The Great Swiss Outing, Day 7: Ain’t No Party Like a Folklore Party

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Bern, Switzerland

What an amazing night!  But I seem to be approaching the story from the end.  Let’s go back to the beginning.

The jangling of the telephone woke me up at 6:15am and I went through the normal routine again.  At 8:10am, we were once again on our way.  Today we stopped at the capital city of Bern.  According to legend, the town’s founder named it after the first animal he saw which was a bear.  Hence, Bern.  And the town does have a prevalent bear motif as you see statues and real bears within the town.

We met our guide, Hector, who took us on a bit of a tour of the city.  We began in Bern’s famous Rose Garden which was actually a little threadbare of roses being close to winter, but still had some pretty things to see as well as a stunning view of the only mile long city.

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From the garden, we went to the town’s city center where we walked along the streets and Hector pointed out important and interesting sights.  Some of the highlights of the walk was a detailed relief on a church that showed the Last Judgment; fountains of Moses, Samson, and the founder of Bern; the home where Albert Einstein lived and wrote his papers on special relativity and the equation E=MC2; and the Bern Clock Tower.

We actually saw the clock tower strike the hour and that was an interesting little show.  First a rooster crows, then the jester plays a joke on the Lord of Time by ringing the bells too soon, then the rooster crows again, and the Lord of Time turns over his hourglass which sends a signal to the Golden Knight to strike the hour before the rooster crows a final time.  If you haven’t guessed, the three crows of the rooster are inspired by the Gospel story of Jesus telling Peter he would deny him 3 times before the cock crowed.

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When the tour was done we were driven into the countryside where we had a lovely little lunch at Zugel Farms.  Nine different farms are present on the property and each farms in a different way.  For lunch we were served salad, a beef roast (not unlike turkey roast) in gravy, and homemade scalloped potatoes.  For dessert there was a variety of items such as mousse, cream, fruit, and cake.  Then we wandered around the time a bit before heading for Lucerne.

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Heading inside to lunch at Zugel Farms.

Upon our arrival at Lucerne, we bumped up one of the next day’s activities as the lighting was better and that was a visit to the Lion Monument.  This monument was dedicated to the sole survivor of two intense weeks of fighting.  The monument is a reminder that they “fought like lions”.

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The Lion Monument of Lucerne

After admiring the monument, we checked into our final hotel, Hotel Wilden Mann.

The building housing this hotel has existed for over 500 years and it has been a hotel since the 19th century.  My room was comfy, if tiny, but the extra large bathtub was a major plus.  We had a few hours to ourselves so I spent my remaining coins on a Coke and a shot glass, took a long, hot bath, and uploaded some pics before beginning the night’s main event.

Tonight we attended a Swiss folklore party at Stadtkeller.  This restaurant served a fantastic meal of salad, cheese fondue, veal strips in mushroom sauce, grated & fried potatoes, and a dessert of Swiss chalet (a melange of meringue, applesauce, and strawberry ice cream).

Along with the incredible meal was a show where the performers dressed in traditional Swiss costume and sang, yodeled, danced, and played theremin, hammer dulcimer, and alphorns.  There was even audience participation with a yodeling contest, a traditional Swiss dance, and a conga line to close the night.

What an amazing night!

But now it’s too bed.  One final day of adventure awaits.

BLT Holding Auditions for ‘CLUE: The Musical’

Auditions for Bellevue Little Theatre’s production of CLUE: The Musical will be held on Sunday, January 22 and Monday, January 23 at 7:00 PM at St. Timothy Lutheran Church (510 N 93rd Street – 93rd and Dodge) in Omaha and will consist of a music audition (1 minute of music appropriate to the style of the show – an accompanist will be provided), a dance audition, and cold readings from the script. Please come dressed to move. 4 Men and 4 Women (of various ages) are needed.


