Holidays at Disney, Day 1: Educational Fun (EPCOT)

Geosphere (also houses Spaceship Earth ride)

Boy, are my dogs barking.  (Notices reader)

Oh, hi there!

I just finished one hectic adventure.  So hectic that I had neither the time nor the energy to do my daily write-ups.  So welcome to Part I of the tale of my final visit to Walt Disney World.

WHAT????  I hear some of you expostulate.  Let me clarify.

Those who know me know of my fondness for the Disney parks.  While I have enjoyed them as a solo visitor, I realize that adventures like this are even more fun when shared.  So, barring unusual circumstances, the next time I visit Disney, it will be with friends and family.

Upon making this decision, I decided to plan a very special finale, especially as my last visit to WDW was ten years ago.  Normally I visit during the summer, but that brutal heat and humidity eat me alive.  Now my love for Christmas is legendary and having done an early family Christmas, a most wonderful idea struck me.

I would visit WDW right after Christmas and fuse my love for the holidays with WDW.

December 27 found me flying a non-stop flight to Orlando via Southwest.  God was looking over me that day as a powerful tail wind brought me to Florida almost 40 minutes early. 

During the pandemic, I finally caught up to the rest of the planet and invested in a smartphone.  So I downloaded the My Disney Experience app and I’d highly recommend it for your visit to Disney parks.  You can plan an itinerary, get tips, order food, make Lightning Lane and restaurant reservations (120 days in advance as opposed to the 60 using the webpage via a computer), and check into your hotel far in advance.  On arrival day, the app will give you your room number and, with MagicMobile, your phone turns into the room key and park passes.  That way you can bypass the front desk, go straight to your room, and have more park time.

But first, you have to get to your hotel.  I made use of Disney’s Magical Express which provides free round trip transportation from airport to hotel for those staying on Disney property.  Once upon a time, the Magical Express also took care of your luggage so you could skip baggage claim, but I learned that particular service was no longer offered when I booked this trip. 

Disney’s Magical Express

Regrettably, you will not be able to make use of this service as Magical Express ended operations as of Dec 31 so I ended up being one of the final people to ever make use of it.  Mears, the company that managed Magical Express, will still work with Disney to provide transportation, but it’s going to cost you.  Standard service will be $32 a head for round trip standard service and an express service will be offered for $250 (for up to 4 people).  I’d stick with standard service as you’ll be on your way within 20 minutes.  Outside of price, the only real difference is that express takes you straight to your resort while you might make a few stops with standard service which was how the Magical Express operated.

As my final solo outing, I decided to book a moderate resort (Disney’s middle tier).  Moderate resorts will have some onsite restaurants and bigger rooms.  I picked Coronado Springs and hit the jackpot.

Coronado Springs

Coronado Springs has been dubbed “the deluxe resort (top tier) priced as a moderate” and I believe it.  It had recently gone through a massive renovation which updated the rooms and added the Gran Destino Tower which is a more luxurious set of rooms.  The property also contains a fitness center and spa and is Disney’s largest property.  It’s like a small town and has multiple bus stops.  Since the price difference was negligible, I booked a preferred room with a king bed.  Preferred rooms guarantee a good view of the property and usually contain a view of the lagoon or swimming pools.

I was notified that my room was ready while I was on the Express so I was delighted that I could go straight to my room without having to store my luggage since I was arriving several hours earlier than the 3pm check in time.

I entered the main lobby at Gran Destino where I was directed to my room.  I felt my Christmas juices flowing as I gazed at the elegantly decorated lobby and couldn’t wait to see what the parks had prepared for Christmas.  I took the elevator to the lower lobby and marveled at the button design as they were on the outside of the elevator.  You press the button for your floor, then get a message saying what elevator will be transporting you.

It was a fair hike to my room at about 10 minutes, but I had a room on the top floor with a lovely view of the courtyard and swimming pool.  A very spacious room awaited me and I put my clothes and toiletries away and immediately headed to Epcot.  For those on property, complimentary bus service is available at all resorts.  Some of the resorts also have alternate modes of transportation.  Depending on where you’re staying, you might be able to travel via boat, monorail, or gondola.

EPCOT (Experimental Prototype Community of Tomorrow) is the park I always do on the first day since I can’t get a full day.  It’s a more adult themed park as it’s very educational and cultural.  While it does boast rides, they’re all very slow paced and perpetual motion based with a few exceptions.

Epcot is also broken into two sections:  Future World and World Showcase.  Future World deals with science and technology (mostly) while World Showcase takes you on a miniature tour of the world.

I started things off in Future World by visiting Test Track.  This is the lone power ride of the park which simulates the testing of a new car.  This ride also boasts a single rider line so solo guests can bypass the main line and just fill in a gap.  Groups can use this line, but you will be split apart.  But I highly suggest using it as you’ll get to ride in about 5 to 10 minutes so you could do it several times over.

