That Beloved Blockhead

It’s a day in the lives of the Peanuts gang.  Join them in their adventures of life in You’re a Good Man, Charlie Brown currently playing at Great Plains Theatre.

This show is what theatre is all about.  After viewing this production, I think it should be the first show any performer should undertake because it offers actors the opportunity to completely embrace their inner child and just get into the simple enjoyment of pretending and that is the place from which great acting arises.  And, believe me, this ensemble cast understands that and blasts the ball right out of the park with a merry, fun filled production suitable for the entire family.

Clark Goeser’s script does a remarkable job capturing the spirit of the original comic strip.  Astonishingly, this show holds together despite the fact that there is no singular plot.  It’s like watching a series of comics come to life before your eyes.  In fact, some of the interstitials and scenes were pulled straight from the newspaper.  And, yet, it all flows so naturally and truly feels like just another day in the neighborhood.

Goeser’s songs are also a great deal of fun, sometimes incredibly sad and sweet and the additional dialogue of Michael Mayer and songs of Andrew Lippa seamlessly merge into Goeser’s original story.

Directors Mitchell Aiello and Melissa Ford effortlessly bring this production to life.  It’s clear they understand the spirits of Charles Schulz’s characters and bring them to colorful and vibrant life.  They nail the beats of each individual scene and use the power of imagination (the show has very little staging) to pull the audience into the world of the Peanuts gang.  They’ve also guided their performers to pitch perfect depictions of Schulz’s iconic characters making them all instantly believable and recognizable.

Some of the terrific performances you’ll see in this production come from Emi Fishman who is a delight as Charlie Brown’s sister, Sally.  Fishman truly shines as the obnoxious younger sister as she wrestles with stupid jump ropes and develops new philosophies to shift blame away from her poor work in school.  Ben Jaeger is also right on the money with his take on Schroeder.  Jaeger’s Schroeder has that slightly snooty attitude needed for the Beethoven loving piano player.  His bare tolerance for Lucy’s constant presence at his piano is spot on and he is quite the athletic dancer with his backflips in “Beethoven Day”.  Nolan Hall brings a cute charm as Snoopy’s best friend, Woodstock.

Matthew Cox brings real intelligence and wisdom to the role of Linus.  Cox’s Linus has that even keeled nature one would expect from the gang’s resident philosopher and would especially be required of the younger brother of the combustible Lucy.  Cox’s Linus does have a tendency to be too smart for his own good as demonstrated by his doctoral level psychological analysis of the characters of Peter Rabbit, but I especially enjoyed his dependency on his blanket and the little things he did with it.  He didn’t simply drag it around.  He wore it, cuddled it, and even had an impressive tap routine with it in “My Blanket and Me”.

Given how much I disliked the character growing up, I’m amazed at what I’m about to say next.  Erica Lee Bigelow made Lucy my favorite character in this show.  Her commitment to the role is staggering and she perfectly captures the bullying, crabby, bellicose, arrogant, self-centered, selfish, overbearing nature of the neighborhood fussbudget.  Whether she’s doling out questionable advice to Charlie Brown, dreaming of being a queen, or simply pushing around her younger brother, Bigelow is just a scream as the resident brat of the group.

Mitchell Aiello is a hoot as Snoopy.  Aiello perfectly captures Snoopy’s free spirited nature as he truly marches to his own beat.  With Snoopy it’s hard to tell who’s the master and who’s the pet with his refusal to do traditional dog things like fetching and chasing rabbits (though he acquiesces on the latter to get Sally to stop bugging him) and harbors a certain disdain combined with a fierce loyalty to his beloved round-headed kid.  Highlights of Aiello’s performance were his interpretation of Snoopy gleefully escaping into his imagination to battle the Red Baron as the World War I Flying Ace and his showstopping performance in “Suppertime” as Snoopy’s well known mealtime dance morphs into a Broadway dance production.

Ultimately, the show needs to be anchored by its central character and Billy Eric Robinson is the Charlie Brown required for this show.  Robinson ably shows Charlie’s doubts, fears, and insecurities.  But he also shows his decency, his purity of heart, and his perseverance.  While Charlie never notices his more positive traits, it’s those traits that his friends admire most about him.  They may often chide him for his foibles, but they also gladly tell him that he is truly a good man.

