Dare to Walk the Night

The BLUEBARN Theatre is seeking actors, ensemble and interactive crew for its 5th annual, immersive theatre experienceWalk the Night: Spirits to Enforce, based on William Shakespeare’s The Tempest.

Auditions will be held at the BLUEBARN located at 1106 S. 10th St.  (10th & Pacific Streets)

Saturday, August 4th from 11a.m-2p.m.

Sunday, August 5th from 12-2 p.m.

Walk the Night will run October 4th – October 31st, 2018 at Fontenelle Forest’s Neale Woods Center.

Preparatory Meetings Begin in August. Rehearsals begin in September.

The Walk the Night company is open to performers and crew 16 and older.

We prize diverse, counter-intuitive casting, and will adjust roles to suit the ensemble.

Please prepare any combination of the following:

A 90 second monologue of your choice, classic or modern

A 90 second retelling of a unique experience you’ve had, in your own words

A demonstration of a particular skill, hobby, or talent

Audition may include movement and the reading of sides.

Walk the Night is an interactive, continuous 75-90 min event. Those auditioning should have the required stamina and willingness to engage the audience as scene partners. Movement and puppetry experience, dance and music skills, singing ability and other skillsets are most welcome, though not required.

For more information, to request a character breakdown, or to sign up for an audition session, please contact Barry at bcarman@bluebarn.org.

ABOUT Spirits to Enforce

Prospero escaped an attempt on his life–by his own family. He and his child took refuge in an abandoned estate in the woods north of the city, letting the rest of the world think they were dead.  In the years since, Prospero discovered an ancient tome that seems to have granted him arcane abilities. Now, by a twist of fate, Prospero’s usurpers have found their way into his trap.

ABOUT THE BLUEBARN THEATRE

The BLUEBARN Theatre has been bringing professionally-produced plays to area audiences since 1989. Since its inception, BLUEBARN has produced over 100 plays and has established itself as Omaha’s professional contemporary theatre company.  Striving to bring artistically significant scripts and professional production values to Omaha and the surrounding region, BLUEBARN is known for high-quality entertainment and the fearless pursuit of stories that challenge both theatre artists and patrons.

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Blue Barn Announces First Auditions for “America in Pieces” Season

The BLUEBARN Theatre is pleased to announce open auditions for Circle Mirror Transformation.

Auditions will be held at the BLUEBARN located at 1106 S. 10th St.  (10th & Pacific Streets.)

Sunday, August 5th from 4-6 p.m. & Monday, August 6th from 6:30 p.m. – 8:30 p.m.  Callbacks will be scheduled if necessary

Circle Mirror Transformation runs September 27th through October 21st, 2018.  Rehearsals begin August 27th, 2018

Company members needed:

LAUREN (16)Open Ethnicity, Female. The youngest in the class. Wants to play Maria in West Side Story. Takes things seriously. Chronically dissatisfied. A bit endearing.  

THERESA (35) – Open Ethnicity, Female. Recently moved from NYC to Vermont after ending a toxic relationship. An actor who is also studying acupressure. Energetic, genuine. At a bit of a crossroads.

SCHULTZ  (48) –  Open Ethnicity, Male. A carpenter. Schultz finds himself unhappily alone after his recent divorce from his wife of many years. A bit eager.

MARTY (55) – Open Ethnicity, Female. Co-executive director of the community center. Teaches the drama class, and others in jewelry and pottery. Longs to move to Mexico. Nearly confident. A bit lost.

JAMES (60) Open Ethnicity, Male. Married to Marty, with an estranged daughter from a previous marriage. A good sport. A bit ineffectual.  

Auditions will consist of prepared sides, and cold readings from the script. Maybe some games.

Prepared monologues under 2 minutes are welcome, though not required.

To request a copy of the script, sides, or to schedule an audition contact Barry at: bcarman@bluebarn.org 

About Circle Mirror Transformation

Students in a community-center acting class find their lives transformed, their souls reflected, and the patterns of their lives revealed in this extraordinary celebration of ordinary life. As they discover each other through storytelling and deceptively simple games, hearts are won and lost, destinies shaped, and tiny triumphs and tragedies take on epic proportions.

 

The BLUEBARN Theatre is pleased to announce open auditions for I and You.

Auditions will be held at the BLUEBARN located at 1106 S. 10th St.  (10th & Pacific Streets.)

Sunday, August 5th from 2-4 p.m.  Monday, August 6th from 5 p.m. – 6:30 p.m.  Callbacks will be scheduled if necessary

I and You runs January 31st through February 24th, 2019.  Rehearsals begin January 7th, 2019

Company members needed:

Two actors (15-25), Open Ethnicity* to play

ANTHONY (17) – He is neat, poised, mature for his age. African-American. He’s an “a” student, a team player, a nice guy. He’s not really great around girls. He takes his homework very seriously. When he likes something (jazz music) he is all in. Throughout the whole play he looks at Caroline like he’s trying to figure her out. Like he really needs to know who she is.

