OCP Holding Auditions for 96th Season

Omaha, NE.– The Omaha Community Playhouse will hold auditions for its 2020-21 season musicals July 11-13 for children under age 16 and July 23-26 for adults. Auditions are by appointment only. Special COVID-19 safety precautions will be observed.  Vocal auditions will be on the Playhouse’s Hawks Mainstage. Dance skills will be evaluated at callbacks.

Musicals this season include:

A Christmas Carol, Nov. 20 through Dec. 23, Hawks Mainstage. Directors: Kimberly Faith Hickman, Ablan Roblin

The Scottsboro Boys, Feb. 12 through March 14, 2021, Howard Drew Theatre. Director: Kimberly Faith Hickman

Kinky Boots, Feb. 26 through March 21, 2021, Hawks Mainstage. Director: Ablan Roblin

In the Heights, April 16 through May 9, 2021, Hawks Mainstage. Director: Kathy Tyree

Willy Wonka, May 28 through June 27, 2021, Hawks Mainstage. Director: Kimberly Faith Hickman

Music director is Jim Boggess. Choreographer is Michelle Garrity.

Audition dates and times:

Children (under age 16)

Saturday, July 11, 10:30 a.m. to 1:30 p.m. and 2 p.m. to 5 p.m.

Sunday, July 12, 1 p.m. to 4 p.m. and 4:30 p.m. to 7:30 p.m.

Monday, July 13, 6 p.m. to 9 p.m.

Adults (16 or older)

Thursday, July 23, 6 p.m. to 10 p.m.

Friday, July 24, 6 p.m. to 10 p.m.

Saturday, July 25, 10:30 a.m. to 1:30 p.m. and 2 p.m. to 5 p.m.

Sunday, July 26, 1 p.m. to 4 p.m. and 4:30 p.m. to 7:30 p.m.

Auditioners must fill out paperwork in advance, not at the audition. They can return completed paperwork by email or bring it with them. Specific dates and time slots will be set in advance for each auditioner. Auditions will be in groups of no more than 15. Temperatures of auditioners will be taken upon arrival. You may wear a facemask if you prefer. Auditioners will be allowed to sing only 16 bars of a song of their choosing, for which they should bring sheet music. Provided seating will be plastic or metal chairs only, no fabric upholstery. The audition space will be sanitized between groups. When arriving to audition, please enter through the south entrance lobby doors.

Those who cannot attend in person may submit a vocal-audition video.

 

The Omaha Community Playhouse has scheduled auditions for three Fall 2020 plays.

Auditions will be by appointment only. Special COVID-19 safety precautions will be observed.

The show titles, run dates and audition schedule:

CLYBOURNE PARK, by Bruce Norris

Show runs Aug. 21-Sept. 20 in the Howard Drew Theatre.

Director: Kimberly Faith Hickman

Hickman was assistant director of the original Tony Award-winning Broadway production   

Audition dates and times:

Monday, July 6, 6:30 p.m. to 9:30 p.m.

Tuesday, July 7, 6:30 p.m. to 9:30 p.m.

Callbacks will be Wednesday, July 8, starting at 6:30 p.m.

Agatha Christie’s MURDER ON THE ORIENT EXPRESS, adapted by Ken Ludwig

Show runs Sept. 25-Oct. 18 in the Hawks Mainstage Theatre.

Director: Anthony Clark-Kaczmarek

Audition dates and times:

Sunday, July 12, 2 p.m. to 5 p.m.

Monday, July 13, 7 p.m. to 10 p.m.

Callbacks will be Tuesday, July 14, and Wednesday, July 15, starting at 7 p.m. both evenings.

OUTSIDE MULLINGAR, by John Patrick Shanley

Show runs Oct. 16-Nov. 8 in the Howard Drew Theatre.

Director: Kaitlyn McClincy

Audition dates and times:

Saturday, Aug. 15, 2 p.m. to 5 p.m

Tuesday, Aug. 18, 7 p.m. to 10 p.m.

Callbacks will be Saturday, Aug. 22, starting at 2 p.m., and Sunday, Aug. 23, starting at 7 p.m.

Specific dates and time slots will be set in advance for each auditioner. Auditioners must fill out paperwork in advance, not at the audition. They can return completed paperwork by email or bring it with them. Tryouts will be in groups of no more than 12 per hour. COVID-19 screening questions will be asked of each auditioner upon arrival. You may wear a facemask if you prefer. Provided seating will be plastic or metal chairs only, no fabric upholstery. The audition space will be sanitized between groups. When arriving to audition, please enter through the west-entrance stage door.

To make an audition appointment, email Becky Deiber at bdeiber@omahaplayhouse.com.

OCP Streaming Productions from Local Talent

Omaha, NE.– The Omaha Community Playhouse will offer free online streaming of entertainments by local composers J.Isaiah Smith, starting May 15, and Tim Vallier, starting May 22.

The music events follow popular reception of two videotaped performances from Playhouse archives. The plays by local playwrights bowed online April 17 (Eminent Domain by Laura Leininger Campbell) and April 24 (Recommended Reading for Girls by Ellen Struve).

