OCP Streaming Productions from Local Talent

Omaha, NE.– The Omaha Community Playhouse will offer free online streaming of entertainments by local composers J.Isaiah Smith, starting May 15, and Tim Vallier, starting May 22.

The music events follow popular reception of two videotaped performances from Playhouse archives. The plays by local playwrights bowed online April 17 (Eminent Domain by Laura Leininger Campbell) and April 24 (Recommended Reading for Girls by Ellen Struve).

As with the earlier plays, each music event will have a Friday evening streaming debut. All four events will remain available for streaming for an indefinite period after the initial offerings. They serve to entertain Playhouse patrons at a time when social distancing makes gathering at the theater impossible. Go to omahaplayhouse.com to access links to all four events.

What A Kid Did With A Piano
Streaming Premiere: May 15, 2020 | 7:30 p.m. (available for streaming after)

This 90-minute presentation features the original music of J. Isaiah Smith, with performances by Smith, Mackenzie Zielke, Scott T. Vandentop, Breanna Francesca Carodine, and Jordan Smith. Mark M. Kurtz accompanies on piano and Jordan Smith on drums.

J. Isaiah Smith wrote a musical titled Kings, Queens, and Unruly Peasants, which is featured in the show, along with several stand-alone songs and conceptual shows. He debuted What A Kid Did With A Piano at the Holland Center. In July 2019, Smith remounted a version of the show for one night at the Playhouse.

Smith, a popular performer in Playhouse musicals, appeared as Coalhouse Walker Jr. in Ragtime, Lord Farquaad in Shrek and Cosmo Brown in Singin’ in the Rain.

One Way to Mars
Streaming Premiere: May 22, 2020 | 7:30 p.m. (available for streaming after)

One Way to Mars, a 75-minute musical audio drama by Tim and Mallory Vallier, follows Natalie, a neuroscientist and mother. Natalie isinvited to embark on a pioneering one-way trip to Mars. But to take part, she must leave everything on Earth behind.

The cast includes Leanne Hill Carlson as Natalie; Steve Krambeck as her husband, Clark; and Thomas Gjere as James, Natalie’s former colleague (and former lover), who invites her to Mars. Christi Leupold and Dustin Smith play multiple roles. Daena Schweiger directs.

This is the Valliers’ reimagining of the classic Scottish ballad “The Daemon Lover.” Both works share themes of romance, tragedy and adventure.

Tim Vallier wrote the music and designed sound, with book and lyrics by Mallory Vallier. The script will be onscreen as the original music plays, or you can just close your eyes and enjoy listening.

Tim Vallier has composed instrumental music for several recent Playhouse non-musicals, including Native Gardens, A Raisin in the Sun, and Sweat.

That Meddlesome, Magical Matchmaker

Matchmaker (and jane of all trades) Mrs. Dolly Gallagher Levi schemes to marry half a millionaire Horace Vandergelder and make a few more happy couples while she’s at it.  This is Hello, Dolly! with book by Michael Stewart and music and lyrics by Jerry Herman and it is currently playing at Springfield Little Theatre.

If I ever relocate, I’m going to make certain Springfield is one of the cities I consider due to the sheer quality of entertainment available here.  I heard Broadway grinding its teeth as SLT’s production of Hello, Dolly! blows away anything currently playing on The Great White Way.  If you want a great night of theatre, catch a showing of this production.  Costumes?  Gorgeous!  Set?  Fabulous!  Orchestra?  Pluperfect!!  Singing?  Phenomenal!!!  Acting?  Superlative!!

Chyrel Love Miller takes on the grueling double role of director and choreographer for this production and comes up aces on both counts.  Miller’s direction is of shining quality.  She knows every beat of the show, both musically and theatrically and nuances the tar out of it while keeping a brisk pace.  Her staging is top of the line and makes maximum use of the space which was doubly impressive in this case as the actors had to navigate around the orchestra pit for a great many of the musical’s showstopping numbers.  Her actors are all sublime and have crafted well-developed characters from the leading performers to the ensemble roles.

The only word I can think of to describe her choreography is epic.  This show has huge, flashy numbers and a lot of them.  But each is an original delight and the performers nail the dancing with nary a mistake.  Some especially impressive numbers include “Put On Your Sunday Clothes”, “Dancing”, “Hello, Dolly”, and “Polka”.