CAROLINE (17) She is in comfy clothing, she does not expect company, she is sick but mainly just looks a little weak and frumpy. She doesn’t go out. She is cynical, over it, does not let a stray “feeling” near the surface. White.

*Casting Note

The race of each character can be altered. The only essentiality is that the characters not be the same race.

Auditions will consist of prepared sides, and cold readings from the script.

A prepared excerpt from Walt Whitman’s Song of Myself is most welcome, though not required.

To request a copy of the script, sides, or to schedule an audition contact Barry at: bcarman@bluebarn.org

ABOUT I and You:

One afternoon, Anthony arrives unexpectedly at classmate Caroline’s door bearing a beat-up copy of Walt Whitman’s Leaves of Grass, and an urgent assignment from their English teacher. As these two let down their guards and share their secrets, they unlock a much deeper mystery that has brought them together. I and You is an ode to youth, life, love, and the strange beauty of human connectedness.

ABOUT THE BLUEBARN THEATRE                            

The BLUEBARN Theatre has been bringing professionally-produced plays to area audiences since 1989. Since its inception, BLUEBARN has produced over 100 plays and has established itself as Omaha’s professional contemporary theatre company.  Striving to bring artistically significant scripts and professional production values to Omaha and the surrounding region, BLUEBARN is known for high-quality entertainment and the fearless pursuit of stories that challenge both theatre artists and patrons.

Shelterbelt & SNAP! Seeking New Home

SHELTERBELT THEATRE AND SNAP! PRODUCTIONS ANNOUNCE CLOSING OF CURRENT LOCATION IN AUGUST
Shelterbelt Theatre and SNAP! Productions are sad to announce that our home of 25 years (18 years for SNAP!) has sold. THE DAIRY MAID-RIGHT by Ellen Struve (July 13-August 5) will be the final production in the 3225 California St. location, ending our tenure in August.
Both theatres are actively looking at options for continuing performances, but no seasons have been announced at this time. The search for a dedicated theatre space to house both theatre companies will continue.
Both theatre companies are hoping a new location will include:
• *5000-10,000 total square feet – which includes a large open space with no poles (approx. 50’ x 30’)
• We’d like to accommodate a stage with flexible seating, a rehearsal space (approx. 25’ x 25’), a lobby/bar/gallery area with ADA restrooms, on-site storage area, a scenic shop, dressing rooms with restroom
• HVAC installed
• ADA compliant bathrooms and entrance
• 12-14’ ceilings
• *Off-street parking
*Square footage and parking are negotiable.
As entirely artist-driven entities, the theatres have survived through the passion and commitment of this community.  A vital part of the theatre ecology, Shelterbelt and SNAP! are often the first non-academic theatre experience for actors, directors, designers, writers and crew members. The opportunity to gain stage experience and develop skills is vital to the health of all Omaha theatres. Experienced, professional theatre artists continue to work at these theatres, as the intimacy of storefront theater inspires risk-taking, creative work.
If you have any leads on locations, please contact Roxanne Wach at executive@shelterbelt.org.

Let’s Rock Twist Again

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Omaha Community Playhouse Summer Show
Billy McGuigan’s Rock Twist On Sale Now

Omaha, Neb.— The Omaha Community Playhouse will present Billy McGuigan’s Rock Twist August 1 – 12, 2018 in the Hawks Mainstage Theatre. Tickets are on sale now.

Omaha favorite Billy McGuigan brings his big band sound back to OCP after its world premiere here last year. He is joined by the Omaha-based Steve Gomez Band to present rock hits with a big band sound and big band standards with a rock and roll sound. This year’s show has all-new songs.

Billy McGuigan’s big band sound is back! Classic rock tunes with a big band twist; big band standards with a rock and roll twist. Rock Twist features Billy McGuigan with an all‐star lineup of the country’s finest musicians, backed by a 4-piece horn section. With an ever-changing set list, you will hear Frank Sinatra next to The Doors, Billy Joel, Harry Connick Jr., The McCoys, The Turtles, Petula Clark, Duke Ellington… all enhanced with fresh rearrangements that will have audiences screaming for more!

Production:      Billy McGuigan’s Rock Twist 

Show dates:     August 1 – 12, 2018; Wednesdays–Saturdays, 7:30 p.m. and Sundays, 2 p.m.