From there I also enjoyed rides on Spaceship Earth, Living with the Land, and Journey Into Imagination with Figment. 

Spaceship Earth (pictured at the top of this article) is the ride in Epcot’s famed geosphere (or giant golf ball, as its nicknamed) which takes you on a tour through the history of communication.  It’s also the longest ride in any of the parks at a whopping 16 minutes and is narrated by Dame Judi Dench.  The ride is slated for a massive overhaul which will shut it down for two years, but that project was delayed by the pandemic and has not yet been rescheduled.

Speaking of the pandemic, masks are required on all rides and anywhere indoors.  Now back to the rides.

Living with the Land takes you on a boat ride where you learn about growing foods.  The fruits, spices, and vegetables you see growing in the greenhouses are actually used in Disney restaurants.  Journey Into Imagination with Figment takes you on a tour of the Imagination Institute hosted by Dr. Nigel Channing (played by Monty Python alum, Eric Idle).  Channing’s tour gets taken over by Figment, a talking purple dragon who teaches you how to unleash your imagination.

Then I made a stop at Club Cool which is an exhibit where you can sample Coca-Colas from around the world.  It’s a good place to get free drinks though you can also get free cups of water at most eateries as Florida law mandates that it be available due to the sweltering heat in the summers.

They had actually changed up the flavors from my last visit.  My favorite was Country Mix from the Dominican Republic which has a creamy, fruity flavor.  Beverly, from Italy, is my least favorite and isn’t meant to be enjoyed.  It’s a bitter aperitif meant to activate your taste buds so you can enjoy your meal more.

Then I began meandering around the World Showcase beginning with the giant Christmas tree.  I admit I was surprised at what I considered the lack of Christmas decorations.  Don’t get me wrong.  There were elegant wreaths and lights everywhere, but I was expecting a lot of flash and pizzazz and not the understated beauty I saw.

Epcot is running its Festival of the Holidays so each country in World Showcase is doing little shows explaining how Christmas is celebrated in that particular region.  It also does a Candlelight Processional telling the story of Jesus’ birth each night with a different celebrity reader each week of the holiday season.

Each region also has special food kiosks for the holiday season so you can sample food and drink from different cultures and each sample costs between $5ish to $15ish.  I hadn’t eaten all day so I stopped at L’Chaim where I had a delicious pastrami on rye with a homemade pickle and mustard to tide me over until dinner.

I did walk through all the countries, but stopped at the Mexico Pavilion where I entered the faux Mayan pyramid so I could ride Gran Fiesta Tour, a boat ride that shows you the culture of Mexico under the conceit of Panchito and Jose Carioca of the Three Caballeros searching for Donald Duck so they could perform their concert.

Then it was time for dinner.  Epcot has the best restaurants of the 4 parks so I had dinner there each night.  For the first night, I hit up one of my favorites:  Teppan Edo in the Japan Pavilion.

Teppan Edo

Teppan Edo is teppanyaki dining which means the food is cooked at your table.  A salad course precedes the main entrée and it was served with a ginger peach dressing that blew my socks off.  For my main course, I enjoyed steak, chicken, and shrimp served with vegetables and Udon noodles along with steamed rice and enjoyed some conversation with Dave and Kyla who were seated with me at the table.

With a fine meal under my belt, I enjoyed the Christmas lights as night had fallen and the geosphere had been turned into a mammoth Christmas ornament as it went through a beautiful light show.

I had thought about using my Park Hopper to dash over to Magic Kingdom, but it had been a long day.  So I returned to Coronado Springs to go to bed as I had to get up mighty early the next morning.

Springer Opera House Announces ‘Theatre Under the Stars’

Columbus, GA–Citizens will see an outdoor theatre going up on the corner of Tenth Street and Second Avenue downtown over the next six weeks as the Springer Opera House creates an innovative way to protect their audiences and artists this spring.

“COVID transmission rates are inching downward in Muscogee County but patrons aren’t quite ready to gather indoors yet,” said Springer producing artistic director Paul Pierce.  “We anticipate a continued downward trend as the weather warms and the impact of the vaccines takes hold.  Meanwhile, this amphitheatre will give patrons a quality theatre experience designed for safety.”

The Springer has repackaged its remaining shows as the “Springer Theatre Festival” and designed a comfortable fresh-air performance space with distanced seating, an outdoor lighting system and advanced video projection equipment, allowing the theatre to produce shows on a broad, thirty-two foot stage right next to the 150 year-old historic theatre.

Pierce explained, “We’ve adjusted the calendar a bit and scheduled seven shows between mid-March and late June. Six of those shows are musicals.  Columbus Consolidated Government has been very supportive in helping us work through the permitting and rules to be able to pull this off.  I’m very grateful to Mayor Henderson and City staff for all their encouragement.”