I give a standing ovation to the ensemble of the show.  I can never stress enough how a committed ensemble adds so much life and vitality to a production and they helped this show blossom.  All were having a good time and that sense of fun really communicates itself well to an audience.  They harmonized perfectly on the numbers and their dancing was entrancing.

Some especially strong supporting performances were provided by Heath Hillhouse who makes a stellar debut at SLT with his potentially tyrannical take on Rudolph Reisenweber, the head waiter at Harmonia Gardens; Hayden Gish as Minnie Fay, the milliner’s assistant whose nosiness clashes with her attempts to be proper; and Wyatt Munsey whose energy as Barnaby Tucker could light up a city.

Kim Crosby IS Dolly Levi!  I don’t mean she plays the role.  She IS the role.  Crosby had the audience in the palm of her hand from her first word and didn’t let go for one nanosecond.  Crosby’s delivery is satin smooth which is essential to the silver and glib tongued matchmaker who has a positive genius for meddling, but always uses it as a force for good with her heart of gold.  Crosby uses stage space like few performers I’ve seen and it always gives her Dolly an animated, realistic feel.  She also has a lovely alto which she modulates according to number from her confidence in her abilities to do just about anything in “I Put My Hand In” to her determination to start living life again in “Before the Parade Passes By” to her joy at returning to Harmonia Gardens in “Hello, Dolly”.

Eric Eichenberger is a likable grump as Horace Vandergelder.  He claims that 99% of society is foolish, but does have a soft spot once you peel away enough layers.  Eichenberger does superb work walking the fine line of keeping Vandergelder a curmudgeon while also showing that he’s still decent even if he is a bit rough around the edges.  Eichenberger also has a fine upper baritone which he utilizes to explain why he needs a wife in “It Takes a Woman”.

Gene Kelly once described the role of Cornelius Hackl as an attractive idiot and I believe that description suits Clayton Avery’s interpretation of the role.  Avery’s Hackl is a bit repressed and has lived a sheltered life.  At 33, he’s never even talked to a girl.  Avery does superior work communicating Hackl’s inexperience around women and has a remarkably sincere delivery.  He also well displays Hackl’s lack of mental swiftness.  It’s not that Cornelius is dumb.  He just improvises poorly when the pressure is on.

Avery has a dandy, crystal clear tenor which was quite entertaining with “Put On Your Sunday Clothes” and genuinely moving in “It Only Takes a Moment”.

Kassandra Wright is both sweet and tart as Irene Molloy.  At one moment, she’s delighting in a potential bit of devilry as she plans to flirt with Cornelius before dropping him cold and then wistfully remembering the real love she shared with her late husband, Peter, in “Ribbons Down My Back”.  This song is sung with a heavenly soprano that nearly brought me to tears.

John R. “Chuck” Rogers has designed a winning set with backdrops that bring one to the cobblestoned streets of turn of the century New York and drills the sheer elegance of Harmonia Gardens with a massive staircase and a pair of curtained, private dining rooms.  Ginny Herfkens and Sandy Balsters designed some brightly colored, period appropriate costumes sometimes bordering on the pastel.  The elegant gowns of the ladies and snappy suits of the men evoke memories of a long ago era.   Parker Payne and his orchestra provide a night of musical ambrosia and I’d like to note Lysander Abadia’s particularly meticulous work in his choreography of “Waiters’ Gallop”.

As I said earlier, if you’re looking for a musical that ticks all the boxes for a great night of entertainment, then this is the one for you.  And as much as we hope, “Dolly’ll never go away”, you’d best grab a ticket before she does.

Hello, Dolly! plays at Springfield Little Theatre in the historic Landers Theatre through Feb 23.  Showtimes are Thurs-Sat at 7:30pm and Sundays at 2pm.  Tickets range from $16-$32.   For tickets visit http://www.springfieldlittletheatre.org or call the Box Office at 417-869-1334.  Springfield Little Theatre is located at 311 E Walnut St in Springfield, MO.

Springfield Little Theatre Invites You to ‘Put On Your Sunday Clothes’ With ‘Hello, Dolly!’

Springfield, MO–Springfield Little Theatre is proud to present Hello, Dolly! at the historic Landers Theatre from Friday, Feb 7 to Sunday, Feb 23, 2020.  Performances are at 7:30pm Thurs-Sat and 2pm on Sundays and on Sat, Feb 22.