Tickets:            At the OCP Box Office, by calling (402) 553-0800 or online at www.OmahaPlayhouse.com or http://www.TicketOmaha.com. Single tickets start at $42. Tickets are $35 for groups of 12 or more.

Location:          Omaha Community Playhouse, Hawks Mainstage Theatre (6915 Cass St, Omaha, NE  68132

OCP Announces 2018-19 Alternative Programming Season

Omaha, Neb.—The Omaha Community Playhouse is announcing its Alternative Programming series for the 2018-19 season. Alternative Programming includes a series of staged readings, special events and play development collaborations. All events are held at OCP.

The 2018-19 Alternative Programming schedule includes:

EDGES

by Benj Pasek and Justin Paul
July 9, 2018
Staged reading of a musical, Howard Drew Theatre
Directed by Kevin Goshorn and Caitlin Mabon, Music directed by Zachary Kloppenborg

This is the first show written by the creative minds behind Dear Evan Hansen, The Greatest Showman, and La La Land. It is a song-cycle about adults asking classic coming-of-age questions. The songs cover the universal issues of love, commitment, identity and meaning. The characters deal with confronting emotions, escaping expectations and deciphering complicated relationships.

LASSO OF TRUTH
by Carson Kreitzer
August 27, 2018
Staged reading, Howard Drew Theatre
Directed by Breanna Carodine

William Marston is a truly improbable character in American history – psychologist, author and inventor of both the lie detector and Wonder Woman. He was also a bondage enthusiast, a passion he shared with the two women he lived with in a large blended family: his wife Elizabeth and Olive Richards, his research assistant. This play tells the origin story of Wonder Woman, not only as an amazon princess and warrior, but as a comic book character and our preeminent female superhero.

DISASTER!
by Seth Rudetsky, Jack Plotnick, and Drew Geraci
September 24, 2018
Staged reading of a musical, Hawks Mainstage Theatre
Directed by Mackenzie Dehmer, Music directed by Liz Stinman

Earthquakes, tidal waves, infernos and the unforgettable songs of the ‘70s take center stage in Broadway’s side-splitting homage to classic disaster films. It’s 1979 and New York’s hottest A-listers are lining up for the opening of a floating casino and discotheque. What begins as a night of boogie fever turns to panic as the ship succumbs to multiple disasters. Featuring songs from Michael Jackson, Lionel Richie, Chicago, Orleans and more, this absurd sendup of ‘70s disaster flicks is as funny as it is ridiculous.

 
FROM THE GROUND UP
Collaboration with Great Plains Theatre Conference
October 15, 2018
Special Event, Howard Drew Theatre
Directed by Kevin Lawler

Come share in the experience of seeing a workshopped performance of a brand new script. An official collaboration with the Great Plains Theatre Conference, From the Ground Up is a workshop that provides a safe and nurturing playground for artists to develop new work for the theatre. The playwright’s material will be shared with an audience while still in the developmental phase then will continue to be developed to be included in the next Great Plains Theatre Conference.

NIGHT OF THE LIVING DEAD
by George A. Romero and John A. Russo
October 29, 2018
Staged reading of a play, Howard Drew Theatre
Directed by Kaitlyn McClincy

Witness a theatrical adaptation of the classic horror film. Fall out from a satellite probe shot to Venus returns to Earth carrying a mysterious radiation that transforms the unburied dead into flesh-eating zombies. Seven people trapped in an isolated farmhouse, held hostage by the ravenous ghouls, begin to turn on each other as the dead encroach.

BOOK OF WILL
by Lauren Gunderson
February 25, 2019
Staged reading of a play, Howard Drew Theatre
Directed by Marie Amthor Schuett

Without William Shakespeare, we wouldn’t have literary masterpieces like Romeo and Juliet or Hamlet, but without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg and band together to get it done.

DRAGON
by Jessica Austgen
April 29, 2019
Special Event, Hawks Mainstage Theatre
Director TBD

In this unique comedy, a fledgling drag queen must go through the tests and trials of legendary cosplay divas to find her swagger. An ode to both geek and drag cultures, this refreshingly original piece gives the audience a front row seat to what happens when you combine equal parts fantasy adventure, comic book convention, and drag show.

Alternative Programming events are free and open to the public with an opportunity for donations. No tickets or reservations are necessary. Some events may be intended for mature audiences. For more information on Alternative Programming, visit www.omahaplayhouse.com.

Circle Theatre Holding Auditions for ‘Dracula’

Auditions for Dracula will be June 11-12, 2018 at 6:00 p.m. The auditions will be held at Hanscom Park United Methodist Church, 4444 Frances Street, Omaha, NE. People who audition will be asked to read from the script. Rehearsals will start in August.

