She Pre-Rocks

On an absolutely perfect night at the Davies Amphitheater in Glenwood, IA, the one and only Tara Vaughan delighted the crowd with a spectacular night of song and storytelling dedicated to the women of rock and roll and produced under the auspices of Rave On Productions.

Though it didn’t explicitly have the title, this was a variation of Tara’s She Rocks show (coming soon to the SumTur Amphitheater in Papillion, NE).  Not only is it a revue of some of the classic songs from female rockers, it also serves as a testament to Vaughan’s awesome versatility.  Vaughan covers a slew of songs from a variety of performers ranging from Petula Clark to Amy Winehouse and whacked them all out of the park.

Outside of her insane talent as a singer and keyboardist, what I like best about Tara Vaughan is just her genuineness.  I agree with her manager, who calls her endearing.  She has a sweet, very shy, storytelling style as she talks about growing up, how she sing-narrates her life, and the stories of her friendships that just melt one’s heart like butter. 

But, ultimately, it’s all about the music and Vaughan delivers that and then some with her octane powered alto.  Highlights of Vaughan’s performance included her take on one of my all time favorite songs, Carly Simon’s “You’re So Vain”; a ripping cover of Linda Ronstadt’s cover of “When Will I Be Loved”; an energetic version of Amy Winehouse’s “Valerie”; a spot on performance of Fleetwood Mac’s “Say You Love Me”; not to mention a fine performance of her original song “Blame it On My Youth”.

Vaughan is strongly supported by her amazing band which featured Adam Stoltenberg providing the backbeat on drums and Max Meyer heating up the night with sizzling lead guitar solos.  Ejanae Hume not only shines as a backup vocalist, but she also gets her own moments in the spotlight with a take on Whitney Houston’s “I Wanna Dance with Somebody (Who Loves Me)” which made me want to get up and dance with somebody and a splendid cover of The Supremes’ “Keep Me Hangin’ On”.  The Given McGuigans (and I stole that description from Vaughan), Ryan and Matthew, not only serve as Vaughan’s partners in comedic crime, but also soar with Ryan’s acoustic guitar and percussion work and Matthew’s bass playing.  Matthew McGuigan and Tara also have a very sweet duet with Carole King’s “You’ve Got a Friend” which seems to serve as an ode to their own friendship.

If you missed this show, well, too bad for you.  Thanks for reading my review.

Of course, I jest.  If you missed this show, you’ve got another chance to see this divine diva of the ivories when She Rocks plays at SumTur Amphitheater in Papillion, NE from Sept 9-19.  Tickets are $20 for lawn seating and $35 for stadium seating and can be purchased at https://www.theomahaseries.com/sherocks.  Showtimes are Thurs-Sat at 7:30pm and Sundays at 7pm.

If you’re ready for a bevy of hits from a mighty mistress of music, then you’re ready for Tara Vaughan.  She will rock your socks off.

Orchestral Enclave

If you like your classic rock done classically, then this is the show for you.  It’s Billy McGuigan’s Pop Rock Orchestra currently running at SumTur Amphitheater under the auspices of Rave On Productions.

It was a beautiful night for an outdoor show and I was grateful for the cooler temperatures because Billy McGuigan and his orchestra truly heated up the night.  For those of you unfamiliar with the Pop Rock Orchestra show, Billy McGuigan and his musicians take you on a tour of music from the 50s to the 80s, but turn the traditional rock concert on its head by merging it with a big band orchestra of horns and strings to complement the standard guitars, basses, and percussion.  The end result is a dancing in the aisle, hand clapping, foot stomping good time.

I sometimes think Billy could create a new show based entirely around his storytelling.  He’s a raconteur without peer and never seems to lack a clever witticism, an off the cuff joke, or a poignant anecdote suitable for the moment or number.  This, combined with his stellar musicianship, is what makes him one of today’s premier acts.  McGuigan seemed extra energized tonight and used that juice to fuel a non-stop barrage of hits that the audience lapped up with a spoon.

