Into the Gray

A hotshot fighter pilot is grounded after she becomes pregnant.  After several years, she is ready to be “in the blue” again, but finds herself still on the ground as she will now pilot a drone.  Her relegation to the “Chair” Force and finally witnessing the real horrors of war cause her to slowly lose her sense of identity and her mind won’t be far behind if the spiral can’t be stopped.  This is Grounded by George Brant and currently playing at the Omaha Community Playhouse.

Brant’s script displays a minute understanding of what being in the military means to somebody completely dedicated to the military.  Brant’s unnamed pilot exudes that unbreakable sense of brotherhood with the constant camaraderie which includes not only hanging out together, but the blue language one often finds in the barracks.  But Brant’s pilot also shows the danger of one’s identity being wrapped up in what he or she does as opposed to who she or he is as the changes to warfare and inability to fly slowly rob the pilot of her sense of self.  Brant’s play title actually holds a number of meanings within the context of the show.  The pilot is grounded in the sense that she is not permitted to fly.  In her own mind, she is grounded in the sense of punishment when she is forced to pilot a drone.  As she loses herself, she loses the things that kept her grounded. 

Kimberly Faith-Hickman keeps all of these ideas and a great deal more in mind with her direction of this play.  The staging is absolutely impeccable as she uses a plexiglass cell designed by Jim Othuse which serves the double purpose of keeping the actor socially distant from the audience, but also represents the cell that slowly builds around the Pilot over the course of the show.  Her managing of the play’s numerous beats is precisely on point and the changes always ring true.  Faith-Hickman’s guidance of her sole performer is a work of art as she lets the story build slowly and organically before reaching its tense climax and crushing resolution.

Leanne Hill-Carlson’s rendition of the Pilot is splendid and nearly flawless.  Her Pilot is definitely a tomboy as she curses at a PhD level, enjoys a beer and burger with her brothers-in-arms, and has a real sense of swagger and machismo.  The Pilot has a confidence that often bleeds over into arrogance with her enjoyment of being the lone wolf and her constant referencing to herself as a god.

But this is no 2D character.  The Pilot is a multifaceted character with a constantly evolving emotional arc that Hill-Carlson rides the same way a champion jockey rides a prime thoroughbred.  One actually feels Hill-Carlson’s disappointment with being grounded, her anger and frustration at not getting to fly a proper jet when reactivated to combat duty, her arrogant sense of superiority when hunting the enemy, her shock at seeing dead bodies for the first time, and her slowly eroding sense of identity when the ease and more personal nature of modern warfare conflict with the way things were.

Not only does Hill-Carlson masterfully play the Pilot, but she presents it beautifully as well.  She’s always aware of her positioning and plays to all sides of the theatre and punctuates her monologues with just the right reactions and gestures.

Jim Othuse’s lights bolster the story as he gives us a desert sun and shades of gray as the Pilot loses her sense of emotional color and the ability to see anything as black or white.  Lindsay Pape has Hill-Carlson properly attired in an Air Force jumpsuit.  John Gibilisco provides always appropriate sounds especially in a small running gag of radio static always changing into AC/DC songs.  Jay Hanson has also composed an original score that well supports this story’s emotional trek.

In the end, this is a tragic tale of someone who enjoyed being in the clouds in more ways than one being brought to earth in a most decisive fashion and makes for a gripping night of storytelling.

Grounded plays at the Omaha Community Playhouse through October 18.  Showtimes are Thurs-Sat at 7:30pm and Sundays at 2pm.  Tickets start at $36 and may be purchased at www.omahaplayhouse.com or by calling the Box Office at 402-553-0800.  Due to strong language, this show is not suitable for children.  The Omaha Community Playhouse is located at 6915 Cass St in Omaha, NE.

Prepare to Be ‘Grounded’

Omaha, NE.– Grounded will open Friday, Sept. 25 at the Omaha Community Playhouse. The show will be held in the Howard Drew Theatre at OCP. Performances will run Thursdays through Sundays through Oct. 18. The Howard Drew Theatre will allow for social distancing and other safety precautions in response to the COVID-19 pandemic.

An ace fighter pilot finds herself grounded when an unexpected pregnancy cuts her career in the sky short. Reassigned to military drone operation, the former F-16 pilot patrols Afghanistan by day—from a windowless trailer outside of Las Vegas—and returns to her family at night. But as professional pressure mounts, the lines between the desert where she lives and the desert where she hunts high-profile terrorists begins to blur.

