Auditions Galore at OCP

Omaha, NE–The Omaha Community Playhouse (OCP) is holding in-person auditions for Fences, Dreamgirls and Rent at the Omaha Community Playhouse, located at 6915 Cass St. Omaha, NE 68132 and several off-site locations. To schedule an audition, please visit the website here.  

Through upholding high ethical standards, demonstrating respect for all and consciously working to provide diverse representation, OCP is committed to creating an inclusive and safe environment in which all community members feel a sense of belonging, and does not discriminate in casting practices on the basis of an individual’s ethnicity, age, gender, physical and cognitive ability, sexual orientation, gender identity, religion, country of origin or other factors. Omaha Community Playhouse is committed to diverse and inclusive casting. 

Production: Fences  

Credits: Written by August Wilson 

Director:  Brady Patsy  

Show Dates: Jan. 20 – Feb. 12, 2023 

Omaha Community Playhouse, Hawks Mainstage Theatre 

Rehearsals: Begin December 4, 2022 

Show Synopsis: A former African American League baseball player struggles to co-exist with the racial trauma he still carries from his time in the league. When his frustrations lead to a series of tragic choices, his relationships with his wife and son suffer the consequences. Set in the 1950s, Fences is the sixth installment in The American Century Cycle, a series of ten plays by August Wilson that trace the Black experience through 20th century America. 

Auditions:           Sunday, Sept. 11, 6 p.m. – 9 p.m. (Off-site location – Pear Tree Performing Arts, 4801 NW Radial Hwy) 

                               Monday, Sept. 12, 6 p.m. – 9 p.m. (Omaha Community Playhouse) 

Callbacks: Wednesday, Sept. 14, 6 p.m. – 9 p.m. (Omaha Community Playhouse) 

Production: Dreamgirls 

Credits: Written by Tom Eyen 

Director:  Kathy Tyree   

Show Dates: March 3 – March 26, 2023  

Omaha Community Playhouse, Hawks Mainstage Theatre 

Rehearsals: Begin January 9, 2023 

Show Synopsis: A trio of women soul singers catch their big break during an amateur competition. But will their friendship—and their music—survive the rapid rise from obscurity to pop super stardom? with dazzling costumes and powerhouse vocal performances, this Tony and Grammy Award-winning musical is inspired by some of the biggest musical acts of the 1960s—The Supremes, The Shirelles, James Brown, Jackie Wilson and more. 

Auditions:           Saturday, Sept. 17, 1 p.m. – 4 p.m. (Off-site location – Pear Tree Performing Arts, 4801 NW Radial Hwy) 

                               Sunday, Sept. 18, 6 p.m. – 9 p.m. (Omaha Community Playhouse) 
Monday, Sept. 19, 6 p.m. – 9 p.m. (Omaha Community Playhouse) 

Callbacks: Tuesday, Sept. 20, 6 p.m. – 9 p.m. (Omaha Community Playhouse) 

Production: Rent 

Credits: Written by Jonathan Larson 

Director:  Stephen Santa    

Show Dates: February 10 – March 19, 2023 – 

Omaha Community Playhouse, Howard Drew Theatre 

Rehearsals: Begin January 2, 2023 

Show Synopsis: A raw and emotional year in the life of a diverse group of friends and struggling artists, chasing their dreams under the shadow of drug addictions and the HIV/AIDS epidemic. Winner of the Tony Award for Best Musical and the Pulitzer Prize, this iconic rock musical has become a cultural touchstone, rite of passage and source of joy and strength for millions. 

Auditions:           Saturday, Sept. 24, 1 p.m. – 4 p.m. (Off-site location – Latino Center of the Midlands, 4821 S 24th St.) 

                               Sunday, Sept. 25, 6 p.m. – 9 p.m. (Omaha Community Playhouse) 
Monday, Sept. 26, 6 p.m. – 9 p.m. (Omaha Community Playhouse) 

Callbacks: Tuesday, Sept. 27, 6 p.m. – 10 p.m. (Omaha Community Playhouse) 

Notes: Auditions are by appointment only. Please complete the audition form to schedule a time. When arriving to audition at the Playhouse, please enter through the Stage Door entrance on the West side of the building. Those auditioning should be prepared to spend 60-90 minutes at the audition. 

For audition preparation, character breakdown and compensation details for each show, please visit omahaplayhouse.com.  

OCP Reveals 98th Season

The Legend of Georgia McBride
Aug. 19–Sept. 18, 2022
Howard Drew Theatre
By Matthew López

You’ve never seen Elvis like this.

