Ark Valley Players Set to Perform ‘Cotton Patch Gospel’

Arkansas City, KS–Arkansas City’s community theatre, Ark Valley Players, is happy to announce tickets are available for the rollicking, foot-stomping, hand-clapping musical Cotton Patch Gospel. With book by Tom Key and Russell Treyz, it’s the “Greatest Story Ever Told” in a setting of rural Georgia with country music songs, the final and perhaps best work of Harry Chapin.  Performances are August 19 and 20, 2022 at 7:30 p.m. in the historic, climate-controlled Burford Theatre, 118 South Summit Street, Arkansas City (KS).  Dinner starts at 6:00 p.m.

Directors Dejon Ewing and Stephen Butler are excited to share the work of their talented cast members Jason Brewer, Spencer MacLaughlin, Jodie Stanley and Eric Swanson, all of Arkansas City, along with Thomas Meyer of Ponca City.

Dramatic Publishing writes, “This ‘Greatest Story Ever Retold’ is based on the book The Cotton Patch Version of Matthew and John by Clarence Jordan in which the Gospel is presented in a setting of rural Georgia with country music songs, the final and perhaps best work of Harry Chapin. As this Gospel begins, they sing that ‘Somethin’s a-brewin’ in Gainesville.’ Herod is the mayor of Atlanta and, inevitably, Christ is killed by local thugs only to rise again. Drama critics loved this show and so did a broad spectrum of religious commentators.”

Patrons interested in including dinner in their show plans will enjoy a meal of brisket, country style green beans, scalloped potatoes, corn bread, salad, and apple cobbler along with their show ticket for $40 each.  “Show Only” tickets are available for balcony seating at just $15 each.  For tickets call 620-442-3045.

Hallelujah, It’s Heavenly!!

Keith Patrick McCoy (Front) stars in ‘Cotton Patch Gospel’. Back row (L to R): Isiah Harper, Michelle Justice, Dean Justice, Justin Belew, Jeff Snider

If a man tried to take his time on Earth and prove before he died what one man’s life could be worth, well I wonder what would happen to this world?  Find the answer to this question in Cotton Patch Gospel by Tom Key and Russell Treyz with music and lyrics by Harry Chapin.  It is currently playing at Springer Opera House.

It’s no secret that this is one of my favorite shows.  This is the fourth time I’ve reviewed a version of this musical and I’m always discovering something new based on the storytelling of each cast.  However, I was particularly looking forward to this version as it would be the first time I would see it performed under its original intentions (one actor playing all the roles and backed by a bluegrass band). 

I was not disappointed.

This is a beautiful show for the Easter season and I salute the cast for an energetic and fun-filled night plus give them further kudos for showing great poise as the weather looked like it was turning a little inclement for this outdoor production.

I’ve always appreciated Key & Treyz’s script for its wonderful worshipfulness and clarity.  They do an excellent job of taking the Gospel of Matthew, modernizing it and making it completely understandable to any and all regardless of one’s faith background. In this take, Jesus is born in Atlanta, raised in Valdosta and lynched for the sins of humanity.  Key and Treyz were able to take the most important points of the Gospel and translate it into a 90 minute show that never feels rushed or edited.

Paul Pierce provides very strong direction as he’s guided his lone actor to an impressive performance with a sure and solid hand.  The animation is constant and there’s nary a static moment in the show.  I was also quite pleased with the staging as it had the feeling of an old-time revival show.

Keith Patrick McCoy expertly handles an awesome burden as he plays everybody.  On a scale of 1 to 10, his energy hovered around 15 and he effortlessly transformed himself into several dozen characters with changes in posture and modulation of his angelic baritone.  Some of his great performances included his rendition of the show’s narrator, Matthew, the former IRS man whose respect and love for Jesus is palpable; his sincere and humble Jesus; the conflicted Jud who betrays the Son of God; a smarmy and hypocritical televangelist hyping faith cruises to the Holy Land and Hong Kong; a malevolent Herod bent on killing Jesus to retain his throne; a surprisingly sinister Pontius Pilate who engineers Jesus’ murder.  Last, but certainly not least, I give a personal standing ovation to McCoy’s interpretation of John the Baptizer as he finally gave me the Baptizer I’ve long wanted to see in the form of a blood and guts, fire and brimstone preacher. 

McCoy’s singing is every bit as good as his acting and it always suited the character singing the song. Favorite performances were his Jesus humorously teaching His followers to treat others the way they would want to be treated in “Turn It Around” and agonizing over His impending death in “Goin’ to Atlanta”.  He also has stellar turns as Herod cold-bloodedly admitting “I Did It” when he has an orphanage bombed in an attempt to kill Jesus and as Matthew explaining the takeover plan he and the Apostles cooked up for Jesus in “We Gotta Get Organized”.

The only critique I had was that I thought McCoy could have taken a beat when he transitioned characters and seemed to rush his lines on a few occasions, but I’m going to qualify that by saying he may have been forced to move a little faster due to the weather. 

McCoy was ably supported by a bluegrass band who serves as a second character in the production.  They play all the instruments, sing the bulk of the songs and sometimes stepped in as minor characters.  Justin Belew and Jeff Snider dazzled on guitar and banjo.  Dean Justice was flawless on the stand up bass and his low tenor voice excelled on the somber “Are We Ready?”  Michelle Justice did some fine fiddling and had a lovely solo in “Mama Is Here”.  Isiah Harper was a strong featured vocalist especially in “Something Brewing in Gainesville” and “You Are Still My Boy”.

