022 season, The 39 Steps, will be held on Sunday, March 13 and Monday, March 14 at 6:30 p.m. at the Hoff Family Arts and Culture Center (1001 South 6th Street, Council Bluffs, IA, 51501).

The 39 Steps is a fast-paced whodunit for anyone who loves the magic of theatre!  This two-time Tony and Drama Desk Award-winning treat is packed with nonstop laughs, adventure and some good old-fashioned romance.

Those auditioning will be asked to do a cold reading from the script. 

There are 4 roles available:  1 male, 1 female (plays multiple parts), 2 any gender (play multiple parts).  

Please bring a list of conflicts from March 14 through May 22. The 39 Steps opens May 13 and runs through May 22, 2022.  

Performances are Friday and Saturday evenings at 7:30 and Sunday afternoons at 2:00 for two weekends. 

“The 39 Steps” will be directed by Roxanne Wach.