Hello, Dolly!, the 14 Tony Award-winning blockbuster Broadway hit, bursts with humor, romance, high-energy dancing, and some of the greatest songs in musical theater history. The romantic and comic exploits of Dolly Gallagher-Levi, played by Broadway actress Kim Crosby, turn-of-the-century matchmaker and “woman who arranges things,” are certain to thrill and entertain audiences again and again.  

Recently revived on Broadway in 2017 with Bette Midler in the title role, Hello, Dolly! originally opened on Broadway in 1964 and was, at the time, the longest running Broadway show with 2,844 performances. 

The show’s memorable songs include “Put On Your Sunday Clothes,” “Ribbons Down My Back,” “Before the Parade Passes By,” “Hello, Dolly!,” “Elegance,” and “It Only Takes a Moment.” 

Hello, Dolly! is rated PG.  Ticket prices range from $16-$32.  Group pricing is available for parties of 10 or more.  Please visit www.springfieldlittletheatre.org to purchase your tickets and select seats 24/7.  You may also call the Box Office at 417-869-1334.

Director & Choreographer:  Chyrel Love Miller

Cast

Kim Crosby as Mrs. Dolly Gallagher Levi

Hope Horton as Ernestina

Conner Paulson as Ambrose Kemper

Eric Eichenberger as Horace Vandergelder

Rachel Christopherson as Ermengarde

Clayton Avery as Cornelius Hackl

Wyatt Munsley as Barnaby Tucker

Hayden Gish as Minnie Fay

Kassandra Wright as Irene Molloy

Also featuring:  Miriam Stein, Ryan Mattix, Heath Hillhouse, Michael Grover, Seth Walley, Sean Scarborough, Brian Kress, Decker Ames, Derrick DeVonne King, Andy Phinney, Joshua David Smith, Robert Reed, Daniel Bush, Sisilia Shaffer, Millie Wade, Amber Eggimann, Heather Crosby, Emma Elliott, Jennifer Yerganian, Lori Harmon, Sandy Johnson, Seth Dylan Hunt, Kristy Stacy, Natalie Regenold, Sarah Foster and Wesley Brown

 

Have Yourself a Plaidful Little Christmas

A musical group returns to life. . .again. . . to spread some holiday cheer.  This is Plaid Tidings by Stuart Ross and is currently playing at the PART Theatre.

This show is less musical and more musical revue as the group, Forever Plaid, spend the evening entertaining the audience (sometimes even involving the audience) with a series of Christmas songs, standards, and pop tunes.  The revue is tied together by the story that Forever Plaid was a musical group that died en route to their big break.  They got to come back once to do the show they never got to do and now have mysteriously returned again for a new mission:  spreading the joy of Christmas.

Since this show doesn’t have the traditional narrative track, there isn’t much acting in the sense of storytelling though those playing Forever Plaid are truly characters with delightful idiosyncrasies and quirks.  Smooth, this group is not.  Forever Plaid definitely has a raw talent musically, but they lack polish which leads to much of the show’s humor.  But this show also has some deeply sensitive, bittersweet, and sad moments that will give your heartstrings a little tug.

Gordon Cantiello provides admirable direction with the piece.  He has staged the production almost as a tiny club or lounge performance and well utilizes the theatre space as Forever Plaid engages with the audience and sings throughout the performance area.  He well defines each member of the group as each person has a distinct and unique personality and history.  Cantiello has also created some of the most amusing choreography I have ever seen with some of the dance moves of Forever Plaid.

The key to this show is casting as those playing Forever Plaid need a vibrant chemistry plus be able to powerfully play off each other along with performing well musically.  Well, this cast certainly has that in spades as I genuinely believed this group had been together for years due to how well they bantered with each other.

In a group of sad sacks, Justin Dehmer’s Smudge was definitely the saddest sack of all.  Projecting the image of a high-strung nerd with his taped-up glasses and complaints about his ulcer.  Dehmer has good vocal range and usually sang the deeper parts of the harmony on the night’s many numbers.  Dehmer also has the acting moment of the night as his Smudge shares the tearjerking story of why Christmas was his favorite time of the year.  The centerpiece of his story is his using the emotion of it to turn one of the most jubilant Christmas songs, “It’s the Most Wonderful Time of the Year”, into a moving heartbreaker.