A Southern straight boy and out-of-work Elvis impersonator discovers a hidden talent—and a way to pay his mounting bills—after a drag queen convinces him to fill in on stage for one of her shows. Now if he could only find a way to tell his pregnant wife about his new hobby. A laugh-out-loud comedy filled with music, heart and plenty of sass.

Disclaimer: Contains adult language.

School of Rock
Sept. 16–Oct. 16, 2022
Hawks Mainstage Theatre
Based on the Paramount movie by Mike White | Book by Julian Fellowes | Lyrics by Glenn Slater | New Music by Andrew Lloyd Webber

You’ll laugh. You’ll cry. You’ll rock.

A middle-aged wannabe rock star lands a new gig as a substitute teacher at a prestigious prep school, where he transforms a group of straight-A students into a face-melting rock band. Based on the hit movie starring Jack Black, School of Rock features a cast of young rock stars who act, sing and perform all of the show’s rock instrumentals live on stage.

The Cake
Oct. 7–Nov. 6, 2022
Howard Drew Theatre
By Bekah Brunstetter

A new comedy from the writer of hit TV show ‘This Is Us.’

A celebrated North Carolina baker is thrilled to finally design a wedding cake for her goddaughter. But when she learns the marriage is between two women, she begins to feel conflicted. A surprising and sweet take on a modern-day controversy, seeped in humor and warmth.

Disclaimer: Contains adult language and brief nudity.

A Christmas Carol
Nov. 18–Dec. 23, 2022
Hawks Mainstage Theatre
Written by Charles Dickens | Adapted by Charles Jones | Musical Orchestration by John J. Bennett

It just isn’t Christmas without A Christmas Carol!

Experience Omaha’s favorite holiday tradition as Ebenezer Scrooge takes us on a life-changing journey to discover the true meaning of Christmas. Filled with stunning Victorian costumes, festive music and crisp, wintry sets, A Christmas Carol is a beautiful reminder that love and generosity are the heart of the Christmas holiday.

Sister’s Christmas Catechism: The Mystery of the Magi’s Gold
Nov. 25–Dec. 23, 2022
Howard Drew Theatre

From the creator of Late Nite Catechism.

It’s “CSI: Bethlehem” in this holiday mystery extravaganza, from the author of Late Nite Catechism, as Sister takes on the mystery that has intrigued historians throughout the ages—whatever happened to the Magi’s gold? (“We know that Mary used the frankincense and myrrh as a sort of potpourri—they were in a barn after all.”) Retelling the story of the nativity, as only Sister can, this hilarious holiday production is bound to become a yearly classic. Employing her own scientific tools, assisted by a local choir as well as a gaggle of audience members, Sister creates a living nativity unlike any you’ve ever seen. With gifts galore and bundles of laughs, Sister’s Christmas Catechism is sure to become the newest addition to your holiday traditions.

August Wilson’s Fences
Jan. 20–Feb. 12, 2023
Hawks Mainstage Theatre
By August Wilson

The Pulitzer Prize-winning American classic.

A former Negro League baseball player struggles to co-exist with the racial trauma he still carries from his time in the league. When his frustrations lead to a series of tragic choices, his relationships with his wife and son suffer the consequences. Set in the 1950s, Fences is the sixth installment in The American Century Cycle, a series of ten plays by August Wilson that trace the Black experience through 20th century America.

RENT
Feb. 10–March 19, 2023
Howard Drew Theatre
Book, Music and Lyrics by Johnathan Larson

The cultural phenomenon that has inspired audiences for a quarter century.

A raw and emotional year in the life of a diverse group of friends and struggling artists, chasing their dreams under the shadow of drug addictions and the HIV/AIDS epidemic. Winner of the Tony Award for Best Musical and the Pulitzer Prize, this iconic rock musical has become a cultural touchstone, rite of passage and source of joy and strength for millions.

Disclaimer: Contains adult content and language.

Dreamgirls
March 3–26, 2023
Hawks Mainstage Theatre
Book and Lyrics by Tom Eyen | Music by Henry Krieger

Stars rise and fall, but dreams live forever.

A trio of women soul singers catch their big break during an amateur competition. But will their friendship—and their music—survive the rapid rise from obscurity to pop super stardom? with dazzling costumes and powerhouse vocal performances, this Tony and Grammy Award-winning musical is inspired by some of the biggest musical acts of the 1960s—The Supremes, The Shirelles, James Brown, Jackie Wilson and more.