PLEASE NOTE THAT AUDITIONS ARE NOT BEING HELD AT THE BELLEVUE LITTLE THEATRE. Callbacks, if needed, are scheduled for Tuesday, January 24th at 7:00 p.m., also at St. Timothy Lutheran Church. A read thru with the cast is tentatively scheduled for Sunday, January 29th , and rehearsals will begin on Monday, January 23rd (lasting 8 weeks). The show runs from March 24 – April 9, 2017. Please bring a calendar so you can list ALL conflicts from January 15 – April 9, 2017 on your audition form. The show will be directed by Daena Schweiger, with music direction by Chris Ebke and choreography by Kerri Jo Watts. Pam Matney serves as producer. Questions about auditions, the rehearsal process, or the show can be directed to daena.schweiger@gmail.com.

Characters

Mr. Boddy (B Flat 2 to F Sharp 4)

Professor Plum (B Flat 2 to F 4)

Colonel Mustard (B Flat 2 to E Flat 4 (#7))

Mr. Green (G Sharp 2 to F Sharp 4)

Mrs. Peacock (B Flat 3 to D Flat 5)

Miss Scarlet (G Sharp 3 to F 5)

Mrs. White (B Flat 3 to F 5 (#4))

Detective (no set vocal range)

Blue Barn Holds Auditions for Season Finale, ‘Priscilla Queen of the Desert–The Musical’

The BLUEBARN Theatre is pleased to announce open auditions for the regional premiere of Priscilla Queen of the Desert–The Musical.  Auditions will be held on Saturday, January 14 from 11am-3pm.  Callbacks will be held by invitation on Monday, January 16 from 6pm-9pm.  Auditions will be held at the BLUEBARN located at 1106 S 10th St (10th and Pacific).

Performances for Priscilla Queen of the Desert–The Musical run May 18-July 1, 2017 with rehearsals scheduled to begin early April 2017.  Susan Clement-Toberer directs with musical direction by Doran Schmidt and choreography by Nichol Mason Lazenby.  Please contact Randall T. Stevens for more information at rstevens@bluebarn.org.

Needed:  large cast of men and women of all ages and ethnicities.  Also needed is 1 boy age 8-11.  Those auditioning should prepare 32 bars of an up-tempo contemporary song.  An accompanist will be provided.  Please, no acapella or pre-recorded music.

About Priscilla Queen of the Desert–The Musical

Based on the smash hit movie, Priscilla is the heartwarming, uplifting adventure of three friends, Tick, Bernadette, and Adam, a glamorous Sydney-based performing trio who agree to take their show to the middle of the Australian Outback.  They hop aboard a battered old bus, “Priscilla,” searching for love and friendship and end up finding more than they could have ever dreamed of.

Featuring a hit parade of dancefloor favorites including “It’s Raining Men,” “I Will Survive,” “Hot Stuff,” “Finally,” “Boogie Wonderland,” “Go West,” “Girls Just Wanna Have Fun,” and “I Love the Nightlife,” this wildly fresh and funny musical is a journey to the heart of FABULOUS!

About the BLUEBARN Theatre

The BLUEBARN Theatre has been bringing professionally-produced plays to area audiences since 1989. Since its inception, BLUEBARN has produced over 100 plays and has established itself as Omaha’s professional contemporary theatre company. Striving to bring artistically significant scripts and professional production values to Omaha and the surrounding region, BLUEBARN is known for high-quality entertainment and the fearless pursuit of stories that challenge both theatre artists and patrons.

Barn Players are Ready to Get ‘Big’

Kansas City’s acclaimed youth troupe the Barn Players Jr. are pleased to present Broadway musical hit, Big. Based on the memorable Twentieth Century Fox film written by Gary Ross and Anne Spielberg, this amusing musical has a book by John Weidman, with music by David Shire, and lyrics by Richard Maltby, Jr. The Barn Jr. winter production is directed by community theatre veteran Jason Coats, with musical direction by Todd Gregory-Gibbs.

What magic happens on stage? At a local carnival, awkward young Josh Baskin makes a wish to the mechanical Zoltar fortune teller to become Big. To his amazement, his wish is granted. Before he knows it Josh must do “adult” things, including finding a mentor, getting a job and soon a girlfriend. His rite of passage between boy and man and back includes the discovery that there’s more to being an adult than he bargained for. Lesson? We all must grow up at our own speed.