Debbie Anderson’s musical direction was right on the money as she understood the nuances of Chapin’s score and correctly emphasized its humor and gravitas where needed.  I loved Matthew Swindell’s less is more set of a simple backdrop, table and boxes.  Katie Underwood’s lights were absolutely phenomenal and bolstered key emotional points especially the blue light on Jesus in “Goin’ to Atlanta” and the red and black of Jesus’ lynching.  Sandy Dawson’s costumes were top notch with McCoy’s dapper brown suit and the plaid shirts and overalls of the band.

So if you’re looking for some family entertainment this Easter season, spend some time in the cotton patch with this wonderful cast and story and find out why Cotton Patch Gospel is “The Greatest Story Ever Retold”.

Cotton Patch Gospel plays at Springer Opera House through April 3.  Remaining live performances are April 2 at 8pm and April 3 at 2:30pm.  Livestream performances will be held April 1-3 at 8pm (EST) and a matinee performance at 2:30pm (EST) on April 3.  Tickets range from $20-$38 and can be obtained by calling the Box Office at 706-327-3688 or visiting www.springeroperahouse.org.  Springer Opera House is located at 103 10th St in Columbus, GA.

Photo provided by Allie Kent

Something Brewing at Springer Opera House

The cast of ‘Cotton Patch Gospel’ Back row (L to R): Justin Belew, Isiah Harper, Dean Justice, Jeff Snider Seated: Michelle Justice Kneeling: Keith Patrick McCoy

Columbus, GA–Dubbed “The Greatest Story Ever Re-Told,” Cotton Patch Gospel is the exuberant musical that tells the story of the life of Jesus, but set in modern-day, rural Georgia.  Jesus is born the son of a carpenter in Gainesville, meets a country preacher named John the Baptizer on the banks of the Chattahoochee and delivers the Sermon on the Mount on Stone Mountain.

The show will run as part of the Springer Opera House’s Outdoor Theatre Festival along with other musicals and children’s theatre shows. Opening March 24 in the newly-built Springer amphitheater, Cotton Patch Gospel arrives just in time for the Easter season.

“In this season of renewal, rebirth, and hope, Cotton Patch Gospel is just what the world needs right now,” explained Springer producing artistic director Paul Pierce.  “With music by the late, great Harry Chapin (Cat’s in the Cradle, Taxi) Cotton Patch Gospel is marked by a feeling of childlike belief, wonder and simple reverence.”

“We all remember the Sunday school lesson where the teacher asked, “What if Jesus were born today? How would you react?”  This show takes that simple question and brings it to life,” Pierce said.

The script was adapted from the Rev. Clarence Jordan’s book “Cotton Patch Version of Matthew and John” by Tom Key and Russell Treyz.  Tom Key was the long-time artistic director of The Theatrical Outfit in Atlanta who recently retired.  Mr. Key collaborated with Grammy Hall of Fame honoree, Harry Chapin – one of the most beloved singer-songwriters in music history – to create the songs for Cotton Patch Gospel. Chapin won Grammy Awards in the 1970s for chart-topping hits like Cat’s in the Cradle, Taxi, Dreams Go By, W.O.L.D. and Sunday Morning Sunshine.

Connection to Habitat for Humanity and the Fuller Center for Housing

“Cotton Patch” author Rev. Clarence Jordan was a farmer who grew up in nearby Talbotton, Georgia, and sought to improve the lives of sharecroppers through scientific farming techniques. He was ordained at the Southern Baptist Theological Seminary and obtained a Ph.D. in Greek New Testament in 1938. In 1942, Jordan and his wife, Florence, founded Koinonia Farm, a 440-acre interracial farming community near Americus, Georgia.  As the Civil Rights Movement progressed, Koinonia Farm became the target of boycotts, violence, and bombings.

In the 1960s, as hostilities subsided in Sumter County, Jordan turned his attention to writing and speaking.  Through his expertise in New Testament Greek, Jordan translated the Synoptic Gospels using homespun language that his Southern audiences could relate to. Thus, Jerusalem became Atlanta, Pontius Pilate became the Governor of Georgia and Bethlehem became Gainesville. 

In 1965, two millionaires, Millard and Linda Fuller, from Lanett, Alabama, became dissatisfied with their wealthy and privileged lifestyle and moved to Koinonia Farm to serve Rev. Jordan’s mission.  The partnership resulted in the founding of Habitat for Humanity in 1976 and later, the Fuller Center for Housing. Fuller is internationally regarded as the founder of the affordable housing movement.

The Springer Production

Cotton Patch Gospel stars Keith Patrick McCoy as the apostle Matthew, who tells the story of Jesus’ life: birth to death to Resurrection.  Harry Chapin’s songs span musical styles from country to blues to folk to Gospel to bluegrass to jazz. The on-stage band is comprised of Michelle Justice, Justin Belew, Isiah Harper, Dean Justice and Jeff Snider. Pierce is the director of the show.

Cotton Patch Gospel runs March 24, 25, April 2 at 8:00 pm and March 27, 28, and April 3 at 2:30 pm. For tickets, call the Springer box office at 706-327-3688 or visit the Springer website at springeroperahouse.org.  Group rates are available for churches, youth groups, and senior groups.

Photo provided by Allie Kent

Springer Opera House Announces ‘Theatre Under the Stars’

Columbus, GA–Citizens will see an outdoor theatre going up on the corner of Tenth Street and Second Avenue downtown over the next six weeks as the Springer Opera House creates an innovative way to protect their audiences and artists this spring.