Little Shop of Horrors
April 14–May 7, 2024
Hawks Mainstage Theatre
Book and Lyrics by Howard Ashman | Music by Alan Menken

The gleefully gruesome cult comedy with an infectious 60s-style score.
Seymour, a nerdy store clerk at Mushnik’s flower shop, is thrust into the spotlight when he happens upon a new breed of carnivorous plant. But his newfound fame comes at a cost when Seymour discovers the sassy seedling has an unquenchable thirst for human blood. Ravenously fun, dripping with camp and nostalgia.

Pretty Fire
April 28–May 21, 2023
Howard Drew Theatre
By Charlayne Woodard

A profound celebration of life and the Black experience.

Charlayne Woodard takes us on an intimate and powerful journey through five autobiographical vignettes, each capturing different moments of her life growing up as a rambunctious, imaginative child in the 50s and 60s. From her loving family home in upstate New York, to her first experience with racism at her grandmother’s house in Georgia, Pretty Fire is a beautiful one-woman celebration of life, love and family, even in the face of adversity.

Disclaimer: Contains adult content and language

In The Heights
June 2–25, 2023
Hawks Mainstage Theatre
Music and Lyrics by Lin-Manuel Miranda | Book by Quiara Alegría Hudes

Before there was Hamilton, there was In the Heights.

From the revolutionary mind of Lin-Manuel Miranda, this Tony Award®-winning musical recounts three days in the vibrant neighborhood of Washington Heights, NYC, where the Latino residents chase American dreams. This bubbly fusion of rap, salsa, Latin pop and soul music boasts an infectious enthusiasm from beginning to end.

An Unusually Rocking Fairy Tale

Resized_DSC_0858It’s the show that lovingly lambasts fairy tales.  A surly ogre named Shrek reluctantly comes to the aid of the fairy tale characters banished to his swamp by evil Lord Farquaad solely to regain his isolation.  Farquaad’s price for removing the characters from Shrek’s swamp is for Shrek to rescue Princess Fiona from a tower guarded by a fire-breathing dragon so Farquaad can marry her and become king.  But love may be blooming between the princess and the ogre when they find they have far more in common than they realize.  It’s Shrek the Musical with book and lyrics by David Lindsay-Abaire and music by Jeanine Tesori and it currently plays at the Omaha Community Playhouse.

What I am about to say is a lie.  Something that isn’t true.  Shrek the Musical is the most insipid piece of juvenile garbage ever to disgrace a stage and should be shunned by every man, woman, and child.

Truthfully, this show is an out and out joy.  I can’t remember the last time I felt so energized by a play.  Lindsay-Abaire wrote a script that not only well translates the film to the stage, but one that I also believe surpassed the source material on nearly every level.  He even adds a subtle theme of racism and judging books by their covers that adds a surprising amount of heft to the production.  His lyrics and the rock operaesque score by Ms Tesori will have you laughing and bopping and pining for the next number.

Kimberly Faith Hickman’s direction is simply exquisite.  Not only did she guide the cast to superb performances without a weak link in the lot, but she also brought a phantasmagorical staging to the show.  Yes, that is indeed the right word as there was something otherworldly about the staging.  The entire theatre was used to tell this story and I mean the ENTIRE theatre.  Stage, orchestra pit, aisles, rows, you name it.  It was all fair game to share this tale.

I don’t think I’ve ever seen a cast as on as this cast was tonight.  Every single member brought their A game to the table and created a production that has instantly vaulted into my top ten list.  Some standouts among the standouts were Kerri Forrester whose presence devoured the theatre and whose mighty voice thrilled the crowd with her take as Dragon in “Forever”; Maddie Smith who delights as Young Fiona as she pines for her Prince Charming in “I Know It’s Today”; and J. Isaiah Smith who gleefully chews the scenery as Lord Farquaad.

Jordan Smith triumphs as Donkey, the wise-cracking sidekick of Shrek.  Smith strikes a perfect balance between being the loyal friend and the hyperactive annoying chatterbox that just might test the patience of saints.  His tenor voice is stupendous and he excelled in numbers such as “Make A Move” and “Don’t Let Me Go”.  He completed his triple threat with his fluid and nimble hoofing which was made all the more impressive as he was doing it with hooves.

Mackenzie Dehmer makes for an absolutely perfect Fiona.  She ain’t your ordinary fairy tale princess.  She’s temperamental.  She’s high-strung.  She’s got a singing voice that can literally make birds explode.  She can be sweet, but also incredibly crude and crass as she happily engages Shrek in belching and farting contests.  Ms Dehmer possesses a deadly alto which can inflect ultra competiveness in “I Think I Got You Beat”, be excessively cheerful and caffeinated in “Morning Person”, or just flat out rock out in “I’m A Believer”.