As with the earlier plays, each music event will have a Friday evening streaming debut. All four events will remain available for streaming for an indefinite period after the initial offerings. They serve to entertain Playhouse patrons at a time when social distancing makes gathering at the theater impossible. Go to omahaplayhouse.com to access links to all four events.

What A Kid Did With A Piano
Streaming Premiere: May 15, 2020 | 7:30 p.m. (available for streaming after)

This 90-minute presentation features the original music of J. Isaiah Smith, with performances by Smith, Mackenzie Zielke, Scott T. Vandentop, Breanna Francesca Carodine, and Jordan Smith. Mark M. Kurtz accompanies on piano and Jordan Smith on drums.

J. Isaiah Smith wrote a musical titled Kings, Queens, and Unruly Peasants, which is featured in the show, along with several stand-alone songs and conceptual shows. He debuted What A Kid Did With A Piano at the Holland Center. In July 2019, Smith remounted a version of the show for one night at the Playhouse.

Smith, a popular performer in Playhouse musicals, appeared as Coalhouse Walker Jr. in Ragtime, Lord Farquaad in Shrek and Cosmo Brown in Singin’ in the Rain.

One Way to Mars
Streaming Premiere: May 22, 2020 | 7:30 p.m. (available for streaming after)

One Way to Mars, a 75-minute musical audio drama by Tim and Mallory Vallier, follows Natalie, a neuroscientist and mother. Natalie isinvited to embark on a pioneering one-way trip to Mars. But to take part, she must leave everything on Earth behind.

The cast includes Leanne Hill Carlson as Natalie; Steve Krambeck as her husband, Clark; and Thomas Gjere as James, Natalie’s former colleague (and former lover), who invites her to Mars. Christi Leupold and Dustin Smith play multiple roles. Daena Schweiger directs.

This is the Valliers’ reimagining of the classic Scottish ballad “The Daemon Lover.” Both works share themes of romance, tragedy and adventure.

Tim Vallier wrote the music and designed sound, with book and lyrics by Mallory Vallier. The script will be onscreen as the original music plays, or you can just close your eyes and enjoy listening.

Tim Vallier has composed instrumental music for several recent Playhouse non-musicals, including Native Gardens, A Raisin in the Sun, and Sweat.

Nebraska Theatre Caravan Hiring & Auditioning for 2020 ‘A Christmas Carol’ Tour

Auditions

The Nebraska Theatre Caravan will hold auditions for youth (ages 7 – 18) and adults (ages 19 and older) for the anticipated national touring production of A Christmas Carol.  Auditions will be held Saturday, August 8, 2020 at the Omaha Community Playhouse, 6915 Cass Street. Please enter through the stage door on the west side of the building.  Youth auditions will be at 11am followed by adult auditions at noon.

The audition will include singing and reading from the script, followed by movement.  Applicants should bring a resume and headshot, a 16 bar cutting of a prepared song with sheet music, and be prepared to read from the script.  Applicants should also be prepared to move.  An accompanist will be provided.

Estimated contract dates for A Christmas Carol are early November through December 23, 2020.

Note:  These are touring productions and performances will be conducted across the United States.  Rehearsals will be held 9a.m.– 6p.m in Omaha.  All actors must be available to attend all rehearsals during stated times, as well as all performances.

For additional audition or production information, contact Company Manager Kate Whitecotton at kwhitecotton@omahaplayhouse.com.

 

Touring Technical Positions

Salaries are paid for the duration of the contract, paid bi-weekly via direct deposit.  Per Diems are paid while on tour via direct deposit.  To apply, please e-mail resumes to Company Manager, Kate Whitecotton @ kwhitecotton@omahaplayhouse.com.

TOURING ROAD MANAGER
Duties include:
– Manage company and production while on tour.
– Assist with hotel reservations prior to tour.
– Plan trip routing with bus, truck drivers, company manager.
– Manage company funds.
– Serve as liaison to theatre sponsors and hotels.
– Prepare information for company members including a detailed road schedule.
– Assist Stage Manager and Technical Director in maintaining quality of performances.
– Work with Youth Performer Supervisor on
correspondence of school work.
Learn More: http://offstagejobs.com/jobdetail.php?jobID=47743

TOURING STAGE MANAGER
Duties Include:
– Run all rehearsals in Omaha.
– Run/Call the show on the road
– Run cues as needed, pending on crew and houses.
– Assist in loading/unloading truck and set up/strike.
– Manage actors to maintain quality of performance.
– Assist TD in assessing space requirements at each venue and adapt staging and spiking.
– Load ins and outs and maintenance of props.
– Instruct houses on sound and pit set up.
Learn More: http://offstagejobs.com/jobdetail.php?jobID=52770

TOURING SOUND TECHNICIAN
Duties Include:
– Assist loading/unloading of truck and set up/strike.
– Provide general assistance in all technical areas.
– Work with venue audio equipment and techs.
– Audio playback and wireless microphone reinforcement during performance.
– Responsible for care and upkeep of all tour sound equipment.
Learn More: http://offstagejobs.com/jobdetail.php?jobID=52772