Susie Jolink’s musical direction is a pristine piece of precision and having her onstage playing the piano for the musical pieces was an inspired bit of creativity.  Becky Dibben’s costumes look like they were taken right out of the comic strip with bright colors that just pop and match the clothing of the characters’ comic strip counterparts.  Jim Wohler Restorations provides a set that appears simple, but may be a bit more complex than this show typically gets.  Restorations sucks the viewer into the world of the show with the pillars of comic strips, the top of Snoopy’s doghouse, and Lucy’s psychiatric booth.  Mitchell Aiello’s lights also had that needed X factor with the lonely spotlight of Charlie’s sadder and more contemplative moments and the pizzazz of the flashing lights for the equally flashy “Suppertime”.

Great Plains Theatre has conjured a real gem with this production and you should get a ticket to enjoy it.  Bring the family.  Bring your friends.  Revel in your childhood once again and experience theatre in its purest and fullest sense.

You’re a Good Man, Charlie Brown runs at Great Plains Theatre through August 22. Showtimes are Wed, Sat-Sun at 2pm and Thurs-Sat at 7:30pm.  Tickets cost $40 ($20 for students) and can be purchased at  Great Plains Theatre is located at 215 N Campbell St in Abilene, KS.

July is a Hot Month for Area Auditions

At the Circle Theatre

Circle Theatre is holding auditions for its Dec 2016 Holiday Production A Charlie Brown Christmas. Performances run weekends December 2-17. Auditions will be held July 5 and 6th at 7:00p.m. at the  Urban Abby at 1026 Jackson Street in the Old Market.  The production calls for actors ages 8-50 who can sing and dance. Those auditioning will be asked to bring a prepared song to sing.  Auditions are by appointment only. To schedule an audition or for more info please e-mail

At the Chanticleer Community Theatre

  • Elf – The Musical Jr.
  • Sunday, July 10 and Monday, July 11 @ 6:00 p.m.
  • Production Dates: September 16 – 25, 2016
  • Rehearsal Dates: Looking to begin Wednesday, July 13.
  • Bring sheet music and come prepared to sing 16 measures. Accompanist provided.  Wear shoes comfortable for dancing.  May be asked to read from script.
  • Show Summary: The Chanticleer Children’s Theater presents a modern-day holiday classic that’s sure to make you embrace your “inner elf”. This hilarious fish-out-of-water comedy follows Buddy the Elf in his quest to find his true identity.
  • Contact Information: 712-323-9955 or
  • Director and/or Production Team: Denise Putman, Director, Jerry Gray, Musical Director & Ariel Ibsen-Bauer, Choreographer
  • Location:  830 Franklin Ave in Council Bluffs, IA


At Bellevue Little Theatre

Be a part of a time honored tradition!  Auditions for the Bellevue Little Theater’s production of The Music Man will be held on Sunday, July 10th and Monday, July 11th at 7:00 PM.

D. Laureen Pickle is the stage director with Chris Ebke serving as music director, Kerri Jo Watts as choreographer, and Jamie Jarecki as stage manager. Sandy Thompson, assisted by Kerri Jo Watts, is serving as producer.

Numerous roles are available for youth and adult singers, actors, and dancers, ages 8-108. Please prepare 16-32 measures of music with accompaniment. No acappella, please. An accompanist will be available for auditions. Also, bring clothing and shoes appropriate for dance auditions. Finally, please be prepared to list any conflicts during the rehearsal period. We will begin rehearsing July 17th, with productions on September 16th-October 2nd. Questions? Please email the director at or call the BLT at 402-291-1554.

The Music Man is set in the small town of River City, Iowa, and follows the adventures of Professor Harold Hill, a fast talking traveling salesman,  as he attempts to convince town members to buy instruments and uniforms for a boy’s band he ‘intends to form’. Of course Hill intends to skip town with all the money and never form the band….a scheme the local librarian, Marian, suspects.

Before the play’s end Marian has transformed Hill and the boy’s band. You will see where it winds up as the Music Man concludes with a heartwarming finale.