Tickets are on sale now starting at $36, with prices varying by performance. Tickets may be purchased through the OCP Box Office by phone at (402) 553-0800 or online at OmahaPlayhouse.com.

COVID-19 INFORMATION

All audience, staff, and volunteers will be required to wear masks. Masks will be available free of charge and must be worn properly in accordance with CDC guidelines. Patrons attending a show in either theatre will be socially distanced from other guests with all groups at least 6 feet apart. In the Howard Drew theatre, a plexiglass barrier will be installed around the perimeter of the stage to provide separation between guests and performers. Productions will not incorporate any physical audience participation.

Audience members will be required to self-screen for a fever and symptoms of illness prior to arriving at OCP. Those with fever or other symptoms may exchange their ticket at no cost. New arrival and dismissal procedures will help encourage social distancing, including staggered vehicle loading/unloading, assigned will call pick up times and row-by-row dismissal after a show.

Lobbies, reception areas and lines will be arranged and marked to encourage social distancing. Plexiglass barriers will be installed in the box office windows with cash-free payments encouraged, touchless credit card transactions offered and touch-free ticket pickup available. Common areas and performance halls will be cleaned and sanitized on a daily basis with both cleanser and electrostatic technology.

All restrooms will be outfitted with touchless fixtures and will be sanitized daily and throughout performances. We will no longer hold post-show meet and greets with the actors in the lobby. Concessions and drinks will not be available and public water fountains will be closed.

Director:  Kimberly Faith-Hickman

Starring:  Leanne Hill-Carlson as The Pilot

Auditions for Two at OCP

Please contact Becky at bdeiber@omahaplayhouse.com to make an appointment for a Zoom audition.
Grounded
By George Brant
Directed by Kimberly Faith Hickman
 
Auditions are Tuesday August 18, 2020 from 6:00pm-9:00pm via Zoom appointment only. Sides will be emailed to actors after an appointment is made. The sole character of Grounded is a female pilot. Actors who identify as cisgender women, transgender women and nonbinary women are encouraged to audition.
 
An ace fighter pilot finds herself grounded when an unexpected pregnancy cuts her career in the sky short. Reassigned to military drone operation, the former F-15 pilot patrols Afghanistan by day – from a windowless trailer outside of Las Vegas – and returns to her family at night. But as professional pressure mounts, the lines between the desert where she lives and the desert where she hunts high-profile terrorists begins to blur.
 
 
Production Dates: September 25 – October 18, 2020
Rehearsals begin August 23, 2020 (based on actor availability)
I Am My Own Wife
By Doug Wright
Directed by Kimberly Faith Hickman
 
Auditions are Saturday September 19, 2020 from 2:00-5:00pm via Zoom by appointment only. Sides will be emailed to actors after an appointment is made. The primary character of I Am My Own Wife is Charlotte von Mahlsdorf, a transgender woman who survives oppressive regimes. Actors who identify as transgender women, nonbinary and feminine of center are greatly encouraged to audition and will be given preference. Cisgender men can also audition.
 
The Tony Award and Pulitzer Prize-winning true story about Charlotte von Mahlsdorf, an East Berlin transgender woman who survived two of the most repressive totalitarian regimes in history – the Nazis and the Communists – while openly flouting gender norms. Born to a brutal Nazi father, Charlotte went on to become a highly celebrated antiques collector and curator of her own museum. An incredible tale – with one actor playing 35 different roles – filled with intrigue, danger and conspiracy that examines the balance between morality and survival.
 
Production Dates: October 30-November 15, 2020
Rehearsals begin September 27, 2020 (based on actor availability)

OCP Reimagines 96th Season

OCP ANNOUNCES REVAMPED 2020/21 SEASON LINEUP, SAFETY PRECAUTIONS

Omaha, NE.– The Omaha Community Playhouse has announced a new, revamped 2020/21 season lineup with special precautions in place to protect audiences, volunteers and staff from COVID-19.

A SEASON REIMAGINED

This year, COVID-19 brought the world to its knees, and the performing arts—including live theatre—were hit hard. From London’s West End to Broadway, New York, to right here in Omaha, stages around the world have gone dark.

At OCP, we have worked tirelessly to invent new ways to keep performing art alive during this crisis. From streaming productions online to moving shows outdoors, we have adapted and innovated to keep art in our community.