Jon Hickerson’s Frankie struck me as the de facto leader of the group as he was the one pushing the team to keep focus on their mission.  He has an excellent 2nd tenor voice and a good grip on humor as he had the most amusing monologue of the night with his psychological and emotional observations on Rudolph, the Red-Nosed Reindeer and Frosty the Snowman.  Hickerson also led the night’s most entertaining number, “Matilda”.

Roger Bunnell’s Jinx just might have the potential to be the breakout member of Forever Plaid.  Jinx is the shyest member of the group with a propensity for nose bleeds, but once he gets into the music, his is a rare talent.  Bunnell’s singing voice evokes images of Gene Pitney in natural setting and range, Michael Crawford in timbre, and Lou Christie for sheer falsetto power.  Some of his standout moments are his solo scene when he busts out “Besame Mucho” and “Kiss of Fire” and shows some Gene Kellyish dancing skill when he hoofs it up with “Singin’ in the Snow”.

Josh Dewberry’s Sparky is a human joke machine.  Dewberry has a superior sense of comedic timing and knows how to be physical with his comedy, especially with his rendition of “Fever”.  His lovely tenor was also featured well in “We Wish You a Perry Christmas” which was a segue from the story Sparky shared about the night Forever Plaid met Perry Como.  He does need to be careful with his diction on that lengthy story as it got a bit mushy at some points.

Peggy Holloway’s musical direction is top of line and she does excellent song interpretation on the piano and is ably supported by Bud Phillips on bass.  Mary Mullen Ferzely and Rob Lohman did a wonderful job decorating the theatre and making it feel like the perfect setting for a festive holiday show.  Jackson Hatcher’s sound effects were spot on, especially his ominous claps of thunder.  Josh Dewberry pulled double duty with a nifty bit of lighting design.  Lee Meyer and Gentleman’s Choice teamed up to properly costume Forever Plaid with tastefully gaudy plaid tuxedos and Comoish Christmas sweaters.

If you are a fan of standards and pop tunes, you are going to enjoy this show.  And if you’re a fan of Christmas songs (and I know I am) you are REALLY going to enjoy this show.  Spend a bit of the Yuletide season with Forever Plaid.

Plaid Tidings runs at the PART Theatre through Dec 15.  Showtimes are 7pm Thurs-Sat and 2pm Sat-Sun.  Tickets cost $35 ($30 for seniors and $25 for students).  For ticket information, contact 402-706-0778.  PART Theatre is located inside Crossroads Mall at 7400 Dodge St in Omaha, NE.

Singin’ Up a Storm

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From left to right: Nate Wasson, Tayler Lempke Plank, and J. Isaiah Smith star in ‘Singin’ in the Rain’

Silent film stars Don Lockwood and Lina Lamont are America’s sweethearts.  Lina is sweet on Don, but he merely tolerates her.  Don falls for a budding young actress named Kathy Selden who has earned the ire of Lina.  Their studio decides to make a talkie which morphs into a musical.  Difficulties arise when Kathy is selected to overdub Lina’s grating voice.  Lina decides to ground Kathy’s career to a halt as a result.  Will her machinations succeed?  Find out in Singin’ in the Rain, currently playing at the Omaha Community Playhouse.

If you like musicals with lavish dance numbers and memorable songs then this is the show for you.  Betty Comden and Adolph Green did a superlative job transcribing this classic movie to the stage.  They managed to retain the entirety of the original tale with very few changes and add a bit of that something extra by adding a song and dance number after every section of the story.  Nacio Herb Brown and Arthur Freed have written a nice little score peppered with snappy, loving, and upbeat tunes.

Kimberly Faith Hickman once again infuses a show with some of her inimitable directing magic.  She hits all of the show’s beats.  Her staging is precise.  Her actors spot on.  The singing is on point.  More importantly, she just makes the show fun.

Kudos to a strong supporting cast who add the little touches that breathe vital reality into this world.  Some memorable featured performances include Mary Trecek in a humorous turn as Lina Lamont’s diction coach; Jason DeLong who shows he’s got acting chops to match his talented feet as Don Lockwood’s diction coach; Don Harris as Roscoe Dexter, a director struggling to transition to talkies; and Boston Reid who shines with his golden tenor voice singing “Beautiful Girls”.