“Our student actors have done a phenomenal job of bringing this work to life,” says director Jason Coats. “It’s a perfect show for them. It explores what growing up really means. It challenges what they think it may be like to be an adult.”

Featured roles in Big are played by: Wes Battey, Anna Berardo, Maria Berardo, Veronica Dervin, Ashley Elliot-Rowe, Sydney Gilman, Paiten Griffith, Alex Leondedis, Phil Licata, Abigail Nottingham, Paige Padgett, Paul Ruf, Claire Segura, Seneca Sims, Margaret Veghlan, and Sam Wise. Ensemble players include: Lucy Alcock, Stella Hughes, Sophia Logan, Ava Moran, Aurelia Power, Jezri Robertson, Sean Ruddy, and Isabelle Simmonds.

WHAT: Big, a Barn Players Jr. Presentation

WHERE: The Barn Players, 6219 Martway, Mission, KS 66202

WHEN: Friday and Saturday evenings at 7:30pm, Sunday matinees at 2:00pm. Friday, January 13th through Sunday, January 22nd.

TICKETS: Tickets are $12.00. Buy online at: thebarnplayers.org, via phone at 913.432.9100, or at the box office. Cash / credit cards  are accepted.

The New Year Starts with ‘The Sound of Music’

Omaha, Neb. (December 14, 2016)  The lavish new production of The Sound of Music, directed by three-time Tony Award winner Jack O’Brien will make its Omaha premiere January 24-29 at the Orpheum Theater as part of Omaha Performing Arts’ Broadway Series.  Tickets, starting at $25, are now available at the Ticket Omaha box office located inside the Holland Performing Arts Center, 1200 Douglas Street, by calling 402-345-0606 or online at TicketOmaha.com

The Sound of Music features music by Richard Rodgers, lyrics by Oscar Hammerstein II, book by Howard Lindsay and Russel Crouse, suggested by The Trapp Family Singers by Maria Augusta Trapp.  This new production is directed by Jack O’Brien (credits include Hairspray, The Full Monty, Dirty Rotten Scoundrels, The Coast of Utopia), choreographed by Danny Mefford (Fun Home, The Bridges of Madison County and Bloody Bloody Andrew Jackson) and music supervision by Andy Einhorn (Bullets Over Broadway, Rodgers & Hammerstein’s Cinderella, Brief Encounter, The Light in the Piazza).  The design and production team is comprised of Douglas W. Schmidt, set design (Tony Award nominee, 42nd Street, Into the Woods); Jane Greenwood, costume design (2014 recipient of the Special Tony Award for Lifetime Achievement in the Theatre), Natasha Katz, lighting design (Five-time Tony Award Winner:  An American in Paris, Once, Aida, The Coast of Utopia, The Glass Menagerie) and Ken Travis, sound design (Aladdin, Newsies, Memphis).  Casting by Telsey + Company/Rachel Hoffman, CSA.

According to director Jack O’Brien, “The Sound of Music has been in our ears for decades, as it deserves to be.  But it might be time to look once more, and more closely, at this remarkable work which, I feel, begins to reveal itself as deeper, richer, and more powerful than ever.  It’s no longer ‘your mother’s’ familiar Sound of Music.  We are tearing off the varnish of the past from one of the great glories of our theatergoing experience and making it fresh!  This is an opportunity to create!”

Producer Beth Williams (Grove Entertainment) said, “It’s a great privilege to bring this beloved Rodgers & Hammerstein musical to theaters across North America.  We hope that people of all ages will continue to fall in love with it for the first time, or all over again, and that it will truly become on e of their ‘favorite things.’  From our distinguished team led by the creative master Jack O’Brien, audiences can expect a truly magnificent production of The Sound of Music.”

