OCP Holding Auditions for 96th Season

Omaha, NE.– The Omaha Community Playhouse will hold auditions for its 2020-21 season musicals July 11-13 for children under age 16 and July 23-26 for adults. Auditions are by appointment only. Special COVID-19 safety precautions will be observed.  Vocal auditions will be on the Playhouse’s Hawks Mainstage. Dance skills will be evaluated at callbacks.

Musicals this season include:

A Christmas Carol, Nov. 20 through Dec. 23, Hawks Mainstage. Directors: Kimberly Faith Hickman, Ablan Roblin

The Scottsboro Boys, Feb. 12 through March 14, 2021, Howard Drew Theatre. Director: Kimberly Faith Hickman

Kinky Boots, Feb. 26 through March 21, 2021, Hawks Mainstage. Director: Ablan Roblin

In the Heights, April 16 through May 9, 2021, Hawks Mainstage. Director: Kathy Tyree

Willy Wonka, May 28 through June 27, 2021, Hawks Mainstage. Director: Kimberly Faith Hickman

Music director is Jim Boggess. Choreographer is Michelle Garrity.

Audition dates and times:

Children (under age 16)

Saturday, July 11, 10:30 a.m. to 1:30 p.m. and 2 p.m. to 5 p.m.

Sunday, July 12, 1 p.m. to 4 p.m. and 4:30 p.m. to 7:30 p.m.

Monday, July 13, 6 p.m. to 9 p.m.

Adults (16 or older)

Thursday, July 23, 6 p.m. to 10 p.m.

Friday, July 24, 6 p.m. to 10 p.m.

Saturday, July 25, 10:30 a.m. to 1:30 p.m. and 2 p.m. to 5 p.m.

Sunday, July 26, 1 p.m. to 4 p.m. and 4:30 p.m. to 7:30 p.m.

Auditioners must fill out paperwork in advance, not at the audition. They can return completed paperwork by email or bring it with them. Specific dates and time slots will be set in advance for each auditioner. Auditions will be in groups of no more than 15. Temperatures of auditioners will be taken upon arrival. You may wear a facemask if you prefer. Auditioners will be allowed to sing only 16 bars of a song of their choosing, for which they should bring sheet music. Provided seating will be plastic or metal chairs only, no fabric upholstery. The audition space will be sanitized between groups. When arriving to audition, please enter through the south entrance lobby doors.

Those who cannot attend in person may submit a vocal-audition video.

 

The Omaha Community Playhouse has scheduled auditions for three Fall 2020 plays.

Auditions will be by appointment only. Special COVID-19 safety precautions will be observed.

The show titles, run dates and audition schedule:

CLYBOURNE PARK, by Bruce Norris

Show runs Aug. 21-Sept. 20 in the Howard Drew Theatre.

Director: Kimberly Faith Hickman

Hickman was assistant director of the original Tony Award-winning Broadway production   

Audition dates and times:

Monday, July 6, 6:30 p.m. to 9:30 p.m.

Tuesday, July 7, 6:30 p.m. to 9:30 p.m.

Callbacks will be Wednesday, July 8, starting at 6:30 p.m.

Agatha Christie’s MURDER ON THE ORIENT EXPRESS, adapted by Ken Ludwig

Show runs Sept. 25-Oct. 18 in the Hawks Mainstage Theatre.

Director: Anthony Clark-Kaczmarek

Audition dates and times:

Sunday, July 12, 2 p.m. to 5 p.m.

Monday, July 13, 7 p.m. to 10 p.m.

Callbacks will be Tuesday, July 14, and Wednesday, July 15, starting at 7 p.m. both evenings.

OUTSIDE MULLINGAR, by John Patrick Shanley

Show runs Oct. 16-Nov. 8 in the Howard Drew Theatre.

Director: Kaitlyn McClincy

Audition dates and times:

Saturday, Aug. 15, 2 p.m. to 5 p.m

Tuesday, Aug. 18, 7 p.m. to 10 p.m.