Some highlights of McGuigan’s performance were his killer rendition of Elton John’s “Saturday Night’s All Right for Fighting”, a blazing take on Sinatra’s (Nancy, that is) “These Boots Were Made for Walking”, a haunting cover of the Beatles’ “Eleanor Rigby” and a spot on version of Tears for Fears’ “Everybody Wants to Rule the World’.  McGuigan also featured numbers off his latest album, Together, including a version of “Little Metal Shed” rearranged by local sax legend, Darren Pettit, which tore the house down.

Aside from McGuigan’s powerful vocal chops, we were also treated to excellent featured performances from Matthew McGuigan who had a smooth and elegant interpretation of “My Girl” and Jay Hanson shone in one of my favorite numbers of the evening, George Harrison’s “I’ve Got My Mind Set on You”.  Steve Gomez’s musical direction always hit the mark and I thought the fingers of Omaha’s guitar guru, Max Meyer, would burst into flame with the speed and ferocity of some of his guitar solos.

A few instances of instruments overwhelming the voices of singers did little to stop the storm of this production and you’re going to have a beautiful weekend to take advantage of the final performances of this top flight production.  And I hope you will.

Billy McGuigan’s Pop Rock Orchestra runs at SumTur Amphitheater through August 15.  Remaining showtimes are Saturday at 7:30pm and Sunday at 7pm.  Tickets cost $35 for stadium seating and $20 for lawn seating and can be purchased at https://www.eventbrite.com/e/billy-mcguigans-pop-rock-orchestra-tickets-153047839207.  SumTur Amphitheatre is located at 11691 S 108^th St in Papillion, NE.

Buddy Storms the Stage

Jesse White stars as Buddy Holly in “Buddy: The Buddy Holly Story”

A teenager in Lubbock, TX completely changes the landscape of rock and roll with his unique sound.  This is the story of Buddy Holly.  It’s the show that’s part biopic and part rock musical.  It’s Buddy:  The Buddy Holly Story playing this weekend at several venues under the auspices of Rave On Productions.

It must be cosmic coincidence.  Back in 2002, this show was having its preview night at the Omaha Community Playhouse when inclement weather forced a halt to the show, though the audience members were entertained by Buddy in the Playhouse’s basement.  Nearly 19 years later, the first public performance is again halted by bad weather at the height of the climactic Winter Dance Party concert, but the weather was prophetic as the performers were putting on a storm of their own at SumTur Amphitheatre before the festivities had to be stopped.  And for those of you who were at tonight’s show, you’ll be able to watch the whole thing again tomorrow or Sunday by responding to the Eventbrite e-mail you’ll be receiving.

Billy McGuigan steps away from the role he originated to serve as producer, co-director, and co-musical director this time around.  In tandem with Kimberly Faith Hickman, he serves up a rocking good time with a show as their direction is spot on.  It delivers the fun and the music and hits a couple of Buddy’s serious moments well, especially during his early days when he was struggling to make rock and roll in an area dominated by country music.  McGuigan’s personal experience with the role of Buddy is especially noticeable as his lead performer had every jot and tittle of Holly’s mannerisms and personality down cold.

This show truly does rise and fall on the shoulders of its title character and Jesse White was assuredly the man for the job.  White does a marvelous job in the role of Holly with his flawless accent and he captured Holly’s one of a kind singing style right down to the little hiccup Holly liked to throw in and thrilled the audience with a slew of Holly hits such as “Oh Boy”, “Peggy Sue”, “Every Day”, and “That’ll Be the Day”.  White assuredly makes the role his own, making Holly a very polite and respectful young man who is determined to make his music his way and succeeds beyond his wildest dreams.  When I closed my eyes during “True Love Ways”, I forgot where White ended and Buddy began as his vocals were a perfect match right down to the slight vibrato in his voice.  White did some impressive guitar work and some truly dynamite improv as, in character, he directed audience members to spots of safety during the storm.

Some excellent supporting performances were supplied by Jonathan Berger whose rich baritone made him a superb narrator as Hipockets Duncan.  Ryan McGuigan swipes his scenes with his awesome comedic timing as Joe Maudlin.  Eric Perlstein is a delightful prick as a snotty Decca producer trying to bend Buddy to his will and revved up the audience with his turn as the Big Bopper when he performed “Chantilly Lace”.  And Billy McGuigan has a nice turn as the M.C. for the Winter Dance Party in Clear Lake.

