Meet Leo Cark and Jack Gable. They are 2 struggling Shakespearian actors of dubious talent and meager means. When they stumble onto a chance to steal 2/3 of a multimillion dollar fortune by posing as the long lost relatives of a dying woman, they throw caution to the wind and put their acting skills to the test. And it is a mighty difficult test as the missing relatives happen to be women. This is Leading Ladies by Ken Ludwig and currently playing at Maples Repertory Theatre.
A big part of the magic of theatre is that if you change a few elements of a production it becomes brand new all over again. Just a few months ago I reviewed this show for the Omaha Community Playhouse. With that performance still fresh in my memory, I got to see an exciting, rib tickling new take on it due to a simple change of director and cast and crew. This is why one can see the same show over and over and over again and it is still something unique and original.
Brandon McShaffrey truly knows what makes for good farce. His direction of tonight’s show was genius as he not only knew where and when to add the ludicrous elements, but he also managed to add a sizable amount of realism to the production. His actors were honest to goodness people as opposed to caricature and he led the lot of them to sterling performances that left the audience rolling in the aisles.
This show is truly an ensemble piece with every actor getting a chance to shine. Madeline Thomas is simply cute as a button and deliriously ditzy as Audrey. She may not be too bright, but she’s building her brain one complex word at a time. Todd Davison and Sean Powell make for a great father/son act as the talentless physician, Doc Myers, and his nerdy, willowy son, Butch. Andy Brown provides some laughs as Rev. Duncan Wooley, the cheapskate, milquetoast fiancée of the play’s leading lady. But watch out for Jonna Wiseman as barbed tongued Aunt Florence as she steals every scene she’s in with her acidic antics.
With the supporting cast providing such a strong foundation, it would be nearly impossible for this show to fail and it gets a further boost from its three leads, Michael McIntire, Sean Riley, and Kara Overlien, who admirably carry the bulk of the show on their formidably talented shoulders.
I was extraordinarily impressed with Kara Overlien’s portrayal of Meg. Ms Overlien is just so. . .genuine as the young heiress. She plays Meg as a decent woman with a strong streak of integrity as she plans to marry Rev. Wooley for taking care of her after the death of her parents. But she also gets a lot of joy out of life. She has passion for the theatre and has a surprising amount of potential as a performer. She loves music and is a skilled dancer. In fact, her solo dance number to a radio song is one of the best moments of the night. Ms Overlien also has incredible facial animation as her reactions to the events swirling about her were always extemporaneous and spot-on.
Sean Riley does so much with so little in his interpretation of Jack Gable. A slight grin here and a little gesture there had the crowd eating out of Riley’s hand. Riley’s Gable may be the less talented member of the acting duo, but he might be the mentally swifter of the two. Riley comes up with absurd sign language as the deaf and dumb “Stephanie” and also knows how to sneak hugs out of Audrey. He’s also got a bit of the devil in him as he makes Leo’s wooing of Meg more difficult with his insinuations about why we never seem to see Leo and “Maxine” together as well as messing with Leo during their performance at the Moose Lodge. Riley clearly had a ball with the role and it showed with a stellar performance.
I don’t think I’ve ever seen such a skilled blending of over the topness and realism as the one provided by Michael McIntire’s rendition of Leo Clark. McIntire’s Clark is truly a good actor, but can’t seem to catch a break. When he hatches the plan of stealing the fortune he throws, and I mean THROWS, himself in the role of “Maxine”. McIntire is larger than life as Clark playing Maxine and he dazzlingly moves between the over the top “Maxine” to the natural Leo without missing a beat. His howlingly funny reactions and expression asides to the audience only further fueled his dynamic performance.
Outstanding technical elements further helped create the world of this show including Charles Johnson’s set which creates the illusion of a well to do home without being ostentatious. Jack Smith’s costumes were snappy and elegant from the suits and tuxes for the men and the gowns and dresses for the ladies and the “leading ladies”.
Tighter cue pickups and a faster pace would have further bolstered tonight’s production, but it is still one terrific night of comedy. The best stamp of approval I can give is that this show caused me to laugh myself into a coughing fit at several points and I saw many members of the audience doubled over in hysterics at numerous moments. But, hey, don’t take our words for it. Buy a ticket and experience the mirth for yourself.
Leading Ladies plays at Maples Repertory Theatre through July 22. Showtimes are 7:30pm on July 1, 5, 15, and the 21 and at 2pm on June 24, 28, July 2, 7, 16, 18, 21-22. Tickets cost $29 for the Main Floor and $22 for the balcony. For tickets contact the box office at 660-385-2924 or visit the website at www.maplesrep.com. Maples Repertory Theatre is located at 102 N Rubey St in Macon, MO.