TOURING LIGHTING DIRECTOR
Duties Include:
– Call ahead to venues for lighting specifications.
– Interpret original lighting design and adapt to each performance space.
– Oversee local crew for focus/color of pre-hung lights at each venue.
– Program and operate light board for show.
– Assist TD with other duties as directed.
Learn More: http://offstagejobs.com/jobdetail.php?jobID=52771

TOURING LEAD COSTUMER

Duties Include:
– Pulling costumes from existing wardrobe to remount show for tour.
– Assisting design staff with fittings and alterations.
– Loading/unloading of costumes.
– Maintenance, repair and laundry of all costumes and wigs.
– Set up dressing areas, dress show.
– Responsible for dressing and coordinating quick changes.
Learn More: http://offstagejobs.com/jobdetail.php?jobID=52773 

TOURING GENERAL TECHNICIANS
Duties Include:
– Assist loading/unloading of truck.
– Act as one of two ‘special effects’ operators moving Scrooge’s bed. Due to bed dimensions, height/weight restrictions may apply.
– Assist in maintaining set.
– Assist crew as needed with setting of stage.
-Assist in running crew as needed.
Learn More: http://offstagejobs.com/jobdetail.php?jobID=48422

TOURING YOUTH PERFORMER SUPERVISOR
Duties Include:
– Oversee the youth performers during all rehearsals, off-hours (while on tour) and performances.
– Enforce all rules as determined by the company and each child’s parents.
– While on tour, work with youth performers on daily study schedules as outlined by their parents and teachers.
– Assist youth performers with lines, blocking, props, backstage movements and quick changes.
Learn More: http://offstagejobs.com/jobdetail.php?jobID=52774

Touring Musical Positions

Salaries are paid for the duration of the contract, paid bi-weekly via direct deposit.  Per Diems are paid while on tour via direct deposit.  To apply please e-mail resumes to Company Manager, Kate Whitecotton @ kwhitecotton@omahaplayhouse.com.

MUSIC DIRECTOR/PIANIST
Duties Include:
– Teach vocals to the cast.
– Accompany rehearsals while in Omaha.
– Maintain musical aspects of production.
– Oversee musicians.
– Daily vocal warm-ups.
– Music notes to company as needed.
– Other related duties as assigned.
Learn More: http://offstagejobs.com/jobdetail.php?jobID=52775

CLARINET, FLUTE, BASSOON, FRENCH HORN
Duties Include:
– Maintain integrity of performance.
– Adjust performance as instructed by the Music Director.
– Other related duties as assigned.

Omaha Playhouse Announces 96th Season

Omaha, NE.–The Omaha Community Playhouse (OCP) has announced the titles to be produced during their 96th season, which will run from August 2020 through June 2021. Subscriptions for OCP’s 2020/21 season are now available for purchase through the OCP Box Office at 6915 Cass Street, Omaha, NE 68132, by phone at (402) 553-0800 or online at OmahaPlayhouse.com.

OMAHA COMMUNITY PLAYHOUSE 2020/21 SEASON PRODUCTIONS

*Billy McGuigan’s Pop Rock Orchestra

Aug. 7–16, 2020

Hawks Mainstage Theatre

Featuring Billy McGuigan | Music Director Steve Gomez | ©2007 by Rave On Productions

Billy McGuigan’s Pop Rock Orchestra is a high-energy concert experience packed with rock ‘n’ roll mega hits from the 50s, 60s and 70s. Led by international touring artist Billy McGuigan and backed by the 14-piece Pop Rock Orchestra, these all-star musicians serve up fresh, original arrangements covering everything from the Beach Boys to Billy Joel, and everything in between.

*Special Event—Not part of the regular season series.

Clybourne Park

Aug. 21–Sept. 20, 2020

Howard Drew Theatre

By Bruce Norris

Pulitzer Prize and Tony Award®-winning comedy Clybourne Park serves as prequel and sequel to A Raisin in the Sun. A 1950s couple faces sharp backlash from neighbors for selling their home in the all-white Clybourne Park to a black family. Fifty years later, a white couple attempts to purchase the same home in the now predominantly black neighborhood, igniting fears of gentrification.

Disclaimer: Contains adult language and themes of racial tension.

Kinky Boots

Sept. 25–Oct. 25, 2020

Hawks Mainstage Theatre

Book by Harvey Fierstein | Music and Lyrics by Cyndi Lauper

Original Broadway Production Directed and Choreographed by Jerry Mitchell

Based on the Miramax motion picture Kinky Boots

Written by Geoff Deane and Tim Firth

Flashy, inspiring and downright fun, Kinky Boots is the Tony Award®-winning musical warming hearts around the world. After returning to his hometown to manage his late father’s failing shoe factory, Charlie meets Lola, an outspoken and unapologetic drag queen in need of a sturdy pair of exotic boots. Together, the unlikely pair cobble a heartwarming tale of acceptance and friendship.