I’m going to steal a descriptor from a friend and say that Steve Krambeck “ogre”achieves as Shrek.  Krambeck manages to capture the many layers of Shrek from his outer hide of irritability and crabbiness to his inner core of sensitivity and loneliness.  I don’t think I’ve ever heard Krambeck’s tenor in finer form than tonight as he managed a combination of hopefulness and sadness in “Who I’d Be” as he confesses to wanting to be a hero, despite being destined to being an ogre and the beautiful “When Words Fail” as he sweetly tries to work out a way to tell Fiona he loves her.  He handled the difficult Scottish accent well, though it did weaken at a few points, especially when he sang.

Lindsay Pape’s costumes set a new bar with spot-on reproductions from the film for Shrek, Fiona, and the other fairy tale denizens and beautifully creative outfits such as Donkey’s furry bodysuit.  Paul Pape’s prosthetic for Shrek was brilliant as it was built around Krambeck’s face and allowed him to emote with both face and eyes.  Tim Burkhart and John Gibilisco crafted some truly unique sounds, especially for the “emissions” battle between Fiona and Shrek.  Melanie Walters supplied some stunning choreography especially with the company numbers of “What’s Up, Duloc?”, “Make A Move”, and “Freak Flag”.  Jim Othuse’s sets will take you from a quiet forest to a lonely tower to a dragon’s lair to the castle of a would-be king.  His lights will give you beautiful sunrises and romantic forest evenings.  Jim Boggess and his orchestra truly score with this score as they not only played it perfectly, but you could hear the fun they were having as well.

If you miss this show, you truly don’t know what you’re missing.  It’s fun.  It’s memorable.  It has something for the whole family with jokes aplenty for the adults and cartoony enough for the kids.   And it even teaches a little something about accepting yourself and the uniqueness of others.

Shrek the Musical performs at the Omaha Community Playhouse through Oct 14.  Showtimes are Wed-Sat at 7:30pm and Sundays at 2pm.   Tickets start at $42 and can be purchased at www.ticketomaha.com or at the Omaha Community Playhouse box office.  Contact the box office at 402-553-0800.  The Omaha Community Playhouse is located at 6915 Cass St in Omaha, NE.

“Shrek: The Musical” Launches OCP’s Mainstage Season

Shrek The Musical Opening This Week at Omaha Community Playhouse
Omaha, NE.–Shrek The Musical is opening this week at the Omaha Community Playhouse. The show will run in the Hawks Mainstage Theatre from Sept. 14 through Oct. 14, 2018.
Based on the 2001 DreamWorks Animation film, Shrek The Musical follows everyone’s favorite green ogre as he embarks on a life-changing journey, discovering his place in the world along the way. Full of beloved fairy tale characters and endless humor that will captivate children and adults alike, Shrek The Musical is a must-see show for the whole family.
Written by Jeanine Tesori (Fun Home, Caroline, or Change) and David Lindsay-Abaire (Ripcord, Rabbit Hole) and nominated for eight Tony Awards, Shrek The Musical will inspire audiences to let their freak flags fly!
Shrek The Musical opens at the Omaha Community Playhouse on Friday, Sept. 14 and runs through Oct. 14. Tickets are available at TicketOmaha.com or through the Omaha Community Playhouse box office by calling (402) 553-0800 or visiting 6915 Cass Street, Omaha, NE 68132. For more information, please visit www.omahaplayhouse.com.

SPECIAL EVENTS
Opening Night Celebration
The Omaha Community Playhouse will hold a special opening night celebration for Shrek The Musical on Friday, Sept. 14 at 6:30 p.m. for guests attending the opening night performance. The celebration will feature cookies, “swamp juice” and Shrek-themed activities that promote self-esteem and celebrate individuality.
As part of the “Let Your Freak Flag Fly!” activity, guests will design and decorate their own “freak flags” with words and images that represent their unique qualities that make them individuals. These flags will later become part of the performance, as guests are invited to proudly wave their designs while singing along to the song “Freak Flag” in the second act.

Guests will also be invited to contribute to the “This Is Our Story” wall—named after a song in Shrek The Musical that embraces individuality as a necessary path to social unity. Guests will write down a quality that makes them unique and special and display it on the “This Is Our Story” wall in the Owen Lobby.