The musical direction of Matthew & Billy McGuigan was right on the money with interpretations so accurate you’d swear you had gone back in time to the 1950s.  Bradley Pesarchick’s costumes took us back to another era and I especially enjoyed the dresses he made for the jingle and backup singers as they invoked memories of sock hops of yesteryear.  Craig Marsh’s sound engineering well balanced the voices and instruments.  Craig Lee’s artistry made me feel like I was really at the Surf Ballroom.

There were a few moments where some of the actors needed to be a bit bolder with their performances.  The interpretation was there, but they needed to just cut loose and go for the gusto.  That aside, this cast did have the audience eating out of the palms of their hands and dancing in their seats and is another home run for Rave On Productions’ freshman season of theatre.

Buddy:  The Buddy Holly Story runs through the end of the weekend.  On Saturday, it performs at Soaring Wings Vineyard in Springfield, NE at 7:30pm and closes Sunday at 7pm at Davies Amphitheatre in Glenwood, IA.  Tickets cost $35 and can be purchased at theomahaseries.com/buddyholly. 

The Music Lives Again with Rave On Productions’ ‘Buddy: The Buddy Holly Story’

Jesse White stars as Buddy Holly in ‘Buddy: The Buddy Holly Story’

Omaha, NE–Buddy! The Buddy Holly Story tells the true story of Buddy’s meteoric rise to fame, from the moment in 1957 when ‘That’ll Be The Day’ hit the airwaves until his tragic death less than two years later on “The Day the Music Died”.  The incredible legacy of the young man with glasses, whose musical career spanned an all-too-brief period during the golden days of rock & roll, continues to live on in Buddy.  Seen by over 22 million people around the world, Buddy will have you on your feet and “send you out of the theatre on an unstoppable high” (The Boston Globe).

Buddy – The Buddy Holly Story is the second show in Rave On Productions’ Omaha Series – a season of rock musicals presented in various venues around the Omaha Metro.  The Omaha Series debuted in February with Hedwig and the Angry Inch at the Waiting Room.

Billy McGuigan, known for his portrayal of Buddy Holly in Omaha and across the United States is making his directing debut alongside Kimberly Faith Hickman.  “I remember watching Buddy – The Buddy Holly Story in London when I was in my late 20s and I was completely blown away.  It’s a feeling I’ll never forget,” says Billy McGuigan.  “It’s been a career goal of mine to produce and direct this show and I waited until I knew I could find the perfect person to take on the role of Buddy because it’s a role that’s very personal to me.  As soon as I met Jesse White in our drive-in production of Don’t Stop Me Now last summer, I knew that was my guy.  He was my Buddy.”  

And so Buddy – The Buddy Holly Story starring Jesse White as Buddy will perform a three-show amphitheater tour, July 30th at SumTur Amphitheater (Papillion, NE), July 31st at Soaring Wings Vineyard (Springfield, NE), and August 1st at Davies Amphitheater (Glenwood IA).  All tickets are $35 and are available at TheOmahaSeries.com. 

Prior to each performance My Boomer Radio will be on site with a live DJ, taking audience requests and audience members can participate in 1950’s dance lessons with Kimberly Faith Hickman and students from the McGuigan Arts Academy.

Photo provided by Rave On Productions

Papillion-LaVista Community Theatre is Back and Needs Some Spellers this Summer

Papillion-LaVista Community Theatre Announces Auditions For:

The 25th Annual Putnam County Spelling Bee

Written By: Rachel Sheinkin

Music & Lyrics By: William Finn

Directed By: Suzanne Withem

Papillion La Vista Community Theatre’s production of The 25th Annual Putnam County Spelling Bee will be performed July 16-18 and 22-24, 2021 at the SumTur Amphitheater in Papillion. Auditions will be held at Trinity Village’s Trinity Family Life Center (522 West Lincoln Street, Papillion, NE 68046) on Sunday, May 16th at 1:00 pm and Monday, May 17th at 6:00 pm. Those auditioning need only attend one session. Some may be asked to attend a callback on the evening of Tuesday, May 18th.

