‘Tilly’s Holiday Extravaganza’ to be Mounted for First Time in Thirty Years in Honor of Doug Marr

Omaha, NE–In honor of late Omaha playwright, Doug Marr, his friends will be mounting his original play, Tilly’s Holiday Extravaganza, for the first time in thirty years at Harold’s Koffee House this holiday season.

Tilly’s Holiday Extravaganza by Doug Marr was originally staged at The Diner Theatre in Benson. It is a delightful Christmas play, filled with Doug Marr’s signature humor, nostalgia and original musical numbers. This will be the first time Tilly’s Holiday Extravaganza has been staged in Omaha in thirty years and the second play by Doug Marr to be presented at Harold’s Koffee House in Florence.

On March 16th, 2020, Omaha lost beloved playwright, Doug Marr. Doug was a prolific and imaginative artist, whose work was the centerpiece of Omaha’s Circle Theatre, which came to life as The Diner Theatre in Benson in the 1980s. The Diner gained it’s initial popularity with presentations of Doug’s, Phil’s Diner Series. Doug’s second series of “Diner” based shows came in the form of Milly & Tilly’s Downtown Cafe. This next incarnation was about a pair of sisters who had inherited their fathers diner in lovely Gore, Oklahoma, in the 1960s. Doug followed up that script, with Tilly’s Holiday Extravaganza.

In his tenure with the Circle, Doug wrote nearly twenty holiday shows with an emphasis on Christmas and Halloween. His sense of nostalgia and love of the classics were a rich source for entertaining the Circle Theatre’s loyal patrons. During Doug’s distinguished career he won the TAG Best New Script award in 1990 and 1992, the 1994 Governor’s Arts Award, Artist of the Year, the 2011 TAG Norm and Louise Filbert, Lifetime Achievement Award, the 2018 OEA Lifetime Achievement Award and the 2018 GPTC McDowell Award for Distinguished Service to the Omaha Arts Community.

Synopsis

Tilly, owner of the diner in Gore, Oklahoma, is organizing a town talent show – a holiday extravaganza – but things aren’t going well. Perhaps a little divine intervention (in the form of a novice guardian angel) can put everything right. Right?

Produced By: Gary Planck
Directed By: Lorie Obradovich

Cast

Laura Marr
Rose Glock
Rob Baker
Wes Clowers
Dylan Marr
Michael Downey
Anne Downey
Elizabeth Planck
Dan Baye

Location: Harold’s Koffee House (8327 N 30th St, Omaha, NE)

Ticket Prices

$18.00 general admission. $15.00 for students, seniors and veterans. $25.00 general admission with a piece of delicious Harold’s pie and coffee or soft drink. $22.00 for students, seniors and veterans with a yummy slice of Harold’s pie and coffee or soft drink.

Show Dates: Dec 2-18 (Thurs-Sat at 7:30pm)

Full Circle: A Tribute to Doug Marr

Last night, Omaha lost a talented playwright, a genuine wit, and an all around great human being.

I lost a good friend.

When I think of Doug I think of a genuinely good man with a phenomenal sense of humor and a truly giving and supportive heart.  Doug was responsible for giving my theatre career one of its biggest boosts and for keeping it alive when it was on life support.

I first met Doug back in 2003 when I auditioned for the Circle Theatre’s production of One Flew Over the Cuckoo’s Nest.  I had high hopes that I would be able to net the role of Billy Bibbit, but received a surprise when I got a letter notifying me that the whole production was being postponed due to the theatre being unable to fill the key role of Chief Bromden, but Doug hoped to mount the show later that summer.

As summer closed in I asked him if Cuckoo was going to be mounted and he wrote back and said Circle would be doing Our Town and immediately offered me the role of Doc Gibbs.

I was stunned by his generosity as I was relatively an untested talent as I only had 4 small roles under my belt and this would be the first time I had something with a bit of meat.  Though he didn’t direct the production, he was present every day at his trusted post at the light and sound board.  He often regaled the cast with his off the cuff jokes and we would spend quite a bit of time talking about our mutual love for classic rock, Sherlock Holmes, and he would share with me ideas he had for future plays and stories.

I experienced a bit more of his generosity when he handed me a small check at the end of the run.  Doug always believed in paying a tiny stipend to the performers and I’m proud to have had my first paying gig under his watchful eye.