Orchestra Sponsor: Woodmen Life

Hawks Series Sponsor: Immanuel Communities

Water by the Spoonful

Oct. 16–Nov. 8, 2020

Howard Drew Theatre

By Quiara Alegría Hudes

Winner of the 2012 Pulitzer Prize for Drama, Water by the Spoonful follows Elliott, an Iraq war vet struggling to care for his dying aunt, and Odessa, a recovering drug addict fighting to stay sober with the support of her online companions. When their two worlds unexpectedly collide, everyone’s progress comes crashing down in this thought-provoking and beautifully human tale.

Disclaimer: Contains adult themes and language.

Presenting Sponsor: Conagra Brands Foundation

*A Christmas Carol

Nov. 20–Dec. 23, 2020

Hawks Mainstage Theatre

Written by Charles Dickens | Adapted by Charles Jones

Musical Orchestration by John J. Bennett

It just isn’t Christmas without A Christmas Carol! Experience Omaha’s favorite holiday tradition as Ebenezer Scrooge takes us on a life-changing journey to discover the true meaning of Christmas. Filled with stunning Victorian costumes, festive music and crisp, wintry sets, A Christmas Carol is a beautiful reminder that love and generosity are the heart of the Christmas holiday.

*Special Event—Not part of the regular season series.

Presenting Sponsor: First National Bank

Artistic Team Sponsor: Omaha Steaks

Orchestra Sponsor: KPMG

Bakery Shoppe/Special Effects Sponsor: Rotella’s Bakery

*Yesterday and Today:  An Interactive Beatles Experience

Nov. 27–Dec. 31, 2020

Howard Drew Theatre

Featuring Billy McGuigan | Music Director Matthew McGuigan | ©2007 by Rave On Productions

Cap off 2020 with a shot of Beatlemania! Yesterday and Today is the smash hit, all-request Beatles show controlled by the audience. Share your favorite stories and relive your fondest memories with the songs that defined a generation. With no two shows the same, fans will be dancing in the aisles and singing along to all their favorite hits.

*Special Event—Not part of the regular season series.

The Miracle Worker

Jan. 15–Feb. 7, 2021

Hawks Mainstage Theatre

By William Gibson

The Miracle Worker is the incredible true story of Helen Keller, deaf and blind since age one, and the extraordinary woman who changed her life. Unable to communicate with their daughter, the Keller family enlists the help of Annie Sullivan, a woman determined to rescue Helen from the dark, tortured silence imprisoning her mind. A story that has inspired audiences for generations.

Hawks Series Sponsor: Immanuel Communities

The Scottsboro Boys

Feb. 12–March 14, 2021

Howard Drew Theatre

Music and Lyrics by John Kander & Fred Ebb

Book by David Thompson

Original Direction and Choreography by Susan Stroman

The Scottsboro Boys follows the wrongful conviction of nine black teenagers in Scottsboro, Alabama in the 1930s—an infamous case that helped ignite the modern civil rights movement. From the composers of Chicago and Cabaret, this 12-time Tony® Award nominee alternates toe-tapping musical numbers with heart-wrenching ballads to tell a harrowing tale of bravery and strength in the face of great adversity.

Disclaimer: Contains themes and language related to racial tension.

In the Heights

Feb. 26–March 21, 2021

Hawks Mainstage Theatre

Music and Lyrics by Lin-Manuel Miranda

Book by Quiara Alegría Hudes

Before there was Hamilton, there was In the Heights. From the revolutionary musical mind of Lin-Manuel Miranda, this Tony® Award-winning musical recounts three days in the vibrant Latino neighborhood of Washington Heights, NYC, where the Spanish-speaking residents chase American dreams. This bubbly fusion of rap, salsa, Latin pop and soul music boasts an infectious enthusiasm from beginning to end.

Presenting Sponsor: Heider Family Foundation

Producing Partner: Physicians Mutual

Hawks Series Sponsor: Immanuel Communities

*THE CANDY PROJECT PRESENTS:

Gutenberg!  The Musical!

March 18–21, 2021

Howard Drew Theatre

By Anthony King and Scott Brown

Starring Steve Krambeck and Dan Chevalier

Join The Candy Project, friends of OCP, for a special presentation of Gutenberg! The Musical! A pair of aspiring playwrights audition their newest work—a big, splashy musical about the inventor of the printing press—for an audience of potential investors. This two-man musical spoof offers an unending supply of enthusiasm and laughs.

*Special Event—Not part of the regular season series.

Agatha Christie’s Murder on the Orient Express

April 16–May 9, 2021

Hawks Mainstage Theatre

Adapted for the stage by Ken Ludwig

A thrilling whodunit set aboard the world’s most famous luxury locomotive, Murder on the Orient Express will keep you guessing until the very end. When the Orient Express becomes stranded by a snow storm, a passenger is found stabbed to death in his private room. With the murderer still on board, a detective must solve the crime before the train reaches its destination.