Callbacks will be Saturday, Aug. 22, starting at 2 p.m., and Sunday, Aug. 23, starting at 7 p.m.

Specific dates and time slots will be set in advance for each auditioner. Auditioners must fill out paperwork in advance, not at the audition. They can return completed paperwork by email or bring it with them. Tryouts will be in groups of no more than 12 per hour. COVID-19 screening questions will be asked of each auditioner upon arrival. You may wear a facemask if you prefer. Provided seating will be plastic or metal chairs only, no fabric upholstery. The audition space will be sanitized between groups. When arriving to audition, please enter through the west-entrance stage door.

To make an audition appointment, email Becky Deiber at bdeiber@omahaplayhouse.com.

The Eve the Music Returned

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In a time when the world has begun to take the tiniest of steps back to normalcy, it’s a relief to know that there are still some constants in the world.  And one of those constants is the awesomeness of a live show with Billy McGuigan and his band.  That awesomeness is available for your enjoyment again as Billy and his band bring you Rave On:  The Music of Buddy Holly in the parking lot of the Omaha Community Playhouse.

This time around the show is not about Billy being Buddy or his extemporaneous wit and humor.  This time, it’s all about a band playing non-stop, untarnished, unvarnished, old-fashioned rock and roll with a 50s drive-in flair on an unseasonably perfect night for an outdoor concert.

It wouldn’t be a Billy McGuigan show without some of his classic storytelling, but the tales were kept to a minimum as he and his band were clearly hungry for a live audience and gave us their all in a 90 minute rockfest that featured the hits and obscurities of the late, great Buddy Holly along with a few other surprises as well.

McGuigan was in rare form tonight as he fueled himself on the applause and horn honks of an energetic audience and fired that energy right back at us with takes on “Maybe Baby”, “That’ll Be the Day”, “Handsome Brown Eyed Man”, a rare performance of one of Holly’s earliest recordings, “Midnight Shift”, and a 15 minute medley framed by “Oh, Boy!”.  Occasionally Billy would slow things down a few notches with his mellifluous tenor serenading the crowd with Richie Valens’ “Donna” and Holly’s own legendary soft song “True Love Ways” before ramping it back up a bit with “Crying, Waiting, Hoping” and the Everly Brothers hits, “Bye Bye Love” and “Wake Up Little Suzie” and closing things out with “Rave On” and an original rocker of his own creation, “Me and Peggy Sue”.

McGuigan was excellently supported by his band as we were treated to numerous saxophone solos from Darren Pettit and nearly as many guitar solos from Max Meyer, a phenom with chops to rival Jimi Hendrix.  Ryan McGuigan rocked out on rhythm guitar and provided a nifty little solo with Ritchie Valens’ “La Bamba” while Matthew McGuigan’s bass playing drove the beat and he got his own little chance to shine with Carl Perkins’ “Blue Suede Shoes”.  Newcomer Larell Ware dazzled on the drums as he supported the night’s numbers with a thunderous backbeat.

If you want to enjoy one of the simple pleasures of life, then you need to get a ticket to see our local master musician as he interprets the classics of a legendary artist as only he can.

Rave On:  The Music of Buddy Holly runs through June 28 in the parking lot of the Omaha Community Playhouse.  Showtimes are Wed-Sat at 7:30pm and Sundays at 6:30pm. Tickets cost $35 and can be purchased online at www.omahaplayhouse.com or by phone at 402-553-0800.  This is a cashless event and reservations are required.  CDC guidelines are being followed and parking spaces will be assigned upon arrival.  Please do not arrive earlier than 90 minutes before showtime.  The Omaha Community Playhouse is located at 6915 Cass Street in Omaha, NE.

