I’ll Take the High Road, Day 6: Ach, Aye!!

This was truly a grand day.  We had some absolutely gorgeous weather as we bade farewell to Aberdeen and left to visit the town of Scone, specifically the Scone Palace.

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Scone Palace

Scone Palace is the home of the Murray family whose head is now the hereditary Earl of Mansfield.  Historically, Moot Hill on the palace grounds is where the kings of Scotland were crowned.  While not a royal palace, the building was an abbey before the Murrays gained ownership and being an abbey is the other way for a building to be called a palace.  Fun fact:  there is a difference between palaces and castles.  Castles are fortified.  Palaces are not.

We stopped into the coffee shop on the grounds for some tea and shortbread before having a formal tour.  Our tour guide was fantastic!  He made history come alive before our eyes as he talked about Scone Palace’s history as well as the history of the Murray family.  The Murrays still live on the property so photography was forbidden inside the palace to respect their privacy.

When the tour was ended, we were given a little free time to explore the grounds at our leisure.  I explored the mausoleum on Moot Hill, saw the original Douglas Fir (yes, Christmas trees began in Scotland before being spread around the world), saw the Old Cross, and even solved a hedge maze.

After getting our history on, it was now time to get our game on.  We headed off to St Andrews to visit their world-famous golf course.

Golf was practically invented at St Andrews and it was impressive to see the old course.  I also took a little amble through a nearby neighborhood where I admired the North Sea and stepped into St James’ Catholic Church for a lookaround and a prayer.

At 2:10 we headed over to St Andrews’ practice center where we were allowed to knock out a bucket of balls at the practice range.  Some of the fellow tour members were obviously golfers while most were, shall we say, not.  It made for an amusing time.  For myself, all of my shots were surprisingly straight and true and I managed to hit several balls 75 to 100 yards.  However, if I’m going to learn the game, I need some lessons as I also completely whiffed the ball on several occasions.

From St Andrews, it was off to our final city of the tour:  Edinburgh, Scotland’s capital.

In terms of view, this was the best hotel (Mercure Royal) as I had a room on the top floor with a panoramic view of the city.  We had several hours to ourselves which I used to bathe and shave for tonight’s optional excursion:  a visit to the Jam House for the Spirit of Scotland show with the Ceremony of the Haggis.

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View from my room

Ach aye!!! (Oh, yes!!!)  This was the best event of the tour yet.  We had a sumptuous meal consisting of an appetizer of smoked salmon which was superb.  I can see why salmon is considered one of the hallmarks of Scottish dining after tasting theirs.  Then we had a taster’s course consisting of haggis with potato and turnip while our host, singer Bruce Davis, led us in The Ceremony of the Haggis with a humorous interpretation of Robert Burns’ poem, Ode to a Haggis.  The main course was Braised Spear of Scottish Beef with horseradish mashed potatoes and root vegetables.  The beef was the tenderest I have ever tasted and I wished I could have had a second helping of those amazing potatoes.  For dessert was a cup of fruit, cream, and oatmeal.

After diner we got to see the Spirit of Scotland show which was an amazing night of songs, music, and dancing by the talented troupe of the Jam House.  There was even a bit of audience participation as we were encouraged to sing along on the refrain of “Loch Lomond”, the first verse of “Amazing Grace”, and we all stood up and joined hands as the show closed with “Auld Lang Syne”.

I was disappointed to see such a delightful show end, but it was time to return to the hotel where I wrestled with a dodgy internet connection to get pictures posted.  Mercifully, I was looking forward to a bit of sleeping in as breakfast would not be until 7:30 with our first event of the final day not beginning until 8:30.

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A Melange of McGuigan

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He’s been thrilling crowds since 2002.  Now the master maestro of Omaha, Billy McGuigan, is set to make his 500th performance at the Omaha Community Playhouse and it will happen during his latest run of Billy McGuigan’s Rock Twist.