In the words of Ted Chapin, President of Rodgers & Hammerstein, “The Sound of Music continues to be the world’s most beloved musical.  When a major national tour was suggested, I not only agreed, but was willing to roll up my sleeves and do whatever i could to fashion a new stage production that would re-engage today’s theatergoing public.  The show was originally created for Broadway, and seeing it on stage only reinforces the power of the story and the score.  And with Jack O’Brien at the directorial helm–well, we simply couldn’t do better.  Landing somewhere between The Coast of Utopia and Hairspray (shows for which Jack won the Tony), his production is smart, focused, and surprising.”

The Sound of Music enjoyed extraordinary success as the first live television production of a musical in over 50 years when The Sound of Music Live! aired on NBC in December 2013; 2015 marked the 50th anniversary of the film version, which continues to be the most successful movie musical in history.  The sprited, romantic and beloved musical story of Maria and the Von Trapp Family will once again thrill audiences with such songs as My Favorite Things, Do-Re-Mi, Climb Ev’ry Mountain, Edelweiss, and the title song.

The Sound of Music will play Omaha’s Orpheum Theater at 7:30pm on Jan 24-26, 8pm on Jan 27-28, 2pm on Jan 28, 1:30pm on Jan 29, and 7pm on Jan 29.

For more information, please visit www.ticketomaha.com or www.TheSoundOfMusicOnTour.com, www.facebook.com/TheSoundOfMusic, www.twitter.com/SoundOfMusic, www.instagram.com/SoundOfMusicOnTour

Come on Over to ‘Catherland’

Shelterbelt Announces Auditions for New Musical, Catherland
Shelterbelt Theatre will hold auditions for the new musical Catherland by Becky Boesen and David von Kampen, Dec. 5 and 6 at 7pm at the theatre, 3225 California St (Omaha, NE). Roxanne Wach will direct and Peggy Holloway will music direct. Those auditioning are asked to prepare 32 bars of a song of their choice, AND one of the song selections from the musical posted at www.shelterbelt.org/audition-and-submissions. An accompanist will be provided. There will also be cold readings from the script. Roles are available for 3 women and 3 men of various ages and vocal ranges. The show runs April 21-May 14, 2017. More information at http://www.shelterbelt.org/auditions-and-submissions, or email the director at executive@shelterbelt.org.
 

It’s Going to be ‘Beautiful’

BROADWAY’S NEWEST SMASH HIT

BEAUTIFUL – THE CAROLE KING MUSICAL

TICKETS GO ON SALE DECEMBER 9 FOR OMAHA’S ORPHEUM THEATER PREMIERE APRIL 4-9

OMAHA, Neb. (November 16, 2016) – Producers Paul Blake and Sony/ATV Music Publishing have announced that the Tony® & Grammy® Award-winning Broadway hit Beautiful—The Carole King Musical, will make its Omaha Premiere at the Orpheum Theater, April 4 – 9, 2017 as part of Omaha Performing Arts’ Broadway Series. Tickets for the musical, about the early life and career of the legendary and groundbreaking singer/songwriter, go on sale December 9. To purchase tickets, visit TicketOmaha.com, call 402.345.0606 or visit the Ticket Omaha* Box Office inside the Holland Performing Arts Center, 1200 Douglas St. Ticket prices start at $30.

“Carole King might be a native New Yorker, but her story of struggle and triumph is as universal as they come – and her music is loved the world over,” producer Paul Blake said. “We know that audiences throughout the country will embrace this show just as Broadway and London audiences have.”

Long before she was Carole King, chart-topping music legend, she was Carol Klein, Brooklyn girl with passion and chutzpah. She fought her way into the record business as a teenager and, by the time she reached her twenties, had the husband of her dreams and a flourishing career writing hits for the biggest acts in rock ‘n’ roll. But it wasn’t until her personal life began to crack that she finally managed to find her true voice.  Beautiful tells the inspiring true story of King’s remarkable rise to stardom, from being part of a hit songwriting team with her husband Gerry Goffin, to her relationship with fellow writers and best friends Cynthia Weil and Barry Mann, to becoming one of the most successful solo acts in popular music history. Along the way, she made more than beautiful music, she wrote the soundtrack to a generation. Beautiful features a stunning array of beloved songs written by Gerry Goffin/Carole King and Barry Mann/Cynthia Weil, including “I Feel The Earth Move,” “One Fine Day,” “(You Make Me Feel Like) A Natural Woman,” “You’ve Got A Friend” and the title song.