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Top photo provided by Analisa Swerczek

Drive In to ‘Rave On’

Omaha, NE– Ready for a fresh take on an audience favorite?  Billy McGuigan’s Rave On! The Music of Buddy Holly returns to the Omaha Community Playhouse as an exciting new drive-in concert experience.  Rave On! will open Thursday, June 11, in the Playhouse parking lot, which will take on the atmosphere of a ’50s rock’n’roll drive-in.  The event will be unlike anything audiences have experienced at the Playhouse before:  a high-energy, nonstop outdoor concert that features McGuigan and his band performing Buddy Holly’s most popular songs.  The playlist also includes the hits of fellow rockers like Elvis, the Everly Brothers, Jerry Lee Lewis and more.  The show runs without intermission.

Rave On! replaces Tara Vaughan’s She Rocks, which had been scheduled to run June 11-28 in the Playhouse’s Howard Drew Theatre.  She Rocks has been canceled. Rave On! will play on all the same dates.

Billy McGuigan has received national attention and critical acclaim for his dynamic take on Buddy Holly hits.  The family friendly show’s roots trace back to when McGuigan was cast in the title role of the Omaha Community Playhouse musical Buddy! The Buddy Holly Story.  The smash hit led to McGuigan’s creation of his own show featuring Buddy Holly’s music.  Rave On! has broken box office records in theatres across North America. McGuigan is also known for the popular touring shows Yesterday and Today and Rock Twist, which have been performed at the Playhouse for many years.

To ensure audience safety during the COVID-19 pandemic, this will be a cashless event requiring a reservation.  Cars will be parked in a checkerboard pattern for social distancing.  Audience members can choose to bring portable chairs and sit outdoors on the driver’s side of the vehicle they came in, but they may mingle only with those who came in their vehicle.  No concessions will be sold.  No smoking or alcoholic beverages will be permitted.  Bathrooms in the Playhouse main lobby will be available, with COVID sanitation and social-distancing observed.  Early arrival is recommended to allow extra time for parking.  Parking spaces will be assigned as cars arrive.  Please, no lining up to park until 90 minutes before showtime.

Tickets, starting at $35 per person, are on sale now and may be purchased by phone at (402) 553-0800 or online at OmahaPlayhouse.com.

OCP Streaming Productions from Local Talent

Omaha, NE.– The Omaha Community Playhouse will offer free online streaming of entertainments by local composers J.Isaiah Smith, starting May 15, and Tim Vallier, starting May 22.

The music events follow popular reception of two videotaped performances from Playhouse archives. The plays by local playwrights bowed online April 17 (Eminent Domain by Laura Leininger Campbell) and April 24 (Recommended Reading for Girls by Ellen Struve).

As with the earlier plays, each music event will have a Friday evening streaming debut. All four events will remain available for streaming for an indefinite period after the initial offerings. They serve to entertain Playhouse patrons at a time when social distancing makes gathering at the theater impossible. Go to omahaplayhouse.com to access links to all four events.

What A Kid Did With A Piano
Streaming Premiere: May 15, 2020 | 7:30 p.m. (available for streaming after)

This 90-minute presentation features the original music of J. Isaiah Smith, with performances by Smith, Mackenzie Zielke, Scott T. Vandentop, Breanna Francesca Carodine, and Jordan Smith. Mark M. Kurtz accompanies on piano and Jordan Smith on drums.

J. Isaiah Smith wrote a musical titled Kings, Queens, and Unruly Peasants, which is featured in the show, along with several stand-alone songs and conceptual shows. He debuted What A Kid Did With A Piano at the Holland Center. In July 2019, Smith remounted a version of the show for one night at the Playhouse.

Smith, a popular performer in Playhouse musicals, appeared as Coalhouse Walker Jr. in Ragtime, Lord Farquaad in Shrek and Cosmo Brown in Singin’ in the Rain.

One Way to Mars
Streaming Premiere: May 22, 2020 | 7:30 p.m. (available for streaming after)

One Way to Mars, a 75-minute musical audio drama by Tim and Mallory Vallier, follows Natalie, a neuroscientist and mother. Natalie isinvited to embark on a pioneering one-way trip to Mars. But to take part, she must leave everything on Earth behind.

