It’s Beginning to Look a Lot Like Christmas. . .At the OCP

A Christmas Carol Opens Friday at Omaha Community Playhouse

Omaha, NEA Christmas Carol opens this Friday, Nov 16, at the Omaha Community Playhouse.  The show will run in the Hawks Mainstage Theatre from Nov 16 through Dec 23.

It just isn’t Christmas without A Christmas Carol.  Experience Omaha’s favorite holiday tradition as Ebenezer Scrooge takes us on a life-changing journey filled with lovely costumes, exquisite music, beautifully crafted sets and special effects second to none.  Perfect for the whole family!

Tickets for A Christmas Carol are available at TicketOmaha.com or through the Omaha Community Playhouse box office by calling 402-553-0800 or visiting 6915 Cass St, Omaha, NE  68132. For more information, please visit www.omahaplayhouse.com.

Production:  A Christmas Carol by Charles Dickens.  Adapted by Charles Jones with musical orchestration by John J. Bennett.

Dates:  Nov 16-Dec 23, 2018 on the Hawks Mainstage Theatre (There are no performances on Nov 21 or Nov 22)

Show Times:  7pm on Wednesdays.  7:30pm Thurs-Sat.  2pm and 6:30pm on Sundays.

Tickets:  Tickets start at $40.  Prices may vary by performance.  Tickets available for purchase at the Omaha Community Playhouse box office, 6915 Cass St, Omaha, NE  68132, by phone at 402-553-0800 or online at http://www.ticketomaha.com.

Directors:  Kimberly Faith Hickman and Ablan Roblin

Choreographer:  Michelle Garrity

Featuring

Jerry Longe as Ebenezer Scrooge

Chris Berger as Bob Cratchit

Madison White as Tim Cratchit

Don Keelan-White as Jacob Marley

Lori Lynn Ahrends as Ghost of Christmas Past

Bob Gilmore as Ghost of Christmas Present

And a slew of Omaha’s finest theatrical talent!!

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Witness “An Act of God”

BLUEBARN THEATRE presents

First, he created the universe. Then, he conquered Broadway.  Now, he descends upon Omaha.

An Act of God

by David Javerbaum

November 23rd -December 16th, 2018

Thursday-Saturday at 7:30pm

Sunday 11/25 & 12/2 at 6pm | 12/16 at 2:00pm

Wednesday 12/5 and 12/12 at 7:30pm

 

About the play:

The supreme being Himself finally returns, and just in time for the holidays!

In this hilariously holy limited engagement, God graces the BLUEBARN stage

along with his angels, Michael and Gabriel.

He’ll answer the eternal questions. He’ll set the divine record straight.

He’s got ten new commandments… and He’s got jokes.

 

About the production:

    An Act of God features Ablan Roblin, Theresa Sindelar, and Raydell Cordell III. Directed by Susan Clement-Toberer, with dramaturgy by Barry Carman, costume design by Georgiann Regan, scenic design by Martin Marchitto, sound design by Bill Kirby, lighting design by Homero Vela, projection design by Bill Grennan, wing design by Halsey Onstage, and properties by Amy Reiner. 

The production is generously sponsored by Omaha Steaks.

Tickets: General Admission ($35) and Senior ($30) tickets are available via our website at www.bluebarn.org. Educator, Military, and BLUCrew tickets are available through the box office (402) 345-1576. For more information, visit: www.bluebarn.org/tickets/

Engage:

“The Giving HeARTS Tree” Campaign

It’s the 11th anniversary of BLUEBARN’s holiday partnership with ENOA (the Eastern Nebraska Office on Aging). Ornaments bearing the names of local elders in need will be on sale on the Giving HeARTS Tree located in the lobby. Become an elf for the elderly. Proceeds go directly to fulfilling holiday gift needs for seniors in the community.

“Interview with a Heathen…er, Humanist”

December 2nd, Post-Show

It’s God vs. the godless, following our Sunday 6pm performance of An Act of God. In partnership with Omaha Metro Area Humanists Association, God (Ablan Roblin) interrogates Bill Newman, founder of O.M.A.H.A. What the hell is humanism?

How dare these humanists come up with their own ten commandments? The ingratitude! The sacrilege! Just joshing…join us for a lovely conversation on ethics and community outside of religious faith.