For more information and a video sneak peek, please visit www.BeautifulOnBroadway.com

www.beautifulonbroadway.com

www.twitter.com/beautifulonbway

www.ticketomaha.com

ABOUT OMAHA PERFORMING ARTS

Omaha Performing Arts is dedicated to providing the best Broadway, jazz, blues, dance, comedy, family and popular entertainment to the citizens of Omaha at the Orpheum Theater, Holland Performing Arts Center and beyond. As Nebraska’s largest arts organization, we also provide education opportunities and free community events to expand arts appreciation.  Ticket Omaha is our official ticket provider. We are grateful for support from the Nebraska Arts Council, Nebraska Cultural Endowment, National Endowment for the Arts, the City of Omaha and Douglas County. We also rely on corporate sponsors, donors and foundations.

ABOUT BROADWAY ACROSS AMERICA

BROADWAY ACROSS AMERICA is part of The John Gore Organization family of companies, which includes Broadway.com and is operated by John Gore (Owner & CEO).BAA is the foremost presenter of first-class touring productions in North America, operating in 38 markets. Current and past productions include Beautiful, Chicago, Fiddler on the Roof, Finding Neverland, Million Dollar Quartet, Hairspray, On Your Feet!, The Producers, and Shuffle Along.  Broadway.com is the premier theater website for news, exclusive content and ticket sales. For more information please visit BroadwayAcrossAmerica.com and Broadway.com

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A Plethora of Auditions for OCP in December

Throughout the month of December, the Omaha Community Playhouse will be holding several auditions for the 2nd half of its season.  The Omaha Playhouse is located at 6915 Cass Street in Omaha, NE.

AROUND THE WORLD IN 80 DAYS
Production Dates: January 20-February 12, 2017
Performs in: Hawks Mainstage Theatre
Director: Carl Beck

Synopsis: Around the World in 80 Days is a fantastic journey filled with exotic locations and cultures, with comedy and suspense leading the way. Phileas Fogg, an Englishman, and his French manservant, Passepartout, create a strange pairing with their distinct cultural backgrounds. Their journey challenges both Fogg and Passepartout in many ways, but they come out as winners in the end. The two men journey around the world to win a simple wager, but they leave an incredible story about loyalty and friendship in their wake. This production consists of five extremely resourceful actors who bring Jules Verne’s incredible story to life. Making the most of the Playhouse stage, they create all the exotic locales, the international cast of characters and even an elephant!

Audition Dates: Monday, November 21 at 7:00 PM and Tuesday, November 22 at 7:00 PM

Character Descriptions:
Note: Actors of all ethnicities are encouraged to audition

PHILEAS FOGG – A wealthy British adventurer.

JEAN PASSEPARTOUT – Fogg’s very clever and resourceful French man servant.

AOUDA – An Indian/European princess who is rescued from death by Fogg.

ACTOR #4 – Plays 11 characters including Detective Fix, a dense, bumbling member of Scotland Yard in hot pursuit of Fogg.

ACTOR #5 – Plays 17 characters from many places all over the world.

ROCK OF AGES
Production Dates: March 3-April 2, 2017
Performs in: Hawks Mainstage Theatre
Director: Kimberly Faith Hickman

Synopsis: Set in L.A.’s infamous Sunset Strip in 1987, Rock of Ages tells the story of Drew, a boy from South Detroit, and Sherrie, a small-town girl, both in L.A. to chase their dreams of making it big and falling in love. Nominated for five Tony Awards, this smash-hit musical comedy is an arena-rock-n-roll love story told through the hits of the 1980s like “Sister Christian,” “We’re Not Gonna Take It,” “Dead or Alive,” “I Want to Know What Love Is,” “Here I Go Again,” “Don’t Stop Believing” and many more! Rock of Ages takes you back to the times of big bands with big egos playing big guitar solos and sporting even bigger hair! Contains mischievous behavior, suggestive and adult language and comedic reference to drug usage.