Nate Wasson is truly a triple threat as Don Lockwood.  He can sing, dance, and act with an ease and naturalness that seems to be instinctive.  Wasson has a real knack for making you feel right along with Lockwood.  When he’s happy, you’re happy.  When he’s sad, you’re sad.  Wasson gives Lockwood a needed likability and sensitivity and comes across as a regular guy who just happened to make it very, very big.

And Gene Kelly can eat his heart out when it comes to Wasson’s singing and dancing.  Wasson’s fabulous tenor will grace your ears with sweet tunes such as “You Stepped Out of a Dream”, humorous ones like “Moses Supposes” (a personal favorite), and, of course, the iconic title song.  And his feet will keep you clapping as he skillfully taps his way into your heart in “Good Morning” and his solo work in “Singin’ in the Rain” which is rendered more difficult as he dances in an honest to goodness downpour.

Tayler Plank brings a sweetness and confidence to the role of Kathy Selden.  She plays a little coy with Don in the beginning as she poo-poohs film acting and pretends not to really be aware of his fame until they meet again at a party.  Later they truly bond when she becomes a contract player at Monumental Studios.

Ms Plank possesses a glorious soprano and delighted the audience all night with numbers such as “Would You?” and “You are My Lucky Star”.  She also does some impressive hoofing of her own in “Good Morning” and “All I Do is Dream of You”.

J. Isaiah Smith is definitely the man to watch with a mind blowing turn as Cosmo Brown. Smith has unteachable timing as the joke a minute songwriter and his rubbery face is ideal for comic acting with the wide variety of expressions he was able to conjure, each well suited to the moment. Seldom have I seen such an athletic dancer as Smith especially with his jaw dropping solo in “Make ‘Em Laugh” where he leaps all around as well as on and off the stage.

Cathy Hirsch gives an award caliber performance as Lina Lamont.  She nailed her character to the floor with a whiny, vacuous, New York accented voice that will delightfully grate on your ears.  Ms Hirsch is a primo villain as she is vengeful, egotistical, and just plain old nasty.  But I really tip my hat to her on her solo performance in “What’s Wrong with Me?” as she managed to retain that screechy off-key voice while somehow managing to stay on-key at the same time.

Jim Boggess and his orchestra once again fail at failing with yet another brilliantly performed score.  Roxanne Nielsen returns to the Playhouse to add another laurel to her long list of legendary pieces of choreography, especially with the work done by the three leads.  Lindsay Pape’s costumes evoke a sense of 1920s elegance with double breasted suits and gorgeous gowns.  Jim Othuse’s sets will take you from Don’s apartment to Grauman’s Chinese Theater to a certain memorable rainy street.  The OnPxl team of Matt Bross & Chad Eacker provide some impressive special effects especially with a stunning replication of old time silent films and talkies.  Tim Burkhart and John Gibilisco team up to make some impressive sounds especially the foibles of recording sound movies for the first time.

The best way to sum up this show is to borrow from the title song:

 

They’re singin’ in the rain.

Just singin’ in the rain.

What a glorious feelin’.

You’ll be happy again.

Everyone in the place

Have a smile on your face.

As they’re singin’ and dancin’ in the rain.

 

Singin’ in the Rain plays at the Omaha Playhouse through June 24.  Showtimes are Wed-Sat at 7:30pm and Sundays at 2pm.  Tickets cost $42 for adults and $25 for students.  Wednesday night shows are $32 for adults and $20 for students.  For tickets call 402-553-0800 or visit www.omahaplayhouse.com or www.ticketomaha.com.  The Omaha Community Playhouse is located at 6915 Cass St in Omaha, NE.

OCP Ends Season with a Little ‘Singin’ in the Rain’

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From left to right: Nate Wasson, Tayler Lempke Plank, and J. Isaiah Smith star in ‘Singin’ in the Rain’

Omaha, Neb. – Singin’ In The Rain, based on the beloved movie musical, will run June 1 – 24, 2018 at the Omaha Community Playhouse in the Hawks Mainstage Theatre.

The beloved movie musical Singin’ in the Rain comes to life on stage with charm, humor and stormy weather that has made it an enduring classic. This tale of a famous on-screen couple from the silent films who prepare to transition to the age of “talking pictures” combines the best of Hollywood and Broadway with music that will keep you smiling, dances that will keep your toes tapping and special effects that will take your breath away. Songs such as “Make ‘Em Laugh,” “Fit as a Fiddle,” “Good Mornin’” and of course “Singin’ in the Rain” will whisk you away to a simpler time.