We are actively seeking minority actors for lead roles. Actors of all types, ages 16+, will be considered for student roles. For a complete character list and details, please see Music Theatre International’s website, https://www.mtishows.com/the-25th-annual-putnam-county….

Please prepare 16 to 32 bars of music (or about 1 minute of singing) that showcases your vocal and storytelling abilities. Bring printed sheet music for the accompanist who will be provided. Auditioners should also be prepared for a light dance audition and cold readings. Auditioners are also encouraged to bring a headshot and resume (if you have them) and a list of conflicts between May 18 and July 25.

College students who would like to be considered, but who are not be able to attend the live auditions, may arrange to submit video.

About the Show

An eclectic group of six mid-pubescents vie for the spelling championship of a lifetime. While candidly disclosing hilarious and touching stories from their home lives, the tweens spell their way through a series of (potentially made-up) words, hoping never to hear the soul-crushing, pout-inducing, life un-affirming “ding” of the bell that signals a spelling mistake. Six spellers enter; one speller leaves! At least the losers get a juice box. For additional information about live or video auditions, schedules, character descriptions or the production, please contact Suzanne Withem at suzannewithem@gmail.com.

Buddy Needs a Few Members For His Band

Rave On Productions Proudly Announces Auditions For:

Buddy: The Buddy Holly Story

Rave On Productions is holding open auditions for the roles of Ritchie Valens and Maria Elena in Buddy: The Buddy Holly Story. These are paid performance opportunities. This production will tour to three different outdoor venues in Nebraska and Iowa. All other roles have been cast.

Auditions will be held on Saturday, May 15 at Rave On Production Studios located at 8719 Countryside Plaza in Omaha, NE from 2pm-5pm by appointment only. Auditions can be scheduled by e-mailing info@billymcguigan.com

AUDITION INFORMATION

All actors in this production (with the exception of the actors cast as Buddy, Joe and Jerry) will play a primary character, in addition to other ensemble characters.  

Those auditioning should be prepared to sing 16 bars of an early rock n’ roll song, or a song from a musical.  Please bring your sheet music to the audition – an accompanist will be provided.  If you wish to accompany yourself, please bring your instrument with you.  (There will be an electric keyboard in the studio.)  If you have a performance resume, please bring it with you (though it is not required).

Due to Covid-19 protocols that are still in place, masks are required upon entering the studio.  Singers will be behind a plexi shield and can sing with masks off. 

AVAILABLE ROLES

Ritchie Valens / Ensemble – (male or gender non-conforming) A rock n’ roll singer / musician with serious charisma, a dedicated eye for the ladies and the ability to hold the stage in his own right.  His featured song is “La Bamba”.  Actor must be able to act and sing – ability to play an instrument or dance is a plus.  
Ethnicity:  Latino / Hispanic heritage.  

María Elena Holly / Ensemble – (female or gender non-conforming) Receptionist for a music publisher, classy and well-educated, she eventually becomes Buddy’s wife.  Actor must be able to act and sing – ability to play an instrument or dance is a plus.  
Ethnicity:  Latina / Hispanic heritage.

SHOW INFORMATION

Co-Directors: Billy McGuigan and Kimberly Faith Hickman
Co-Music Directors: Billy McGuigan and Matthew McGuigan

Rehearsals begin July 12, 2021 in Omaha, Nebraska.ABOUT BUDDY: THE BUDDY HOLLY STORY

Rehearsals begin July 12, 2021 in Omaha, Nebraska.
Performance dates and venues are as follows:
July 30 at 7:30pm at SumTur Amphitheater in Papillion, NE
July 31 at 7:30pm at Soaring Wings Vineyard in Springfield, NE
August 1 at 7:00pm at Davies Amphitheater in Glenwood IA

Billy McGuigan Founds McGuigan Arts Academy & Announces Omaha Series

Omaha, NE–Super talent Billy McGuigan, known for bringing Buddy Holly and The Beatles to life on stage, announced the opening of McGuigan Arts Academy, a new twist on performing arts education and venues. The Academy’s mission is devoted to teaching life skills through hands-on studies in music, theatre, film, art and technology. Acknowledging that not every student of the arts wants to be a performer, McGuigan Arts Academy will nurture and showcase Omaha’s talent in every artistic realm. 