BLT Announces Auditions for “Arsenic and Old Lace”

Bellevue Little Theatre presents
Arsenic & Old Lace Auditions

Sunday, November 11 @ 7:00 PM
Monday, November 12 @ 7:00 PM

Location:  203 W Mission Ave, Bellevue, NE

Interested parties need only attend one evening of auditions, so please feel free to select the date that is most convenient for you. Those auditioning will be asked to read sections from the script. These will be provided at auditions.

Actors should bring:
• All contact information, personal schedules and a list of rehearsal conflicts to complete the audition form.
• A recent photo to attach to audition form. Photos do not need to be professional and will not be returned. Should you not have a photo, one will be taken at the time of the audition.
Casting decisions will be completed and all parties notified no later than Sunday, September 16th.

Rehearsals: expected to begin in late November
Performance Dates: January 18-February 3, 2019
Performances are Fri., Sat. evenings at 7:30 and Sunday afternoons at 2 pm.

Mortimer Brewster is living a happy life: he has a steady job at a prominent New York newspaper, he’s just become engaged, and he gets to visit his sweet spinster aunts to announce the engagement. Mortimer always knew that his family had a bit of a mad gene — his brother believes himself to be Teddy Roosevelt and his great-grandfather used to scalp Indians for pleasure — but his world is turned upside down when he realizes that his dear aunts have been poisoning lonely old men for years! When Mortimer’s maniacal brother, Jonathan. (who strangely now resembles Boris Karloff) returns on the night that the aunts were planning to bury the newest victim, Mortimer must rally to help his aunts and protect his fiancé — all while trying to keep his own sanity. as well. An uproarious farce on plays involving murder, Arsenic and Old Lace has become a favorite.
Todd Uhrmacher will be director for this classic.

Adults are required for this production. Cast requirements are as follows.  For information contact the director at uhrmne@gmail.com.

Available Roles:
* Abby Brewster: A sweet caring old lady who is loved by all. She has a Victorian charm and grace about her. Her way of helping could also be considered– murder. Very old-fashioned in an ironic way. (55-75)
* Martha Brewster: A sweet caring old lady who is loved by all. She has a Victorian charm and grace about her. Her way of helping could also be considered–murder. Very old-fashioned in an ironic way. (55-75)
* Elaine Harper: A sweet young lady who knows what she wants. She is in love with Mortimer and she is not about to let him talk her out of their engagement. (18-25)
* Mortimer Brewster: A young theatre critic who has a bunch of crazy people in his family tree. He himself is afraid of becoming crazy as well as what may happen if people find out about the skeletons in his families cellar. (25-30)
* Teddy Brewster: A bit on the crazy side; Teddy Brewster thinks that he is president teddy Roosevelt. He buries all of Martha and Abby’s “gentlemen” in the basement. (25-35)
* Jonathan Brewster: He was troubled as a child and is even more so as an adult. He has escaped from a mental institution and has murdered multiple people. In order to hide from the law Johnny has had to turn to plastic surgery to alter his face, leaving him disfigured. (30-40)
* Dr. Einstein: A plastic surgeon who is often drinking. He has also escaped from a mental institution. He has a German accent (30-50)
* The Rev. Dr Harper: A protective father to Elaine. (40-60)
* Mr. Gibbs: A nice elderly man who lives alone and has no family. (60-70)
* Officer O’Hera: A officer who doesn’t really want to be an officer. He wants to write plays and is eager to tell the renowned critique Mortimer about his plot. He’s not very good at reading the room or knowing when now is not a good time. (20- 40) (This character may be male or female.)
* Officer Brophy: An officer of the law who is likable but maybe not the brightest man on the force. (20-40) (This character may be male or female.)
* Officer Klein: Another officer of the law who is likable but maybe not the brightest man on the force. (20-40) (This character may be male or female.)
* Lieutenant Rooney: All bronze and no brain. An officer of the law. (20-40) (This character may be male or female.)
* Mr. Witherspoon: Superintendent of Happy Dale sanitarium. (40-60) (This character may be male or female.)