“COVID transmission rates are inching downward in Muscogee County but patrons aren’t quite ready to gather indoors yet,” said Springer producing artistic director Paul Pierce.  “We anticipate a continued downward trend as the weather warms and the impact of the vaccines takes hold.  Meanwhile, this amphitheatre will give patrons a quality theatre experience designed for safety.”

The Springer has repackaged its remaining shows as the “Springer Theatre Festival” and designed a comfortable fresh-air performance space with distanced seating, an outdoor lighting system and advanced video projection equipment, allowing the theatre to produce shows on a broad, thirty-two foot stage right next to the 150 year-old historic theatre.

Pierce explained, “We’ve adjusted the calendar a bit and scheduled seven shows between mid-March and late June. Six of those shows are musicals.  Columbus Consolidated Government has been very supportive in helping us work through the permitting and rules to be able to pull this off.  I’m very grateful to Mayor Henderson and City staff for all their encouragement.”

The first production in the Springer Theatre Festival will be a remount of Singin’ in the Rain which had to be cancelled when the pandemic hit last spring.  That show will kick off the Springer Theatre Festival on March 18.

Theatre lovers will also have the option of seeing shows via web streaming, if they prefer.

Masks will be required to be worn by patrons. Temperature checks and social distancing will also be required.  

Singin in the Rain – Broadway song-and-dance musical based on the film classic.

March 18, 19, 20, 26, 27, 28, April 1, and 3 at 8pm 

March 21st at 2:30PM

Cotton Patch Gospel – The story of Jesus set in modern-day rural Georgia. Bluegrass musical.

March 24, 25, and April 2 at 8pm 

March 27, 28 and April 3 at 2:30PM

Click Clack Moo – Children’s Theatre musical comedy about cows who demand blankets.

April 10 and 17 at 10am / 12:30pm / 2pm 

April 11 and 18 at 2pm

The Best Little Whorehouse in Texas – The Broadway musical set at the famous Chicken Ranch Texas brothel.

April 29,30 May 1, 6, 7, and 8 at 8pm 

May 2 and 9 at 2:30PM

Planes Trains and Things that Go Zoom – Theatre for the Very Young show about transportation

(In the backyard plaza)

May 1 and 8 at 10am / 12:30pm / 2pm

Curious George and the Golden Meatball –  Children’s Theatre show about the mischievous monkey who enters a cooking contest in Rome, Italy.

May 28 and June 4 at 7pm

May 29, June 5, and 12 at 10am 

May 29,30 June 12 and 13 at 2pm

Spamalot – Hilarious Broadway musical comedy based on Monty Python and the Holy Grail.

June 11, 12, 13, 17, 18, 19, 20, 24, 25, 26 at 8pm 

June 27 at 2:30PM

The Greatest Story Ever Retold Closing Theatrical Outfit’s Season

thumbnail_art-text_cottonpatchgospel

The beloved musical returns home just when we need its radical hope – now more than ever. Inspired by Clarence Jordan’s provocative The Cotton Patch Version of Matthew and John and produced and cherished worldwide since its conception in 1981, this soul-rouser with boundless heart sets the story of Jesus in the American South. In downtown Atlanta in 2020, Cotton Patch Gospel promises to raise the roof with joy!
LocationTheatrical Outfit (84 Luckie St NW in the Balzer Theatre at Herren’s in Atlanta, GA  30303)
Dates:  April 22-May 17, 2020
Performance Times:  Wed-Sat at 7:30pm.  Sat-Sun at 2:30pm.
Tickets:  $15-$45.  Tickets may be purchased online at www.theatricaloutfit.org or contact the Box Office at 678-528-1500 between the hours of 10am-6pm Monday-Friday and 90 minutes before showtime.
Cast
Tom Key
Jeff McKerley
Cody Evan Jones
Karen Howell
Chani Maisonet
Candy McLellan
Joel Ishman
JD Myers

Cotton Patchin Time Again: Hannibal, MO & Garth Woodside Mansion

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Garth Woodside Mansion

Today the road has brought me to Hannibal, MO.

I had actually had this journey on my mind for quite a while.  When the opportunity arose to review a professional production of Cotton Patch Gospel, I knew I would be making my way to Hannibal and a visit to Garth Woodside Mansion, owned and operated by John and Julie Rolsen.

It was an absolutely perfect day for a road trip.  The sky was sunny and clear and the temperatures were downright springish.  I had a fairly smooth ride into Hannibal, though Google Maps tried to make me take a left turn at Albuquerque.  I ended up finding the road I needed anyway, so neener neener Google!

The inn is located in a secluded area along a gravel road and is of great historical interest as it has a direct connection to the town’s most famous resident, Samuel Clemens AKA Mark Twain.

The original owners of the inn were John Garth, a successful Hannibal businessman, and his wife, Helen.  The home was built on his farm, Woodside, in the late 1800s.  John and Helen were lifelong friends of Twain who often visited the mansion.  In fact, one of the rooms in the inn is called the Samuel Clemens and Twain actually stayed in the room whenever he visited the Garths.

As I pulled up to the inn, I took a moment to soak in the impressive structure. When you think bed & breakfast, this is the type of building that springs to mind. If the inside was anything like the outside, I knew I was falling into the lap of luxury.  I bumped into another couple on my way to the front door and we were met by Julie Rolsen.  Julie is easily one of the most gregarious innkeepers I have met on my travels and she and her husband have wickedly sharp senses of humor.  If you stay here, read the book on the inn in your room and you’ll agree with me.