While we’ve been imagining new ways to stay connected, we’ve also been reimagining what a safe in-theatre experience could look like in the era of COVID. We believe we’ve created a plan that places the health of our community first while creating a safe environment for live theatre to thrive. It begins with our reimagined 2020/21 season lineup.

OCP’s New 2020/21 Season Lineup

Billy McGuigan‘s Pop Rock Orchestra*

Aug. 5 – 23

Storz Parking Lot at OCP

Don’t Stop Me Now! A Celebration of Rock Musicals

Aug. 28 – Sept. 20

Storz Parking Lot at OCP

Grounded

Sept. 25 – Oct. 18

Howard Drew Theatre

Yesterday and Today: The Interactive Beatles Experience*

Oct. 2 – Nov. 1

Hawks Mainstage Theatre

I Am My Own Wife

Oct. 30 – Nov. 15

Howard Drew Theatre

A Christmas Carol*

Nov. 13 – Dec. 23

Hawks Mainstage Theatre

Title To Be Announced

Nov. 27 – Dec. 23

Howard Drew Theatre

The Last 5 Years

Jan. 15 – Feb. 7

Hawks Mainstage Theatre

The Candy Project Presents: Guttenberg! The Musical!*

Feb. 12 –March 14

Howard Drew Theatre

Agatha Christie’s Murder on the Orient Express

Feb. 26 – March 21

Hawks Mainstage Theatre

In The Heights

April 16 – May 9

Hawks Mainstage Theatre

Clybourne Park

May 7 – 30

Howard Drew Theatre

Roald Dahl’s Willy Wonka

May 28 – June 27

Hawks Mainstage Theatre

*Special engagement; Not a regular season production

We reimagined our season lineup.

  • We added concert-style drive-in shows to take advantage of our outdoor space as long as possible.
  • We removed shows with large cast sizes from our fall and winter time slots. In their place, we have added four wonderful productions with two performers or fewer. The new shows are compelling, entertaining and—most importantly—safe. The small cast sizes will allow our actors to safely rehearse and perform, create plenty of room for our backstage crew to social distance and help protect our patrons by reducing the overall number of people present in the theatre.
  • Fan favorite Yesterday and Today: The Interactive Beatles Experience will move to the larger Hawks Mainstage theatre and open in October. The larger stage will allow the band to socially distance and the larger theatre will safely accommodate the show’s many fans.
  • The holiday tradition of A Christmas Carol will live on for 2020 in a unique and imaginative small cast format.
  • Finally, we shuffled four titles from our original lineup to the end of the season. While these shows do feature more cast members, we are hopeful that these productions will be safe to carry out by next Spring. These four shows were selected based on existing ticket sales (via subscriptions), director availability, and royalties logistics.

We reimagined our performance spaces.

  • Patrons attending a show in either theatre will be socially distanced from other guests with all groups at least 6 feet apart.
  • In the Howard Drew theatre, a plexiglass barrier will be installed around the perimeter of the stage to provide separation between guests and performers.
  • Productions will not incorporate any physical audience participation.

We reimagined our safety precautions.

  • All audience, staff and volunteers will be required to wear masks. Masks will be available free of charge and must be worn properly in accordance with CDC guidelines.
  • Audience members will be required to self-screen for a fever and symptoms of illness prior to arriving at OCP. Those with fever or other symptoms may exchange their ticket at no cost.
  • New arrival and dismissal procedures will help encourage social distancing, including staggered vehicle loading/unloading, assigned will call pick up times and row-by-row dismissal after a show.
  • Lobbies, reception areas and lines will be arranged and marked to encourage social distancing.
  • Plexiglass barriers will be installed in the box office windows with cash-free payments encouraged, touchless credit card transactions offered and touch-free ticket pickup available.
  • Common areas and performance halls will be cleaned and sanitized on a daily basis with both cleanser and electrostatic technology.
  • All restrooms will be outfitted with touchless fixtures and will be sanitized daily and throughout performances.
  • We will no longer hold post-show meet and greets with the actors in the lobby.
  • Concessions and drinks will not be available and public water fountains will be closed.
  • For a full list of safety precautions, please visit the Omaha Community Playhouse website at omahaplayhouse.com

OCP will continue to evaluate our processes and procedures to ensure we are constantly creating the safest environment possible for our patrons, artists, volunteers and staff. For the most up-to-date information, please visit our website.

The Omaha Community Playhouse has served our community for nearly 100 years. We are confident that with a little (re)imagination, the art will always live on. We hope you enjoy our reimagined 2020/21 season, and we can’t wait to have you back at OCP!

