Yesterday and Today. . .Forever

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It’s that time of year when Omaha’s greatest musical act teams up with history’s greatest band.  Yes, indeed, it’s Yesterday and Today:  An Interactive Beatles Experience and it has returned for its twelfth season at the Omaha Community Playhouse.

It’s amazing the massive effects one small change can have on something.  After twelve years, Billy McGuigan had felt the band had become a little too complacent with the show and were only playing their favorite requests and veering away from the original spirit of the production.  Lead guitarist Jay Hanson then hit upon an idea that would completely reinvent the show.

Why didn’t they just pick the songs live on stage and then play them?

As hard as it is to believe, that idea has evolved Omaha’s premier holiday tradition into something even greater.

The McGuigans (Billy, Ryan, and Matthew) and their band were energized in a way I’d never seen before due to the element of danger in walking this musical tightrope. Would they be up to the challenge of playing any Beatles song suggested?

The answer was a most emphatic YES!!!

I had wondered how well this new format would work as there are three kinds of Beatles fans.  You’ll have your casual fan who would know their biggest hits like “Yesterday” and “Hey Jude”; your more knowledgeable fan who will know their more successful works like “Eight Days a Week” and “We Can Work it Out”; and finally the hardcore megafans who have the library imprinted on their minds and want to hear “Dear Prudence” and “I’m Only Sleeping”.

Would there be enough variety to satisfy these three groups?

Again, a most emphatic YES as the night was filled with a plethora of famed hits and a few obscure delights that were picked right on stage or flashed directly onto monitors behind the band.

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Billy McGuigan

Billy McGuigan once again ruled the night with a supercharged performance.  Billy seemed imbued with an almost unearthly energy and that’s saying something for this indefatigable engine of talent.  Billy and his devastating tenor ripped through rockers such as “Roll Over Beethoven” and “The Night Before”, sweetly sang “Let it Be”, and was melancholically vibrant with “Things We Said Today”.

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Ryan McGuigan

Ryan McGuigan got to be the most versatile performer of the night as he and his other worldly raw tenor voice went through a mini-history of the Beatles library as he belted out classics like “Ticket to Ride”, nailed the 50+ year masterpiece that is “A Day in the Life”, and visited the Beatles’ flower power phase with “All You Need is Love”.

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Matthew McGuigan

Matthew McGuigan supported the numbers with his pluperfect bass playing and had his own impressive run when he came out roaring on “Revolution”, dominated the stage with “Hey Bulldog”, and revved up the crowd with a particularly peppy “Paperback Writer”.

The McGuigans were once more aided by their incredibly talented band who each got their moments in the spotlight.  Jay Hanson had the audience riveted with his phenomenal guitar work and was in fine voice on “While My Guitar Gently Weeps” and the obscure gem, “For You Blue”.  Rich Miller was the rock with his flawless rhythm on the drums and on a simple box during a segment where the band performed Beatles songs acoustically.  He also shone in a solo as his strong baritone entertained the crowd with “Yellow Submarine”.  Tara Vaughan masterfully played the keyboards as only she can and dazzled with a musical solo mimicking the piccolo trumpet part in “Penny Lane” and she belted out “Oh Darling!” with an alto that would have had Paul McCartney’s jaw dropping.

I’d also like to salute the guitar genius of Max Meyer as he warmed up the crowd with soft instrumental versions of the Beatles’ songs.  Eleven year old Ciaran McGuigan also showed he will be more than capable of leading the next generation of this show as he showed some potent skill with his own guitar playing on instrumental versions of “Blackbird” and “You’ve Got to Hide Your Love Away” as well as supporting his dad, Billy, with pitch perfect playing on “Yesterday”.

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The present and future of Yesterday and Today

It was obvious that the crowd hungered for more as they lingered about after an encore hoping that the band would return to grace us with another tune or twenty, but they and you can certainly get another dose of the one of a kind talent of this group as the show will run through New Year’s Eve.  But I’d get tickets mighty quick if I were you as the sellouts have already started.

It’s hard to believe that Yesterday and Today has been going strong for twelve years and continues to strengthen with each passing year.  With the talent of the McGuigans and their all-star band and the blossoming skill of the next generation, we may very well see Yesterday and Today. ..forever.