After giving us the nickel tour, Julie showed me to the Rosewood, my base of operations for the next few days.  Admittedly, I wanted to stay in the Samuel Clemens to really absorb the inn’s sense of history, but I had been beaten to the punch.  On the other hand, I did get to become a part of a unique piece of inn trivia.

The bed in my room is called the most expensive bed in Missouri.  It’s a hand carved piece of artistry insured for $55K.

After settling in, I did my explorations.  And there is a lot to explore.  Not only is this place one of the most beautiful and luxurious inns I have visited, but it is also one of the largest.  The first floor gives you a sense of history as the furniture is original to the home.  The entire property is remarkably preserved which I attribute to the small number of owners which the property has had.  The Rolsens are only the sixth owners.  Pretty impressive for a 100 plus year old mansion.

I had scheduled a ghost tour for 7pm, so I headed to downtown Hannibal for an early dinner before learning about the haunted history of Hannibal.

I opted to try the Mark Twain Dinette and it was a bit of a mixed bag.  The ambiance is quite nice, but the food was just OK.  I had a Roughin It burger which included pepper jack, chili ranch, and bacon which did fill the cavity.

Afterwards, I explored the main street area.  Though I, to my chagrin, failed to observe them, take a look at the artistic fire hydrants.  They were all painted by Julie.

Downtown Hannibal is pretty compact and most of the interesting sites are all pretty close to one another.  I went down to the Hannibal History Museum and picked up my ticket for the tour.  As the trolley wouldn’t load until 6:50pm, I continued looking around the downtown area and found the Bluff City Theater and City Hall.  Believe it or not, the two buildings are actually connected for my upcoming play review as the theatre is producing the show, but the play is being presented environmentally at City Hall in the council room located on the second floor.

About 6:50, I returned to the museum where I boarded the trolley.  Ghost tours are always an interesting way to learn about a town’s history and Hannibal is reportedly one of the most haunted cities in the country.  The tour consists of traveling to various buildings and hearing about the hauntings and there were some very interesting tales.

One such tale was the story of three boys who disappeared when they went off to explore one of the numerous caves under Hannibal.  In spite of an intense search costing over one million dollars and lasting over a month, the boys were never found as the caves under the town are deep and labyrinthine.

One of the boys reportedly haunts a family, but it is a good haunting.  The ghost is the friend of the family’s little girl, who calls him Shippa.  Our guide showed us a photo of Shippa taken by the little girl on her fake tablet and even I admit that it is a pretty impressive piece of evidence that bears a remarkable similarity to one of the missing boys.

The other tale was a sensitive point in the history of Hannibal.  There was a wealthy businessman named Amos Stillwell who had a younger wife named Fanny who was the belle of the ball.  One winter’s night, Fanny was asleep with her children and her husband came home late from a card party held at the home from his good friend, Captain Munger.  Not wanting to disturb his wife and children, Stillwell retired to his bedroom.

Around midnight, Fanny heard her husband stir in the other room and say, “Fanny?  Is that you?”  At that point a hidden intruder rose out of the darkness and killed Stillwell with a double bladed axe.   Fanny stayed hidden with the children until she was certain the coast was clear, left the children with the maid, and rushed to get their family friend, a doctor, who lived a few blocks away.

The doctor told Fanny he’d be over immediately and that’s when things started getting weird.  Instead of going to the police who were next door to the doctor, Fanny returned home and started cleaning up the gruesome crime scene.  The doctor came over and was shocked at Fanny’s actions and called the police.

The police came with the city physician.  Needless to say, the police were very upset that the crime scene had been tampered with.  Then another strange thing happened.  The city physician refused to let the police question Fanny Stillwell, saying she was too distraught.  This further angered the police as they now had a useless crime scene and a witness whom they couldn’t question.  Even with the help of the Pinkertons, the police were never able to gather much evidence in the mystery.

Nine months later, Fanny married the city physician which was very suspicious and enraged the citizens of Hannibal who literally chased the couple out of town.  The couple would return to visit friends several years later and were arrested for the crime.  However, with the passage of several years, there was even less evidence than before and the city physician was found not guilty and charges against Fanny were dropped.

A book was written about the case and one of the last remaining copies exists at the Hannibal Public Library.  The reason for the book being out of print is that the writer did not get permission from all family members and printing was halted.

Today, it’s reported that the ghost of Amos Stillwell roams the old home of Captain Munger which is now a restaurant known as LaBinnah Bistro.  The reason for this being is that Stillwell spent many happy hours at card parties here and his original home was demolished in the hopes of stopping hauntings there.

Our tour ended in an old Baptist cemetery where we were given dowsing rods to sense paranormal activity.  Allegedly, spirits exude a magnetic field and the rods will be pulled towards it and cross at the point of activity.  Honestly, I did feel the tug and the rods did cross, but dowsing rods also locate water, so while interesting I leave it for the reader to decide if it was science or spirits.

Still, it was a very interesting experience and, as I’ve said, always a good way to learn about local history.

From there it was back to the mansion, where the day’s long drive and activity finally caught up with me.  I drew a bath in the clawfoot tub that was just the perfect temperature, soaked, then curled up in my bed to get a $55K sleep.