The Bellevue Little Theatre, an all volunteer organization, maintains an “equal opportunity” policy for volunteer recruitment of both board and production positions. Auditions are open to the general public, with the same “equal opportunity” policy. All roles are open for audition except an occasional role is precast and is so noted in the audition notice.

She Rocks! She Rocks, Indeed!!

World, Tara Vaughan has arrived and she is tearing it up at the Omaha Community Playhouse in her new show, Tara Vaughan’s She Rocks.

Produced under the auspices of Rave On Productions, Tara Vaughan’s She Rocks is a killer revue focusing on the legendary female artists and/or songwriters of the 60s-80s with a splash of the 90s and today thrown in for good measure.  In a thrilling night of rock and roll suitable for people of all ages and presenting artists of all eras, you’ll hear numbers from Linda Ronstadt, Heart, The Go-Gos, Fleetwood Mac, Sandie Shaw, Amy Winehouse, Sheryl Crow, and even an original tune written by Ms Vaughan herself.

Long known as a talented singer/songwriter (and the keyboardist & vocalist for the Rave On Productions), Ms Vaughan’s talent explodes in a stunning tour de force performance for this revue.  Tara Vaughan does not play music. . .she exudes it.  It’s as if the notes just come from the very depths of her soul and she then shares it with the audience with every fiber of her being and her incredible alto voice.

Kicking it off with the sweet, but melancholic “When Will I Be Loved?” by Linda Ronstadt, Ms Vaughan proceeded to demonstrate an unmatched versatility with an extremely diverse set that included the Sandie Shaw version of “Always Something There to Remind Me”, Dusty Springfield’s “Son of a Preacher Man”, Heart’s “Barracuda”, and Blondie’s “Call Me”.  But she could also slow it down with sensitive and moving songs such as a little Cass Elliot in “Dream a Little Dream of Me”, Amy Winehouse’s “Valerie”, and Fifth Dimension’s “Wedding Bell Blues”.  However, I thought two of her best numbers in a night full of great ones were her take on Carly Simon’s “You’re So Vain” (a personal favorite song of mine) and her own original number written “in a similar vein of “You’re So Vain’”, “Blame it On My Youth”.

In between numbers, Ms Vaughan shared stories with the audience about the creation of the show, memories of her life, and gentle ribbing of her mother with a soft-spoken, almost shy stage presence that hooked the audience in from the first word.

The arrangement of the numbers gave the night’s music a familiar, but fresh feel and Ms Vaughan was epically supported by a powerful band which included Ryan McGuigan on keyboards, percussion, and backing vocals; Matthew McGuigan on bass and backing vocals (and a solo on The Supremes’ “Can’t Hurry Love”); Jess Errett on electric acoustic guitar and backing vocals (plus a solo with The Go-Gos “Head Over Heels”); Max Meyer, who provided some stellar solos on lead guitar, and Adam Stoltenberg on drums.  The night even included a guest appearance from Billy McGuigan who teamed up with Ms Vaughan to belt out Marvin Gaye & Tammi Terrell’s “Ain’t No Mountain High Enough”.

This is just a taste of what those of you lucky enough to have tickets to tonight’s sold out performance have in store for you.  And if you don’t have a ticket, don’t worry.  Tara Vaughan and She Rocks will return to the Omaha Community Playhouse in late June 2019 for a three week engagement.  Tickets go on sale November 20.  I promise you an experience you won’t forget and you will find that Tara Vaughan most.  Definitely.  Rocks!!!

Be Part of OCP’s “The Curious Incident of the Dog in the Night-Time”

The Omaha Community Playhouse is holding auditions for the upcoming production of The Curious Incident of the Dog in the Night-Time on Saturday, October 27 at 11 a.m. and Sunday, October 28 at 6 p.m. at the Omaha Community Playhouse, 6915 Cass Street, Omaha, NE 68132.

• Production: The Curious Incident of the Dog in the Night-Time
• Roles: Christopher, Siobhan, Ed, Judy, Ensemble (play multiple roles)
• Show Dates: January 18 – February 10, 2019
• Theatre: Howard and Rhonda Hawks Mainstage Theatre, Omaha Community Playhouse
• Rehearsals: Begin December 2, 2018
• Director: Kimberly Faith Hickman

SYNOPSIS
Winner of five Tony Awards, including Best Play, and based on the best-selling mystery novel, The Curious Incident of the Dog in the Night-Time tells the emotional story of Christopher, a 15-year-old boy with autism, who sets out to solve the mysterious death of a neighbor’s dog. As he embarks on an incredible adventure to find answers, his perceptions of trust and reality are turned upside-down. With stunning design and innovative staging, this impactful story is a must-see!