Billy McGuigan was ready to rock tonight and, believe me, that’s really saying something.  Attacking the music with a thunderous energy that never let up and actually increased to something cataclysmic, McGuigan and his Pop Rock Orchestra delivered a fiercely awesome 2+ hour concert that had the audience in the palm of their hands from the first note to the last clap.

If you have never seen Billy McGuigan’s Rock Twist before (and if you haven’t, what’s wrong with you?) what you get is a show that offers classic rock songs done with a big band flair.  Even if you have seen this show, you really need to see this incarnation as Billy and company have completely revamped the show with a new set, lights, set up, and an almost completely new set list.  Truthfully, I rank this as one of McGuigan’s best performances to date and I have seen plenty of them over the years.

Few connect with an audience the way McGuigan can with his charming wit and storytelling abilities and when you add in his phenomenal musical abilities, you’re really in for something special.

Versatile seems almost too small a word for a guy who makes everything he plays sound like his own creation.  McGuigan hit the ground running with ELO’s “Evil Woman” and ran through rockers such as The Doors’ “Touch Me” and Sly and the Family Stone’s “Dance to the Music” with his pulse pounding tenor and killed it in a guitar duel with Omaha’s personal Pete Townshend, Max Meyer, in the Everly Brothers’ “Bye Bye Love”.

McGuigan also slowed it down a notch with the Beatles’ beautiful “Yesterday” backed by the string trio of Melissa Holtmeier, Axelle Verboon, and Mindy Zimmerman.  And tears were a flowing when he teamed up with Tara Vaughan to perform an epic take on Simon and Garfunkel’s “Bridge Over Troubled Water”.

Speaking of Tara Vaughan, the mistress of the keyboards also got a fair chance to shine throughout the night with her one of a kind tickling of the ivories and that dreamy alto serenading the crowd with Nancy Sinatra’s “These Boots Were Made for Walking”, the Supremes’ “Stop!  In the Name of Love”, and Lulu’s “To Sir, With Love”.

Featured performances were supplied by Natalie Thomas who practically had the audience purring with a throaty, sultry interpretation of Ike and Tina Turner’s version of “Proud Mary” that was further bolstered with the almighty tenor of Ryan McGuigan; Steve Gomez made his singing debut with The Champs’ “Tequila” which featured his singular bass playing and a stellar solo from Stan Harper on saxophone; Matthew McGuigan took a moment in the sun with The Temptations’ “My Girl”; Omaha’s legendary jazz musician, Doyle Tipler, soloed on his trademark trumpet as only he could; Patrick Peters and Willie Karpf solidly rounded out the horns while the Doctor, Tomm Roland, kept the beat going on his drums.

The volume of the microphones could have used some slight boosting on a couple of occasions, but the only real disappointment of the night was that it had to end at all.

If you haven’t had a chance to see a show with Billy McGuigan and his band, this is the one to see.  You’ll feel like a million bucks before the night is through and if you strike fast you may be able to snatch up a ticket to see that magical 500th performance on August 17.  But any night of this run is going to be smoking good.

Billy McGuigan’s Rock Twist runs through August 18 at the Omaha Community Playhouse.  Performances are Fridays and Saturdays at 7:30pm and Sundays at 2pm.  Tickets start at $42 and can be obtained at www.omahaplayhouse.com, by calling 402-553-0800, or visiting the Box Office.  The Omaha Community Playhouse is located at 6915 Cass St in Omaha, NE.

Photo provided by Omaha Community Playhouse.

Revamped Rock Twist Set to Sizzle at OCP

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Omaha, NE.—Billy McGuigan’s Rock Twist will open Friday, Aug. 2 at the Omaha Community Playhouse. The show will run in the Hawks Mainstage Theatre from Aug. 2 through 18. Performances will be held Fridays and Saturdays at 7:30 p.m. and Sundays at 2 p.m.

A high-energy concoction of rock ‘n’ roll mega hits with a big band twist, Billy McGuigan’s Rock Twist is a live concert experience covering everything from The Beach Boys to Billy Joel. This summer’s show features an all-new set list and introduces the Pop Rock Orchestra—a 15-piece lineup of all-star musicians.