I awoke refreshed and hungry.  About 9am, I headed downstairs to breakfast.  John and Julie were clearly born to the B & B business.  Both are natural hosts, chatting with guests and making sure they are provided for.  I sat down to a goblet of Garth Juice.  As John says, “It tastes good and it’s good for you.”  Julie prepared a hot chocolate for me and John also brought me water and milk while I worked through a dish of fruit and a muffin.

The main entrée was a quiche filled with broccoli, cheese, eggs, and ham.  It was a tasty way to start the day and provided needed fuel for a day filled with activities.

I got things going immediately after breakfast with a visit to Mark Twain Cave.

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This name isn’t an attempt to cash in on Twain’s name.  Twain often explored this cave as a boy and he uses this cave in several of his books.  It’s an entertaining and informative little tour, but you may want to bring a jacket as the cave stays at 53 degrees year round.

I really wanted to explore Cameron Cave as well, but the next available tour wasn’t until noon and that tour is 90 minutes and I had an appointment at 1:30.  So, it’s something to look forward to in another visit, especially since you’re provided your own lantern to explore this cave.

From Mark Twain Cave, I headed to the Haunted House on Hill Street.  They were offering a special where for $10 I could tour the house and Karlocks Kars and Pop Culture.  I took them up on the offer.

There isn’t much to the haunted house.  It actually opens with a room filled with 25 intricately sculpted wax figures of Mark Twain, his family, and characters.  Narration is provided giving a history of Mark Twain, his family, and the inspiration for his characters.  Afterwards, you go through a cheesy little haunted house not unlike ones you’d find at a county fair.

Karlocks was a bit more interesting.  It’s a museum filled with vintage cars and sundry pop culture items.  There’s even a bit of a vintage arcade, but playing the games costs quarters.

After my brief tours, I headed over to the Mark Twain Riverboat for a little cruise on the Mississippi.

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The Mark Twain

I took a seat on the top deck outside the pilot house.  Before setting sail, several blasts are made on the whistle and those by the pilot house need to cover your ears.  It was quite a relaxing jaunt as Captain Steve pointed out several points of interests such as Lover’s Leap and Jackson Island which also found its way into the stories of Mark Twain.

During the ride you will actually cross the state line into Illinois and you may just see some wild life.  I saw a couple of alligators silently swimming in the Mississippi and I finally understood just how dangerous they could be as the way they swim do make them seem like sticks or logs.

After a journey on the mighty Mississippi, I returned to Garth Woodside to get cleaned up for church and the show.

I attended services at Holy Family Catholic Church and I would like to clone this church and replicate it for all of my journeys.  This is what worship needs to be like.  Everyone was happy to be there and was ready for Jesus.  You could genuinely feel His presence.  And they were so welcoming.  Father Jim Wheeler asked if there were any visitors and asked us where we were from.  The congregation was so welcoming as I had several brief conversations after church.  Father Jim also gave a great sermon about us needing to be Jesus with skin on which provided a lot of inspiration and food for thought.

Worship certainly prepped me for the faith inspired play, Cotton Patch Gospel, which was being performed at Hannibal City Hall.  It was an interesting and original take on the story and you can read my review here.

After the show, it was back to Garth Woodside and another good night’s sleep.

Somehow the alarm on my clock was turned on and buzzed me up at 6am.  Getting back to sleep wasn’t happening so I wrote my review on the play and got back to work on this article.  I got to this point and went downstairs to breakfast.

OK, I’m back.  Today’s meal consisted of Garth juice, milk, fruit, peach muffin, and breakfast pizza which consisted of egg whites, bacon, sausage, and a pita or sourdough crust.  Julie also made me a mug of English Toffee hot chocolate topped with crushed Heath bits because chocolate makes everything better.

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Breakfast pizza

I ended up having a lively little conversation with the Rolsen family before returning to my room to finish the article and dilly dally until checkout time at Julie’s insistence.  😉

And that about wraps it up for this edition.  If you’re in the Hannibal area, get a room at Garth Woodside Mansion.  It’s a wonderful inn hosted by great people in a private locale and the food is fantastic.

Until the next time, happy travels.

Bluff City Theater’s ‘Cotton Patch Gospel’ Flips the Script

Something’s brewin in Gainesville.  Wonder what it could be?  Something’s brewin in Gainesville.  Come on down and see.  Come on down and see the Gospel of Matthew told Southern style and an extra twist as well.  It’s Cotton Patch Gospel by Tom Key with music and lyrics by Harry Chapin and based off a book by Clarence Jordan.  It is playing at Hannibal City Hall under the auspices of Bluff City Theater.

In the intro I alluded to an extra twist with this particular rendition of Cotton Patch Gospel.  In keeping with its tradition of turning established shows on their heads, this production is comprised almost entirely of female performers and that includes the two primary roles of the Narrator and Jesus.

Some might think that’s shocking, but it really isn’t and this is why.  Tom Key wrote this play in a very unique way.  It can be done as a full cast or a small cast or, in true storytelling format, a one person show.  That last style is exactly how this show is presented.  The Narrator (Taylor Pietz) starts telling the story as an audience member after the first number and then takes over the stage as she becomes most of the main characters as she shares the story of Jesus.

Herbie Barnes does a pretty sophisticated bit of direction with this piece.  I greatly admired his staging of the show as he made stellar use of the fixedness of the council room.  The chorus would pop in and out from behind the bench for certain scenes and numbers and his narrator used every inch of the space to tell this story.  He also thoroughly understood the twists and beats of this tale and led his two primary actors to capable and potent performances as they told that story.