Yesterday and Today:  An Interactive Beatles Experience plays at the Omaha Playhouse through Dec 31.  Showtimes are Fri-Sat at 7:30pm and Sundays at 2pm.  Tickets begin at $40 and can be obtained at www.omahaplayhouse.com, calling 402-553-0800, or visiting the box office.  On New Year’s Eve, a double performance will be held with shows at 7pm and 10pm.  Tickets for these shows will be $60 for the 7pm show and $80 for the 10pm show.  The Omaha Community Playhouse is located at 6915 Cass Street in Omaha, NE.

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Yesterday and Today. . .Forever

It’s Almost Time for Omaha’s Premier Holiday Tradition: Yesterday and Today

“If you’re not having fun, it’s your own fault.”–Billy McGuigan

The holidays will soon be upon us which means it’s nearly time for one of Omaha’s great traditions as Yesterday and Today:  An Interactive Beatles Experience is poised to begin its twelfth year at the Omaha Community Playhouse.

Spearheaded by the McGuigans (Billy, Ryan, and Matthew) and their all-star band, Yesterday and Today is a joyful, sometimes raucous, romp down memory lane as these multi-talented musicians pay tribute to the Beatles with a series of high energy concerts guaranteed to have you clapping, snapping, sighing, screaming, and singing along before the night is through.

What is this show?

Anything you want it to be.

This is like no concert you’ve ever attended because the set list will be chosen by you from start to finish.  No two shows will ever be the same.

Feel like some classic Beatlemania?  They can do that.  Do you want to hear “Yesterday”?  They can do that, too.  Care to challenge them with an obscure number like “Only a Northern Song”?  Consider that challenge accepted.  They know them all.

Yesterday and Today runs at the Omaha Community Playhouse from Nov 22-Dec 31.  Showtimes are 7:30pm Fri-Sat and 2pm on Sundays.  Tickets cost $40 and can be obtained at http://www.omahaplayhouse.com or visiting the Box Office located at 6915 Cass Street in Omaha, NE or calling 402-553-0800.  On December 31, 2019, join the band as they ring in the New Year with performances at 7pm and 10pm.  Cake and punch are served before each of these two performances with a champagne toast at midnight.  Tickets for the 7pm show are $60 and $80 for the 10pm show.

See it once.  See it twice.  Heck, see the whole run.  You’re in for a “Magical Mystery Tour” because “It’s All Too Much” when the McGuigans and their band hit the stage and blow the roof off.

 

I’ll Take the High Road, Day 6: Ach, Aye!!

This was truly a grand day.  We had some absolutely gorgeous weather as we bade farewell to Aberdeen and left to visit the town of Scone, specifically the Scone Palace.

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Scone Palace

Scone Palace is the home of the Murray family whose head is now the hereditary Earl of Mansfield.  Historically, Moot Hill on the palace grounds is where the kings of Scotland were crowned.  While not a royal palace, the building was an abbey before the Murrays gained ownership and being an abbey is the other way for a building to be called a palace.  Fun fact:  there is a difference between palaces and castles.  Castles are fortified.  Palaces are not.

We stopped into the coffee shop on the grounds for some tea and shortbread before having a formal tour.  Our tour guide was fantastic!  He made history come alive before our eyes as he talked about Scone Palace’s history as well as the history of the Murray family.  The Murrays still live on the property so photography was forbidden inside the palace to respect their privacy.

When the tour was ended, we were given a little free time to explore the grounds at our leisure.  I explored the mausoleum on Moot Hill, saw the original Douglas Fir (yes, Christmas trees began in Scotland before being spread around the world), saw the Old Cross, and even solved a hedge maze.

After getting our history on, it was now time to get our game on.  We headed off to St Andrews to visit their world-famous golf course.

Golf was practically invented at St Andrews and it was impressive to see the old course.  I also took a little amble through a nearby neighborhood where I admired the North Sea and stepped into St James’ Catholic Church for a lookaround and a prayer.

At 2:10 we headed over to St Andrews’ practice center where we were allowed to knock out a bucket of balls at the practice range.  Some of the fellow tour members were obviously golfers while most were, shall we say, not.  It made for an amusing time.  For myself, all of my shots were surprisingly straight and true and I managed to hit several balls 75 to 100 yards.  However, if I’m going to learn the game, I need some lessons as I also completely whiffed the ball on several occasions.