Information for Subscribers:

  • Subscribers may select any regular season production from the new lineup above to replace any canceled productions from their original subscription package.
  • To select a new show for your package, call the OCP Box Office during the Subscriber Presale to reserve tickets to the new show of your choice.
  • New Subscriber Presale dates for all shows will be announced on a rolling basis throughout the season via email and the OCP website.
  • For additional information, please contact the OCP Box Office by phone at (402) 553-0800. For Box Office hours please visit the OCP website at omahaplayhouse.com

OCP Holding Auditions for 96th Season

Omaha, NE.– The Omaha Community Playhouse will hold auditions for its 2020-21 season musicals July 11-13 for children under age 16 and July 23-26 for adults. Auditions are by appointment only. Special COVID-19 safety precautions will be observed.  Vocal auditions will be on the Playhouse’s Hawks Mainstage. Dance skills will be evaluated at callbacks.

Musicals this season include:

A Christmas Carol, Nov. 20 through Dec. 23, Hawks Mainstage. Directors: Kimberly Faith Hickman, Ablan Roblin

The Scottsboro Boys, Feb. 12 through March 14, 2021, Howard Drew Theatre. Director: Kimberly Faith Hickman

Kinky Boots, Feb. 26 through March 21, 2021, Hawks Mainstage. Director: Ablan Roblin

In the Heights, April 16 through May 9, 2021, Hawks Mainstage. Director: Kathy Tyree

Willy Wonka, May 28 through June 27, 2021, Hawks Mainstage. Director: Kimberly Faith Hickman

Music director is Jim Boggess. Choreographer is Michelle Garrity.

Audition dates and times:

Children (under age 16)

Saturday, July 11, 10:30 a.m. to 1:30 p.m. and 2 p.m. to 5 p.m.

Sunday, July 12, 1 p.m. to 4 p.m. and 4:30 p.m. to 7:30 p.m.

Monday, July 13, 6 p.m. to 9 p.m.

Adults (16 or older)

Thursday, July 23, 6 p.m. to 10 p.m.

Friday, July 24, 6 p.m. to 10 p.m.

Saturday, July 25, 10:30 a.m. to 1:30 p.m. and 2 p.m. to 5 p.m.

Sunday, July 26, 1 p.m. to 4 p.m. and 4:30 p.m. to 7:30 p.m.

Auditioners must fill out paperwork in advance, not at the audition. They can return completed paperwork by email or bring it with them. Specific dates and time slots will be set in advance for each auditioner. Auditions will be in groups of no more than 15. Temperatures of auditioners will be taken upon arrival. You may wear a facemask if you prefer. Auditioners will be allowed to sing only 16 bars of a song of their choosing, for which they should bring sheet music. Provided seating will be plastic or metal chairs only, no fabric upholstery. The audition space will be sanitized between groups. When arriving to audition, please enter through the south entrance lobby doors.

Those who cannot attend in person may submit a vocal-audition video.

 

The Omaha Community Playhouse has scheduled auditions for three Fall 2020 plays.

Auditions will be by appointment only. Special COVID-19 safety precautions will be observed.

The show titles, run dates and audition schedule:

CLYBOURNE PARK, by Bruce Norris

Show runs Aug. 21-Sept. 20 in the Howard Drew Theatre.

Director: Kimberly Faith Hickman

Hickman was assistant director of the original Tony Award-winning Broadway production   

Audition dates and times:

Monday, July 6, 6:30 p.m. to 9:30 p.m.

Tuesday, July 7, 6:30 p.m. to 9:30 p.m.

Callbacks will be Wednesday, July 8, starting at 6:30 p.m.

Agatha Christie’s MURDER ON THE ORIENT EXPRESS, adapted by Ken Ludwig

Show runs Sept. 25-Oct. 18 in the Hawks Mainstage Theatre.

Director: Anthony Clark-Kaczmarek

Audition dates and times:

Sunday, July 12, 2 p.m. to 5 p.m.

Monday, July 13, 7 p.m. to 10 p.m.

Callbacks will be Tuesday, July 14, and Wednesday, July 15, starting at 7 p.m. both evenings.

OUTSIDE MULLINGAR, by John Patrick Shanley

Show runs Oct. 16-Nov. 8 in the Howard Drew Theatre.

Director: Kaitlyn McClincy

Audition dates and times:

Saturday, Aug. 15, 2 p.m. to 5 p.m

Tuesday, Aug. 18, 7 p.m. to 10 p.m.