To celebrate Singin’ In The Rain, Omaha Community Playhouse will hold an opening night celebration from 6:30 p.m. to 7:30 p.m. on Friday, June 1 free to that evening’s ticket holders. No reservations necessary. Attendees will enjoy light refreshments and fun activities.

Production:        Singin’ In The Rain

Credits:   Theatre Screenplay by Betty Comden and Adolph Green | Songs by Nacio Herb Brown and Arthur Freed | By special arrangement with Warner Bros. Theatre Ventures, Inc. | Music published by EMI, all rights administered by Sony/ATV Music Publishing LLC | Based on the Academy Award-nominated MGM film starring Gene Kelly and Debbie Reynolds

Director:              Kimberly Faith Hickman

Cast

Nate Wasson* as Don Lockwood

J. Isaiah Smith as Cosmo Brown

Tayler Lempke Plank as Kathy Selden

Cathy Hirsch as Lina Lamont

Andrew Karolski as Young Don

Brohdi McClymont as Young Cosmo

Rob Baker as RF Simpson

Don Harris as Roscoe

Male Ensemble features Boston Reid, Brendan Brown, Jason DeLong, Joseph Mokrycki, Jude Glaser, and Marcus Benzel

Female Ensemble features Nora Shelton, Lillian Cohen, Karin Berg, Brianna Davis, Kara Penniston, Mia Sherlock, Payton Alber, Julia Ervin, Hannah Ramsgard, Becky Trecek, Debbie Trecek Volkens, Mary Trecek, and Carrie Trecek

*Nate Wasson will appear as a guest artist in the role of Don Lockwood. Nate previously toured with the Nebraska Theatre Caravan’s production of A Christmas Carol in 2015 in the role of Jacob Marley.

Show dates:       June 1 – 24, 2018; Wednesdays–Saturdays, 7:30 p.m. and Sundays, 2:00 p.m.

Tickets:  At the OCP Box Office, by calling (402) 553-0800 or online at OmahaPlayhouse.com or http://www.TicketOmaha.com. Adult single tickets start at $32 for Wednesday performances and start at $42 for Thursday – Sunday performances. Student single tickets start at $20 for Wednesday performances and start at $25 for Thursday – Sunday performances.

Ticket prices are subject to change based on performance date, seat location and ticket demand. Call the OCP box office for current prices.  For groups of 12 or more, tickets are $24 for Wednesday performances and $30 for Thursday – Sunday performances.

Discounts:           Twilight Tickets – A limited number of tickets are available at half price after noon the day of the performance at the Box Office. Cash or check only. Subject to availability.

Wednesday Performances – Discounted tickets are available for Wednesday performances only starting at $24 for adults and $18 for students.

Whatta Deal Wednesday – Discounted tickets for $10 will be available for the first Wednesday performance on Wednesday, June 6, 2018. $10 tickets will be available in person at the box office starting at 4:00 p.m. the day of the show.

Sponsors:  Immanuel Communities (Series Sponsor), Mutual of Omaha (Producing Partner), Giger Foundation (Orchestra Sponsor), NP Dodge Company (Special Effects Sponsor) Iron Works, Inc. (additional support) and WOWT (Media Sponsor)

Location:  Omaha Community Playhouse, Hawks Mainstage Theatre (6915 Cass Street, Omaha, NE 68132)

OCP Announces 93rd Season

BILLY MCGUIGAN’S ROCK TWIST
Billy McGuigan and the Steve Gomez Band
By Rave On Productions
July 12 – 23, 2017 | Hawks Mainstage (Weds. – Sun.)

World Premiere

See Billy McGuigan as you’ve never seen him before. Classic rock tunes with a big band twist; big band standards with a rock and roll twist. Backed by a full horn section and an all-star lineup of Omaha’s finest musicians, Billy’s brand new show will have Playhouse audiences rocking like never before. Frank Sinatra? Check. The Beatles? Check. Harry Connick, Jr.? Check. Billy Joel? Check! Fresh re-arrangements of rock and jazz standards performed as only Billy can. It’s rock with a twist. The world premiere is coming to the Omaha Playhouse in July 2017.

EMINENT DOMAIN
By Laura Leininger-Campbell
Directed by Amy Lane
Aug. 25 – Sept. 17, 2017 | Howard Drew (Thurs. – Sun.)