Audition Dates: Monday, December 5 at 7:00 PM and Tuesday, December 6 at 7:00 PM

• Please come prepared with 16 bars of music prepared to sing. An accompanist will be provided.

• There will be a dance audition, pleased come dressed ready to move or bring a change of clothes with you. Boots, sandals, flip-flips, slick shoes, etc. should not be worn during the dance audition.

THE MAN WHO SHOT LIBERTY VALANCE
Production Dates: February 10-March 12, 2017
Performs in: Howard Drew Theatre
Director: Jeff Horger

Synopsis: The Man Who Shot Liberty Valance is a dramatic play set in the 1890s American West. It contains all the staples of a cinematic western, including a rustic saloon, a stranger in a small town, and familiar characters with wide brimmed hats and guns on their hips. It tells the story of a scholar from New York City whose journey west in search of a new life is side-tracked when he is beaten and left for dead outside the small town of Two Trees, where he must decide whether or not to face his attacker when he returns. It tells the story of a young woman whose routine attempts to carve out a place for herself in society is interrupted by the appearance of an intriguing stranger. It tells the story of a deadly gunslinger who wants nothing more than to stay away from the violence that he knows is coming. It tells the story of a man who makes a living instilling fear in and inflicting pain on others, never dreaming that anyone would ever stand up to him or challenge his reign of terror. Notes about the play: This production is not a send-up or parody of the western genre. The characters are grounded in reality. They are Midwesterners, and require no accents or dialects. This production features stage combat, gunplay, mild language, music, singing, and passages from Shakespeare and The Bible.

Audition Dates: Monday, December 12 at 7:00 PM and Tuesday, December 13 at 7:00 PM

Character Descriptions:
RANSOME FOSTER (Mid 20s to Late 30s, male, any ethnicity) – A fish out of water. He is educated but not worldly. He is eager to embrace the culture of the American West, but lacks the survival skills necessary to navigate it.

HALLIE JACKSON (Early 20s to Mid 30s, female, any ethnicity) – The proprietor of the Prairie Belle saloon. She enjoys her independent status in a male-dominated society. Her heart is open to love, but marriage is not a priority.

BERT BARRICUNE (Late 20s to Early 40s, male, any ethnicity) – A struggling rancher, and the toughest man in town. He is an accomplished gunslinger, but not a natural protector of the innocent. Over the years his respect for Hallie has turned into desire.

JIM MOSTEN (Early 20s to Mid 30s, male, black) – Hallie’s sole employee at the Prairie Belle. Although he is uneducated, he is far from simple and eager to learn more about the world. He is loyal, sweet, and very pleasant company. He enjoys singing and reciting scripture.

MARSHAL JOHNSON (Mid 30s to Mid 60s, male, any ethnicity) – The local authority in Two Trees. He may have been the face of justice back in the day, but time has taken its toll and he is no longer a beacon of law and order. He might be corrupt. He might be a coward. He might be a drunk. Then again…he might not be.

LIBERTY VALANCE (Late 20s to Mid 40s, male, caucasian) – A man who operates outside of the law. He lives off the suffering of others. He has no moral compass. He gambles and kills for profit and for pleasure.

ENSEMBLE (3-6 males and 1-3 females, any ethnicity) – Minor roles. Some non-speaking. Some singing.

• For all 3 shows, you will be asked to fill out an audition form, please have all necessary contact information and personal schedules handy in order to complete the form.

• To expedite the check in process – please bring a recent photo if you have one available. Please note, photos will not be returned.

Start Dreaming of a White Christmas

OMAHA IS GUARANTEED A WHITE CHRISTMAS!

The holiday classic skates into the Orpheum Theater November 15

OMAHA, NEBRASKA (October 18, 2016) — Everybody will get in the holiday mood when the stage production of the beloved musical IRVING BERLIN’S WHITE CHRISTMAS plays at the Orpheum Theater November 15 through 20, as part of the Omaha Performing Arts Broadway Series.

