The Three Faces of Alison (From left to right: Analisa Peyton, Sasha Denenberg, and Angie Heim)
Alison Bechdel is a lesbian cartoonist drawing her life story. As she draws, she struggles to remember something about her father. And in her struggle she revisits her relationship with her dad through the course of her life and through the lenses of her adult eyes. Join her on this journey through the halls of memories at the Omaha Community Playhouse in Fun Home with book and lyrics by Lisa Kron and music by Jeanine Tesori based on Bechdel’s autobiographical graphic novel.
I salute Ms Bechdel for opening herself to the world with this deeply personal tale. In conjunction with Kron and Tesori, these three women have managed to create something beautifully original and eminently poignant. The story does not follow an ordinary narrative track as it weaves back and forth between the present and the past, yet it is remarkably cogent and Ms Tesori’s music makes it blossom with magic. This story is a true slice of life that is warm and witty and also raw and heartbreaking.
Roxanne Wach brings some true directorial splendor to this piece. It’s the most unique piece of staging I’ve ever seen in a production and also some of the best as it is so precisely suited to the story. Characters flit on and off the stage like living thought balloons as Adult Alison keeps a measured distance away from them as they are only her memories. Her guiding of the piece is magnificent as each of her actors give their all and immerse themselves in their characters, drawing the audience deeper into Alison’s world.
Potent performances come from Julia Ervin who plays Alison’s first love and Jennifer Gilg who plays Alison’s mother, Helen. Ms Gilg does an extraordinary job playing a woman who seems distant from her family, but is actually broken from carrying the burden of her husband’s secret. Ms Gilg is especially impressive when she reveals all to Alison in “Days”. Josh Peyton does admirable work playing the entire male ensemble altering his voice, attitude, and posture to suit each character. He also has a nice, light tenor voice which shines brightly in “Raincoat of Love”. Ryan Laughlin and Tyson Bentley provide vital energy as two of the Bechdel children and, along with Sasha Denenberg, brought the house down in the night’s best number “Come to the Fun Home”.
Michael Trutna excels in the role of Bruce, Alison’s father. Trutna astutely shows the difficulty of being a closeted gay man in the 60s and 70s. His inability to come to grips with his orientation causes him to adopt some dangerous sexual practices. Indeed, his lack of control in this aspect of his life compels him to exercise extreme control over other aspects. His family must always look perfect. He personally restores his home to meet exacting specifications. He’s willing to talk about anything and everything as long as it deflects from himself showing how sad and alone he truly is.
Trutna also has a wonderful tenor voice and uses it to fullest effect in “Edges of the World” where he finally takes a hard and honest look at himself.
In the case of Sasha Denenberg, big things really do come in small packages. The theatre barely contained this little dynamo’s talent and energy and she gives a remarkable performance as Small Alison. She is ever so much the imaginative child who wants to play airplane with her dad and draw cartoons. And yet she shows wisdom beyond her years as she knows she’s different from other girls with her desire to wear pants and shirts, let her hair be wild, and her fascination with women shown when she humorously belts out “Ring of Keys” when she sees “a classic butch” for the first time.
Analisa Peyton creates a delightful coming of age character with Medium Alison. Ms Peyton wonderfully essays Alison as she makes that awkward transition from childhood to adulthood as she enters college. Along with the struggles of making the grade and making new friends, she believably wrestles with her burgeoning sexuality until she happily comes to terms with it in “Changing My Major”. Then she just as easily plays the nervousness of sharing this truth with her parents as well as the shock of learning the truth about her father.
Through all of this looms the presence of Adult Alison as played by Angie Heim. Ms Heim is spellbinding as she narrates the tale, makes wry and honest observations about herself and her family, or simply stays in the background reacting to her memories. Ms Heim does a sensational job building to Alison’s epiphany about her relationship with her dad and the peace and sorrow that epiphany brings her. Ms Heim also has a wide vocal range as she seems to be a natural alto who easily jumps to soprano when the need arises. Her magnificent voice gets the night’s most thought provoking number, “Telephone Wire”.
Jim Othuse has crafted a small, but simple set of the Fun Home’s music room that evokes a real sense of elegance and is further enhanced by Darin Kuehler’s props of piano and antiques. Othuse’s lights are also very emotional. They change with the feelings of the characters from happy pink to melancholic blue to depressed black. Amanda Fehlner’s costumes not only capture the appearance of the real Alison Bechdel with Adult Alison’s glasses, shirt, and pants, but also the clothes of yesteryear with the late sixties style clothing of the Bechdel family and the 70s style outfits of “Raincoat of Love”. Courtney Stein provides some clever choreography especially with “Come to the Fun Home”, a song and dance routine so fun and funny that I may come back again just to watch it. John Gibilisco and Tim Burkhart team up to craft some subtle sounds to drive the tale, especially the sound of night traffic in New York City. Jennifer Novak Haar and her orchestra bring their A game to the score adding crucial zip and pizzazz.
The Playhouse has kicked their latest season off with a red hot production and it is well worth your while to see it. You’ll laugh. You might cry. But you won’t have a bad time. Come to the Fun Home.
Fun Home plays at the Omaha Community Playhouse through Sept 16. Showtimes are Wed-Sat at 7:30pm and Sundays at 2pm. Tickets range from $24-$50 and can be obtained by calling the box office at 402-553-0800 or visiting www.omahaplayhouse.com or www.ticketomaha.com. This show contains strong language and mature themes and is not recommended for children. The Omaha Community Playhouse is located at 6915 Cass St in Omaha, NE.