Taylor Pietz plays. . .pretty much everyone who isn’t Jesus.  It is a grueling and grand performance as Ms Pietz effortlessly and easily transforms herself into numerous different characters and she does it with such subtlety.  She pulls her shoulders back and adopts a slight sneer and she’s a rather vile Herod.  Putting on a stole, she’s a high energy John the Baptist.  With a slump of her shoulders and tears in her eyes, she’s a sympathetic Jud who believes betraying Jesus will ultimately save him.  That particular performance is one of her strongest of the night as she plays both the broken Jud and the villainous Dr. Caiaphas (done with veiled, disdainful eyes and miming the smoking of a cigarette) in an intense conversation as the plot to arrest Jesus is created.

Ms Pietz’s voice is quite heavenly.  She’s got a glorious soprano that goes almost operatic on occasion and she has that ability to act through her songs as she never drops character.  Notable numbers were her Herod proudly taking credit for the murder of innocent children in “I Did It”.  A harried Simon “Rock” Johnson trying to organize Jesus’ takeover in “We Gotta Get Organized”.  Two of my favorites of hers were a somber take on “Are We Ready?” that kicks off Act II and a hopeful, joyous rendition of “Jubilation”.

Courtney Friday pulls double duty as Jesus and as Assistant Musical Director for the show.  She has the right qualities for the Son of Man as she projects a real sense of innocence and goodness.  But I also see loads of untapped potential in her lines and I would love to see her play with the words a bit more to maximize the full force of her role.

Her musical chops are quite top of the line.  Not only did she and musical director Colin Healy lead the band to top notch performances of the score, they also rearranged it a bit which I believe added a bit of vitality to the show.  Ms Friday is also a wonderful singer with a wide range as she could sing alto and soprano equally well.  Top songs from her were a sad, haunted take on “Goin’ to Atlanta” as her Jesus fears his imminent lynching and the joyous “Well I Wonder” to close the show.

The two ladies are supported by a chorus of little girls who have voices of angels and flesh out crowd scenes and provide a little choreography to some of the musical numbers.  But I would like to single out Evie Rodenbaugh for a stellar performance.  She has a natural instinct for acting as she was fully invested in the action of the play and added tiny little details that added so much.  Most impressive was a touching moment when she was weeping over the dead daughter of a government official that Jesus raises from the dead.

Chris Davis’ lights are quite amazing, especially considering his having to adapt them to a most unusual performance space.  His idea of using flashlights for the night of Jesus’ arrest is inspired.  The band of Erich Eastman, Jacob Mreen, and Brendan Rodgers provide some great music and a few comedic moments as well.  Eastman, in particular, has a beautiful tenor singing voice well utilized in a few solos.

All in all, I found it to be a very satisfying night of theatre, especially with the superhuman storytelling abilities of Taylor Pietz.  This production truly gives truth to the line “The Greatest Story Ever Retold”.

Cotton Patch Gospel plays at Hannibal City Hall through August 4.  Performances are Wed-Sat at 7:30pm plus a Saturday matinee at 2pm.  Tickets cost $26 for adults and $15 for children.  For tickets, visit www.bluffcitytheater.com or www.eventshannibal.org or call 573-719-3226.  Hannibal City Hall is located at 320 Broadway in Hannibal, MO.

Wonderfully Worshipful ‘Cotton Patch Gospel’ Flies with the Angels

He was laid in an apple crate in Gainesville, GA, baptized in the Chattahoochee River, and lynched for the sins of humanity.  If you think this story sounds awfully familiar, you’d be right.  It is the story of Jesus presented in a countrified fashion in Cotton Patch Gospel by Tom Key and Russell Treyz based on works by Clarence Jordan with music and lyrics by Harry Chapin.  It is currently playing in the LRS Theatre at the Hoogland Center for the Arts.

While lesser known than some of its contemporaries, I’ve long considered Cotton Patch Gospel to be the best of the Gospel musicals.  Tonight’s production only served to strengthen that belief as Ken Bradbury and his cast and musicians came out with all guns a blazing in the best iteration of this show I have seen in a truly magical night of theatre.

Bradbury carries an unusually heavy load in this show as he served as director, musical director, played several instruments, and essayed a couple of roles too.  His direction is exceptionally sharp with strong staging that makes use of the entire performance space, sometimes even the entire theatre.  He has also led his 2 primary actors to unbelievably nuanced and gripping performances.

His musical direction is virtually flawless as he and his band (Carrie Carls, Barry Cloyd, Rob Killam, Mark Mathewson, and Danny McLaughlin) brought Harry Chapin’s score to bright and colorful life.  Bradbury is also an exceptional actor in his own right, projecting subtle menace as Herod as he calmly orders the bombing of an orphanage in an attempt to kill Jesus and milks a pregnant pause to fullest effect as the oily Governor Pilate.

The band not only supplies the music, but they also sing a great deal of the tunes and become characters in the story at various points.  Rob Killam is cool and smooth with the stand up bass while Mark Mathewson brings a lot of fun with the mandolin.  Danny McLaughlin is not only a great guitar player, but is an incredibly energetic performer whether he was hoofing it across the water before nearly drowning as Simon “Rock” Johnson or raining fire and brimstone on sinners as John the Baptizer.  Though his intentions were pretty spot-on, McLaughlin does need to tighten his internal cues a bit.