AUDITION DATES
• Saturday, October 27 at 11:00 a.m.
• Sunday, October 28 at 6:00 p.m.

AUDITION LOCATION
Omaha Community Playhouse
6915 Cass Street
Omaha, NE 68132

AUDITION INSTRUCTIONS
• Those auditioning should enter through the west “Stage Door” entrance and proceed to the check-in table.
• Actors only need to attend one of the audition dates to be considered for a role.
• Those auditioning will be asked to read from the script provided at auditions.
• If special accommodations are needed, please contact Breanna Carodine prior to auditions at (402) 553-4890 ext. 164 or bcarodine@omahaplayhouse.com.

PLEASE BRING
• All contact information, personal schedules and a list of rehearsal conflicts with which to fill out an audition form
• To expedite the check-in process, please bring a physical copy of a headshot or recent photo of yourself. Please note, photos will not be returned.

Blue Barn Announces Auditions for “Indecent” & “The Woodsman”

BLUEBARN THEATRE announces auditions for Indecent by Paula Vogel

Auditions will be held at The Bluebarn Theatre, 1106 South 10th St

Saturday, Dec. 1st from 12pm-4pm  &  Sunday, Dec. 2nd  from 12pm-4pm

Callbacks, if necessary, will be held on Saturday, December 8th from 12-4pm

Indecent runs March 21st, 2019 through April 14th, 2019. Rehearsals begin February 11th, 2019.

Company Members Needed

 The Stage Manager, Lemml– (M, 30-50).  

A wise fool who sees it all.

The Ingénues- (1F, 1M, 20-35).

All the brides, the grooms, the writers, the socialists, the believers.

The Primes- (1F, 1M, 35-55).

All the vamps, all the vice, the scarred and the schemers in their prime.

The Elders- (1F, 1M, 50+).

All the fathers, mothers, the sages and the fools at any age

The Musicians- (3 any gender, any age).

On violin! On accordion! On clarinet!

Performers who also sing and move and act with the troupe.

Preparation

Please present a classic or contemporary monologue under 2 minutes.

Be prepared to perform 30-60 sec  of “Ain’t We Got Fun” or a folk song of your choice, a capella.

Auditions will include prepared sides and cold readings. There may also be dance/movement elements at the auditions. Sides will be available on November 12th.

For more information, to request a copy of the script, or to schedule an audition, please contact Barry at bcarman@bluebarn.org .

*Indicate which roles you’d like to be considered for when scheduling your audition.

*If you are auditioning as a musician, please indicate which instrument(s)

you play when scheduling your auditions, and prepare a 32 bar solo.

About the play:

Inspired by the true events surrounding the controversial 1923 Broadway debut of Sholem Asch’s God of Vengeance—a play seen by some as a seminal work of Jewish culture, and by others as an act of traitorous libel. INDECENT charts the history of an incendiary drama and the path of the artists who risked their careers and lives to perform it. A glorious celebration of the power of theatre to harness the very best of the human spirit.

 

Auditions for The Woodsman by James Ortiz with Music by Edward Hardy and Lyrics by Jen Loring

Auditions will be held at The Bluebarn Theatre, 1106 South 10th St

There will be three sessions:

Session 1:  Monday, Dec 10th from 5pm-7:30pm

Session 2:  Monday, Dec 10th from 7:30-10pm

Session 3:  Tuesday, Dec 11th from 3pm-6pm

Callbacks will be held Tuesday, December 11th from 7:30-10

*Violinists will be auditioned from 6:30-7:30 on Tuesday, Dec 11th, those called back

will join the 7:30-10pm session with the actors immediately following.

The Woodsman runs May 16th, 2019 through June 16th, 2019. Rehearsals begin April 8th, 2019

Schedule your Audition with Barry Carman at bcarman@bluebarn.org.

