I’ll Take the High Road, Days 1-2: Honored Feasgar Math (Good Afternoon)

Oh, I’ll take the high road and you’ll take the low road and I’ll get to Scotland before you. . .unless of course you’ve already been to Scotland.

It was time for another international excursion and this time the road was taking me to Scotland through the courtesy of Globus Journeys once more.

I was in for another long day of travel with 2 layovers of 3 hours and 2 hours apiece.  Actually, it ended up being a little bit longer as both of my flights arrived early.

This time around I used Delta Airlines to travel and all 3 of my flights were itty bitty.  The first two legs used regional jets that were only 4 seats across and the international leg utilized a single decker plane with rows that were only 6 seats across (what I would have expected for a domestic flight).

As I wrote earlier, Delta was exceptionally timely as my first flight got me to Detroit 45 minutes early giving me a nearly 4 hour layover.

I have never been to Detroit Metro Airport before, but it is either remarkably well-maintained or I was in a new or recently remodeled terminal.  I got a little exercise by walking from one end of the terminal to the other while I noted things to do and attempted to find a place to eat.

Since I had the time, I stopped in at the Be Relax Spa where I decided to get a 15 minute chair massage as my shoulders were feeling a bit cramped (the common complaint of a writer).  I didn’t know how cramped until Shelby started working my shoulders and said, “Oh, they are tight.”  As Shelby rubbed, elbowed, and forearmed my shoulders, I felt (and heard) them snap, crackle, and pop back into place.

With my shoulders now out of my ears, I decided it was time to find some dinner.  I wanted something a bit different and opted for Popeye’s.  They were out of the bread needed to make po’boys, so I had a 2 piece spicy chicken dinner and it truly hit the spot.

With a full stomach, I waited at the gate and read a Nero Wolfe mystery until it was time to jet to New York City.

Delta was 45 minutes early with this flight as well, so I spent the time reading at the gate and marveled at how busy the airport was at such a late hour.  I was taking my first true red-eye flight as it was leaving at nearly midnight, but the airport was still hopping.

I landed the money seat for my flight to Glasgow as I got a window seat plus was seated at the rear of the section which meant I could recline the chair as far as possible without fear of disturbing the person behind me.

While I enjoyed the seat, it wasn’t quite what I hoped as the seat was pretty much up against the wall so reclining wasn’t an option and my window wouldn’t close which meant I got a blast of sunshine in the kisser which, while enjoyable, isn’t that well received when I’m trying to rest and nap.  I plastered my pillow across the window to try to block the light with mixed results.

The flight was very smooth and I was surprised that they actually served a meal shortly into the flight as I figured they might wait and serve it closer to breakfast time as it was so late.  I declined the meal and instead watched Green Book, an excellent film about the friendship of jazz pianist, Dr. Donald Shirley and his driver, Tony “Lip” Vallelonga starring Mahershala Ali and Viggo Mortensen.

When the movie ended, I exhaled a mighty yawn, snuggled up in my blanket, and leaned my pillow against the window for some shut-eye.  I slept for about 90 minutes before some turbulence shook me awake.  Knowing I wasn’t going to fall back asleep, I watched Lost in Translation with Bill Murray and Scarlett Johansson, played Texas Hold Em Poker (winning two tables in the process), and had a light meal of orange juice, peach muffin, and honey yogurt around breakfast time.

Soon we began our descent and as we burst through the clouds, I was greeted by prime and lush farmland that was just pretty as a picture.  Shortly afterwards, we flew over a couple of golf courses and finally landed at Glasgow International.

I was able to grab my suitcase and blasted through Customs as Glasgow uses a passport scanner to speed up the process.  I figured I had another hour to wait as the shuttle to the hotel wasn’t scheduled to leave until 12:30pm.  I was delighted to find that it was waiting for us and I, along with 8 other group memebers, were able to be taken to our first hotel of the trip:  Doubletree.

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Doubletree Hotel in Glasgow City Centre

Upon arriving, I was informed that check-in time would not be until 3pm unless you were a Hilton Honors Member.  Since I wasn’t I was looking at 3 hours of waiting time, so I decided to explore the area.

 

I walked around nearby Sauchiehall Street, a famed area in Glasgow filled with shops and restaurants.  I passed a department store called Marks & Spencer which I’ve learned is the place to exchange currency as they charge no commission, so you get almost market value for your money.

Spying a grocery store, Sainsbury’s, I stopped in to see if I could once more find Mountain Dew for my friend, David Sundberg, and there it was right off the bat.  After getting the photographic evidence, I decided not to buy the bottle as it was large and it was written in English.

I decided to get a small snack to keep my stomach clock on a normal schedule and stopped in at a Taco Bell mainly because I was shocked to see one outside of America.  I ordered a Cheesy Double Decker Taco and learned that getting something “to go” here is getting it for “take away”.