Tickets, starting at $30 each, are available by going online at TicketOmaha.com; by phone at 402.345.0606; or by going to the Ticket Omaha box office inside the Holland Performing Arts Center, 12th and Douglas. Groups of 10 or more may purchase tickets by calling 402.661.8516 or toll-free at 866.434.8587.

Omaha Performing Arts will honor the men and women of the armed forces, veterans and their families at the third annual Omaha Performing Arts’ Heroes’ Night at the Wednesday, November 16 performance of IRVING BERLIN’S WHITE CHRISTMAS. Gold Star and Blue Star Families – families who have lost a service member in the line of duty and Blue Star Families will be honored. Blue Star is the nation’s largest chapter-based military family support organization which strengthens military families and our nation by connecting communities and fostering leadership. Its members are military families from all branches of the armed services including National Guard and Reserve.

A 15% discount on tickets has been extended to all members of the military for the Tuesday and Wednesday evening performances of IRVING BERLIN’S WHITE CHRISTMAS. Military members must use the promo code GOLD when purchasing tickets through Ticket Omaha. The promotion is not valid after November 16.

A private reception will be held for Gold Star and Blue Star Families, and a color guard will present the colors before the start of the performance as the audience sings the National Anthem.

IRVING BERLIN’S WHITE CHRISTMAS tells the story of two showbiz buddies putting on a show in a picturesque Vermont inn owned by their former Army general. The now successful Broadway partners become romantically involved with two sisters also staying at the inn. The show is the perfect opportunity for lots of dancing, singing, romance, laughter and some of the greatest songs ever written, including “Count Your Blessings Instead of Sheep,” “Happy Holiday,” “Sister,” “Blue Skies” and the unforgettable title song. IRVING BERLIN’S WHITE CHRISTMAS promises to be a merry and bright experience for the entire family!

The stage production is based on the Paramount Pictures film, written for the screen by Norman Kransa, Norman Panama, and Melvin Frank.  It starred Bing Crosby, Danny Kaye, Rosemary Clooney, and Vera Ellen.

Performances will be at the Orpheum Theater located at 409 S 16th St in Omaha, NE on Tuesday, Wednesday, and Thursday, Nov 15-17 at 7:30pm; Friday, November 18 at 8pm; Saturday, November 19 at 2pm and 8pm; Sunday, November 20 at 1:30pm and 7pm.

For more information on IRVING BERLIN’S WHITE CHRISTMAS, go to www.ticketomaha.com or visit www.whitechristmasthemusical.com

 

Pretty Powerful Poison

Molina and Valentin are as different as night and day.  Molina is a flamboyant homosexual imprisoned for corrupting a minor.  Valentin is a young revolutionary full of piss and vinegar.  Yet an unlikely friendship grows between them which will be tested by a cruel warden.  And over all of this looms the specter of the Spider Woman in Kiss of the Spider Woman currently playing at the Barn Players.

Turning Manuel Puig’s heavily dramatic novel into a musical is certainly a tall order.  But Terrence McNally’s script combined with the incredible score of John Kander and Fred Ebb and the amazingly talented cast of the production makes for much much more than an effective musical.  It makes for one of the best shows I’ve seen in over 20 years of being involved with theatre.

Eric Magnus doesn’t miss a trick with a masterful piece of direction.  The staging is the strongest I’ve ever seen with Magnus’ cast making full use of Doug Schroeder’s simple and beautiful set of bars and stairs.  Magnus has pulled nearly perfect performances out of his entire cast and decisively navigates the multiple twists and turns of the plot with pinpoint accuracy.

Rarely have I seen a nuanced performance the likes of the one supplied by Joell Ramsdell as Molina.  As Molina, Ramsdell is unabashedly and unashamedly gay.  But his flamboyance covers a desperate loneliness.  All he wants is a friend.  He survives the hell of this prison by escaping into fantasy.  He thinks of his mother.  He fondly recalls the numerous movies he’s seen.  He remembers lavish musical numbers with his favorite actress, Aurora.  But he fears Aurora’s character of the Spider Woman who is Death incarnate and that character he often sees in his daily life.