It would be nearly a decade before I crossed paths with Doug again.  At that point, I had been going through a dry spell and then he announced auditions for An Inspector Calls.  After my audition, Doug offered me the choice of either of the two young men.  Now one was a decent, level headed sort close to my real personality and the other was a drunken lout.  I opted for the lout.  Doug agreed to that as he thought that was the better of the two reads.

Doug often said that he wasn’t a director, but I think he underestimated his talents in that realm..  For starters, he was a gifted writer with an instinct for beats so he knew what points in a story needed to be hit to get maximum effect.  More importantly, he had an incredible eye for talent.  Doug intuitively understood a performer’s strengths and weaknesses and not only knew where to slot them, but also trusted their instincts so he’d only have to give slight notes to smooth out the rough edges.

I was always grateful that he let me test my range with Eric Birling and it still ranks as one of my favorite roles.

Shortly after that show, my dry spell became an arid desert.  I had grown so disheartened with the constant rejections that I made the decision to step away from theatre for a while.

Trust Doug to get me back into the swing of things.

Six months into my hiatus, Doug sent word through a mutual friend of ours asking if I would consider doing the Circle’s annual Christmas show.  I was a little hesitant because my confidence had been so battered, but he was a really hard guy to say no to so I agreed.

With his trust and support, I began to remember the things I loved so much about theatre and managed to breathe life into his creation of Gunar, the hippie elf which would become another of my favorite roles.  His kindness gave me the shot in the arm I needed and I would bag my biggest role later that season thanks to him restoring my heart.

Many in our community have shared their stories about Doug.  He was a treasure and he will be missed.  I’ll always remember him for his warmth, his good humor, his gift for wordplay, and his goodness.  Most of all, I’ll remember him for being my friend.

Rest in peace, my friend.

 

“Dracula” is Stalking the Circle Theatre

Count Dracula (Justin Eller) recruits Renfield (David Sindelar) in his quest for victims

An ancient evil from Transylvania concocts a scheme to travel to London, England in search of victims to satisfy his endless hunger for blood.  His pursuit of a young woman leads to an unlikely banding together of five ordinary people led by a wise, if eccentric, professor.  Their goal?  To erase this evil nobleman from the face of the earth before he can claim further victims.

Bram Stoker’s classic gothic tale, Dracula, comes to vivid life at the Circle Theatre in an original adaptation written by Ryle Smith from Oct 19-Nov 3.  Performances are Fridays and Saturdays at 7:30pm with a special Halloween performance on Oct 31 at 9pm.  Tickets cost $20 ($15 for Seniors/College Students/Military/TAG Members & $12 for high school students).  Tickets can be purchased online at circleom.booktix.com or at the door on performance nights.  The Circle Theatre is located at 4444 Frances St in the Hanscom Park United Methodist Church.

Production:  Dracula

Written By:  Ryle Smith in an adaptation of Bram Stoker’s novel

Location:  The Circle Theatre (4444 Frances St in Hanscom Park United Methodist Church)

Ticket Prices:  $20 for adults ($15 for Seniors/College Students/Military/TAG Members & $12 for High School Students).  Purchases can be made at circleom.booktix.com or at the door on performance nights.

Directed by:  Angela Dashner

Cast

Isaac Reilly as Jonathan Harker

Stephanie Olson as Mina Murray/Harker

Chris Elston as Dr. Jack Seward

Nate Slater as Lord Godalming, Arthur Holmwood

Hunter Ponce as Quincy Morris

Ron Boschult as Professor Abraham Van Helsing

David Sindelar as R.M. Renfield

Kirsty Eden as Lucy Westenra

Kristine Dunbar as Mrs. Westenra

and

Justin Eller as Count Dracula

Also featuring:  Mylan Coffman, Corie Jacobsen, Emelia Rau, Mary Oliver, Stan Tracey, Patrick Brusnahan, and Brian Bencker

 

Circle Theatre Holding Auditions for ‘Dracula’

Auditions for Dracula will be June 11-12, 2018 at 6:00 p.m. The auditions will be held at Hanscom Park United Methodist Church, 4444 Frances Street, Omaha, NE. People who audition will be asked to read from the script. Rehearsals will start in August.

Bram Stoker’s Dracula: Oct 19- Nov 3, 2018
Fridays and Saturdays at 7:30 p.m. and a special performance October 31 at 9:00 p.m.