The meat was seasoned differently than the American version.  Not spicier, but somehow sharper.  I also noted that the regional menu also included the Volcano Burrito, a favorite of Dave’s (heck, Taco Bell is his go-to joint in general).  So if you’re reading this Dave, here’s another reason to join me in my travels.

I shortly realized that my exhaustion was winning out, so I decided to sign up for Hilton Honors so I could check in early.  Not only did I get the benefit of checking in early, but it has already proven a wise decision as I will more likely than not be utilizing a Hilton property for an upcoming visit to Arizona so I’m guaranteed a better rate, early check-in, and free Wi-Fi.  Even better, it took a bit to get me a room, so the clerk offered me comps for drinks at the hotel bar.

Once I got my bags in place, I collapsed on the bed and took a two hour catnap.  I felt remarkably better upon waking as the edge was taken off the jet lag.  I wandered around the hotel a bit and then took a long, hot bath and dressed for dinner.

Dinner was held in The Brisket at the Doubletree.  Already I met quite a few new friends and enjoyed some splendid conversation with a fabulous dinner that included a pureed mushroom soup, grilled ham with a sweet glaize, new potatoes, carrots, squash, sugar snap peas, with sticky toffee pudding and ice cream for dessert.

 

I drank a Guiness with my dinner and I used one of comps to enjoy a Grandbois.  It’s a honey whiskey.  I was hoping to get an Atholl Brose, a Scottish drink consisting of whiskey, oatmeal brose, honey, and cream, but they didn’t have the fixings, but perhaps another time.  With the Grandbois, I toasted my friends, Val and Marty O’Brien whom I hoped would also be on this tour, but they will get to enjoy this tour in early 2020.

With a fine dinner digesting, I figured it was time to write and rest in order to be ready for the adventure that would begin in earnest the next day.

Macca’s Genius Keeps on Rollin’ in Eclectic “Egypt Station”

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Back in 1989, Paul McCartney’s then manager suggested that he consider calling it a career after the release of Flowers in the Dirt as McCartney had just turned 50, supposedly ancient for a rocker.  Well, it’s 2018.  Sir Paul is 76.  And he’s still just as vital and talented as he was back in 1989.  No, no.  Wait a minute.  As he was back in the heyday of the Beatles.  And that gift for melody and unbridled, indefatigable energy is on proud display in Egypt Station, his 18th solo album (25th post-Beatles album).

Let’s be honest.  McCartney really doesn’t need to do it anymore.  His reputation and legacy are set in diamond.  He certainly doesn’t need the money.  But, like all artists, he still needs to create and he’s as dedicated to his craft now as he was at the beginning.  The result is an album which I personally consider to be one of his absolute best as it combines the intelligence, weightiness, and depth of Chaos and Creation in the Backyard and merges it with the classic Macca formula.

Egypt Station is really a musical travelogue as McCartney has written a set of songs that takes us on a trip through his entire career.  You’ll get Beatleslike rockers such as the nice little foot-stomper, “Come On to You” and the frothy, but fun, “Ceasar Rock”.  You’ll even get a throwback to Abbey Road with the suite number of “Hunt You Down/Naked/C-Link”.  Journey through the era of Wings with the 70s style “Who Cares” and “Despite Repeated Warnings” which is a Band on the Run for today’s political climate.

Paul even takes a jaunt through some of his less than successful records best exemplified with “Back in Brazil” and “Nothing for Free” where he again dabbles in electronica.  While the former is a meh song, the latter is an excellent electronica rocker to close the album.

However, the best songs are the ones where Paul displays raw vulnerability and intelligence.  “I Don’t Know” is an instant classic and shows McCartney at his rawest and most honest.  “Happy With You” is a sweet love song to his wife, Nancy Shevell and “People Want Peace” is a brilliantly constructed anthem.

True, age shows a bit more in his voice as it cracks and creaks, but I think it actually adds potent character to his songs, especially to the softer, more powerful numbers.  But that unmatchable gift of melody is still untouched and functioning at peak capacity.

Take a ride on Egypt Station.  It’s one of the best works from an artist who’s still churning out pleasurable and exciting music after 55 years and shows no signs of slowing down.

Special Guests MAX And Parade Of Lights Join R5’S Winter 2016 Sometime Last Night Tour

Monday – March 14, 2016 – 7:30 p.m. Holland Performing Arts Center

OMAHA, Neb. – December 15, 2015 – As they wrap up a stellar 2015 that included the release of their highly successful sophomore album Sometime Last Night and subsequent headline world tour of the same name, pop-rock quintet, R5, has announced emerging talents MAX and Parade of Lights as special guests throughout the band’s 20+ city winter 2016 tour leg in addition to previously announced opener Ryland.