I thought the work of Carrie Carls and Barry Cloyd was truly something special.  Ms Carls has a very wide singing range, being a natural soprano who can easily go alto on a moment’s notice.  She was quite adept at picking out the emotional beats of a song, particularly shining as a grieving mother who cannot accept the death of her baby in Mama is Here and bringing a soft jubilance in Jubilation.

Cloyd is a master of the banjo and also shows some good comedic chops of his own as he wrestles with a fish when Jesus tells him he’ll catch a big one if he casts with his left hand.  But his lower tenor voice is his greatest asset best utilized in the melancholic Are We Ready? and the wistful You Are Still My Boy.

As essential as the band and music are to the story, this musical also needs top notch actors to drive the narrative and this show has that needed quality in the forms of Nathan Carls and Greg Floyd.  Both men brought a passion, energy, and animation to their roles that kept me hooked from start to finish and made them astoundingly fun to watch.

Nathan Carls is outstanding as Matthew.  As the play’s narrator, Carls carries the bulk of the show’s dialogue, skillfully navigating its numerous beats.  At one moment he does a little soft shoe because he’s excited about going to Atlanta, in the next he’s the rigid taxman meeting Jesus for the first time, the next heartbreakingly devastated as he relates the story of Jesus’ lynching.  And his expressions. . .so clean and clear.  His disgust at singing Spitball and the aching sadness in his face as he slams a chair to the ground to indicate Jesus’ lynching were highlights of the night.  Carls also possesses a fine tenor voice best featured in the hopeful When I Look Up and the spritely We’re Gonna Love it While it Lasts.

Greg Floyd is an absolutely remarkable Jesus.  He brings an innocence and purity crucial for the Son of God to the role and yet he still manages to exude a quiet confidence and authority that shows he is Lord.  Floyd is also able to capture the heavier moments of Jesus’ mission with equal aplomb.  Some of the play’s best moments occur when his beautiful high tenor voice musically asks, “What does Atlanta mean to me?” in Goin to Atlanta and his haunting request to God that he be able to accomplish his Father’s mission without suffering his vicious death during the Agony in the Rock Garden.

This production also rates strong praise for its technical quality.  Steven Varble’s beautifully simple set evokes the sense of a rural setting with its outline of a ranch house, windmill, and crates. Gene Hinckley’s lights greatly added to the emotional tone of the show with their vibrant colors.

I thought a beat here and there could have been struck differently and the pacing needed some fine tuning at a couple of points, but these minor quibbles were easily overlooked in the overall quality of the play.  My biggest disappointment is that a show this good only gets a 2 week run.  With that being said, I would recommend getting a ticket as quick as you can because when the word starts getting out, this show is going to start selling out.

Cotton Patch Gospel runs at the LRS Theatre in the Hoogland Center for the Arts through March 12.  Showtimes are 8pm on Fridays and Saturdays and 2pm on Sundays.  Tickets are $18 for adults and $16 for students and seniors and can be obtained by calling 217-523-2787 or visiting www.hcfta.org.  The Hoogland Center for the Arts is located at 420 S 6th St in Springfield, IL.

‘Cotton Patch Gospel’ to Play at Hoogland Center for the Arts

What:  Cotton Patch Gospel by Tom Key and Russell Treyz with music & lyrics by Harry Chapin

Where:  Hoogland Center for the Arts (420 S 6th St, Springfield, IL)

When:  March 3-12

This “Greatest Story Ever Retold” is based on the book The Cotton Patch Version of Matthew and John by Clarence Jordan in which the Gospel is presented in a setting of rural Georgia with country music songs. The music is the final, and perhaps best, work of Harry Chapin.

As this Gospel begins, they sing that “Somethin’s a-brewin’ in Gainesville.” Herod is the mayor of Atlanta and, inevitably, Christ is lynched by local thugs only to rise again.

Drama critics loved this show and so did a broad spectrum of religious commentators:

“Entertaining and inspiring, it will lift your spirits and renew your hope.” —The Long Island Catholic

“Rollicking, foot-stomping, hand-clapping new musical!” —The Messenger

The Hoogland’s production will be directed by the popular local director and playwright, Ken Bradbury. Ken directed a very successful production of the show years ago in Jacksonville, and to this day it is the show he is most often asked to stage again. We are thrilled that he has agreed to present the show at the Hoogland!

The stellar cast features Greg Floyd as Jesus, Nathan Carls as Matthew, Ken Bradbury on accordion, Mark Mathewson on guitar and other strings, Carrie Carls on vocals and autoharp, Barry Cloyd on banjo, dobro and other strings, Steve Vincent on fiddle and other strings and Rob Killiam on bass.

Tickets are $18 for adults, and $16 for seniors and students.  Showtimes are Fridays and Saturdays at 8pm and Sundays at 2pm.  For tickets contact the Hoogland Center for the Arts at 217-523-2787 or visit their website at www.hcfta.org.

Cotton Patch Gospel is being sponsored by Concordia Village:http://lssliving.org/communities/concordia-village

Cotton Patch Redux, Days 3 & 4: Cotton Patchless

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Thornton Inn

I imagine you saw the title and thought, “Huh?”  Unfortunately, it is true.  Have you ever had one of those days where fate seemed to conspire against you?  Well, I had that day on Friday and that conspiracy caused me to miss Cotton Patch Gospel. But let’s not get ahead of ourselves.

The drive to Arlington was a shorter trip though somewhat marred by bumpy roads, construction, and heavy Friday traffic.  After weeding through the obstacles, I finally found myself in the town of Arlington where I would be staying at the Thornton Inn owned and operated by Sunny and Terry Graham.