Callbacks will be Saturday, Aug. 22, starting at 2 p.m., and Sunday, Aug. 23, starting at 7 p.m.

Specific dates and time slots will be set in advance for each auditioner. Auditioners must fill out paperwork in advance, not at the audition. They can return completed paperwork by email or bring it with them. Tryouts will be in groups of no more than 12 per hour. COVID-19 screening questions will be asked of each auditioner upon arrival. You may wear a facemask if you prefer. Provided seating will be plastic or metal chairs only, no fabric upholstery. The audition space will be sanitized between groups. When arriving to audition, please enter through the west-entrance stage door.

To make an audition appointment, email Becky Deiber at bdeiber@omahaplayhouse.com.

Omaha Playhouse Announces 96th Season

Omaha, NE.–The Omaha Community Playhouse (OCP) has announced the titles to be produced during their 96th season, which will run from August 2020 through June 2021. Subscriptions for OCP’s 2020/21 season are now available for purchase through the OCP Box Office at 6915 Cass Street, Omaha, NE 68132, by phone at (402) 553-0800 or online at OmahaPlayhouse.com.

OMAHA COMMUNITY PLAYHOUSE 2020/21 SEASON PRODUCTIONS

*Billy McGuigan’s Pop Rock Orchestra

Aug. 7–16, 2020

Hawks Mainstage Theatre

Featuring Billy McGuigan | Music Director Steve Gomez | ©2007 by Rave On Productions

Billy McGuigan’s Pop Rock Orchestra is a high-energy concert experience packed with rock ‘n’ roll mega hits from the 50s, 60s and 70s. Led by international touring artist Billy McGuigan and backed by the 14-piece Pop Rock Orchestra, these all-star musicians serve up fresh, original arrangements covering everything from the Beach Boys to Billy Joel, and everything in between.

*Special Event—Not part of the regular season series.

Clybourne Park

Aug. 21–Sept. 20, 2020

Howard Drew Theatre

By Bruce Norris

Pulitzer Prize and Tony Award®-winning comedy Clybourne Park serves as prequel and sequel to A Raisin in the Sun. A 1950s couple faces sharp backlash from neighbors for selling their home in the all-white Clybourne Park to a black family. Fifty years later, a white couple attempts to purchase the same home in the now predominantly black neighborhood, igniting fears of gentrification.

Disclaimer: Contains adult language and themes of racial tension.

Kinky Boots

Sept. 25–Oct. 25, 2020

Hawks Mainstage Theatre

Book by Harvey Fierstein | Music and Lyrics by Cyndi Lauper

Original Broadway Production Directed and Choreographed by Jerry Mitchell

Based on the Miramax motion picture Kinky Boots

Written by Geoff Deane and Tim Firth

Flashy, inspiring and downright fun, Kinky Boots is the Tony Award®-winning musical warming hearts around the world. After returning to his hometown to manage his late father’s failing shoe factory, Charlie meets Lola, an outspoken and unapologetic drag queen in need of a sturdy pair of exotic boots. Together, the unlikely pair cobble a heartwarming tale of acceptance and friendship.

Orchestra Sponsor: Woodmen Life

Hawks Series Sponsor: Immanuel Communities

Water by the Spoonful

Oct. 16–Nov. 8, 2020

Howard Drew Theatre

By Quiara Alegría Hudes

Winner of the 2012 Pulitzer Prize for Drama, Water by the Spoonful follows Elliott, an Iraq war vet struggling to care for his dying aunt, and Odessa, a recovering drug addict fighting to stay sober with the support of her online companions. When their two worlds unexpectedly collide, everyone’s progress comes crashing down in this thought-provoking and beautifully human tale.

Disclaimer: Contains adult themes and language.

Presenting Sponsor: Conagra Brands Foundation

*A Christmas Carol

Nov. 20–Dec. 23, 2020

Hawks Mainstage Theatre

Written by Charles Dickens | Adapted by Charles Jones

Musical Orchestration by John J. Bennett

It just isn’t Christmas without A Christmas Carol! Experience Omaha’s favorite holiday tradition as Ebenezer Scrooge takes us on a life-changing journey to discover the true meaning of Christmas. Filled with stunning Victorian costumes, festive music and crisp, wintry sets, A Christmas Carol is a beautiful reminder that love and generosity are the heart of the Christmas holiday.

*Special Event—Not part of the regular season series.