The cast includes Leanne Hill Carlson as Natalie; Steve Krambeck as her husband, Clark; and Thomas Gjere as James, Natalie’s former colleague (and former lover), who invites her to Mars. Christi Leupold and Dustin Smith play multiple roles. Daena Schweiger directs.

This is the Valliers’ reimagining of the classic Scottish ballad “The Daemon Lover.” Both works share themes of romance, tragedy and adventure.

Tim Vallier wrote the music and designed sound, with book and lyrics by Mallory Vallier. The script will be onscreen as the original music plays, or you can just close your eyes and enjoy listening.

Tim Vallier has composed instrumental music for several recent Playhouse non-musicals, including Native Gardens, A Raisin in the Sun, and Sweat.

Pop Rockin’ Charity

From Billy McGuigan

Hi everyone. Billy McGuigan here. I hope everyone is at home social distancing and doing their part to keep our community safe.

As many of you know, I’ve played in hundreds of venues across the country and around the globe. From world famous opera houses to international cruise liners and everything in between. But no venue is more important to me than the Omaha Community Playhouse. It’s where I got my start as a performer, but more importantly it has been a staple of the Omaha community for almost 100 years. And right now—they need our help.

Like many organizations, OCP is being hit hard by COVID-19. They’ve had to cancel performances, youth outreach programs and more. The Omaha Community Playhouse is too important to our city. We have to help. So here’s my plan…

My newest show, Billy McGuigan’s Pop Rock Orchestra, is set to open at OCP on August 7th. Tickets just went on sale today. Visit bit.ly/OCPBillyPopRock for tickets or call the OCP Box Office at (402) 553-0800.

Once we reach 3,000 tickets sold, I will donate 100% of ticket sales back to the Omaha Community Playhouse to help them rebound from this crisis.

To help us surpass this number, I’m offering:
– Lower ticket prices (now starting at $38)
– Free upgrade to our VIP package for anyone who buys tickets before May 1. VIP package includes: Invitation to VIP pre-show sound check and a photo op on stage with me and the Pop Rock Orchestra
– Exclusive access to a Yesterday and Today presale for everyone who purchases tickets.

Plus you get to see my new show, which is going to be amazing! I really hope you’ll help me support OCP during this tough time. Tickets just went on sale today, March 31. Let’s rally to help our community, and give ourselves something to look forward to once all this social distancing is over!

I can’t wait to see you all there! -Billy McGuigan

P.S. Looking for more ways to help OCP during COVID-19? Visit bit.ly/HelpOCP

Full Circle: A Tribute to Doug Marr

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Last night, Omaha lost a talented playwright, a genuine wit, and an all around great human being.

I lost a good friend.

When I think of Doug I think of a genuinely good man with a phenomenal sense of humor and a truly giving and supportive heart.  Doug was responsible for giving my theatre career one of its biggest boosts and for keeping it alive when it was on life support.

I first met Doug back in 2003 when I auditioned for the Circle Theatre’s production of One Flew Over the Cuckoo’s Nest.  I had high hopes that I would be able to net the role of Billy Bibbit, but received a surprise when I got a letter notifying me that the whole production was being postponed due to the theatre being unable to fill the key role of Chief Bromden, but Doug hoped to mount the show later that summer.

As summer closed in I asked him if Cuckoo was going to be mounted and he wrote back and said Circle would be doing Our Town and immediately offered me the role of Doc Gibbs.

I was stunned by his generosity as I was relatively an untested talent as I only had 4 small roles under my belt and this would be the first time I had something with a bit of meat.  Though he didn’t direct the production, he was present every day at his trusted post at the light and sound board.  He often regaled the cast with his off the cuff jokes and we would spend quite a bit of time talking about our mutual love for classic rock, Sherlock Holmes, and he would share with me ideas he had for future plays and stories.

I experienced a bit more of his generosity when he handed me a small check at the end of the run.  Doug always believed in paying a tiny stipend to the performers and I’m proud to have had my first paying gig under his watchful eye.