Thornton Inn is quite unique in the sense that it is actually a renovated fraternity house.  The house is actually one of the oldest homes in Arlington being built in the early 1900s.  Eventually it became a frat house until a ruling by the University of Texas-Arlington decreed that all fraternity and sorority houses had to be located on campus.  The home was bought by the Grahams to be used as an office for Sunny’s real estate brokerage.  A suggestion that the home would make a good B & B inspired the Grahams to restore the house to its former scholarly glory and open it to guests in 2013.

Sunny and Terry are very kind hosts and great conversationalists.  Terry, in particular, is full of many incredible tales.  Terry led me to my room, the Remington, which housed a massive king bed which has been one of the most comfortable I have ever slept in and a beautiful modern bathroom with a shower that reminded me of the “Car Wash” in the now defunct Quill and Quilt of Cannon Falls, MN.

After settling in, Terry was kind enough to print out better directions for the Repertory Company Theatre.  After dressing for the play, I briefly toyed with the idea of arranging for a taxi to take me as I was tired after several days of driving.  In hindsight, I wish I had gone with the idea.

Under the best of circumstances, the drive from Thornton Inn to Repertory Company Theatre is about 40 minutes.  What I had to deal with was anything but the best of circumstances.

The journey must be experienced as it is very difficult to describe the roads used to travel from Arlington to Richardson.  One must use the LBJ Freeway and the George Bush Turnpike which consists of a maze of roads and exits which could easily baffle much better drivers than myself.

I was actually doing pretty well and wasn’t too far from my exit point when I saw an electronic sign flash the message that an accident had occurred right where I needed to exit and traffic ground to a halt.  I managed to get around the accident, breathing a sigh of relief that I had given myself 90 minutes just in case.  Then I faced my second problem.

My directions said one had to stay to the left in order to make the necessary turn.  Well, I followed those instructions to the letter. . .and it put me back on the freeway.  Not a problem, I got off at the next exit and got turned back around as precious minutes ticked away.

I found my road and thought I would make it in time to the show, but then I glanced at the road signs where, to my mounting horror, I suddenly saw I was somehow on a different street.  It turns out that the roads in Richardson are not unlike the roads in Flagstaff, AZ.  In Flagstaff if you turn left, the road is Apple Street.  But if you turn left, it’s Blueberry Street.  In Richardson, you need to be in just the right lane or you may find yourself on a road other than the one you want.

I desperately tried to find my road again, getting directions from a gas station.  I finally got back to my road and found the area where the theatre was located, but knew it was an exercise in futility as the show had already started.  I heaved a frustrated sigh and headed back to the inn.

I debated about whether or not I wanted to try again the next night, but there were problems with that.  I knew that each performance had less than 3 rows of seats still available before starting the trip so I wasn’t sure if I could still get a ticket.  You also cannot buy tickets online once it its 24 hours before showtime.  You can call the theatre for a ticket, but the box office doesn’t open until an hour before curtain.  Assuming I could still get a ticket, I still would have had the 40+ minute journey to re-endure.  It was too much of a gamble.  I wrote a letter to the theatre thanking them for Friday’s ticket and explaining why I was unable to make it.

The stress of the failed trip took a toll on my sleep as I woke up during the night with my body going through symptoms similar to a panic attack.  A few deep breaths brought my twitching body back under control and the comfort of the bed helped me fall back asleep.

Terry and Sunny were very sympathetic about my plight.  Terry felt guilty as he had printed out directions for me, but I assured him he could have done nothing more.  The bad luck was completely beyond his control.  But the delicious breakfast of breakfast tacos, fruit, bacon, and a hash brown helped perk me up.

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Breakfast tacos

Luckily I had a relaxing activity planned for the day.  I had arranged for a 90 minute massage at the Sanford House Bed and Breakfast and Spa.  Under Margo’s ministrations I felt my body loosen up and unwind and some cheese and water afterwards helped complete the treatment.  The Sanford Spa is definitely worth a visit if you want some pampering.

Afterwards, I headed to the Parks at Arlington mall where I wandered around briefly before returning to the inn where I watched some Elementary, finished a video game, and caught a nap.

I attended worship services at St Maria Goretti Catholic Church.  This was a beautiful church and the people were so welcoming.  It was a nice service with a good sermon from Father.

When worship had ended and under the suggestion from Sunny, I had dinner at Babe’s Chicken Dinner House.  Sunny had raved about their food and the crowd that met me certainly testified to the quality of the meal as it was packed to the rafters.  Even as the dynamic uno, I had to wait 30 minutes for a table.

But it was worth the wait.  Babe’s is better as a group as it is family style dining.  You get your choice of one of 5 meats and sides of corn, biscuits, salad, green beans, gravy, and mashed potatoes are brought on.  I opted for chicken fried steak which I managed to eat half of and helped myself to a little of each of the sides.  The mashed potatoes are the best I’ve ever tasted.  Price is about $15 per person, so it is very reasonable for the quality and quantity of food.

When dinner was done, I did a little work posting photos, but found myself uninspired to write.  I decided to go to bed.

The next morning I had a filling breakfast of French toast, fruit, bacon, and sausage to strengthen me for the drive home.

I truly did enjoy my time at Thornton Inn and you cannot find better hosts than Sunny and Terry.  If you find yourself in Arlington, do yourself a favor and book a room here.