Location:  203 W Mission Rd in Bellevue, NE

Deck the Halls with Gales of Laughter. Fa La La La La Ha Ha Ha Ha

“Marley was dead to begin with.”

And then everything goes to hell.  This is Every Christmas Story Ever Told. . .And Then Some currently playing at the Blue Barn Theatre.

Less a play than a piece of Christmas metafiction, this show features three actors, playing highly exaggerated versions of themselves, who delightfully and hilariously educate the audience on Christmas beliefs and traditions from around the world while lampooning various Christmas tales.  Susan Clement-Toberer’s masterful direction hits all the right notes as her trio of comic geniuses will have your sides splitting by the time the night is over.

Ben Beck plays the leader of the troupe.  A serious actor, he simply wants to share the story of A Christmas Carol.  He is constantly thwarted by his two cohorts who would rather run through every Christmas story know to humanity.  Beck reluctantly goes along for the ride on the condition that A Christmas Carol is performed as part of the anthology.

Beck is a bit of a hapless sad sack as he constantly gets the short end of the stick in this spectacle.  He is forced to play the Grinch, receives impossible questions during a fruitcake quiz show, and is accused of not believing in Santa Claus (which he does not).  Yet he bravely soldiers on in pursuit of performing his beloved story.  When he finally gets his opportunity, he becomes a manic force of energy as he effortlessly and blitzingly changes identities from Scrooge to George Bailey (doing a Jimmy Stewart that Stewart would envy) on the turn of a dime due to his story getting hijacked by one of the other performers.  Beck did trip over his lines on a couple of occasions, but that appeared to be due to the breakneck pace of the show.

Bill Grennan is a riot as he plays a naïve, lovable man-child.  He is truly a wide-eyed innocent who loves the Christmas specials of his childhood and still believes in Santa Claus.  Grennan’s role is arduous as he constantly zips around the stage and theatre, almost warping between various unusual spots.  He’s allowed the chance to do some brilliant character works as he portrays Gustav, the Green-Nosed Reingoat (to avoid copyright infringement), a slightly lascivious Frosty the Snowman (who sounded like Charlie in the Box from Rudolph, the Red Nosed Reindeer), a pirate searching for the white bearded whale, Moby Nick, and a sweet, dramatic turn as Linus Van Pelt delivering the “what Christmas is all about” monologue from A Charlie Brown Christmas.

Grennan also subtly shows that his character may not be as innocent and dimwitted as he appears.  He is determined to get his own way and is the one who actually gets the ball rolling on sharing Christmas tales due to his refusal to do A Christmas Carol.  Grennan’s usurping Beck’s A Christmas Carol with It’s a Wonderful Life is quite a sly move from someone Beck claims “isn’t the brightest bulb on the tree”.

Teresa Sindelar’s comic acumen has never been sharper than with this performance.  Ms Sindelar willingly goes along with Grennan to present all of these Christmas stories, but seems to do it because she simply wants to have fun and not to avoid A Christmas Carol as she willingly assists Beck in his telling of that story in Act II.  Her chameleon-like ability to assume any character is allowed to shine as she transforms herself from a slightly psychotic Yukon Cornelius, to a parody of Barbara Walters commentating (sometimes under her breath) on the Macy’s Thanksgiving Day Parade, to the Ghost of Christmas Yet to Come earnestly pantomiming an important message to Beck’s Scrooge that nearly had this writer falling out of his chair.

In the end, words cannot do justice to this show.  It must be experienced.  The sureness of the direction and the devastatingly accurate comic timing of the three performers played out on a stage beautifully designed by Martin Scott Marchitto, painted by Craig Lee, and lit by Carol Wisner makes Every Christmas Ever Told. . .And Then Some a hit for the holidays.

Every Christmas Story Ever Told. . .And Then Some plays at the Blue Barn Theatre though December 21.   Tickets are going fast.  The only shows with tickets remaining are Dec 11 and 18 at 7:30pm and December 21 at 6pm.  Tickets are $30 for adults and $25 for students, seniors (65+), TAG members, and groups of ten or more.  For reservations, call 402-345-1576.  The Blue Barn Theatre is located 614 S 11th St in Omaha, NE.