It would be nearly a decade before I crossed paths with Doug again.  At that point, I had been going through a dry spell and then he announced auditions for An Inspector Calls.  After my audition, Doug offered me the choice of either of the two young men.  Now one was a decent, level headed sort close to my real personality and the other was a drunken lout.  I opted for the lout.  Doug agreed to that as he thought that was the better of the two reads.

Doug often said that he wasn’t a director, but I think he underestimated his talents in that realm..  For starters, he was a gifted writer with an instinct for beats so he knew what points in a story needed to be hit to get maximum effect.  More importantly, he had an incredible eye for talent.  Doug intuitively understood a performer’s strengths and weaknesses and not only knew where to slot them, but also trusted their instincts so he’d only have to give slight notes to smooth out the rough edges.

I was always grateful that he let me test my range with Eric Birling and it still ranks as one of my favorite roles.

Shortly after that show, my dry spell became an arid desert.  I had grown so disheartened with the constant rejections that I made the decision to step away from theatre for a while.

Trust Doug to get me back into the swing of things.

Six months into my hiatus, Doug sent word through a mutual friend of ours asking if I would consider doing the Circle’s annual Christmas show.  I was a little hesitant because my confidence had been so battered, but he was a really hard guy to say no to so I agreed.

With his trust and support, I began to remember the things I loved so much about theatre and managed to breathe life into his creation of Gunar, the hippie elf which would become another of my favorite roles.  His kindness gave me the shot in the arm I needed and I would bag my biggest role later that season thanks to him restoring my heart.

Many in our community have shared their stories about Doug.  He was a treasure and he will be missed.  I’ll always remember him for his warmth, his good humor, his gift for wordplay, and his goodness.  Most of all, I’ll remember him for being my friend.

Rest in peace, my friend.

 

Omaha Playhouse Announces 96th Season

Omaha, NE.–The Omaha Community Playhouse (OCP) has announced the titles to be produced during their 96th season, which will run from August 2020 through June 2021. Subscriptions for OCP’s 2020/21 season are now available for purchase through the OCP Box Office at 6915 Cass Street, Omaha, NE 68132, by phone at (402) 553-0800 or online at OmahaPlayhouse.com.

OMAHA COMMUNITY PLAYHOUSE 2020/21 SEASON PRODUCTIONS

*Billy McGuigan’s Pop Rock Orchestra

Aug. 7–16, 2020

Hawks Mainstage Theatre

Featuring Billy McGuigan | Music Director Steve Gomez | ©2007 by Rave On Productions

Billy McGuigan’s Pop Rock Orchestra is a high-energy concert experience packed with rock ‘n’ roll mega hits from the 50s, 60s and 70s. Led by international touring artist Billy McGuigan and backed by the 14-piece Pop Rock Orchestra, these all-star musicians serve up fresh, original arrangements covering everything from the Beach Boys to Billy Joel, and everything in between.

*Special Event—Not part of the regular season series.

Clybourne Park

Aug. 21–Sept. 20, 2020

Howard Drew Theatre

By Bruce Norris

Pulitzer Prize and Tony Award®-winning comedy Clybourne Park serves as prequel and sequel to A Raisin in the Sun. A 1950s couple faces sharp backlash from neighbors for selling their home in the all-white Clybourne Park to a black family. Fifty years later, a white couple attempts to purchase the same home in the now predominantly black neighborhood, igniting fears of gentrification.

Disclaimer: Contains adult language and themes of racial tension.

Kinky Boots

Sept. 25–Oct. 25, 2020

Hawks Mainstage Theatre

Book by Harvey Fierstein | Music and Lyrics by Cyndi Lauper

Original Broadway Production Directed and Choreographed by Jerry Mitchell

Based on the Miramax motion picture Kinky Boots

Written by Geoff Deane and Tim Firth

Flashy, inspiring and downright fun, Kinky Boots is the Tony Award®-winning musical warming hearts around the world. After returning to his hometown to manage his late father’s failing shoe factory, Charlie meets Lola, an outspoken and unapologetic drag queen in need of a sturdy pair of exotic boots. Together, the unlikely pair cobble a heartwarming tale of acceptance and friendship.