Presenting Sponsor: First National Bank

Artistic Team Sponsor: Omaha Steaks

Orchestra Sponsor: KPMG

Bakery Shoppe/Special Effects Sponsor: Rotella’s Bakery

*Yesterday and Today:  An Interactive Beatles Experience

Nov. 27–Dec. 31, 2020

Howard Drew Theatre

Featuring Billy McGuigan | Music Director Matthew McGuigan | ©2007 by Rave On Productions

Cap off 2020 with a shot of Beatlemania! Yesterday and Today is the smash hit, all-request Beatles show controlled by the audience. Share your favorite stories and relive your fondest memories with the songs that defined a generation. With no two shows the same, fans will be dancing in the aisles and singing along to all their favorite hits.

*Special Event—Not part of the regular season series.

The Miracle Worker

Jan. 15–Feb. 7, 2021

Hawks Mainstage Theatre

By William Gibson

The Miracle Worker is the incredible true story of Helen Keller, deaf and blind since age one, and the extraordinary woman who changed her life. Unable to communicate with their daughter, the Keller family enlists the help of Annie Sullivan, a woman determined to rescue Helen from the dark, tortured silence imprisoning her mind. A story that has inspired audiences for generations.

Hawks Series Sponsor: Immanuel Communities

The Scottsboro Boys

Feb. 12–March 14, 2021

Howard Drew Theatre

Music and Lyrics by John Kander & Fred Ebb

Book by David Thompson

Original Direction and Choreography by Susan Stroman

The Scottsboro Boys follows the wrongful conviction of nine black teenagers in Scottsboro, Alabama in the 1930s—an infamous case that helped ignite the modern civil rights movement. From the composers of Chicago and Cabaret, this 12-time Tony® Award nominee alternates toe-tapping musical numbers with heart-wrenching ballads to tell a harrowing tale of bravery and strength in the face of great adversity.

Disclaimer: Contains themes and language related to racial tension.

In the Heights

Feb. 26–March 21, 2021

Hawks Mainstage Theatre

Music and Lyrics by Lin-Manuel Miranda

Book by Quiara Alegría Hudes

Before there was Hamilton, there was In the Heights. From the revolutionary musical mind of Lin-Manuel Miranda, this Tony® Award-winning musical recounts three days in the vibrant Latino neighborhood of Washington Heights, NYC, where the Spanish-speaking residents chase American dreams. This bubbly fusion of rap, salsa, Latin pop and soul music boasts an infectious enthusiasm from beginning to end.

Presenting Sponsor: Heider Family Foundation

Producing Partner: Physicians Mutual

Hawks Series Sponsor: Immanuel Communities

*THE CANDY PROJECT PRESENTS:

Gutenberg!  The Musical!

March 18–21, 2021

Howard Drew Theatre

By Anthony King and Scott Brown

Starring Steve Krambeck and Dan Chevalier

Join The Candy Project, friends of OCP, for a special presentation of Gutenberg! The Musical! A pair of aspiring playwrights audition their newest work—a big, splashy musical about the inventor of the printing press—for an audience of potential investors. This two-man musical spoof offers an unending supply of enthusiasm and laughs.

*Special Event—Not part of the regular season series.

Agatha Christie’s Murder on the Orient Express

April 16–May 9, 2021

Hawks Mainstage Theatre

Adapted for the stage by Ken Ludwig

A thrilling whodunit set aboard the world’s most famous luxury locomotive, Murder on the Orient Express will keep you guessing until the very end. When the Orient Express becomes stranded by a snow storm, a passenger is found stabbed to death in his private room. With the murderer still on board, a detective must solve the crime before the train reaches its destination.

Producing Partner: UNMC

Hawks Series Sponsor: Immanuel Communities

Outside Mullingar

May 7–30, 2021

Howard Drew Theatre

By John Patrick Shanley

This charming romantic comedy follows Anthony and Rosemary, two introverts who grew up on neighboring farms in rural Ireland. Rosemary secretly fell in love with Anthony at age six, but after a bought with heartbreak, Anthony swore off women forever. The now middle-aged pair must overcome their own aloofness—as well as a family property dispute—to find their way to one another.