The depth and range of Ramsdell’s acting is truly astonishing.  Starting off as a coward, he shows small signs of strength as he helps Valentin survive his imprisonment.  A strength that grows as his friendship with Valentin blossoms.  This leads to some of the show’s best scenes as Ramsdell shows the intense agony of a man forced to choose between his friend and his mother before making a choice that shows the meaning of courage.

Ramsdell also has a fabulous tenor which he adapts easily to comedy in “Dressing Them Up” or heart-wrenching drama in “Mama, It’s Me”.

Paul Brennan III matches Ramsdell step for step with his stirring rendering of Valentin.  Valentin is an angry revolutionary who fully believes in his cause and wants nothing to do with his new cellmate at first.  As he slowly accepts Molina’s friendship, Brennan beautifully evolves his character to show him capable of love, humor, and a bit of shocking Machiavellism.  Up until the end of the show, Valentin’s cause and desires still are the most important things in his life and he manipulates Molina’s feelings for him with an act that is both tender and selfish to get him to do what he wants.  But Molina’s choice at the play’s climax finally pushes Valentin to look beyond himself.

Brennan’s tenor will make your insides turn to jelly with a velvet voice that effortlessly knocks emotional pitches out of the park with numbers such as “Marta”, “Anything for Him” and “The Day After That”.

JC Dresslaer gets the show’s most interesting character in the form of Aurora/Spider Woman.  She’s mostly a fictional character in this world whose purpose is to help Molina, later Valentin, maintain sanity in the nightmare world in which they live.  But this allows her to do some brilliant character acting as she portrays Aurora’s various characters.  Most notably a wild rumba number (“Gimme Love”) to close out Act I and a hilarious piece of melodrama complete with over the top Russian accent to open Act II.

But Ms Dresslaer’s character of the Spider Woman haunts the world of the show with a most eerie reality and finality.  Dressed in a simple black dress, the Spider Woman exudes menace and, dare I say, gentleness with every appearance.  Yes, her appearances mean death, but she also wants to show that death is not something to be feared.

Ms Dresslaer’s dancing is so silky smooth, it makes all of her musical numbers showstoppers.  She also has a pitch-perfect alto used to excellent effect in “Come” and “Kiss of the Spider Woman”.

I was extraordinarily impressed with the mileage Emerson Rapp got out of the role of the Warden.  It’s not a big role, but the evil which Rapp imbued into the character made sure the audience was spellbound each time he appeared on stage.  He clearly considers the prisoners animals suitable for torture and murder.  He will do anything and I mean ANYTHING to get what he wants.  Poisonings, beatings, emotional manipulation, bribery. . .it’s all fair game to one of the most insidious characters I’ve seen brought to life on stage.

Paul Secor Morrel and his orchestra deftly handle the varied score with an evening of precise instrumentation.  The costumes of Fran Kapono-Kuzila are well suited to the show from the tattered rags of the prisoners to Molina’s kimono and scarves to Aurora’s numerous costumes for her numbers.  The ensemble cast also stayed in every moment to add crucial life to the story as well as adding strong voices to the chorus.

Musicals often get flak for being shallow on substance, but Kiss of the Spider Woman proves that a musical can be just as challenging and deep as straight theatre if given a chance.  If you love great theatre then you need to go and see this show.  Then you need to tell others to go get a ticket so they can see this show as it deserves a sold out run.

Kiss of the Spider Woman plays at the Barn Players through October 2.  Showtimes are Fri-Sat at 7:30pm and Sun at 2pm. There will be an Industry Night performance on Sept 26. Tickets cost $18 for adults, $15 for seniors, and $12 for students (w/ID), and groups of 10 or more.  Industry Night tickets will be $12 at the door.  To order tickets, visit the website at www.thebarnplayers.org or call 913-432-9100.  Due to sensitive thematic material and some strong language, this show is not suitable for children.  The Barn Players is located at 6219 Martway in Mission, KS.