Orchestra Sponsor: Woodmen Life

Hawks Series Sponsor: Immanuel Communities

Water by the Spoonful

Oct. 16–Nov. 8, 2020

Howard Drew Theatre

By Quiara Alegría Hudes

Winner of the 2012 Pulitzer Prize for Drama, Water by the Spoonful follows Elliott, an Iraq war vet struggling to care for his dying aunt, and Odessa, a recovering drug addict fighting to stay sober with the support of her online companions. When their two worlds unexpectedly collide, everyone’s progress comes crashing down in this thought-provoking and beautifully human tale.

Disclaimer: Contains adult themes and language.

Presenting Sponsor: Conagra Brands Foundation

*A Christmas Carol

Nov. 20–Dec. 23, 2020

Hawks Mainstage Theatre

Written by Charles Dickens | Adapted by Charles Jones

Musical Orchestration by John J. Bennett

It just isn’t Christmas without A Christmas Carol! Experience Omaha’s favorite holiday tradition as Ebenezer Scrooge takes us on a life-changing journey to discover the true meaning of Christmas. Filled with stunning Victorian costumes, festive music and crisp, wintry sets, A Christmas Carol is a beautiful reminder that love and generosity are the heart of the Christmas holiday.

*Special Event—Not part of the regular season series.

Presenting Sponsor: First National Bank

Artistic Team Sponsor: Omaha Steaks

Orchestra Sponsor: KPMG

Bakery Shoppe/Special Effects Sponsor: Rotella’s Bakery

*Yesterday and Today:  An Interactive Beatles Experience

Nov. 27–Dec. 31, 2020

Howard Drew Theatre

Featuring Billy McGuigan | Music Director Matthew McGuigan | ©2007 by Rave On Productions

Cap off 2020 with a shot of Beatlemania! Yesterday and Today is the smash hit, all-request Beatles show controlled by the audience. Share your favorite stories and relive your fondest memories with the songs that defined a generation. With no two shows the same, fans will be dancing in the aisles and singing along to all their favorite hits.

*Special Event—Not part of the regular season series.

The Miracle Worker

Jan. 15–Feb. 7, 2021

Hawks Mainstage Theatre

By William Gibson

The Miracle Worker is the incredible true story of Helen Keller, deaf and blind since age one, and the extraordinary woman who changed her life. Unable to communicate with their daughter, the Keller family enlists the help of Annie Sullivan, a woman determined to rescue Helen from the dark, tortured silence imprisoning her mind. A story that has inspired audiences for generations.

Hawks Series Sponsor: Immanuel Communities

The Scottsboro Boys

Feb. 12–March 14, 2021

Howard Drew Theatre

Music and Lyrics by John Kander & Fred Ebb

Book by David Thompson

Original Direction and Choreography by Susan Stroman

The Scottsboro Boys follows the wrongful conviction of nine black teenagers in Scottsboro, Alabama in the 1930s—an infamous case that helped ignite the modern civil rights movement. From the composers of Chicago and Cabaret, this 12-time Tony® Award nominee alternates toe-tapping musical numbers with heart-wrenching ballads to tell a harrowing tale of bravery and strength in the face of great adversity.

Disclaimer: Contains themes and language related to racial tension.

In the Heights

Feb. 26–March 21, 2021

Hawks Mainstage Theatre

Music and Lyrics by Lin-Manuel Miranda

Book by Quiara Alegría Hudes

Before there was Hamilton, there was In the Heights. From the revolutionary musical mind of Lin-Manuel Miranda, this Tony® Award-winning musical recounts three days in the vibrant Latino neighborhood of Washington Heights, NYC, where the Spanish-speaking residents chase American dreams. This bubbly fusion of rap, salsa, Latin pop and soul music boasts an infectious enthusiasm from beginning to end.

Presenting Sponsor: Heider Family Foundation

Producing Partner: Physicians Mutual

Hawks Series Sponsor: Immanuel Communities

*THE CANDY PROJECT PRESENTS:

Gutenberg!  The Musical!