Producing Partner: UNMC

Hawks Series Sponsor: Immanuel Communities

Outside Mullingar

May 7–30, 2021

Howard Drew Theatre

By John Patrick Shanley

This charming romantic comedy follows Anthony and Rosemary, two introverts who grew up on neighboring farms in rural Ireland. Rosemary secretly fell in love with Anthony at age six, but after a bought with heartbreak, Anthony swore off women forever. The now middle-aged pair must overcome their own aloofness—as well as a family property dispute—to find their way to one another.

Roald Dahl’s Willy Wonka

May 28–June 27, 2021

Hawks Mainstage Theatre

Music and Lyrics by Leslie Bricusse and Anthony Newley

Adapted for the Stage by Leslie Bricusse and Timothy Allen McDonald

Based on the Book Charlie and the Chocolate Factory by Roald Dahl

Oompa-Loompa-Doom-Pa-Dee-Doo! We’ve got a family favorite for you! Grab your golden ticket as Willy Wonka takes your family on a whimsical tour of the chocolate factory—with Charlie Bucket, Augustus Gloop, Veruca Salt, and all of your favorite characters. Featuring songs from the hit film, Willy Wonka will open up a world of pure imagination.

Presenting Sponsor: Mutual of Omaha

Orchestra Sponsor: Kiewit

Hawks Series Sponsor: Immanuel Communities

Something More Than Love

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Girl (Melissa King) encourages Guy (Jay Hanson) to sing in “Once” at Omaha Community Playhouse.

Girl finds Guy singing on the street and is impressed with his talent.  An instant friendship blossoms between them and Girl decides to help Guy record a demo and go to New York to fulfill his potential and possibly to avoid the love that is beginning to bloom between them.  This is Once with book by Enda Walsh and music and lyrics by Glen Hansard and Marketa Irglova.  It is based off the film of the same name and is playing at the Omaha Community Playhouse.

This is definitely an original musical.  It’s a shockingly simple tale that does have a bit of a twist on the usual love story.  There’s no sense of history to the two unnamed characters.  It’s as if the play knows it’s a play and the existence of these 2 people is limited solely to the duration of the show.  The music is the real centerpiece of the show as the songs often tell the story and reveal the emotions of the characters in lieu of dialogue which is surprisingly scant.  The music also has a power of its own as it brings the characters in this show closer together and breaks down barriers between them.  I thought not naming the two leads was a clever touch as it can either transmit a universal message or simply allow the audience to place himself or herself in the roles.

Kimberly Faith Hickman’s directing is quite lovely.  There’s a purity to the staging as it takes place in a bare bones stage designed by Jim Othuse.  It’s literally bare, dilapidated walls with a window looking out at a building.  Hickman makes good use of the performance space, well placing the actors so all can be seen even when the focus is on particular characters.  I also liked how she used placement to further the story.  For example, at one point when a wedge is driven between the two leads, they are literally separated as they take positions on opposite sides of the stage with the rest of the cast standing between them.  I also thought she charmed some sweet performances out of her leads and strong supporting performances from the ensemble.

The cast for this show is unique as they are also the orchestra.  This leads to an interesting casting challenge as one needs to find performers who can act, sing and play musical instruments.  That challenge is met fairly well in this production.  Under Jim Boggess’ direction, the orchestra provides a very moving score which is absolutely critical for this show as nearly every song carries a somber, emotional tone that needs to grab the viewer by the throat.  Boggess also has a very fine cameo performance as Eamo who runs the local recording studio.  Other strong supporting performances come from Joey Hartshorn, who has the most drawn out wishing of good luck imaginable in “Baruska’s Story”, and Thomas Gjere as an overly serious bank manager who secretly wishes to be a singer and gets his chance in the terrifically awful “Abandoned in Bandon”.

Melissa King is truly a triple threat in this show.  Her piano playing is heavenly.  Her alto is superb.  Her acting is spot on.  Heck, she even throws in a little impressive hoofing in “Ej Pada Pada”.  King’s performance as the serious Czech (because Czechs are always serious) Girl is simply a triumph and will assuredly make her a contender for some awards.  She’s got a vital spark of humor and playfulness about her as well as a very nurturing nature as she encourages Guy’s music.  This is a character who understands the meaning of sacrifice as she’s willing to give up a blossoming love with Guy to repair her own fractured family unit.  King will also melt the coldest of hearts with her singing, especially with her rendering of “Falling Slowly” and “The Hill”.

Jay Hanson acquits himself rather admirably in the role of Guy.  For a performer with no prior stage credits, Hanson has some excellent instincts.  He reacts very well and knows how to be in the moment.  Musically, he’s unbeatable.  Hanson is a top flight guitar player and singer who effortlessly picks apart the emotional beats of a song.  Whether he’s singing about a failed relationship in “Leave”, providing a bit of humor in “Broken Hearted Hoover Fixer Sucker Guy” or just dazzling you with “Gold” and “Sleeping”, Hanson provides an Epicurean delight for the ears.

Hanson did need to tighten his cues up and rushed his dialogue on some occasions.  You also felt his grip on the role tightening over the course of the play and he was finding some real gems in the words by the end.