We are excited to bring this classic novel to the stage. This adaptation, by local playwright Ryle Smith, includes all the principal characters from Stoker’s original story. This play tells the story of Dracula through the eyes of Jonathan Harker as in the novel. Much of our current mythology about vampires comes from this great classic novel.

For more information contact the Circle Theatre at 402-553-4715 or www.circletheatreomaha.org

Upcoming Auditions

CIRCLE THEATRE PRESENTS AUDITIONS FOR
A MIDSUMMER NIGHT’S DREAM

Circle Theatre will hold auditions for “A Midsummer Night’s Dream” running May 4-19.

Auditions will be held March 26th and 27th at 7:00p.m.

Please bring a calendar and a list of ALL conflicts from April to May.
The show opens May 4 and runs through May 19, 2018.
Performances are Friday and Saturday evenings at 7:30 and Sunday afternoons at 2:00 for two weekends.

Those auditioning will be asked to read from the script.
The Circle Theatre is committed to diverse, inclusive casting, and auditions are open to all.

Synopsis:
When the merry sprite Puck meddles with a magical love potion, young lovers lost in the woods mysteriously find themselves infatuated with the wrong person in this hilarious, fairytale fantasy that proves the course of true love never did run smooth.

Auditions will be held at Hanscom Park United Methodist Church at 4444 Frances Street.
For more information, please contact Circle Theatre at circle.theatreomaha@gmail.com

OMAHA COMMUNITY PLAYHOUSE PRESENTS
THE 2018-2019 SEASON MUSICAL ADULT AUDITIONS

Saturday, May 12, 11:30 a.m. check in, 12:00 p.m. start
Sunday, May 13, 5:30 p.m. check in, 6:00 p.m. start

Omaha Community Playhouse will hold adult and youth season musical auditions for all five musicals for the 2018-2019 season in May, including auditions for Fun Home, Shrek The Musical, A Christmas Carol, The Bridges of Madison County and Ragtime. Actors interested in these shows should plan to attend. Omaha Community Playhouse is committed to diverse, inclusive casting.

What:  2018-2019 Season Musical Adult Auditions
Who: For actors 16 years and older of all genders and ethnicities
Location: Omaha Community Playhouse | 6915 Cass Street | Omaha, NE 68132
Those auditioning should enter through the main lobby entrance and proceed to the check-in table.

Requirements:
Actors please be prepared with the following:
* Sheet music with 16 bars ready to sing (an accompanist will be provided)
* There will be a dance audition, so actors should be dressed to move (no boots, sandals, flip-flops, etc.)
* You will be asked to fill out an audition form, please have all necessary contact information and schedules available to complete the form.
* A recent photo to attach to your audition form. Please note, the photos do not need to be professional and will not be returned.
* Should you not have a photo, one will be taken at the time of the audition.

Show Dates:
Fun Home – August 17 – September 16, 2018, (Howard Drew Theatre)
Shrek The Musical – September 14 – October 14, 2018 (Hawks Mainstage Theatre)
A Christmas Carol – November 16 – December 23, 2018 (Hawks Mainstage Theatre)
The Bridges of Madison County – March 1 – 24, 2019 (Hawks Mainstage Theatre)
Ragtime – May 31 – June 30, 2019 (Hawks Mainstage Theatre)

There will be additional auditions held at later dates throughout the season for the following non-musical productions: She Kills Monsters, The Curious Incident of the Dog in the Night-Time, Of Mice and Men, One Man, Two Guvnors and Men on Boats, as well as Alternative Programming auditions. Those dates will be announced at a later time.

Omaha Community Playhouse is committed to diverse, inclusive casting.

Contact:
For more information, contact Breanna Carodine, bcarodine@omahaplayhouse.com, at (402) 553-4890, ext. 110.

Circle Theatre Holding Auditions for “Miracle on 34th Street”

Circle Theatre will hold auditions for the second production of its 2017-2018 season, Miracle on 34th Street. The production will run December 8-17, Fridays and Saturdays at 7:30 p.m and Sundays at 3 p.m. Audtions, rehearsals, and production will be held at Hanscom Park United Methodist Church (4444 Frances St, Omaha, NE). Rehearsals will begin the last week of October. The production will be directed by Circle Theatre Associate Artistic Director, Angela M. Dashner. For more information, please contact Circle Theatre at circle.theatreomaha@gmail.com

Please note that the role of Kris Kringle has been pre-cast.