World Premiere
Does oil run thicker than blood? Or will a pipeline splitting the prairie tear a family apart? A 2016 Eugene O’Neil National Playwrights Conference finalist, originally conceived for Shelterbelt Theatre’s Before the Boards series, Eminent Domain tells a relevant story of a Nebraska family farm threatened by the construction of an oil pipeline and the ensuing conflict that emerges within. On the surface, Eminent Domain exposes the hard-fought battle between Nebraska farmers and corporate energy. Dig deeper and the greater struggle is revealed: the fight to preserve our Heartland’s farms and the livelihood of the people who live here. Our most crucial resource is not just the land we are privileged to attend with cracked and calloused hands—it is our kin, our clan and our heritage. Join us for this world premiere of an Omaha playwright’s work. Disclaimer: Contains adult language.

MAMMA MIA!
Music and Lyrics by Benny Andersson and Björn Ulvaeus and some songs with Stig Anderson | Book by Catherine Johnson | Based on the songs of ABBA
Directed by Jeff Horger
Sept. 15 – Oct. 15, 2017 | Hawks Mainstage (Weds. – Sun.)

This smash-hit musical featuring the songs of ABBA is one of the top 10 longest-running Broadway musicals. Mamma Mia! is a delightful tale of love, laughter and friendship. Donna is slowly warming up to the notion of her daughter Sophie’s impending wedding when her life is upended by the unexpected arrival of three former beaus, all possible candidates to walk Sophie down the aisle. With all your favorite ABBA hits such as “Dancing Queen,” “Take a Chance On Me,” “Honey, Honey” and more, find out why Mamma Mia! has become an audience favorite! Disclaimer: Contains spandex, strobe lights and disco dancing.

STUPID F@#%ING BIRD
By Aaron Posner
A sort-of adapted from The Seagull by Anton Chekhov
Directed by Suzanne Withem
Oct. 13 – Nov. 12, 2017 | Howard Drew (Thurs. – Sun.)

This “sort-of adaptation” of The Seagull by Anton Chekhov tells a story in which an aspiring young director battles against the art created by his mother’s generation. A young actress competes with an aging Hollywood star for the affections of a renowned novelist and everyone discovers just how complicated life, art and success can be. This irreverent, modern and very funny remix of a classic play will incite you to consider how art, love and revolution fuel your own pursuit of happiness.
Disclaimer: Contains adult language and sexuality.

A CHRISTMAS CAROL (Special Event)
By Charles Dickens | Adapted by Charles Jones | Musical orchestration by John J. Bennett
Howard and Rhonda Hawks Mainstage Theatre
Nov. 17 – Dec. 23, 2017 | Hawks Mainstage (Weds. 7:00 p.m., Thurs. – Sat. 7:30 p.m., Sun. 2:00 p.m. and 6:30 p.m.)

It just isn’t Christmas without A Christmas Carol. Experience Omaha’s favorite holiday tradition as Ebenezer Scrooge takes us on a life-changing journey filled with lovely costumes, exquisite music, beautifully crafted sets and special effects second to none. Perfect for the whole family!

YESTERDAY AND TODAY – 10th Anniversary (Special Event)
An Interactive Beatles Experience Featuring Billy McGuigan
©2007 By Rave On Productions

Nov. 24 – Dec. 31, 2017 | Howard Drew (Thurs. – Sun. eve)

Billy McGuigan and his brothers are back for the 10th consecutive year at Omaha Community Playhouse! This all-request Beatles tribute show will have you dancing in the aisles and singing along to every song. Share your stories and relive your memories with your favorite Beatles songs. No two shows are the same, and every show is a guaranteed exhilarating time!

RIPCORD
By David Lindsay-Abaire
Directed by Kimberly Faith Hickman
Jan. 19 – Feb. 11, 2018 | Hawks Mainstage (Weds. – Sun.)

Pranks and practical jokes abound when cantankerous Abby and chipper Marilyn are forced to share the nicest room at the Bristol Place Senior Living Facility. As Abby attempts to get rid of her unwanted new roommate, a series of bets soon escalates into a hilarious game of one-upmanship as the two women try every trick in the book to claim their space in the apartment and their place in the world. Ripcord is a hilarious tale with a lot of heart.
Disclaimer: Contains adult language spoken by a cantankerous old lady.