Jim Othuse’s lights were simple, but effective as he used a spotlight to highlight the featured characters of a scene.  Amanda Fehlner’s costumes suited the characters from the inexpensive clothing of most of the poorer characters to the snazzy suit of the well to do bank manager.  Tim Burkhart and John Gibilisco provide some nice ambient sounds.  My personal favorite was a moment when Guy and Girl are at the docks and you hear the rolling waves and the call of seagulls.

Ultimately this is a story about pure love.  The love that is principle over passion.  The love that is unbreakable and forever.  The love that can say, “I let you go.”

Once plays at Omaha Community Playhouse through March 22.  Showtimes are Wed-Sat at 7:30pm and Sundays at 2pm.  Tickets start at $24 and can be purchased at the OCP Box Office, by phone at 402-553-0800 or online at www.omahaplayhouse.com.  Due to the use of strong language, parental discretion is advised.  The Omaha Community Playhouse is located at 6915 Cass Street in Omaha, NE.

Photo provided by Robertson Photography

‘Once’ Set to Open at Omaha Community Playhouse

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Melissa King and Jay Hanson star as Girl and Guy in “Once”

Omaha, Neb.–Once will open Friday, Feb. 28, 2020 at the Omaha Community Playhouse (OCP). The show will run in the Hawks Mainstage Theatre from Feb. 28 through March 22. Performances will be held Wednesdays through Saturdays at 7:30 p.m. and Sundays at 2 p.m.

Tickets are on sale now starting at $24 for adults and $18 for students, with ticket prices varying by performance. Tickets may be purchased at the OCP Box Office, located at 6915 Cass Street, by phone at (402) 553-0800 or online at OmahaPlayhouse.com.

SHOW SYNOPSIS

Winner of eight Tony Awards® and based on the Oscar®-winning film, Once is the achingly beautiful tale of unexpected love between Guy, an Irish musician, and Girl, a Czech immigrant. The uplifting score—featuring the Academy Award®-winning single, “Falling Slowly,”—is performed entirely on stage, with the actors doubling as orchestra musicians. Equal parts touching and inspiring, Once reminds us of music’s unique ability to forge deep, unspoken connections in our lives.

Directed by:  Kimberly Faith Hickman

Cast

Nathaniel Belshan as Emcee

Jonathan Berger as Andrej

Jim Boggess as Eamon

Thomas Gjere as Bank Manager

Jay Hanson as Guy

Joey Hartshorn as Baruska

Ejanae Hume as Reza

Sean Johnson as Billy

Don Keelan-White as D.A.

Melissa King as Girl

Hannah McQuay-Ramsgard as Ex-Girlfriend

Jesse White as Svec

Anina Frey, Holly Hirsch and Brinlee Roeder as Ivonka

Photo provided by Colin Conces Photography

 

 

Chanticleer Theatre Holding Auditions for ‘Joseph and the Amazing Technicolor Dreamcoat’

Auditions for the fourth production of the Chanticleer Community Theater 2019 – 2020 season, Joseph and the Amazing Technicolor Dreamcoat,  will be held on Monday March 2nd at 6:00 p.m. with callbacks scheduled for Saturday, March 7th at 7:00 p.m. Auditions will be held in the Hoff Arts and Cultural Center, 1001 South 6th Street, in Council Bluffs, IA. If you would like to audition but can’t make the March 2nd date please contact director Daena Schweiger at daena.schweiger@gmail.com.  An additional off-site date may be scheduled for auditions. Please check Chanticleer’s website or social media channels for audition site updates, or contact the director via email.

AUDITION MATERIAL

Please prepare 32 measures of music. An accompanist will be provided. Please bring sheet music to the audition – no acapella singing or singing with pre-recorded music will be allowed. Please be prepared to sing your song in a different style – (i.e. French, Country, Hip-Hop, Elvis, etc.)

We ask that you wear comfortable clothing and shoes as you will be asked to learn and perform a short dance routine in jazz style.

REHEARSAL SCHEDULE

Please bring a calendar to reference for rehearsal conflicts. Having conflicts will not necessarily preclude you from being cast but we need to know to plan schedules.  NOTE: There will be some weekend evening rehearsals in addition to weekday evening rehearsals. Rehearsals are tentatively scheduled to begin Saturday, March 21 in the evening and will be held in our new home at the Hoff Family Arts and Culture Center. Performance dates are May 15 – 24, 2020.

CASTING

The cast calls for both adult performers as well as youth and young adult performers (ages 7+). We would like our production to reflect the diversity of the world. As such, actors of all races, ethnicities, gender identifications and abilities are welcome and encouraged to audition. Actors with disabilities who need to request an accommodation needed to audition, please contact Bob Putnam, theater manager, at manager@chanticleertheater.com or daena.schweiger@gmail.com

SHOW SUMMARY

Told entirely through song with the help of a main character Narratorthe musical follows preferred son Joseph. After being sold into slavery by his brothers, he ingratiates himself with Egyptian noble Potiphar, but ends up in jail after refusing the amorous advances of Potiphar’s wife. While imprisoned, Joseph discovers his ability to interpret dreams, and he soon finds himself in front of the mighty but troubled, Elvis-inspired, Pharaoh. Joseph’s solution to Egypt’s famine elevates him to Pharaoh’s right-hand man and reunites him with his family.