Roald Dahl’s Willy Wonka

May 28–June 27, 2021

Hawks Mainstage Theatre

Music and Lyrics by Leslie Bricusse and Anthony Newley

Adapted for the Stage by Leslie Bricusse and Timothy Allen McDonald

Based on the Book Charlie and the Chocolate Factory by Roald Dahl

Oompa-Loompa-Doom-Pa-Dee-Doo! We’ve got a family favorite for you! Grab your golden ticket as Willy Wonka takes your family on a whimsical tour of the chocolate factory—with Charlie Bucket, Augustus Gloop, Veruca Salt, and all of your favorite characters. Featuring songs from the hit film, Willy Wonka will open up a world of pure imagination.

Presenting Sponsor: Mutual of Omaha

Orchestra Sponsor: Kiewit

Hawks Series Sponsor: Immanuel Communities

‘Marjorie Prime’ Opening Soon at BlueBarn Theatre

PrimePress

Ruth Rath and Ben Beck star in BlueBarn Theatre’s production of ‘Marjorie Prime’

BLUEBARN THEATRE presents:

 Pulitzer Prize Finalist

Marjorie Prime

By Jordan Harrison

March 19th – April 12th, 2020

Thursdays-Saturdays at 7:30pm*

Sundays at 2pm 

Memories are not the key to the past, but the future.

About the play:

Marjorie’s daughter and son-in-law have purchased Walter Prime (a holographic projection of her husband as he looked in his 30s) to keep her company.  In the near future, ‘Primes’ are available from the good people at Senior Serenity, the latest devices for helping people with their fading memories and loss of companionship. As the Prime is fed memories and conversation, the shape of their lives are revealed, more and more years are covered and recovered, and the nature of memories, the legacy of the past, and the promise of the future are all called into question.

About the production:

Marjorie Prime features performances by Ruth Rath, Julie Huff, Ablan Roblin, and Ben Beck. Directed by Susan Baer Collins. Assistant Direction by Bob Fishbach.  Set Design by Brendan Greene-Walsh.  Costume Design by Denise Ervin.  Sound Design by Bill Kirby. Lighting Design by Steven Williams.  Properties by Amy Reiner.  Stage Management by Christopher Hernandez.

Tickets:

General Admission ($35) and Senior ($30) tickets are available at bluebarn.org. Educator, Military, and BLUCrew tickets are available through the box office (402) 345-1576.

*ASL interpreted performance Friday, March 27th at 7:30pm

Photo provided by BlueBarn Theatre

‘Playboy of the Western World’ On Tap for Brigit St Brigit Theatre Company

Brigit St Brigit Theatre Company Presents:

Playboy of the Western World by J M Synge

Synopsis

In the dead of night in a rural Irish town, a young man turns up claiming to have killed his own father. The locals, more interested in vicariously enjoying his story than in condemning the immorality of his deed transform him into a living legend—something larger than life… until life shows up to settle the score.

Performance Dates

Feb 14-Mar 1.  Showtimes are Fri-Sat at 7:30pm and Sundays at 2pm.

Location

First Central Congregational Church (421 S 36th St in Omaha, NE)

Ticket Prices:  $30 ($25 for Student/Military/65+)

Brigit Saint Brigit’s 27-season long tradition of featuring Irish culture spotlights playwright and director at Dublin’s Abbey Theatre, John Millington Synge’s (1871–1909) most celebrated work, Playboy of the Western World. Synge remains one of the most important figures in Irish drama and Playboy of the Western World one of the most important works in the Abbey’s long and storied existence. When first performed in 1907, Playboy caused riots due to the boldness of its storytelling and remains a vibrant, hilarious and poignant tale to this day as is evidenced by its myriad of revivals that have persisted around the world. View this Arts & Culture Link for background on Synge, ‘Playboy’ and much more…

Director:  Cathy Kurz

Cast:  Josh Ryan, Anna Jordan, Matt Cummins, Eric Griffith, David Landis, Eric Grant-Leanna, Eric Salonis, Hannah Clark, Emma Johnson and Daisy Friedman

Maples Repertory Theatre Auditioning for Actors & Hiring Techs for 2020 Season

Maples Repertory Theatre is holding auditions and accepting applications for actors and technicians for the 2020 season!

Audition dates and times:

2020 UPTA; Memphis, TN February 7 – 10.

2020 Open Audition at Royal Theatre; 102 N. Rubey St.; Macon, MO February 15, 2020
Actors: Please bring headshot/resume and a comic monologue and song. (Accompanist Provided)
Technicians: Please bring resume (and portfolio if applicable)

2020 MWTA; St. Louis, MO February 21-23, 2020

2020 Auditions in Kansas City: February 24, 2020 at Quality Hill Playhouse. 1 – 4pm and 530 – 830 pm

For audition appointment email info@maplesrep.com

To submit electronically email todd@maplesrep.com

Note: If there is inclement weather, auditions may be postponed. Please double check by calling the box office or visiting our Facebook page on the day you plan to audition.