MCGUIGAN’S 500TH PERFORMANCE

Billy McGuigan will celebrate his 500th Omaha Community Playhouse performance on Saturday, August 17 during Billy McGuigan’s Rock Twist.

McGuigan, now an internationally-recognized touring musician, first appeared on the OCP stage in Sweet Charity in 1994. But it was his portrayal of Buddy Holly that truly jumpstarted his career. After starring in Buddy:  The Buddy Holly Story in 2002, McGuigan decided to produce his own original Buddy Holly tribute show, and Rave On! was born. The show was wildly successful, appearing in ten different seasons at OCP over the next two decades.

Lightning struck again for McGuigan with the creation of yet another OCP fan favorite—Yesterday & Today: The Interactive Beatles Experience. This iconic all-request Beatles tribute show has run for 12 consecutive seasons at OCP and is set to return for 2019.

Tickets to Billy McGuigan’s Rock Twist—including McGuigan’s 500th show on August 17th—are available online at OmahaPlayhouse.com or through the OCP Box Office at (402) 553-0800 or 6915 Cass St., Omaha, NE 68132.  Tickets begin at $42 ($32 for season subscribers) and vary by performance and seating zone.

The McGuigan Invasion

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On Feb 9, 1964, a group known as The Beatles made an appearance on The Ed Sullivan Show.  Their triumphant American debut not only forever altered the course of American music, but triggered an event known as The British Invasion as a slew of English bands would find their way to our shores to dominate the pop charts.  Last night at the Wilson Performing Arts Center in Red Oak, IA, people got a chance to either relive that era or experience it for the first time with Billy McGuigan’s latest show, The British Invasion.

Like the Beatles, Billy McGuigan continues to churn out hit after hit and his latest show is certainly no exception.  With his one of a kind energy and ability, Billy and his band, the Downliners, took the audience on a blitzkrieg tour of the British Invasion as they snapped out a wide arrangement of songs from a variety of bands such as The Who, Gerry and the Pacemakers, Petula Clark, The Dave Clark 5, Herman’s Hermits, Cream, Them, The Rolling Stones, and, of course, The Beatles.

Billy McGuigan was in especially good voice last night and set the tone for the night with his opening number of The Who’s “Pinball Wizard” complete with some pinwheel guitar playing ala Pete Townshend. From there, he gave his rich tenor quite the hefty workout.  Whether he was belting out hard rocking numbers such as “Under My Thumb” and “I Can’t Get No Satisfaction” from the Rolling Stones complete with Mick Jaggeresque dancing and strutting to singing lighter rock numbers such as Herman’s Hermits’ “Something Tells Me I’m Into Something Good” to gently emoting tender tunes like Peter and Gordon’s “I Go to Pieces”, McGuigan could simply do no wrong.

McGuigan also proved his remarkable versatility by tackling The Animals’ “House of the Rising Sun” with a take that would make Eric Burdon proud.  And he actually made me like a Van Morrison song (my favorite number of the night, actually) with his interpretation of Them’s “Here Comes the Night”.

Billy McGuigan was powerfully supported by his multitalented band, the Downliners, including his brothers, Ryan and Matthew McGuigan, on percussion, bass, and backing vocals who shined in their own numbers.  Matthew worked some magic with The Kinks’ “Tired of Waiting of You” while Ryan was in full John Lennon mode with The Beatles’ “Twist and Shout” before the two joined forces on the awesome “Revolution”.  Tara Vaughan tickled the ivories as only she can and was featured in several numbers as her, oh so gorgeous, alto attacked Dusty Springfield’s “Son of a Preacher Man” and Petula Clark’s “Downtown”.  Omaha’s answer to Pete Townshend, Max Meyer, dazzled the audience with skillful lead guitar playing and solos while Adam Stoltenberg’s drumming was the unbreakable foundation for these numbers.