March 18–21, 2021

Howard Drew Theatre

By Anthony King and Scott Brown

Starring Steve Krambeck and Dan Chevalier

Join The Candy Project, friends of OCP, for a special presentation of Gutenberg! The Musical! A pair of aspiring playwrights audition their newest work—a big, splashy musical about the inventor of the printing press—for an audience of potential investors. This two-man musical spoof offers an unending supply of enthusiasm and laughs.

*Special Event—Not part of the regular season series.

Agatha Christie’s Murder on the Orient Express

April 16–May 9, 2021

Hawks Mainstage Theatre

Adapted for the stage by Ken Ludwig

A thrilling whodunit set aboard the world’s most famous luxury locomotive, Murder on the Orient Express will keep you guessing until the very end. When the Orient Express becomes stranded by a snow storm, a passenger is found stabbed to death in his private room. With the murderer still on board, a detective must solve the crime before the train reaches its destination.

Producing Partner: UNMC

Hawks Series Sponsor: Immanuel Communities

Outside Mullingar

May 7–30, 2021

Howard Drew Theatre

By John Patrick Shanley

This charming romantic comedy follows Anthony and Rosemary, two introverts who grew up on neighboring farms in rural Ireland. Rosemary secretly fell in love with Anthony at age six, but after a bought with heartbreak, Anthony swore off women forever. The now middle-aged pair must overcome their own aloofness—as well as a family property dispute—to find their way to one another.

Roald Dahl’s Willy Wonka

May 28–June 27, 2021

Hawks Mainstage Theatre

Music and Lyrics by Leslie Bricusse and Anthony Newley

Adapted for the Stage by Leslie Bricusse and Timothy Allen McDonald

Based on the Book Charlie and the Chocolate Factory by Roald Dahl

Oompa-Loompa-Doom-Pa-Dee-Doo! We’ve got a family favorite for you! Grab your golden ticket as Willy Wonka takes your family on a whimsical tour of the chocolate factory—with Charlie Bucket, Augustus Gloop, Veruca Salt, and all of your favorite characters. Featuring songs from the hit film, Willy Wonka will open up a world of pure imagination.

Presenting Sponsor: Mutual of Omaha

Orchestra Sponsor: Kiewit

Hawks Series Sponsor: Immanuel Communities

‘Marjorie Prime’ Opening Soon at BlueBarn Theatre

PrimePress

Ruth Rath and Ben Beck star in BlueBarn Theatre’s production of ‘Marjorie Prime’

BLUEBARN THEATRE presents:

 Pulitzer Prize Finalist

Marjorie Prime

By Jordan Harrison

March 19th – April 12th, 2020

Thursdays-Saturdays at 7:30pm*

Sundays at 2pm 

Memories are not the key to the past, but the future.

About the play:

Marjorie’s daughter and son-in-law have purchased Walter Prime (a holographic projection of her husband as he looked in his 30s) to keep her company.  In the near future, ‘Primes’ are available from the good people at Senior Serenity, the latest devices for helping people with their fading memories and loss of companionship. As the Prime is fed memories and conversation, the shape of their lives are revealed, more and more years are covered and recovered, and the nature of memories, the legacy of the past, and the promise of the future are all called into question.

About the production:

Marjorie Prime features performances by Ruth Rath, Julie Huff, Ablan Roblin, and Ben Beck. Directed by Susan Baer Collins. Assistant Direction by Bob Fishbach.  Set Design by Brendan Greene-Walsh.  Costume Design by Denise Ervin.  Sound Design by Bill Kirby. Lighting Design by Steven Williams.  Properties by Amy Reiner.  Stage Management by Christopher Hernandez.

Tickets:

General Admission ($35) and Senior ($30) tickets are available at bluebarn.org. Educator, Military, and BLUCrew tickets are available through the box office (402) 345-1576.

