One Man Triumphant

Experience a day in the life of struggling actor, Sam, as he works the reservations line of an exclusive New York restaurant where he must pacify the rich, the powerful, the famous and the screwy as well as deal with his temperamental boss and oddball co-workers.  And all while he waits for a callback while trying to find a way to get home for Christmas.  This is Fully Committed by Becky Mode and currently playing at the Omaha Community Playhouse.

I couldn’t wait to get to work on this review.  This was, bar none, the funniest comedy I have ever seen on an Omaha stage.  Mode has written a delightful slice of life script that realistically depicts a day in the life of a struggling actor as he works a poorly paid, high stress job in order to be able to audition.  While the characters may be somewhat embellished, those who have ever worked a service job will readily recognize the personality types of the many difficult people Sam deals with in the course of a day. 

Mode’s script is not only loaded with witticisms, but it had jokes with punchlines that I never saw coming resulting in the loudest and hardest I’ve laughed at a production in years.  It also contains some nice story arcs that are convincingly and believably maintained and resolved within the course of the show.

Jim McKain has a stunning directorial debut at the Playhouse with his work in this production.  He had a minute understanding of the script and its myriad ups and downs and demonstrated extraordinary acumen in the balancing of the multiple stories in the show as none gets any short shrift.  McKain has also guided his lone performer to what may very well be the performance of the year as he helped his actor shape 40 different characters.  Some of the characters may be larger than life, but all had a foot firmly planted in reality.

Josh Peyton is a juggernaut of talent as well as a thespian of rare versatility.  Each one of his characters is unique and original, differentiated by voice, gestures and body language and imbued with off the charts charisma.   His stamina is amazing as he never slows down for a second and I loved how he would use his animation and gestures to transform from one character into the next on the turn of a dust mite (dime just doesn’t seem to cut it).

Some of the many characters Peyton entertains the crowd with are the volatile, surfer dude chef/owner of the restaurant in which he works; the timid, panicky personal assistant of the editor of Bon Appetit magazine; Sam’s loving and folksy father who always says good-bye by saying, “Adios (finger snaps and hand pointing) amigo”; an incredibly effeminate friend/theatre rival; and Gwyneth Paltrow’s overly perky (and occasionally bellicose) assistant.

However, my favorite performance was Peyton’s interpretation of the play’s central character, Sam.  Sam is a good and decent man who works hard in a thankless job with a dream of making it as an actor.  Peyton is completely believable with Sam’s worries about making rent, his frustrations at hitting a dry spell as an actor, his sadness at not being able to get home for Christmas and his loneliness as he’s just re-entered the single scene.

John Gibilisco had his work cut out for him with what seemed like a few hundred sound cues from the constant ringing of the telephone, the buzz of the private line linking the chef to reservations and the distinctive sound effects that accompanied certain characters.  Every ring and chime pulsed life into this world.  I liked Jim Othuse’s simple basement set.  Enhanced by Darin Kuehler’s properties, it really showed just how low of a man Sam was on the totem pole. 

If you’re in need of a good laugh, come see this show.  I defy you not have a smile on your face by the time it’s over and it’s also one of the best shows of the year.  Strike while you can as tonight’s nearly sold out crowd suggest tickets won’t last long for this one.

Fully Committed runs through April 11.  Showtimes are Thurs-Sat at 7:30pm and Sundays at 2pm. Tickets are on sale now starting at $36 with prices varying by performance. Tickets may be purchased at the OCP Box Office, by phone at (402) 553-0800 or online at The show will be available to rent for at-home viewing beginning Friday, March 26 on the ShowTix4U platform. To view all OCP streaming events on ShowTix4U, visit The show does contain strong language. The Omaha Community Playhouse is located at 6915 Cass Street in Omaha, NE.

‘Fully Committed’ Opens March 19 at OCP

Omaha, NE– The Omaha Community Playhouse production of Fully Committed will open Friday, March 19. The show will be held in the Howard Drew Theatre at OCP. Performances will run Thursdays through Sundays through Sunday, April 11. The Howard Drew Theatre host a limited capacity audience and will be set for social distancing and other safety precautions in response to the COVID-19 pandemic.

A comedic tour de force with a single actor portraying 40 larger-than-life characters, Fully Committed is a side-splitting look at a day in the life of Sam. The struggling New York actor works the reservation line for the trendiest restaurant in the city; a restaurant that is (as the head chef insists it be called) “fully committed” three months out. In between calls from social elites, celebrities and everyday Joes who will stop at nothing to secure the hottest table in town, Sam hopes for an audition call back and a chance to make it home for the holidays. This show contains adult language.

Tickets are on sale now starting at $36 with prices varying by performance. Tickets may be purchased at the OCP Box Office, 6915 Cass St., Omaha, NE 68132, by phone at (402) 553-0800 or online at


Fully Committed will be available to rent for at-home viewing beginning Friday, March 26 on the ShowTix4U platform. To view all OCP streaming events on ShowTix4U, visit

Directed By: Jim McKain

Starring: Josh Peyton

It is a Brilliant Thing

After his mother attempts suicide, a little boy decides to write a list covering every brilliant thing in life.  This list follows the boy as he grows into a man and experiences the highs and lows of life.  This is Every Brilliant Thing by Duncan MacMillan and it kicks off the Blue Barn Theatre’s 29th season:  Connect.