July is a Hot Month for Area Auditions

At the Circle Theatre

Circle Theatre is holding auditions for its Dec 2016 Holiday Production A Charlie Brown Christmas. Performances run weekends December 2-17. Auditions will be held July 5 and 6^th at 7:00p.m. at the  Urban Abby at 1026 Jackson Street in the Old Market.  The production calls for actors ages 8-50 who can sing and dance. Those auditioning will be asked to bring a prepared song to sing.  Auditions are by appointment only. To schedule an audition or for more info please e-mail dashmtheatre@gmail.com

At the Chanticleer Community Theatre

• Elf – The Musical Jr.
• Sunday, July 10 and Monday, July 11 @ 6:00 p.m.
• Production Dates: September 16 – 25, 2016
• Rehearsal Dates: Looking to begin Wednesday, July 13.
• Bring sheet music and come prepared to sing 16 measures. Accompanist provided.  Wear shoes comfortable for dancing.  May be asked to read from script.
• Show Summary: The Chanticleer Children’s Theater presents a modern-day holiday classic that’s sure to make you embrace your “inner elf”. This hilarious fish-out-of-water comedy follows Buddy the Elf in his quest to find his true identity.
• Contact Information: 712-323-9955 or chanticleerthater@gmail.com

• Director and/or Production Team: Denise Putman, Director, Jerry Gray, Musical Director & Ariel Ibsen-Bauer, Choreographer
• Location:  830 Franklin Ave in Council Bluffs, IA

 

At Bellevue Little Theatre

Be a part of a time honored tradition!  Auditions for the Bellevue Little Theater’s production of The Music Man will be held on Sunday, July 10th and Monday, July 11th at 7:00 PM.

D. Laureen Pickle is the stage director with Chris Ebke serving as music director, Kerri Jo Watts as choreographer, and Jamie Jarecki as stage manager. Sandy Thompson, assisted by Kerri Jo Watts, is serving as producer.

Numerous roles are available for youth and adult singers, actors, and dancers, ages 8-108. Please prepare 16-32 measures of music with accompaniment. No acappella, please. An accompanist will be available for auditions. Also, bring clothing and shoes appropriate for dance auditions. Finally, please be prepared to list any conflicts during the rehearsal period. We will begin rehearsing July 17th, with productions on September 16th-October 2nd. Questions? Please email the director at laureen.pickle@cox.net. or call the BLT at 402-291-1554.

The Music Man is set in the small town of River City, Iowa, and follows the adventures of Professor Harold Hill, a fast talking traveling salesman,  as he attempts to convince town members to buy instruments and uniforms for a boy’s band he ‘intends to form’. Of course Hill intends to skip town with all the money and never form the band….a scheme the local librarian, Marian, suspects.

Before the play’s end Marian has transformed Hill and the boy’s band. You will see where it winds up as the Music Man concludes with a heartwarming finale.

Location:  203 W Mission Rd in Bellevue, NE

A Well Acted Puzzler

A man mourns the loss of his family and friends.  This is the plot of The Designated Mourner by Wallace Shawn and currently playing at the Circle Theatre.

This play is much, much more than my simple one sentence summary.  This is the most perplexing play I have ever watched.  There is a narrative thread, but due to the disjointed and fragmented nature of Shawn’s writing, it takes the focus of a Sherlock Holmes to locate and grasp it.  The play was about ¾ of the way over before I had enough clues to put things together.

The play takes place in a totalitarian society where being an intellectual is a crime.  The play is presented as a triologue between the characters of Jack, Judy, and Howard as they share their broken and unconnected memories with the audience.  Pay very close attention to what each character says as their stories and thoughts weave in and out from the present and the past, leading the audience on a very convoluted path to the endgame of this story.

Ryle Smith plays the role of Jack and directs the play.  As director, he has chosen to present the play as a reader’s theatre production.  I found this to be a very wise choice as this is a very static play.  It is completely dialogue driven with zero action and presenting it as a narration gives this play the best possible chance for success.  He has also guided himself and his other two thespians to strong performances which is absolutely vital to holding the audience’s interest in this talky production.