PARADE
Book by Alfred Uhry  |  Music and Lyrics by Jason Robert Brown  |  Co-Conceived and Directed on Broadway by Harold Prince
Directed by Jeff Horger
Feb. 9 – March 11, 2018 | Howard Drew (Thurs. – Sun.)

Parade is the Tony Award-winning musical based around the trial of Leo Frank, a Jewish man wrongfully accused of murder in Marietta, Georgia in 1913. Religious intolerance, political injustice and racial tensions are already prevalent in this small Southern town, and when reporters begin to sensationalize the case, the likelihood of a fair trial is put in jeopardy. With a book by Alfred Uhry (Driving Miss Daisy) and music by Jason Robert Brown (The Last Five Years, The Bridges Of Madison County), this true story reveals the beauty of the human condition, even when faced with tragedy. Disclaimer: Contains language and situations related to racial tension and mob violence.

Roald Dahl’s JAMES AND THE GIANT PEACH
Words and Music by Benj Pasek and Justin Paul | Book by Timothy Allen McDonald | Based
on the book by Roald Dahl
Directed by Kimberly Faith Hickman
March 2 – March 25, 2018 | Hawks Mainstage (Weds. – Sun.)

James and the Giant Peach is a brand-new musical guaranteed to mesmerize theatregoers of all ages. A compelling story by beloved author Roald Dahl (Charlie and the Chocolate Factory, Matilda) and music composed by the award-winning team of Pasek & Paul (La La Land, A Christmas Story, television’s Smash), a young orphan named James accidentally drops magic crystals by an old peach tree. Strange things start to happen and James soon discovers a world of magic and adventure full of friendly insects and learns that love and family can be found in unexpected places.

SHAKESPEARE IN LOVE
Based on the Screenplay by Marc Norman & Tom Stoppard  |  Adapted for the stage by Lee Hall  |  Music by Paddy Cunneen  |  Based on the Academy Award-winning film starring Gwyneth Paltrow and Joseph Fiennes
Directed by Jeff Horger
April 13 – May 6, 2018 | Hawks Mainstage (Weds. – Sun.)

Based on the Academy Award-winning film by Tom Stoppard and adapted by Lee Hall (Billy Elliot), Shakespeare in Love is a love letter to the stage and a celebration of theatre, music and human connection. While the government threatens to close all theaters, young Will Shakespeare suffers from writer’s block, as his muse Viola disguises herself as a man to pursue her dreams of being an actor. Amidst mistaken identities, ruthless scheming, backstage theatrics and a misbehaving dog, Will’s love for Viola quickly blossoms and inspires him to write his greatest masterpiece.
Disclaimer: Contains scenes of sexuality.

THE MOUNTAINTOP
By Katori Hall
Directed by Denise Chapman
May 4 – May 27, 2018 | Howard Drew (Thurs. – Sun.)

An Olivier Award-winning play of historical fiction, The Mountaintop imagines the final night in the life of Dr. Martin Luther King, Jr. After giving his speech, “The Mountaintop,” Dr. King returns to his room at the Lorraine Motel. When a mysterious woman with a secret agenda pays a visit to Dr. King, the resulting confrontation imaginatively explores destiny, legacy and mortality.
Disclaimer: Contains dialogue related to racial tension and adult language.

SINGIN’ IN THE RAIN
Screenplay by Betty Comden and Adolph Green | Songs by Nacio Herb Brown and Arthur Freed | By special arrangement with Warner Bros. Theatre Ventures, Inc. | Music published by EMI, all rights administered by Sony/ATV Music Publishing LLC | Based on the Academy Award-nominated MGM film starring Gene Kelly and Debbie Reynolds
Directed by Kimberly Faith Hickman
June 1 – June 24, 2018 | Hawks Mainstage (Weds. – Sun.)

The beloved movie musical Singin’ in the Rain comes to life on stage with charm, humor and stormy weather that has made it an enduring classic. This tale of a famous on-screen couple from the silent films who prepare to transition to the age of “talking pictures” combines the best of Hollywood and Broadway with music that will keep you smiling, dances that will keep your toes tapping and special effects that will take your breath away. Songs such as “Make ‘Em Laugh,” “Fit as a Fiddle,” “Good Mornin’” and of course “Singin’ in the Rain” will whisk you away to a simpler time.