MacMillan has written a pretty potent script “based on true and untrue stories” and it has a little bit of something for everyone.  It’s funny.  It’s poignant.  It’s thoughtful.  It’s relevant.  The play centers around the theme of suicide and provides a hopeful message:  things will get better.  This message is laid out with facts, stories, and audience participation.  I thought the audience participation element was positively inspired because this is a story that we are all part of as all of us have felt down in life and needed a little picking up.

An interesting thing about casts is that the smaller they are, the stronger they have to be.  When dealing with a one person show, not only does the actor’s talent have to be of phenomenal quality but he or she needs an almost symbiotic relationship with an equally talented director in order to find, develop, and relate the innumerable beats of the story.  Fortunately this show illustrates just such a relationship as the impeccable direction of Susan Clement-Toberer combined with the acting chops of Hughston Walkinshaw result in a night of theatre that is somber, moving, light, funny, and strong.

Ms Clement-Toberer’s staging is of superior quality as she breaks down the barriers between actor and audience.  Walkinshaw performs in the round and is centimeters away from the audience. Never is there a static moment as Walkinshaw constantly moves around the room and engages the audience, bringing them deeper into the world of this tale.

So natural and extemporaneous is Walkinshaw that it almost doesn’t seem like he’s acting.  It’s almost as if he’s telling his own life story.  But it is an arduous and triumphant performance as Walkinshaw has to constantly be on his toes and be aware of every moment as he may have to fill in the blanks or gently move things along during the audience participation moments.

Walkinshaw’s interpretations are so spot on and precise.  At one moment, he is an innocent little boy facing death for the first time when his beloved dog is put to sleep.  In a flash, he’s a college student finding love for the first time.  In the blink of an eye, he’s a jaded adult facing his own battle with depression which causes his marriage to crumble while he deals with the hideous reality of suicide in his own family.  Yet, through it all, he maintains his grip on hope with the ever growing list of brilliant things.

Shea Saladee softly lights the performance space with a series of vintage chandeliers.  Craig Marsh’s sounds take the form of music which plays an important emotional role in this show.  And the final number will be the “happiest sad song” you ever heard.  Amy Reiner’s properties of bits of the list truly enhance the spontaneous nature of the unnamed character’s writings.

This is theatre at its purest.  At its most intimate.  At its most beautiful.  At its peak.  It’s a masterful opening for the Blue Barn and you will regret it if you miss this one.

Every Brilliant Thing plays at the Blue Barn Theatre through Oct 15.  Showtimes are Thurs-Sat at 7:30pm and Sundays at 6pm (The Oct 8 show will be at 2pm.).  Tickets cost $35 for adults and $30 for students, seniors (65+), TAG members, and groups of 10 or more.  For reservations, call 402-345-1576 or visit  The Blue Barn is located at 1106 S 10th St in Omaha, NE.

Hal Holbrook Brings Mark Twain to Holland Center


Timeless Laugh-Out-Loud Humor Makes This One-Man Show a Treasure of the American Theatre

Omaha, Neb., March 3, 2016 – Emmy®- and Tony®- award winning actor Hal Holbrook brings the longest running show in American Theatre history, Mark Twain Tonight!, to the Kiewit Hall at the Holland Performing Arts Center, 1200 Douglas Street, Friday, April 8, 2016, at 8 p.m. Tickets start at $30 through Ticket Omaha at 402.345.0606,, or the Ticket Omaha Box Office inside the Holland Performing Arts Center. Special thanks to hospitality sponsor Hotel Deco.

Once called “America’s Voltaire,” Samuel Clemens, known by the pen name Mark Twain, preceded today’s social critics with scathing but humorous satires focusing on the corruption and lies of 19th Century politicians and journalists. Twain’s novels Adventures of Huckleberry Finn and The Adventures of Tom Sawyer top the lists of American classics and have weathered the tests of time and include subjects that still seem significantly relevant today.

Holbrook portrays Twain as the aging character that we recognize – the white hair, brows and mustache; white suit; and the illusion that Twain is speaking in his time. “Let the audience update him,” Holbrook said. “That has made the show more powerful because human behavior doesn’t change. Neither does its foolishness. That’s the joke.”

The Washington Post said, “Holbrook’s characterization of the great novelist and raconteur is, to this day, a work in progress. The transformation is so complete as to be unsettling at times. The combination of Holbrook’s physical and vocal talents and the potency of Twain’s words is a mesmerizing thing to behold.”

A legendary star of television, movies and the stage, Holbrook has built his career on a variety of roles with no connection to Mark Twain, including Don Quixote, King Lear, Shylock, Abe Lincoln, Willy Loman in Death of a Salesman and more than 50 feature films.

He won the Tony Award for Mark Twain Tonight! in 1966 and was nominated for an Emmy Award for the show in 1967. Since then, he has received five Emmy Awards between 1971 and 1989. Holbrook was presented the National Medal of the Humanities in 2003 by President George Bush. In 2008, he was nominated for an Academy Award for his supporting role in Into the Wild.