From St Andrews, it was off to our final city of the tour:  Edinburgh, Scotland’s capital.

In terms of view, this was the best hotel (Mercure Royal) as I had a room on the top floor with a panoramic view of the city.  We had several hours to ourselves which I used to bathe and shave for tonight’s optional excursion:  a visit to the Jam House for the Spirit of Scotland show with the Ceremony of the Haggis.

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View from my room

Ach aye!!! (Oh, yes!!!)  This was the best event of the tour yet.  We had a sumptuous meal consisting of an appetizer of smoked salmon which was superb.  I can see why salmon is considered one of the hallmarks of Scottish dining after tasting theirs.  Then we had a taster’s course consisting of haggis with potato and turnip while our host, singer Bruce Davis, led us in The Ceremony of the Haggis with a humorous interpretation of Robert Burns’ poem, Ode to a Haggis.  The main course was Braised Spear of Scottish Beef with horseradish mashed potatoes and root vegetables.  The beef was the tenderest I have ever tasted and I wished I could have had a second helping of those amazing potatoes.  For dessert was a cup of fruit, cream, and oatmeal.

After diner we got to see the Spirit of Scotland show which was an amazing night of songs, music, and dancing by the talented troupe of the Jam House.  There was even a bit of audience participation as we were encouraged to sing along on the refrain of “Loch Lomond”, the first verse of “Amazing Grace”, and we all stood up and joined hands as the show closed with “Auld Lang Syne”.

I was disappointed to see such a delightful show end, but it was time to return to the hotel where I wrestled with a dodgy internet connection to get pictures posted.  Mercifully, I was looking forward to a bit of sleeping in as breakfast would not be until 7:30 with our first event of the final day not beginning until 8:30.

A Melange of McGuigan

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He’s been thrilling crowds since 2002.  Now the master maestro of Omaha, Billy McGuigan, is set to make his 500th performance at the Omaha Community Playhouse and it will happen during his latest run of Billy McGuigan’s Rock Twist.

Billy McGuigan was ready to rock tonight and, believe me, that’s really saying something.  Attacking the music with a thunderous energy that never let up and actually increased to something cataclysmic, McGuigan and his Pop Rock Orchestra delivered a fiercely awesome 2+ hour concert that had the audience in the palm of their hands from the first note to the last clap.

If you have never seen Billy McGuigan’s Rock Twist before (and if you haven’t, what’s wrong with you?) what you get is a show that offers classic rock songs done with a big band flair.  Even if you have seen this show, you really need to see this incarnation as Billy and company have completely revamped the show with a new set, lights, set up, and an almost completely new set list.  Truthfully, I rank this as one of McGuigan’s best performances to date and I have seen plenty of them over the years.

Few connect with an audience the way McGuigan can with his charming wit and storytelling abilities and when you add in his phenomenal musical abilities, you’re really in for something special.

Versatile seems almost too small a word for a guy who makes everything he plays sound like his own creation.  McGuigan hit the ground running with ELO’s “Evil Woman” and ran through rockers such as The Doors’ “Touch Me” and Sly and the Family Stone’s “Dance to the Music” with his pulse pounding tenor and killed it in a guitar duel with Omaha’s personal Pete Townshend, Max Meyer, in the Everly Brothers’ “Bye Bye Love”.

McGuigan also slowed it down a notch with the Beatles’ beautiful “Yesterday” backed by the string trio of Melissa Holtmeier, Axelle Verboon, and Mindy Zimmerman.  And tears were a flowing when he teamed up with Tara Vaughan to perform an epic take on Simon and Garfunkel’s “Bridge Over Troubled Water”.

Speaking of Tara Vaughan, the mistress of the keyboards also got a fair chance to shine throughout the night with her one of a kind tickling of the ivories and that dreamy alto serenading the crowd with Nancy Sinatra’s “These Boots Were Made for Walking”, the Supremes’ “Stop!  In the Name of Love”, and Lulu’s “To Sir, With Love”.