 

Company Members Needed

7 Actors     1M and 1F (20s-30s), 1 F(20s-40s), 4 others (any age); 1 Violinist

To request a character breakdown with descriptions, possible doubling, and puppets, contact bcarman@bluebarn.org  

Casting note: The Woodsman is a wordless, physical, actor-driven ensemble that incorporates puppetry. All actors must be able to move well and fill physical shape with story, character and intention, and have strength, flexibility, and stamina. All actors are on stage for most of the 75minute show.

Preparation

Actors

Please prepare a one-minute classical monologue (Shakes, Moliere, Ibsen, Strindberg, etc), and 16 bars of a folk song in the style of the show to be sung a capella.

Come prepared to move; most of the audition will consist of an hour of exercises with other actors in ensemble work and imaginative storytelling.

Violinists

We are looking for a dynamic and intuitive player, who can play the exhilarating passages with bravado but won’t tire from the tedious passages. Should be able to adapt to the ambience of every scene. Must be an experienced team player, adept at their part with a command/ knowledge of all other vocal parts.

To request audition passages, contact bcarman@bluebarn.org.

To hear the music, go to https://open.spotify.com/playlist/7fEXlXPYpdCm27MYOUL0OE . 

About the Play

Based on the forgotten writings of L. Frank Baum, Strangemen Theatre Company’s THE WOODSMAN gives this darkly beautiful, haunting, and heart-breaking story new life through original music, physical storytelling, and innovative puppetry. A re-imagined tale of the origin of Baum’s “The Tin Woodman of Oz.”

“She Kills Monsters” Opening at OCP

Omaha, Neb.–She Kills Monsters is opening this week at the Omaha Community Playhouse. The show will run in the Howard Drew Theatre from Friday, October 12 through Sunday, November 4, 2018.

Thrilling audiences with equal parts costume and combat, She Kills Monsters is a coming-of-age dramatic comedy play riddled with 90s pop culture and all things Dungeons & Dragons. Agnes Evans finds a notebook left behind by her deceased younger
sister containing a game scenario for the fantasy game Dungeons & Dragons. As Agnes delves into the world of D&D, she comes to discover more about the sister she often misunderstood.
Tickets for She Kills Monsters are available at OmahaPlayhouse.com or through the Omaha Community Playhouse box office by calling (402) 553-0800 or visiting 6915 Cass Street, Omaha, NE 68132. For more information, please visit www.omahaplayhouse.com.

SPECIAL EVENTS
Women’s Stage Combat Workshop
The Omaha Community Playhouse will hold a special Women’s Stage Combat Workshop to celebrate the opening of She Kills Monsters. This women-only workshop will be held on Sunday, October 14 at 12:30 p.m. at the Omaha Community Playhouse and will be taught by Amy Elizabeth Schweid—fight choreographer for She Kills Monsters.

Participants are encouraged to stick around after the workshop for the 2 p.m. matinee performance of She Kills Monsters. Cost for the workshop is $15 and includes a drink ticket. Costumes are encouraged, but not required, for this female empowerment
workshop. Register at https://tinyurl.com/ocpworkshop.

Production: She Kills Monsters
Production Dates: October 12 through November 4 in the Howard Drew Theatre
Show Times: 7:30 p.m. Thursdays through Saturdays; 2:00 p.m. Sundays
Tickets: Tickets starting at $30 for adults and $18 for students; Prices may vary by performance.  Tickets may be purchased at the Omaha Community Playhouse box office at 6915 Cass Street, Omaha, NE 68132, by phone at (402) 553-0800 or online at OmahaPlayhouse.com.
Written By: Qui Nguyen
Director: Beth Thompson

Cast

Catie Zaleski – Agnes
Chloe Irwin – Tilly
Kaitlin Maher – Narrator
Thomas Gjere – Miles
Riley Perez – Lilly
Jaiden Lindsey – Kaliope
Brendan Brown – Chuck
Kevin Goshorn – Ocrus
Carrie Beth Stickrod – Vera/Farrah
Ava Burk – Evil Tina
Amanda Overfield – Evil Gabbi
Will Rodgers – Steve
Jake Parker – Monster Ensemble
Ben Battafarano – Monster Ensemble