Early in the night, Billy told the audience that for a fraction of the cost of a Rolling Stones ticket we were actually hearing the same songs complete with lyrics and sung in tune.  Well, the ticket may have been a fraction of the cost, but the talent is absolutely priceless as Billy and the Downliners make these classic songs their own and you should certainly get a ticket the next time you hear that Billy McGuigan and The British Invasion is coming your way.

Locally, Billy McGuigan will be back in action on March 30,2019 when he teams up with the Omaha Symphony at the Holland Performing Arts Center in Omaha, NE with yet another new show, America Rocks the 60s.  Ticket prices start at $19 and can be purchased at Ticket Omaha.

This summer, Billy’s keyboardist, Tara Vaughan, formally debuts her own show, She Rocks!, over at the Omaha Community Playhouse.  This production features the legendary hits of female singers and songwriters and will run for 3 weeks beginning on June 13, 2019.  Tickets begin at $30 and can also be purchased at Ticket Omaha.

Macca’s Genius Keeps on Rollin’ in Eclectic “Egypt Station”

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Back in 1989, Paul McCartney’s then manager suggested that he consider calling it a career after the release of Flowers in the Dirt as McCartney had just turned 50, supposedly ancient for a rocker.  Well, it’s 2018.  Sir Paul is 76.  And he’s still just as vital and talented as he was back in 1989.  No, no.  Wait a minute.  As he was back in the heyday of the Beatles.  And that gift for melody and unbridled, indefatigable energy is on proud display in Egypt Station, his 18th solo album (25th post-Beatles album).

Let’s be honest.  McCartney really doesn’t need to do it anymore.  His reputation and legacy are set in diamond.  He certainly doesn’t need the money.  But, like all artists, he still needs to create and he’s as dedicated to his craft now as he was at the beginning.  The result is an album which I personally consider to be one of his absolute best as it combines the intelligence, weightiness, and depth of Chaos and Creation in the Backyard and merges it with the classic Macca formula.

Egypt Station is really a musical travelogue as McCartney has written a set of songs that takes us on a trip through his entire career.  You’ll get Beatleslike rockers such as the nice little foot-stomper, “Come On to You” and the frothy, but fun, “Ceasar Rock”.  You’ll even get a throwback to Abbey Road with the suite number of “Hunt You Down/Naked/C-Link”.  Journey through the era of Wings with the 70s style “Who Cares” and “Despite Repeated Warnings” which is a Band on the Run for today’s political climate.

Paul even takes a jaunt through some of his less than successful records best exemplified with “Back in Brazil” and “Nothing for Free” where he again dabbles in electronica.  While the former is a meh song, the latter is an excellent electronica rocker to close the album.

However, the best songs are the ones where Paul displays raw vulnerability and intelligence.  “I Don’t Know” is an instant classic and shows McCartney at his rawest and most honest.  “Happy With You” is a sweet love song to his wife, Nancy Shevell and “People Want Peace” is a brilliantly constructed anthem.

True, age shows a bit more in his voice as it cracks and creaks, but I think it actually adds potent character to his songs, especially to the softer, more powerful numbers.  But that unmatchable gift of melody is still untouched and functioning at peak capacity.

Take a ride on Egypt Station.  It’s one of the best works from an artist who’s still churning out pleasurable and exciting music after 55 years and shows no signs of slowing down.

Twist it Up, Billy

You are entering a fun dimension of sight and sound.  A world where rock tunes are performed like big band numbers and big band numbers are given a rock flair.  You are entering the Omaha Community Playhouse to watch Billy McGuigan’s Rock Twist.

Yes, indeed, Billy McGuigan and his band have returned to OCP and they’re playing 60s hits (with a pinch of 70s and a smidge of 80s) in ways you’ve never heard them before.  “But, Chris,” I hear you say.  “Isn’t this just the same show as last year?”  And the answer is a most emphatic, “No!”  Not only does the show have a new set and lights courtesy of Jim Othuse and Tyler Packett, but they also have a new set list.  True, some of the hits from last year return, but there’s also plenty of new material so you can enjoy this show anew.