Bram Stoker’s Dracula: Oct 19- Nov 3, 2018
Fridays and Saturdays at 7:30 p.m. and a special performance October 31 at 9:00 p.m.

We are excited to bring this classic novel to the stage. This adaptation, by local playwright Ryle Smith, includes all the principal characters from Stoker’s original story. This play tells the story of Dracula through the eyes of Jonathan Harker as in the novel. Much of our current mythology about vampires comes from this great classic novel.

For more information contact the Circle Theatre at 402-553-4715 or www.circletheatreomaha.org

To Live Again

Elliott Liteman is in a state of living death.  Stricken with Lazarus Syndrome (a type of survivor’s guilt which afflicts some people who are resuscitated after clinical death), Elliott doesn’t want to die, but is afraid to live.  During a horrific blizzard, his family comes to visit and he learns the importance of forgiveness and embracing life.   This is Lazarus Syndrome by Bruce Ward and currently playing at SNAP! Productions.

First and foremost, let me assure you that this isn’t a doom and gloom story.  True, there are moments of weightiness, but this is an excellent slice of life tale full of humor, hope, and even mystery.  Ward’s script focuses on themes such as family, regret, ennui, aging, self-loathing, forgiveness, mortality, and what it means to be alive.  I found myself spellbound by the tale as Elliott’s internal struggle is outwardly manifested as he spars and engages with his family.

M. Michele Phillips has provided a superlative piece of direction to this story as well as an inspired bit of casting. She understands the path of the story well, skillfully navigating the many turns of the tale and capitalizing on every beat. Ms Phillips guides her actors to rock solid performances and you’ll never doubt for an instant that this group is a family.

Brett Foster gives a powerful and poignant performance as Elliott Liteman.  Living death well describes Foster’s essaying of Elliott as he merely goes through the motions of living.  Foster gives a wonderful weariness to Elliott whose guilt and depression are so great that he’s turned away from almost everything that made him happy and lives a life that’s a mundane routine of taking medicine to combat his HIV and wandering around his apartment in his bathrobe.  You can’t help but root for the guy when he finds small bits of happiness and vitality whether it’s through a sweet early morning conversation with his lover or a vigorous debate with his family.

Foster makes you feel the pain of a man who has lost his sense of self and is just seeking a way to end his cycle of nothingness.

Thomas Lowe plays the small, but crucial role of Stephen Bliss, Elliott’s young lover.  Lowe brings a sweetness and innocence to Stephen who has enough energy to live life for the both of them.  Your heartstrings will be tugged as Stephen’s love for Elliott allows Elliott to reclaim small sparks of himself and Stephen’s honesty and plain-spokenness may be the key to Elliott finally living his own life again.

Matt Allen is awesome as Elliott’s younger brother, Neil.  Invoking the essence of younger brothers everywhere, Allen’s Neil is a bit of a thorn in Elliott’s side as he drips melted snow onto Elliott’s floor and scarfs down Elliott’s food while making wry observations on his unique tastes in edibles.  Allen brings an incredible extemporaneousness to Neil’s dialogue as well as a snarky attitude which he carefully modulates to be a pest to Elliott, but not obnoxious or mean, especially when they start having suffering battles or discussing their somewhat fractious relationship.

Brent Spencer is the ideal Jewish father as Jake.  He believes a good meal can solve all ills and that the three things Jewish people do best are eat, suffer, and fight.  He is also clearly a man of his generation as he was brought up to believe that men didn’t show emotions and foul language is inappropriate in polite conversation.  But he also shows that an old dog can learn new tricks as his own losses have taught him the value of emotions and he tries to instill that lesson into Elliott.

Ben Adams has designed a cozy little apartment that feels like a real home.  Taelore Stearns’ lights pack an emotional punch.  They actually feel just as sad as Elliott.  Fred Goodhew’s sounds buoy the show’s emotional beats.  Leah Skorupa’s costuming is just right with the suits worn by Neil and Jake and the hum-drum look of Elliott with muted t-shirt, boxers, and a somewhat colorful bathrobe to offset the drabness of his other garb.

In the end, this is a story of life overcoming death and that it can still be lived and enjoyed despite great tragedy if one is only willing to take that chance.

Lazarus Syndrome plays at SNAP! Productions through June 24.  Showtimes are Thurs-Sat at 8pm and Sundays at 6pm.  The final show on June 24 will be at 2pm.  Tickets are $20 for adults, $15 for students, seniors (55+), TAG members, and military, and for all Thursday shows.   For tickets, call 402-341-2757 or visit www.snapproductions.com.  Due to strong language and mature themes, Lazarus Syndrome is not recommended for children.  SNAP! Productions is located at 3225 California Street in Omaha, NE.