Tickets for the March 14, 2016 Omaha performance are available exclusively at www.TicketOmaha.com, 402-345-0606 or at the box office, 13th & Douglas streets. Prices: $49.50 and $37.50.

Parade of Lights, an alt-electro band based in Los Angeles comprised of Ryan Daly, Anthony Improgo, Michelle Ashley & Randy Schulte, will be featured on the first half of the tour, beginning with its January 26 kick-off date in Stockton, Calif.’s Bob Hope Theatre. The group combines equal parts rock, new wave, and shoegaze to create a unique blend of 80’s influenced pop drawing on inspiration from artists like U2, Depeche Mode, M83, and even Madonna. On the strength of having their independent single “We’re the Kids” garner Top 10 spins on SiriusXM’s Alt Nation channel and receive favorable blog reviews, the band signed to Astralwerks Records in 2013. Upon releasing their Golden EP on the label in 2014, Parade of Lights saw the title song used by NBC for its Sochi Winter Olympics promos and subsequently featured in TV campaigns for ESPN, The Voice, Super Bowl XLIX, the Grammys, Oscars and Golden Globes. In June 2015, the band released their debut album, Feeling Electric. The full length got a huge boost when its title track was featured in EA Sports’ FIFA 16 along with the online trailer for the game. In the last two years Parade of Lights has performed and toured with Imagine Dragons, X Ambassadors, Awolnation, Smallpools, Fitz & The Tantrums, and The Neighbourhood among others. They have also played destination festivals like Bonnaroo, Firefly and Life Is Beautiful. In the summer of 2016, Parade of Lights will release new music and embark on their first European tour. More information about PoL can be found on their website, Twitter, Instagram, YouTube and Facebook.

MAX, a New York City-born pop-soul singer, actor and dancer who was named MTV’s 2015 Artist To Watch, will take over beginning February 24 in Red Bank, N.J. at Count Basie Theatre and continue through the tour’s conclusion on March 17 in Sioux City, Iowa’s Orpheum Theatre. Following in the footsteps of pop moguls Justin Timberlake and Bruno Mars, MAX’s powerful acrobatic tenor commands attention. 2015 was a banner year for MAX – in February, he signed with Pete Wentz’s DCD2 Records and in March, he released the single “Gibberish” featuring HoodieAllen. The song was one of the selected tracks featured by YouTube for the 2015 YouTube Music Awards alongside songs by Ed Sheeran & Charli XCX, and its groundbreaking music video accumulated over 4.5 million views in just one week and has racked up more than 10.5 million views to date. MAX spent the summer on the road as a featured performer on the Boys of Zummer tour with Fall Out Boy, and Wiz Khalifa before releasing his DCD2 Records-debut EP Ms.Anonymous in September. In October, MAX embarked on his first headline tour across the U.S., which included multiple sold out dates. MAX’s devoted fanbase and original voice has given him an incredibly strong social media presence with over 1.2 million followers on YouTube, 390,000 followers on Twitter and over 940,000 likes on Facebook.

Currently, MAX is gearing up for the December 18 release of his newest EP Wrong as well as working in studio with Pharrell Williams, Wiz Khalifa, and other top producers and songwriters on his upcoming full-length album due in 2016. The singer has also contributed vocals to the debut release of rapper Taylor Bennett, brother of Chance The Rapper. MAX can be found on his website, Twitter, Instagram, YouTube, and Facebook.

R5’s extensive worldwide touring schedule has not been lost on fans and critics throughout the Sometime Last Night tour since its launch in July 2015. The Arizona Republic described the band as energetic and “super-talented,” noting that they are “unique in today’s pop music scene, eschewing the use of samplers, pre-recorded beats and trendy bass drops, and relying instead on solid songwriting played with a traditional guitar-bass-drums-keys setup.”

Of the band’s sophomore record, the Boston Globe praised that “with their new album, [R5] are striking out into writing their own material…their slightly funky brand of hooky spirited pop wouldn’t be out of place on playlists geared toward those who appreciated mid-period Maroon 5.”