There’s something for everyone in this production as you’ll hear hits from Frank Sinatra, the Ronettes, Lulu, Billy Joel, Harry Connick, Jr., the Doors, Duke Ellington, and, yes, even the Beatles and Buddy Holly, plus more played as only the maestro of Omaha and his band can play them.

Billy McGuigan once again rules the stage with his killer stage presence and insane musical chops.  McGuigan is an artist of rare versatility who can smoothly glide from a Frank Sinatra number to a Doors hit just as easily as he switches from guitar to piano.  McGuigan constantly thrilled and energized the audience with varied hits such as smooth standard style songs like Frank Sinatra’s “Come Fly with Me” and Harry Connick Jr.’s “Come By Me”; hard rockers like “Live and Let Die” by Paul McCartney and Wings and the Guess Who’s “She’s Come Undone”; and soft ballads such as Buddy Holly’s “True Love Ways” and the Beatles’ “Here, There, and Everywhere”.

Co-starring with Billy is the one and only Tara Vaughan who spent the night tickling the ivories and shining in her own set of hits from powerful female singers.  You’ll thrill as Ms Vaughan’s sensuous alto belts out Nancy Sinatra’s “These Boots Were Made for Walking”, slows it down for the Ronettes’ “Be My Baby”, and invites you to go “Downtown” with Petula Clark.

This show couldn’t be done without the assistance of a stellar band which includes some of the finest musicians and singers in the city.  Backing vocals are supplied by Ryan & Matthew McGuigan and Jessica Errett.  Strings are provided by Christina Allred on cello and Olga Smola on violin and, prior to tonight, I was unaware at how well strings could be used on rock numbers.  Steve Gomez helps to drive the action with his bass while Max Meyer shows some Pete Townshendish ability with his guitar solos.  Patrick Brown and Andrew Janak soar on alto and tenor saxophone.  Janak also arranged all of the night’s incredible music.  Patrick Peters keeps the groove sliding with his trombone.  Tomm Roland keeps the beat as only he can on drums.  Last, but certainly not least, is local jazz legend, Doyle Tipler, trumpeting with all of his might.

If you haven’t seen a Billy McGuigan show yet, what on earth are you waiting for?  This show only has a limited two week run, so get a ticket while a ticket can still be got.  I promise you a great time with a show suitable for the young and young at heart.  The only way you couldn’t have fun is if you’re comatose and, even then, I bet your pulse would still be beating in time with the music.

Billy McGuigan’s Rock Twist plays at the Omaha Community Playhouse through August 12.  Showtimes are Wed-Sat at 7:30pm and Sundays at 2pm.  Tickets cost $42 and can be found at www.omahaplayhouse.com or www.ticketomaha.com or by calling OCP at 402-553-0800.  The Omaha Playhouse is located at 6915 Cass Street in Omaha, NE.

The McGuigans Shine On (Like the Moons, and the Stars, and the Sun)

It was ten years ago this day

That these boys got the chance to play

Some great music that will make you smile

And forget about life for a while.

So may I introduce to you

The act you’ve known for ten great years?

The McGuigans and their rockin’ Beatles band!!!!!

It’s the tenth anniversary run of Yesterday and Today and it’s playing at the Omaha Community Playhouse.

Now it’s possible that there are some reading this review and wondering, “What is Yesterday and Today?”  Well, allow me to enlighten you.  Yesterday and Today is the tribute of three brothers (Billy, Ryan, and Matthew) to the music of the Beatles and to their late father who passed on his love of the Fab Four to his sons.

There’s no gimmickry with this band.  They don’t ape the Beatles.  They just play the music of rock’s greatest group, but fuel it with their own special energy for one amazing night of entertainment.

It’s also never the same show twice.  This is a request show where the audience chooses the night’s numbers.  Pick anything you like because this band can play them all from their biggest hits to their obscurest tunes.