“If this year taught us anything, it’s the need to connect and nurture one’s soul,” said founder Billy McGuigan. “Art is essential to that. How we create and present that art can be done in many ways. There is nothing else like this in the Midwest. McGuigan Arts Academy is designed to give anyone – from age 3 to 103 – the opportunity to learn confidence, cooperation and creativity. It’s more than development of talent. It’s development of the human spirit. Believe me, there is nothing more important than being the best person you can be. The arts have taught me that.”

McGuigan Arts Academy classes will be taught by full-time professionals led by Artistic and Education Director Kimberly Faith Hickman. “Kimberly is this mega talent in our midst,” said McGuigan. “A rare Broadway-accredited director, she honed her talent working on numerous Tony Award winning and nominated Broadway shows.”

In addition to the Academy, Rave On Productions will launch The Omaha Series; a season of shows presented in various venues across the Omaha Metro. The 2021 Omaha Series includes Hedwig and the Angry Inch at the Waiting Room, Buddy! The Buddy Holly Story performed one night each at the Davies Amphitheatre, SumTur Amphitheatre and Soaring Wings Vineyard, The Rocky Horror Show and the McGuigan’s holiday tradition, Yesterday and Today, performed at the Slowdown.

Hickman most recently served as Artistic Director for the Omaha Community Playhouse (OCP). In her nearly five years there, she directed 19 productions and launched initiatives such as the OCP Directing Fellowship, sensory-friendly productions in collaboration with the Autism Action Partnership, and performances translated into Spanish in real-time. Her latest innovations, including Drive-In and virtual productions, assured that the show would go on.

“The pandemic helped me see endless possibilities for programming experiences – especially when I let myself break free from the traditional norms in theatre,” said Hickman. “Creating a production in a parking lot was really inspiring. We took a bold chance and before long, we had a sell out!”

Hickman and McGuigan agree that it was this collaboration during their days together at the Omaha Community Playhouse and the discovery that they both learned to love theatre via the Springer Opera House in Columbus, Georgia, that drew them together as co-visionaries for McGuigan Arts Academy.

“Our biggest revelation,” said McGuigan, “is that performance is a gift from performer to audience. Where that happens should be less tied to one space and more tied to access and an environment that blends with the creative product.”

“In addition to a myriad of classes,” added Hickman, “we will be casting and rehearsing four productions that will be performed at venues across Omaha including The Waiting Room in Benson, Sumtur Amphitheatre, The Slowdown and more.

McGuigan Arts Academy is located in Countryside Village at 87^th and Pacific Streets. Thanks in part to generous sponsors, the Academy will offer class scholarships to those from across the greater Omaha metro who may not have the means to pay for them.

For more information, contact Kate Whitecotton at 402-682-2868 and kate@billymcguigan.com.  For class and Academy schedules and to learn more, see McGuiganArtsAcademy.com. For The Omaha Series visit www.billymcguigan.com/theomahaseries.

Auditions for PLVCT’s ‘Guys and Dolls’

PLVCT’s production of Guys and Dolls will be performed July 14-16 and 20-22, 2017 at the SumTur Amphitheater in Papillion.

Auditions will be held at Beautiful Savior Lutheran Church (7706 S. 96^th St., La Vista) on Saturday, May 6^th at 1:30 pm and Sunday, May 7^th at 6:30 pm.  Those auditioning need only attend one session.

Auditioners should come prepared with 32 bars of music to sing.  An accompanist will be provided.  Please, no a cappella or recorded music.  Comfortable clothes and shoes are suggested for the dance audition.  Some auditioning may be asked for cold readings from the script or to sing from the score of Guys and Dolls.

Guys and Dolls offers perhaps three non-singing roles for men (Harry the Horse, Lt. Brannigan and Big Julie) and one for a woman (General Cartwright).