R5 U.S. Winter 2016 Tour Dates

Featuring opener Ryland & Parade of Lights

Date City Venue

January 26, 2016 Stockton, Calif. Bob Hope Theatre

January 27, 2016 Fresno, Calif. William Saroyan Theatre

January 29, 2016 Pomona, Calif. Fox Theater Pomona

January 30, 2016 San Diego, Calif. Balboa Theatre

February 1, 2016 Tucson, Ariz. Tucson Music Hall

February 2, 2016 Albuquerque, N.M. Kiva Auditorium

February 4, 2016 San Antonio, Texas Majestic Theatre

February 6, 2016 Austin, Texas Paramount Theatre

February 9, 2016 Memphis, Tenn. Cannon Center For The Performing Arts

February 10, 2016 Birmingham, Ala. Iron City

February 12, 2016 Orlando, Fla. Dr. Phillips Center For The Performing Arts

February 13, 2016 Clearwater, Fla. Ruth Eckerd Hall

February 16, 2016 Augusta, Ga. William B. Bell Auditorium

February 17, 2016 Knoxville, Tenn. Knoxville Civic Auditorium

February 18, 2016 Charlotte, N.C. Ovens Auditorium

February 20, 2016 Norfolk, Va. The NorVa

February 21, 2016 Richmond, Va. The National

February 23, 2016 Washington, District of Columbia

Lincoln Theatre

Featuring opener Ryland & MAX

Date City Venue

February 24, 2016 Red Bank, N.J. Count Basie Theatre

February 26, 2016 Portland, Maine State Theatre

February 27, 2016 New York, N.Y. Beacon Theatre

March 1, 2016 Providence, R.I. The VETS

March 2, 2016 Burlington, Vt. Flynn Center For The Performing Arts

March 4, 2016 Albany, N.Y. Palace Theatre

March 5, 2016 Rochester, N.Y. Auditorium Theatre

March 7, 2016 Reading, Pa. Santander Performing Arts Center

March 8, 2016 Cleveland, Ohio State Theatre

March 10, 2016 Chicago, Ill. Chicago Theatre

March 11, 2016 Minneapolis, Minn. State Theatre

March 12, 2016 Des Moines, Iowa Des Moines Civic Center

March 14, 2016 Omaha, Neb. Holland Performing Arts Center

March 15, 2016 Tulsa, Okla. Brady Theater

March 17, 2016 Sioux City, Iowa Orpheum Theatre

ABOUT R5:

Led by vocalist/rhythm guitarist Ross Lynch, R5 came together in 2009 and is comprised of Lynch’s siblings Riker (bass/vocals), Rocky (lead guitar/vocals), and Rydel (keyboard/vocals), and friend Ellington “Ratliff” (drums/vocals). R5 has rapidly emerged as an exciting new voice in the world of pop-rock. The band has moved one step closer to world domination with the release of their sophomore album, Sometime Last Night, the follow up to their hit debut album LOUDER, which rocketed to No. 1 on iTunes in ten countries upon its September 24, 2013 release.

Sometime Last Night and LOUDER combined have over 47M streams on Spotify. The band has recently appeared on Good Morning America, Ellen, LIVE! with Kelly & Michael and Jimmy Kimmel Live!

The band self-released their first EP, Ready Set Rock in 2010 and signed with Hollywood Records in April of 2012 and released their second EP, Loud, on February 19, 2013. The quintet starred in a five-part VEVO series titled “R5 on R5,” which saw cameras follow them on a 2013 sold-out tour that included shows in the U.S., Canada, Australia, England and France. The band made a triumphant return to Europe in early 2014 and recently released a six-part VEVO series, R5 Live in London, capturing the mania of R5 fans during a magnetic show in London this past March. The band recently brought R5: All Day, All Night to the big screen for one night only. The documentary takes a never-before-seen look at the band’s career from inception to the present and includes exclusive interviews, concert footage and footage from the band’s early years.

ABOUT AEG LIVE:

AEG Live, the live-entertainment division of Los Angeles-based AEG, is dedicated to all aspects of live contemporary music performance. AEG Live is comprised of touring, festival and special event divisions, seventeen regional offices and owns, operates or exclusively books thirty-five state-of-the-art venues. The current and recent concert tour roster includes artists such as Alicia Keys, Bruno Mars, Bon Jovi, Carrie Underwood, Cher, Ed Sheeran, Enrique Iglesias, George Strait, Hunter Hayes, Jennifer Lopez, Justin Bieber, Kanye West, Katy Perry, Kenny Chesney, Leonard Cohen, Paul McCartney, Pitbull, Rod Stewart, The Rolling Stones, Taylor Swift, The WHO, Trey Songz, and Juanes. The company operates The Colosseum at Caesars Palace in Las Vegas and produces residency shows there including Celine Dion, Jerry Seinfeld, Rod Stewart, Mariah Carey, and Reba, Brooks & Dunn; is the exclusive promoter at The Joint at Hard Rock Hotel & Casino Las Vegas; and produces limited-engagement performances at The Venetian Theatre including Diana Ross in April. AEG Live is also the largest producer of music festivals in North America from the critically acclaimed Coachella Valley Music & Arts Festival to Stagecoach Country Music Festival and New Orleans Jazz & Heritage Festival. www.aeglive.com