Two years ago, I had the honor of reviewing this show and I felt privileged to come back and review its 10th anniversary run.  As a writer, I couldn’t help but wonder, “What new insights might I glean to share with the public?”  As it turns out, I had very little to fear because, as the Beatles did, this show just continues to evolve and grow with each passing year.

Not only did the audience get a new, simplified two tiered stage from Jim Othuse, but a slight change in the formatting of the show put more control in the hands of the audience than ever before.  As Billy correctly states, “If you’re not having fun, it’s your own fault.”

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This band plays the music of this legendary group with a reverence and passion no mere tribute band could ever hope to match.  I have seen this show in many, many incarnations over the years and I assure you, tonight’s performance was the best I have seen yet.  Not only were the performers beyond on, but this audience picked some of my all time favorite Beatles tunes.

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Billy McGuigan

Billy McGuigan is your Sgt. Pepper of the evening.  Using his magical wit and charm, Billy serves as the band’s spokesperson as he banters with the audience and shares a few heartfelt stories along the way.  He also dazzled the crowd with his skill on guitar and keyboard.  He got the night off to a fiery start with “Get Back”, sang a catchy cover of “When I’m Sixty-Four”, and paid heartfelt tribute to his father with his favorite Beatles song, “Let it Be”.

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Ryan McGuigan

Ryan McGuigan was a force to be reckoned with in tonight’s show.  Proving he may well be the second coming of John Lennon as he possesses the same beautiful, raw tenor singing voice; Ryan sang lead on quite a few numbers, blasting all of them out of the park.  Some of his standout performances were his harmony part on “It Won’t Be Long”, his haunting rendition of “A Day in the Life”, and an unbelievably nuanced take on the ethereal and stream of consciousness “Across the Universe”.

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Matthew McGuigan

Matthew McGuigan lent a hand with his top notch bass playing and own formidable tenor.  He got the crowd rocking with “Hey Bulldog”, took us back to yesteryear with “Eight Days a Week”, and poured his heart into “While My Guitar Gently Weeps”.

And let us not forget the rest of the talented group.  Jay “Superman” Hanson blew the crowd away with his fluid and difficult guitar work and got a moment in the spotlight with the sweet “Here Comes the Sun”.  Rich Miller’s drumming kept a steady beat and his own baritone voice was put to good use in “Yellow Submarine”.  Tara Vaughan had great presence with her animated tambourine and keyboard playing and was splendid with a solo in “Oh, Darling!”.  Aaron Slagle satisfied the audience’s need for more cowbell in “A Hard Day’s Night”.

This show is fantastic for any Beatles fan from the casual to the ultrafan and from the young to the young at heart.  I defy anyone who watches it not to feel like they’re flying ten feet off the ground when the night is over.  My only disappointment is that two hours feels like two minutes and I (and the rest of the crowd) could have easily spent all night rocking out with the band.

The opening night production was completely sold out, so if you’ve never seen this show, get a ticket right away.  And if you are a fan, you better have a ticket because I don’t see them lasting very long.  Find out why Yesterday and Today is the hottest show this holiday season.  A splendid time is guaranteed for all.

They’re the McGuigans and their Beatles band,

You’re going to enjoy the show.

The McGuigans and their Beatles band,

You’ll be sorry when it’s time to go.

The McGuigans and their

The McGuigans and their

The McGuigans and their rockin’ Beatles band!!!!

Yesterday and Today plays at the Omaha Community Playhouse through Dec 31.  Showtimes are 7:30pm Thurs-Sat and 6:30pm on Sundays.  There will be an extra performance at 2pm on Nov 26 and no performances on Nov 30 and Dec 24.  Tickets cost $40 a person.  On Dec 31, there will be performances at 7pm ($50 tickets) and 10pm ($75 tickets).  For tickets, contact the Omaha Playhouse at 402-554-553-0800 or visit www.TicketOmaha.com or www.omahaplayhouse.com.  The Omaha Playhouse is located at 6915 Cass Street in Omaha, NE.

(Photography provided by Sonia Keffer)