The first production in the Springer Theatre Festival will be a remount of Singin’ in the Rain which had to be cancelled when the pandemic hit last spring.  That show will kick off the Springer Theatre Festival on March 18.

Theatre lovers will also have the option of seeing shows via web streaming, if they prefer.

Masks will be required to be worn by patrons. Temperature checks and social distancing will also be required.  

Singin in the Rain – Broadway song-and-dance musical based on the film classic.

March 18, 19, 20, 26, 27, 28, April 1, and 3 at 8pm 

March 21st at 2:30PM

Cotton Patch Gospel – The story of Jesus set in modern-day rural Georgia. Bluegrass musical.

March 24, 25, and April 2 at 8pm 

March 27, 28 and April 3 at 2:30PM

Click Clack Moo – Children’s Theatre musical comedy about cows who demand blankets.

April 10 and 17 at 10am / 12:30pm / 2pm 

April 11 and 18 at 2pm

The Best Little Whorehouse in Texas – The Broadway musical set at the famous Chicken Ranch Texas brothel.

April 29,30 May 1, 6, 7, and 8 at 8pm 

May 2 and 9 at 2:30PM

Planes Trains and Things that Go Zoom – Theatre for the Very Young show about transportation

(In the backyard plaza)

May 1 and 8 at 10am / 12:30pm / 2pm

Curious George and the Golden Meatball –  Children’s Theatre show about the mischievous monkey who enters a cooking contest in Rome, Italy.

May 28 and June 4 at 7pm

May 29, June 5, and 12 at 10am 

May 29,30 June 12 and 13 at 2pm

Spamalot – Hilarious Broadway musical comedy based on Monty Python and the Holy Grail.

June 11, 12, 13, 17, 18, 19, 20, 24, 25, 26 at 8pm 

June 27 at 2:30PM

Find Your Grail

The search for the Holy Grail takes a turn for the absurd and ludicrous when God charges King Arthur and his Knights of the Round Table to find the cup of Christ in the raucous musical, Spamalot, currently playing at the Omaha Community Playhouse.

This story, based off of the movie, Monty Python and the Holy Grail, is actually a natural fit for a musical thanks to the unique, nonsense humor of Monty Python.  Since anything could, and often did, happen in Monty Python sketches, the thought of songs suddenly breaking out of nowhere seems like another day on the job for the Python crew.  The script is sharp and witty and a fairly good translation of the film due to the fact that it was written by Python alum, Eric Idle, who also composed the music with John Du Prez.

Even if you have seen the film, the musical promises lots of surprises with new scenes and characters not present in the original movie.  The flip side of this is that some of the classic moments of the film do not make it into the musical which may disappoint purists.  The new material is very good for the most part, but some of it is actually based off of old Python sketches causing those particular jokes to feel a bit forced since they were gags meant for something other than this play’s source material.

The directing of Mark Robinson and Jeff Horger is excellent.  This is a very high energy show and the pace never drags, slows, or pauses.  It is also very well staged and the two directors have shaped some strong, sharp performances from their group of actors.

Nick Albrecht blasts a home run in his Playhouse debut in the role of King Arthur.  Albrecht’s presence fills the theatre and his powerful baritone imbues Arthur with just the right blend of majesty, authority, and, dare I say, humility.  It is easy to see why people would want to follow this Arthur as Albrecht seems like a natural leader.  He also has a wry, subtle sense of humor best exemplified in numbers such as “Always Look on the Bright Side of Life” and “Knights of the Round Table” with the latter being a particular highlight due to his “dancing”.  At the same time, Albrecht was also capable of fine dramatic moments with “Find Your Grail” and “I’m All Alone”.

Melanie Walters nearly swipes this show from the rest of the cast with her turn as the Lady of the Lake (as well as doing double duty as the show’s choreographer).  Beginning as an otherworldly fairy who granted the sword, Excalibur, to Arthur, Ms Walter slowly morphs into a diva as her acting gets a little bigger each and every time she appears on stage, culminating in her big moment “Whatever Happened to My Part?” which is actually a massive gripe about her lack of stage time.  And, heavens, can she sing!  Aside from her featured number, Ms Walters’ nearly superhuman alto also belted out several variations of “The Song That Goes Like This” (once in a dead on mimicry of Bette Midler) that was a treat for the ears.  Her performance alone is worth the price of admission and was one of the funniest performances of the season.