Maples Repertory Theatre 2020 Season

You Can’t Take it With You (June 17-July 12)

Greater Tuna (June 26-July 16) (The roles for this show have been cast.)

Phantom of the Country Opera (July 17-Aug 9)

Menopause:  The Musical (Sept 16-Oct 4)

Ripcord (Oct 14-25)

I Love a Piano (Nov 27-Dec 13)

 

Being Alive

“You were only waiting for this moment to arise.”—Paul McCartney

I think this quotation best sums up Will Eno’s Wakey, Wakey which is currently playing at the BlueBarn Theatre.

Normally, I open my reviews with a brief synopsis of the play’s story.  This time I’m going to wait until the end as this particular show completely eschews the normal narrative style.  From my experience, Eno seems to have a knack for creating an everyman character to communicate with the audience.  Perhaps this everyman is the audience or at least its conscience.  Ostensibly the play’s unnamed central character is here to say good-bye, but shares a far more powerful message in a story that truly fits BlueBarn’s season-long theme of memory.

Barry Carman offers up a stunning piece of direction in this show.  Every single word.  Every single pause.  Every single look.  Every single breath.  Every single move has purpose.  Seldom have I seen such a meticulous piece of direction or staging.  Carman has also led his two performers to extraordinary performances and I was particularly keen on his “less than more” animation of his actors.  They neither move a lot nor need to.  As I said earlier, when a movement is made, a definite purpose is behind it.

Aaron Zavitz plays the unnamed central character (listed simply as Guy).  Who is Guy?  Unknown.  But tonight he is apparently a talk show host as that’s the vibe he gives out, further bolstered by a hanging “No Applause” sign and a reference to a special guest.  From the get-go, Guy seems to be marking time to an ending and is talking with the audience solely to pass that time.

Zavitz is a marvel in the role.  His rich, mellow baritone filling the theatre as he talks with us about anything and everything, but mostly about life.  Zavitz’s delivery is exceptionally extemporaneous.  He truly sounded like he was making everything up as he went and this is well-suited for his character who seems a trifle disorganized with his out of order note cards and his unseen help who sometimes goof up his audio and visual cues, if not outright pranking him on word jumbles.

Zavitz is quite likable and is, at turns, funny, nervous, serious, happy, melancholic, even slightly desperate as he tries to teach the audience about being alive.  Most impressive is his character’s deterioration over the course of the show.  Guy is sick and weak and gets progressively more so over the course of the show as Zavitz’s chest begins to collapse in on itself, his mobility decreases, and his mental focus falters.

Echelle Childers is equally wonderful as the mysterious helper, Lisa.  There is something otherworldly, dare I say, angelic about this character.  Childers is so gentle and loving as Lisa as she carefully massages and soothes the wearied Guy, offers him hibiscus juice, and tidies him up before wheeling him offstage and she does it all with a beatific smile on her face.  I was moved by her soft-spoken nature which permeated her entire being up to and including a little dance she performs while Guy takes a brief catnap.  Her character seems to hold a vast store of wisdom as she shares a few of her own stories and outlooks with the audience.

Craig Lee’s set adds to the ethereal nature of the show with a seemingly abandoned room save for a few boxes that is dominated by a large screen, massive windows in the rear, and never used door on house left.  Lights and sounds are absolutely critical to this piece and Bill Kirby rises to the occasion with his lights suddenly clicking on and off, soft music, flashy disco lights, and a moment simulating sunrise.  Kirby is also responsible for the projections which ranged from the sweet to the amusing.  Susan Clement-Toberer has costumed the actors well with the ordinary shirt and jeans for Lisa and the bedrobe and rumpled clothes/pajamas for Guy.

So what is the story of Wakey, Wakey?  It’s simply YOUR story.

Wakey, Wakey plays at BlueBarn Theatre through Feb 23.  Showtimes are Thurs-Sat at 7:30pm and Sundays at 2pm except for a 6pm show on Feb 16.  Tickets cost $35 ($30 for seniors) and can be obtained at www.bluebarn.org or by calling 402-345-1576.  The BlueBarn Theatre is located at 1106 S 10th St in Omaha, NE.