Featured performances were supplied by Natalie Thomas who practically had the audience purring with a throaty, sultry interpretation of Ike and Tina Turner’s version of “Proud Mary” that was further bolstered with the almighty tenor of Ryan McGuigan; Steve Gomez made his singing debut with The Champs’ “Tequila” which featured his singular bass playing and a stellar solo from Stan Harper on saxophone; Matthew McGuigan took a moment in the sun with The Temptations’ “My Girl”; Omaha’s legendary jazz musician, Doyle Tipler, soloed on his trademark trumpet as only he could; Patrick Peters and Willie Karpf solidly rounded out the horns while the Doctor, Tomm Roland, kept the beat going on his drums.

The volume of the microphones could have used some slight boosting on a couple of occasions, but the only real disappointment of the night was that it had to end at all.

If you haven’t had a chance to see a show with Billy McGuigan and his band, this is the one to see.  You’ll feel like a million bucks before the night is through and if you strike fast you may be able to snatch up a ticket to see that magical 500th performance on August 17.  But any night of this run is going to be smoking good.

Billy McGuigan’s Rock Twist runs through August 18 at the Omaha Community Playhouse.  Performances are Fridays and Saturdays at 7:30pm and Sundays at 2pm.  Tickets start at $42 and can be obtained at www.omahaplayhouse.com, by calling 402-553-0800, or visiting the Box Office.  The Omaha Community Playhouse is located at 6915 Cass St in Omaha, NE.

Photo provided by Omaha Community Playhouse.

Revamped Rock Twist Set to Sizzle at OCP

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Omaha, NE.—Billy McGuigan’s Rock Twist will open Friday, Aug. 2 at the Omaha Community Playhouse. The show will run in the Hawks Mainstage Theatre from Aug. 2 through 18. Performances will be held Fridays and Saturdays at 7:30 p.m. and Sundays at 2 p.m.

A high-energy concoction of rock ‘n’ roll mega hits with a big band twist, Billy McGuigan’s Rock Twist is a live concert experience covering everything from The Beach Boys to Billy Joel. This summer’s show features an all-new set list and introduces the Pop Rock Orchestra—a 15-piece lineup of all-star musicians.

MCGUIGAN’S 500TH PERFORMANCE

Billy McGuigan will celebrate his 500th Omaha Community Playhouse performance on Saturday, August 17 during Billy McGuigan’s Rock Twist.

McGuigan, now an internationally-recognized touring musician, first appeared on the OCP stage in Sweet Charity in 1994. But it was his portrayal of Buddy Holly that truly jumpstarted his career. After starring in Buddy:  The Buddy Holly Story in 2002, McGuigan decided to produce his own original Buddy Holly tribute show, and Rave On! was born. The show was wildly successful, appearing in ten different seasons at OCP over the next two decades.

Lightning struck again for McGuigan with the creation of yet another OCP fan favorite—Yesterday & Today: The Interactive Beatles Experience. This iconic all-request Beatles tribute show has run for 12 consecutive seasons at OCP and is set to return for 2019.

Tickets to Billy McGuigan’s Rock Twist—including McGuigan’s 500th show on August 17th—are available online at OmahaPlayhouse.com or through the OCP Box Office at (402) 553-0800 or 6915 Cass St., Omaha, NE 68132.  Tickets begin at $42 ($32 for season subscribers) and vary by performance and seating zone.

The McGuigan Invasion

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On Feb 9, 1964, a group known as The Beatles made an appearance on The Ed Sullivan Show.  Their triumphant American debut not only forever altered the course of American music, but triggered an event known as The British Invasion as a slew of English bands would find their way to our shores to dominate the pop charts.  Last night at the Wilson Performing Arts Center in Red Oak, IA, people got a chance to either relive that era or experience it for the first time with Billy McGuigan’s latest show, The British Invasion.

Like the Beatles, Billy McGuigan continues to churn out hit after hit and his latest show is certainly no exception.  With his one of a kind energy and ability, Billy and his band, the Downliners, took the audience on a blitzkrieg tour of the British Invasion as they snapped out a wide arrangement of songs from a variety of bands such as The Who, Gerry and the Pacemakers, Petula Clark, The Dave Clark 5, Herman’s Hermits, Cream, Them, The Rolling Stones, and, of course, The Beatles.