CONTACT INFORMATION

Chanticleer:  712-890-5608

Email: chanticleertheater@gmail.com

Stage Director:  Daena Schweiger

Music Director: Todd Brooks

Choreographer: Julie Stanfill

Maples Repertory Theatre Announces 2020 Season: Clearer Vision

Maples Repertory Theatre announces its 2020 Season:  Clearer Vision.

The summer season (June-Aug) will feature:

You Can’t Take it With You

June 17-July 12, 2020

A classic comedy by Kaufman and Hart about a man from a family of rich snobs who becomes engaged to a woman from a good-natured, but decidedly eccentric, family. A heartwarming and hilarious reminder of beauty all around us.

Greater Tuna

June 26-July 26, 2020

Two men play the entire cast of over twenty eccentric characters of both genders and various ages who live in the second smallest town in Texas. It’s an affectionate comment on small-town life and attitudes. Two of Maples Rep’s favorite comedic actors, Michael McIntire and Sean Riley, are slated to star.

Phantom of the Country Opera

July 17-August 9, 2020

This hilarious country and western send-up of The Phantom of the Opera takes place backstage at the Country Palace in Nashville, Tennessee where former operate ingénue Christina Joseph (now Chrissy Jo) gets a job singing back up to the reigning “Queen of Country Music”. Great music, funny characters and a falling chandelier.

The fall season (Sept-Dec) features:

Menopause:  The Musical

Sept 16-Oct 4, 2020

Four women at a lingerie sale have nothing in common but a black lace bra AND memory loss, hot flashes, and night sweats. This hilarious musical parody set to classic tunes from the 60’s and 70’s will have you cheering and dancing in the aisles. Find out why millions of women AND MEN have been laughing at this show for 18 years.

Ripcord

Oct 14-Oct 25, 2020

Abby has always had a quiet room to herself at the Bristol Place Senior Living Facility. If a new roommate was assigned to the second bed, Abby – cantankerous and private – quickly got them out. That is until enthusiastic, optimistic Marilyn arrives. Soon Abby realizes that unseating Marilyn is going to take something special. The high-stakes bet that the two women make leads quickly to an all-out war of comic proportions. Ripcord is an often slapstick, always surprising comedy about enemies who may or may not become friends.

I Love a Piano

Nov 27-Dec 13, 2020

This celebration of music and lyrics of Irving Berlin follows the journey of a piano as it moves in and out of American lives from the turn of the century to the present. Along the way, the story comes to vibrant life as the cast sings and dances over sixty of Irving Berlin’s most beloved songs including “Blue Skies”, “There’s No Business Like Show Business”, “Puttin’ on the Ritz”, “Always”, “White Christmas”, and, of course, “I Love a Piano”.

Tickets are available now.  For more information, visit http://www.maplesrep.com, e-mail info@maplesrep.com, or call 660-385-2914.  Maples Repertory Theatre is located at 102 N Rubey St in Macon, MO.

 

That Meddlesome, Magical Matchmaker

Matchmaker (and jane of all trades) Mrs. Dolly Gallagher Levi schemes to marry half a millionaire Horace Vandergelder and make a few more happy couples while she’s at it.  This is Hello, Dolly! with book by Michael Stewart and music and lyrics by Jerry Herman and it is currently playing at Springfield Little Theatre.

If I ever relocate, I’m going to make certain Springfield is one of the cities I consider due to the sheer quality of entertainment available here.  I heard Broadway grinding its teeth as SLT’s production of Hello, Dolly! blows away anything currently playing on The Great White Way.  If you want a great night of theatre, catch a showing of this production.  Costumes?  Gorgeous!  Set?  Fabulous!  Orchestra?  Pluperfect!!  Singing?  Phenomenal!!!  Acting?  Superlative!!

Chyrel Love Miller takes on the grueling double role of director and choreographer for this production and comes up aces on both counts.  Miller’s direction is of shining quality.  She knows every beat of the show, both musically and theatrically and nuances the tar out of it while keeping a brisk pace.  Her staging is top of the line and makes maximum use of the space which was doubly impressive in this case as the actors had to navigate around the orchestra pit for a great many of the musical’s showstopping numbers.  Her actors are all sublime and have crafted well-developed characters from the leading performers to the ensemble roles.

The only word I can think of to describe her choreography is epic.  This show has huge, flashy numbers and a lot of them.  But each is an original delight and the performers nail the dancing with nary a mistake.  Some especially impressive numbers include “Put On Your Sunday Clothes”, “Dancing”, “Hello, Dolly”, and “Polka”.

I give a standing ovation to the ensemble of the show.  I can never stress enough how a committed ensemble adds so much life and vitality to a production and they helped this show blossom.  All were having a good time and that sense of fun really communicates itself well to an audience.  They harmonized perfectly on the numbers and their dancing was entrancing.