As Jack, Smith serves as the chief narrator of the story and is the designated mourner.  Smith does a good job of presenting Jack as a wannabe intellectual.  He is intelligent and has an appreciation for fine literature, but cannot converse about it on the same level as his wife, Judy, and father-in-law, Howard.

Though Jack has the veneer of a laid-back personality, it covers a much darker side.  Jack is a coward, has utter contempt for his father-in-law due to his being highbrow while Jack is lowbrow, cheats on Judy, and runs with his tail tucked between his legs when the government begins to threaten Judy and Howard.  As unlikable as Jack is, Smith’s interpretation does permit an understanding of, if not sympathy for, Jack.  He is somewhat pitiable as he loses his sense of identity for the sake of his survival and there is a gleam of hope for him as he recognizes the poetry of beauty in the simple things of life at the play’s end.

I found the character of Judy to be the most baffling of the play and that is not a negative criticism.  Due to the esoteric nature of Wallace’s writing, I simply had trouble getting a grip on Judy’s function in the story as her stories and memories are the most ethereal of the three characters.  Luckily the acting of Laura Marr makes up for the rather ghostly nature of Judy.

Ms Marr always remained fully engaged in the action and I was enthralled as I watched her reactions to the stories told by Howard and Jack as her expressions told a story all their own.  She was also a master of the beats as she altered tone, expression, and body language with each shift of the story.  Most compelling was her storytelling when Judy was dying of an unknown illness as her body seemed to deteriorate before my eyes to coincide with the sickliness of Judy.

David Sindelar once again proves himself to be one of the city’s underrated talents with a rare, and excellent, dramatic turn as Howard.  As Howard, Sindelar breathes a rather lofty air into his performance.  He is the intellectual’s intellectual.  Howard is a master of prose and wrote several political essays which may play into the woes he eventually suffers during the course of the show.  He truly enjoys a good debate and comes off as a bit of a snob.  This trait was most telling during a conversation with Jack about a mutual friend.

When Jack says he would have done things differently than this friend about a certain event, Sindelar’s Howard persuasively argues that if Jack had been the friend he would have been motivated by the same thoughts and reactions as that of the friend and, therefore, have done exactly the same thing.  Sindelar did this with a wonderful superior attitude that made me wonder if the contempt between Jack and Howard were equal on both sides.  Sindelar could also give lessons on projection and voice control as his powerful speaking voice filled the theatre space.

While the acting was quite strong, I felt that the pace could have been picked up quite a bit.  Ms Marr and Smith also need to project a little bit more into the microphones as they were a little quiet at the start of the show.

It’s hard to write a proper conclusion to this review due to the mysterious nature of the show.  I believe this play will be quite polarizing.  You will either love it or you will hate it.  Buckle yourself in for a long ride as a lot will be thrown at you in a short period of time, but the performing abilities of the trio of actors will go a long way in bolstering the peculiarities of the script.

The Designated Mourner plays for the Circle Theatre through February 27.  Showtimes are 8pm on Fridays and Saturdays and this production is playing at the Urban Abbey located at 1026 Jackson St in the Old Market district of Omaha, NE.  For reservations, contact the Circle at 402-553-4715 or via e-mail at dlmarr@cox.net.  Tickets cost $15 for adults, $13 for seniors, and $10 for students, active military, and T.A.G. members.  This play contains strong language and mature themes and is not suitable for children.

In Search of the Truth

September 11, 2001 was one of the most horrific days in American history.  But what if there was a deeper, darker truth to what happened on that sad day?  What are the ramifications of knowing the real truth?  This is the thrust of Yankee Tavern by Steve Dietz and currently playing at the Circle Theatre.

I don’t usually go into a play blind.  By that I mean I know the general story before I sit down to watch it.  But the only knowledge I had of Yankee Tavern was that it centered around 9/11 and conspiracy theories.  This play is far more than that.  This play is an exciting mystery thriller with comedic undertones that will keep you on the edge of your seat as it twists and turns with compelling characters and electric dialogue until the final moment.

Ryle Smith’s direction is a superior piece of work as he expertly navigates the ebbs and flows of this story, builds beautiful tension, and sets a firecracker pace.  Smith has also directed fantastic performances from his cast of four with each having a sizzling chemistry with the others, making for a sensational ensemble experience.