Ogre Parties with Special Appearances by Shrek The Musical Characters
The Omaha Community Playhouse will host four special engagement Ogre Parties on Sept. 16, Sept. 23, Sept. 30 and Oct. 7 prior to the Sunday matinee performances of Shrek The Musical. Ogre parties will be limited to 30 guests, and will include appearances by characters from Shrek The Musical, an ogre-themed snack bar, “swamp juice” and fun, child-friendly activities including jelly bean roulette and “pin the tail on the donkey.”
As part of the “Let Your Freak Flag Fly!” activity, Ogre Party guests will design and decorate their own “freak flags” with words and images that represent their unique qualities that make them individuals. These flags will later become part of the performance, as guests are invited to proudly wave their designs while singing along to the song “Freak Flag” in the second act.

Ogre Parties will run from 12:45 p.m. to 1:45 p.m. and will be held in the Guiou Boardroom on the second floor of the Omaha Community Playhouse. Tickets for the Ogre Parties are $15 per person and may be purchased through the Omaha Community Playhouse box office. Availability is limited, and only 30 tickets will be issued to each Ogre Party. Tickets to Ogre Parties are separate from tickets to performances of Shrek The Musical, and each must be purchased individually.

Production: Shrek The Musical
Based on the 2001 DreamWorks Animation film
Production Dates: Sept. 14 through Oct. 14, 2018
Hawks Mainstage Theatre
Show Times: 7:30 p.m. Wednesdays through Saturdays; 2:00 p.m. Sundays
Tickets: Tickets starting at $42; Prices may vary by performance
Tickets available for purchase at the Omaha Community Playhouse box office, 6915 Cass Street, Omaha, NE 68132, by phone at (402) 553-0800, or online at ticketomaha.com.

Location:  Omaha Community Playhouse (6915 Cass St, Omaha, NE)

Music By: Jeanine Tesori
Book and Lyrics: David Lindsay-Abaire

Director:  Kimberly Faith Hickman

Cast

Steve Krambeck – Shrek
Mackenzie Dehmer – Fiona
Jordan Smith – Donkey
J. Isaiah Smith – Lord Farquaad
Justin Dehmer – Pinnochio
Kerri Forrester – Dragon / Happy Person / Duloc Performer / Dragon / Mouse
Erin Florea – Gingy / Sugar Plum Fairy / Happy Person / Duloc Performer / Mouse / Rat

Valerie Braun – Queen Lillian / Duloc Performer / Rat / Robin Hood
Stella Clark-Kaczmarek – Happy Person / Duloc Performer / Ugly Duckling
Judson Cloudt – Happy Person / Duloc Performer / Baby Bear
Jared Dominguez – Happy Person / Guard / Thelonius / Knight / Rat / Bishop
Samantha Gillotte – Happy Person / White Rabbit / Duloc Performer / Rat
Cody Girouex – Happy Person / Mad Hatter / Duloc Performer / Knight / Rat
Andrew Hedin – Little Shrek / Duloc Performer / Cow / Elf
Olivia Howard – Happy Person / Wicked Witch / Duloc Performer / Rat
Ejanae Hume – Happy Person / Duloc Performer / Mouse / Rat
Emma Johnson – Happy Person / Teen Fiona / Rat / Choir / Jiminy Cricket
Francesca Kerkhofs – Happy Person / Duloc Performer / Rat / Choir / Tinkerbell
Sheldon Ledbetter – Happy Person / Rat / Guard / Knight / Dwarf / Lion
Austin Lempke – Happy Person / Peter Pan / Duloc Performer / Knight / Rat
Brodhi McClymont – Happy Person / Duloc Performer / Dish / Choir
Emily Mockrycki – Happy Person / Humpty Dumpty / Duloc Performer / Rat / Surprise Princess
Joseph Mokrycki – King Harold / 3 Pig / Guard / Knight / Pied Piper
Brian Priesman – Papa Ogre / Papa Bear / Guard / Knight / Rat
Tessa Priesman – Happy Person / Duloc Performer / Spoon / Flower Girl
Belle Rangel – Happy Person / Fairy Godmother / Duloc Performer / Rat
Boston Reid – Happy Person / 3 Pig / Duloc Performer / Knight / Rat
Danielle Smith – Mama Ogre / Mama Bear / Duloc Performer / Rat
Maddie Smith – Happy Person / Little Fiona / Velveteen Rabbit (Bunny) / Choir
Matthew Tolliver – Happy Person / Big Bad Wolf / Duloc Performer / Knight / Rat
Scott Van Den Top – Happy Person / 3 Pig / Guard / Knight / Rat
Bella Washington – Happy Person / Tweedle Dee / Duloc Performer / Choir
Cleo Washington – Happy Person / Little Red Riding Hood / Duloc Performer / Choir
Rylie Washington – Happy Person / Tweedle Dum / Duloc Performer / Choir