Some especially strong supporting performances were provided by Heath Hillhouse who makes a stellar debut at SLT with his potentially tyrannical take on Rudolph Reisenweber, the head waiter at Harmonia Gardens; Hayden Gish as Minnie Fay, the milliner’s assistant whose nosiness clashes with her attempts to be proper; and Wyatt Munsey whose energy as Barnaby Tucker could light up a city.

Kim Crosby IS Dolly Levi!  I don’t mean she plays the role.  She IS the role.  Crosby had the audience in the palm of her hand from her first word and didn’t let go for one nanosecond.  Crosby’s delivery is satin smooth which is essential to the silver and glib tongued matchmaker who has a positive genius for meddling, but always uses it as a force for good with her heart of gold.  Crosby uses stage space like few performers I’ve seen and it always gives her Dolly an animated, realistic feel.  She also has a lovely alto which she modulates according to number from her confidence in her abilities to do just about anything in “I Put My Hand In” to her determination to start living life again in “Before the Parade Passes By” to her joy at returning to Harmonia Gardens in “Hello, Dolly”.

Eric Eichenberger is a likable grump as Horace Vandergelder.  He claims that 99% of society is foolish, but does have a soft spot once you peel away enough layers.  Eichenberger does superb work walking the fine line of keeping Vandergelder a curmudgeon while also showing that he’s still decent even if he is a bit rough around the edges.  Eichenberger also has a fine upper baritone which he utilizes to explain why he needs a wife in “It Takes a Woman”.

Gene Kelly once described the role of Cornelius Hackl as an attractive idiot and I believe that description suits Clayton Avery’s interpretation of the role.  Avery’s Hackl is a bit repressed and has lived a sheltered life.  At 33, he’s never even talked to a girl.  Avery does superior work communicating Hackl’s inexperience around women and has a remarkably sincere delivery.  He also well displays Hackl’s lack of mental swiftness.  It’s not that Cornelius is dumb.  He just improvises poorly when the pressure is on.

Avery has a dandy, crystal clear tenor which was quite entertaining with “Put On Your Sunday Clothes” and genuinely moving in “It Only Takes a Moment”.

Kassandra Wright is both sweet and tart as Irene Molloy.  At one moment, she’s delighting in a potential bit of devilry as she plans to flirt with Cornelius before dropping him cold and then wistfully remembering the real love she shared with her late husband, Peter, in “Ribbons Down My Back”.  This song is sung with a heavenly soprano that nearly brought me to tears.

John R. “Chuck” Rogers has designed a winning set with backdrops that bring one to the cobblestoned streets of turn of the century New York and drills the sheer elegance of Harmonia Gardens with a massive staircase and a pair of curtained, private dining rooms.  Ginny Herfkens and Sandy Balsters designed some brightly colored, period appropriate costumes sometimes bordering on the pastel.  The elegant gowns of the ladies and snappy suits of the men evoke memories of a long ago era.   Parker Payne and his orchestra provide a night of musical ambrosia and I’d like to note Lysander Abadia’s particularly meticulous work in his choreography of “Waiters’ Gallop”.

As I said earlier, if you’re looking for a musical that ticks all the boxes for a great night of entertainment, then this is the one for you.  And as much as we hope, “Dolly’ll never go away”, you’d best grab a ticket before she does.

Hello, Dolly! plays at Springfield Little Theatre in the historic Landers Theatre through Feb 23.  Showtimes are Thurs-Sat at 7:30pm and Sundays at 2pm.  Tickets range from $16-$32.   For tickets visit http://www.springfieldlittletheatre.org or call the Box Office at 417-869-1334.  Springfield Little Theatre is located at 311 E Walnut St in Springfield, MO.

Maples Repertory Theatre Auditioning for Actors & Hiring Techs for 2020 Season

Maples Repertory Theatre is holding auditions and accepting applications for actors and technicians for the 2020 season!

Audition dates and times:

2020 UPTA; Memphis, TN February 7 – 10.

2020 Open Audition at Royal Theatre; 102 N. Rubey St.; Macon, MO February 15, 2020
Actors: Please bring headshot/resume and a comic monologue and song. (Accompanist Provided)
Technicians: Please bring resume (and portfolio if applicable)

2020 MWTA; St. Louis, MO February 21-23, 2020

2020 Auditions in Kansas City: February 24, 2020 at Quality Hill Playhouse. 1 – 4pm and 530 – 830 pm

For audition appointment email info@maplesrep.com

To submit electronically email todd@maplesrep.com

Note: If there is inclement weather, auditions may be postponed. Please double check by calling the box office or visiting our Facebook page on the day you plan to audition.

Maples Repertory Theatre 2020 Season

You Can’t Take it With You (June 17-July 12)

Greater Tuna (June 26-July 16) (The roles for this show have been cast.)

Phantom of the Country Opera (July 17-Aug 9)

Menopause:  The Musical (Sept 16-Oct 4)

Ripcord (Oct 14-25)

I Love a Piano (Nov 27-Dec 13)