Smith also does double duty by playing the role of Adam Graves, an adjunct instructor and political writer who also owns the titular Yankee Tavern.  Smith’s Adam is an incredibly multifaceted character.  He’s a bit of a prankster as he messes with his wife, Janet (played by Rose Glock), by making up fake guests to invite to their upcoming anniversary party.  Smith also bestows a wonderful intelligence and logic on Adam which is best demonstrated in his verbal spars with his late father’s best friend, Ray (played by David Sindelar) as they debate about what really happened on 9/11.

But Adam also carries his share of darkness and secrets as he is unable to accept his father’s suicide and has a connection with a former female boss which may be far more than employer/employee.  Smith handles these heavier moments with equal sureness, especially in a climactic argument with Janet in Act II.

David Sindelar gives an award worthy performance in the role of Ray.  A self-professed “itinerant homesteader”, Ray, at first, seems like he’s going to be the kooky comedy relief as he lives in the abandoned Yankee Hotel, talks with ghosts, and sees conspiracies everywhere.  But once Ray and Adam start arguing over 9/11, that’s when you see this character’s true intellect.

Ray’s arguments are amazingly persuasive because they are grounded in logic and verifiable facts.  You may not necessarily believe them, but it does give you something to think about.  The arguments are helped by Sindelar’s sincere delivery.  Sindelar also gets to show some pathos and depth when he talks about why his wife left him and the events of his best friend’s last day of life which demonstrate why Ray’s world is preferable to real life.

It is an arduous role because Ray likes to talk, dissect, analyze, and expound.  The sheer bulk of the dialogue caused Sindelar to trip on his lines on a couple of occasions, but he didn’t let it slow him down or get him off track.

Rose Glock is, at turns, sweet, harried, and haunted as Janet.  Janet is on the same intellectual plane as Adam and Ray and is able to hold her own in their conspiracy theory debates.  But she also has a peculiar form of survivor’s guilt because she didn’t lose anybody in 9/11 which leads to a relationship with an unseen character that causes Janet to have an intense loathing of secrets.  Ms Glock handles the emotional beats of the character well and really gets to shine in Act II with intense showdowns with Adam and the mysterious Palmer.

Kevin Barratt’s interpretation of Palmer is underplayed mastery.  He rarely speaks in Act I, but has a hypnotic presence.  He sits quietly at the bar with two Rolling Rocks, toasts an unseen companion, and seems to be grappling with a heavy burden.  Barratt has tremendously animated eyes that let you watch his shifting emotions without him uttering a single word.  When he finally does speak, he is so soft spoken and earnest that it’s hard to determine if he’s a crackpot or if he truly does know things that he probably shouldn’t know.

Barratt really ramps things up in act II during a prolonged verbal battle with Janet over Adam and his possible connection to a potential key figure in 9/11.  What I found utterly fascinating about Barratt’s take on Palmer is that he is looking for absolution, not revenge.  He has knowledge that he would rather not have, but must seek the truth out to the end for the sake of his soul.

There are few things I love more than a good mystery and this play gave that to me and then some.  This show is about so much more than whether there was more to 9/11 than met the eye.  It is a show about the secrets we keep from each other and that is something that will strike the heart of anybody who watches this play.

Yankee Tavern has one final performance on October 30 at 8pm.  The Circle Theatre is producing this show at First United Methodist Church at 7020 Cass Street in Omaha, NE.  For reservations, contact the Circle at 402-553-4715 or via e-mail at dlmarr@cox.net.  Tickets cost $15 for adults, $13 for seniors, and $10 for students, active military, and T.A.G. members.

“Yankee Tavern” to Open Circle Theatre’s Season

The Circle Theatre Presents:

Yankee Tavern by Steve Dietz

​Ever wonder what REALLY happened on 9/11?  Well, just when you thought you’d heard every crazy conspiracy theory imaginable, a mysterious stranger walks into the Yankee Tavern in New York City and nothing is ever the same…for anybody.  Yankee Tavern is a fiercely funny play that will keep you guessing long after you’ve left the theatre.

Dates:  October 16, 17, 23, 24, 30, 31

Showtime:  8pm

Tickets:  $15 for adults.  $13 for seniors.  $10 for students, active military, and T.A.G. members.  Contact dlmarr@cox.net or 402-553-4715 for reservations.

Location:  First United Methodist Church (7020 Cass St in Omaha, NE)