*ASL interpreted performance Friday, March 27th at 7:30pm

Photo provided by BlueBarn Theatre

Lofte Community Theatre Holding Auditions for ‘Life With Father’

The Lofte Community Theatre presents:


Life With Father Auditions

Auditions: March 23 & 24 at 7:00 PM

Performances: May 29-31 & June 4-7
Thursday – Saturday 7:00 pm
Sunday 2:00 pm

Whether you’re new to the stage or an experienced performer, the Lofte Community Theatre welcomes everyone to audition for our productions! Please come a few minutes early to auditions with possible rehearsal and performance conflicts and be prepared to read lines.

Life With Father is the tale of an epic struggle to have Father baptized. The story involves Father and wife, Vinnie, along with their young sons, relatives and friends. The 1939 product on Broadway ran for over seven years and still holds the record of longest-running non-musical play. (The play contains mild adult themes. We suggest PG 13.)

Written by Howard Lindsay and Russel Crouse

For questions regarding auditions contact the Lofte Community Theatre at 402-234-2553, email the Artistic Director Kevin Colbert at loftedirector@lofte.com or visit The Lofte Community Theatre’s website at www.Lofte.org and click on “Get Involved”.

Lofte Community Theatre is located at 15841 Manley Rd in Manley, NE.

Bellevue Little Theatre Holding Auditions for ‘Temporary Insanity’

Bellevue Little Theatre presents
Temporary Insanity Auditions

Sunday, March 15 @ 7:00 pm
Monday, March 16 @ 7:00 pm

Bellevue Little Theatre will hold auditions for Temporary Insanity at the theatre, 203 W. Mission in Bellevue, at 7 pm on Sunday March 15 and Monday March 16.  This world premiere farce was written by Des Moines Playwright Karen Scheaffer, and the BLT is proud to present it as a close to our 51st season.

Jon Flower will direct the production which will run the week-ends of May 1, 8, and 15. An adult cast of ten, ranging in age from 17–65, is needed for this farce. For additional information please contact the director at jon.david.flower@gmail.com

More information can be found on the BLT web site at www.bellevuelittletheatre.weebly.com.

Character breakdown:
* COLLYN (pronounced Colin) 45ish. Female. Married to Mike, Emerson’s business partner and best friend.
* EMERSON 45ish. Female. Married to Ted, Collyn’s business partner and best friend.
* MARIE FORRESTER 65ish. Female. Emerson’s mother.
* ROSE Appears to be about 17. Female. Emerson’s daughter.
* WILL BRANCH 35 – 40. Male. Actor.
* TED 45ish. Male. Married to Emerson. Real Estate Agent. Accidentally hypnotized to experience an entire gestation every 24 hours.
* SAMUEL BRIARWOOD 65ish. Male. Owner of Briarwood Hotels and Collyn and Emerson’s potential client.
* PHILOMENA (PHIL) BRIARWOOD 33ish. Female. Sam’s niece. Sam is training her to take over Briarwood Hotels.
* HEGLUND Appears to be about 17. Male. He is a pizza delivery person and goes to high school with Rose.
* MIKE 45ish. Male. Married to Collyn. CPA.

Synopsis: In this fast-paced farce, Collyn and Emerson run a marketing firm but haven’t landed a major account. A dinner invitation is extended to a potentially lucrative client who’s in town for one night. However, Emerson’s husband, Ted, has been mistakenly hypnotized and now goes through an entire gestation period every 24 hours. To ensure a smooth evening, Collyn’s husband, Mike, takes Ted out for drinks. Emerson sequesters her daughter, Rose, in her room and enlists her mother, Marie, to serve dinner. She hires an actor, Will Branch, to play her husband. Everything goes according to plan until Ted shows up with an intoxicated Mike just before the clients arrive. Will Branch discovers he’s now Collyn’s fake husband, while Rose’s admirer desperately tries to ask her out with a message pizza and the client turns out to be Marie’s old flame. Then Ted goes into labor. Will they still get the account?

PLEASE NOTE:  ‘Bellevue Little Theatre does not discriminate, and auditions are open to all.