Rehearsals will begin after Memorial Day on May 30^th.  Our regular rehearsals will be Sunday afternoons and Monday-Thursday evenings.  We plan to take a few days off around the Fourth of July.  The production moves into Sumtur on July 9^th and opens July 13^th with a preview/TAG night.  We ask everyone auditioning to please bring a list of any possible rehearsal conflicts to the auditions.  Not everyone will be needed at every rehearsal, but knowing conflicts aids in building an efficient rehearsal schedule.

Director: Jim McKain

Music Director: Peter Klemp

Choreographer: Michelle Garrity

Questions: jimckain@cox.net

Character Descriptions

Sky Masterson – Baritone, Lead

• Handsome gambler
• A charming, but self-assured gambler. Able to adapt to any situation but ready to reel off pre-prepared anecdotes regarding his view of the world. Despite his failings, Sky is immensely likeable and oozes style and charm.  Sings I’ll Know, My Time of Day, Luck Be A Lady, etc.

Nathan Detroit – Baritone, Lead

• Feckless, adorable gambler
• A facilitator of illegal gambling, Nathan maintains a distance by acting only as a broker; seldom a gambler. A consummate businessman with divided loyalties; he pacifies his fiancée Adelaide with vague promises of a marriage ‘some time’ in the future. Strong comedic chops required. Sings Oldest Established and Sue Me.

Nicely Nicely Johnson – Tenor, Supporting

• Gambler
• An eccentric gambler and one of Nathan’s closest associates. He sings some of the most well-known numbers of the show in Fugue for Tinhorns, Guys and Dolls and Sit Down You’re Rockin’ the Boat.

Benny Southstreet – Baritone, Supporting

• Also one of Nathan’s closest associates. Not the sharpest tool in the shed.  He sings Fugue for Tinhorns and Guys and Dolls.

Arvide Abernathy – Baritone, Supporting

• Sarah’s grandfather
• A member of the Save-a-Soul mission. A reasoned old man with a warm heart that harbors only the kindest intentions. He sings More I Cannot Wish You.

Rusty Charlie – Baritone, Cameo. Possible 3^rd voice in Fugue for Tinhorns

Gambler

Big Julie – Supporting

• Gambler
• An intimidating hustler from Chicago. A sore loser.  Stage presence and acting ability are the main requirements for this gem of a comedic speaking role.

Harry the Horse – Supporting

• The quintessential “tough guy.”
  

Lt. Brannigan – Cameo

• A policeman engaged in what he perceives to be a battle of wits with Nathan to stop the craps game. Again a primarily acting role. Comic timing and acting ability are essential.  Irish dialect possible.

Joey Biltmore – Cameo

Owner of the Biltmore Garage.

Male Ensemble includes Gamblers, Havana Dancers and Mission Band.  Male Ensemble gets to sing three of the great “guy songs” in musical theatre: Oldest Established, Lucky Be a Lady and Sit Down You’re Rockin’ the Boat.

Sarah Brown – Soprano, Lead

• Prim Salvation Army officer
• An idealistic, but sheltered missionary. Kind-hearted but like Sky, too categorical in her view of the world. A Soprano role that requires the ability to handle the acting range of Stern, Romantic, Comedic and Drunk.  Sings I’ll Know, I’ve Never Been in Love Before, Marry the Man Today, etc.

Adelaide – Mezzo, Lead

• Comic, classic showgirl and Gambler’s moll
• A club singer and Nathan’s long-suffering fiancée. Half of the comedy team that is Adelaide and Nathan. One of the great comedic roles in the canon.  Sings Bushel and A Peck, Adelaide’s Lament, Take Back Your Mink, Sue Me and Marry the Man Today.

General Matilda B. Cartwright – Cameo

Salvation Army Matron

Regional direction of the Save-a-Soul mission.  Authoritative through necessity but motivated by charity.  Some comic moments.

Agatha – Mezzo, Cameo

Member of the Mission Band

Martha – Cameo

Member of the Mission Band

Female Ensemble includes The Hot Box Girls, Havana Dancers, Mission Band, etc.  Songs include Bushel and A Peck, Take Back Your Mink and Sit Down You’re Rockin’ the Boat.