I would like to know where Matthias Jeske has been hiding because his is a phenomenal talent.  Jeske is a marvelously versatile performer as he leaps between multiple characters in his Playhouse debut.  So skillful and nuanced were Jeske’s changes in voice and body language that I found myself looking at my program several times and was stunned to discover that I was watching the same actor that I had only seen moments before.  Whether he was the erudite, if slightly pompous, Historian, the imposing Knight who said Ni, or the land hungry, music despising king of Swamp Castle, Jeske could do no wrong in a stunning, tour de force performance.  Jeske was equally impressive on the singing and dancing side of things with gut busting turns as Not Dead Fred in “I’m Not Dead Yet” and Sir Robin’s chief minstrel in “Brave Sir Robin”.

Other standouts in the cast were Zach Kloppenborg as the brutally violent, Sir Lancelot, who has his own secret (“His Name is Lancelot”) and the mercilessly funny French Taunter.  Brian Preisman’s coconut clapping and laconic Patsy.  Adam Hogston, whose cowardly Sir Robin joins the Knights because he wants to sing and dance and gets his chance in “You Won’t Succeed on Broadway”.  Don Harris as the intelligent Sir Bedevere (channeling a little Bill Murray) and the widowed, lonely mother of Dennis/Sir Galahad.  Ryan Pivonka as the acerbic Dennis who is transformed into the dashing Sir Galahad.  Marcus Benzel who dominates the stage in an awesome cameo performance as the effeminate Prince Herbert.

Jim Boggess and his orchestra strike gold again with a precisely performed and spritely score.  Steven Williams’ lighting and special effects add the right bit of atmosphere.  Steve Wheeldon’s scenery dazzles as we roam from old castles to “very expensive forests”.

A few minor flaws were present in the night’s performance.  There were sound issues on a few occasions and some of the dancers were slightly off at a couple of points.  The duel between King Arthur and the Black Knight also needed some tidying.  But these small quibbles are instantly forgotten in this hilarious and energetic romp.

Deep this show is not.  It’s all about fun and entertaining the audience.  Yet there is one deep thought prevalent in the show and that’s when Arthur refers to the quest for the Grail as a search for the Grail within ourselves or finding the one thing which makes us happy which all of the characters in this show are able to do.  I found that quite profound and a valuable life lesson.  So come see Spamalot for the moral lesson, but stay for the comedy.  Just watch out for that rabbit. . .

Spamalot plays at the Omaha Community Playhouse through June 28.  Showtimes are 7:30pm Wed-Sat and 2pm on Sundays.  Tickets cost $40 for adults and $25 for students.  Contact the box office at 402-553-0800 or visit www.omahaplayhouse.com The Omaha Playhouse is located at 6915 Cass St in Omaha, NE.

Legendary Comedy Turned Musical is Playhouse’s Season Finale

Spamalot

Lyrics by Eric Idle; Book by Eric Idle
Music by Eric Idle & John Du Prez

Show Dates:  May 29-June 28 (Wed-Sat at 7:30pm & Sundays at 2pm)

Tony-award winner for Best Musical, Spamalot is the uproarious comedy “lovingly ripped off from” Monty Python and the Holy Grail. Off-the-wall humor fills King Arthur and his companions’ quest for the Holy Grail. Their journey is side-splittingly interrupted by the Knights who say Ni, Harold the Shrubber, The Black Knight and countless other iconic characters. Whether you are a die-hard Monty Python fan or as you read this, you wonder, “What is a ‘Monty Python?’” you will no doubt love the hilarity of Spamalot.

Tickets go on sale May 12.  Tickets prices are $40 for adults and $25 for students.  Tickets can be obtained at www.omahaplayhouse.com or call 402-553-0800.  The Omaha Playhouse is located at 6915 Cast Street in Omaha, NE.

sponsor: TD Ameritrade
orchestra sponsor: Paul & Oscar Giger Foundation
media sponsor: WOWT

Directed by Mark Robinson

Cast

Nick Albrecht – King Arthur
Kyle Avery – Ensemble
Marcus Benzel – Prince Herbert
Katy Boone – Ensemble
Josh Davis – Ensemble
Jason DeLong – Ensemble
Brooke Fencl – Ensemble
Colin Frye – Ensemble
Don Harris – Sir Bedevere, Dennis’ Mother, Concord
Adam Haverman – Ensemble
Adam Hogston – Sir Robin
Megan Ingram – Ensemble
Matthias Jeske – Historian, Fred, Herbert’s Father, Ni, Frenchie, Minstrel
Melissa King – Ensemble
Zach Kloppenborg – Sir Lancelot, Mayor, French Taunter, Tim the Enchanter
Aaron Lawrence – Ensemble
Connor Meuret – Ensemble
Ryan Pivonka – Sir Galahad/Dennis, Black Knight
Brian Priesman – Patsy
Samantha Quintana – Ensemble
Sydney Readman – Ensemble
Emily Tencer – Ensemble
Lindsey Ussery – Ensemble
Melanie Walters – The Lady of the Lake