Billy McGuigan was in especially good voice last night and set the tone for the night with his opening number of The Who’s “Pinball Wizard” complete with some pinwheel guitar playing ala Pete Townshend. From there, he gave his rich tenor quite the hefty workout.  Whether he was belting out hard rocking numbers such as “Under My Thumb” and “I Can’t Get No Satisfaction” from the Rolling Stones complete with Mick Jaggeresque dancing and strutting to singing lighter rock numbers such as Herman’s Hermits’ “Something Tells Me I’m Into Something Good” to gently emoting tender tunes like Peter and Gordon’s “I Go to Pieces”, McGuigan could simply do no wrong.

McGuigan also proved his remarkable versatility by tackling The Animals’ “House of the Rising Sun” with a take that would make Eric Burdon proud.  And he actually made me like a Van Morrison song (my favorite number of the night, actually) with his interpretation of Them’s “Here Comes the Night”.

Billy McGuigan was powerfully supported by his multitalented band, the Downliners, including his brothers, Ryan and Matthew McGuigan, on percussion, bass, and backing vocals who shined in their own numbers.  Matthew worked some magic with The Kinks’ “Tired of Waiting of You” while Ryan was in full John Lennon mode with The Beatles’ “Twist and Shout” before the two joined forces on the awesome “Revolution”.  Tara Vaughan tickled the ivories as only she can and was featured in several numbers as her, oh so gorgeous, alto attacked Dusty Springfield’s “Son of a Preacher Man” and Petula Clark’s “Downtown”.  Omaha’s answer to Pete Townshend, Max Meyer, dazzled the audience with skillful lead guitar playing and solos while Adam Stoltenberg’s drumming was the unbreakable foundation for these numbers.

Early in the night, Billy told the audience that for a fraction of the cost of a Rolling Stones ticket we were actually hearing the same songs complete with lyrics and sung in tune.  Well, the ticket may have been a fraction of the cost, but the talent is absolutely priceless as Billy and the Downliners make these classic songs their own and you should certainly get a ticket the next time you hear that Billy McGuigan and The British Invasion is coming your way.

Locally, Billy McGuigan will be back in action on March 30,2019 when he teams up with the Omaha Symphony at the Holland Performing Arts Center in Omaha, NE with yet another new show, America Rocks the 60s.  Ticket prices start at $19 and can be purchased at Ticket Omaha.

This summer, Billy’s keyboardist, Tara Vaughan, formally debuts her own show, She Rocks!, over at the Omaha Community Playhouse.  This production features the legendary hits of female singers and songwriters and will run for 3 weeks beginning on June 13, 2019.  Tickets begin at $30 and can also be purchased at Ticket Omaha.

Macca’s Genius Keeps on Rollin’ in Eclectic “Egypt Station”

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Back in 1989, Paul McCartney’s then manager suggested that he consider calling it a career after the release of Flowers in the Dirt as McCartney had just turned 50, supposedly ancient for a rocker.  Well, it’s 2018.  Sir Paul is 76.  And he’s still just as vital and talented as he was back in 1989.  No, no.  Wait a minute.  As he was back in the heyday of the Beatles.  And that gift for melody and unbridled, indefatigable energy is on proud display in Egypt Station, his 18th solo album (25th post-Beatles album).

Let’s be honest.  McCartney really doesn’t need to do it anymore.  His reputation and legacy are set in diamond.  He certainly doesn’t need the money.  But, like all artists, he still needs to create and he’s as dedicated to his craft now as he was at the beginning.  The result is an album which I personally consider to be one of his absolute best as it combines the intelligence, weightiness, and depth of Chaos and Creation in the Backyard and merges it with the classic Macca formula.

Egypt Station is really a musical travelogue as McCartney has written a set of songs that takes us on a trip through his entire career.  You’ll get Beatleslike rockers such as the nice little foot-stomper, “Come On to You” and the frothy, but fun, “Ceasar Rock”.  You’ll even get a throwback to Abbey Road with the suite number of “Hunt You Down/Naked/C-Link”.  Journey through the era of Wings with the 70s style “Who Cares” and “Despite Repeated Warnings” which is a Band on the Run for today’s political climate.

Paul even takes a jaunt through some of his less than successful records best exemplified with “Back in Brazil” and “Nothing for Free” where he again dabbles in electronica.  While the former is a meh song, the latter is an excellent electronica rocker to close the album.

However, the best songs are the ones where Paul displays raw vulnerability and intelligence.  “I Don’t Know” is an instant classic and shows McCartney at his rawest and most honest.  “Happy With You” is a sweet love song to his wife, Nancy Shevell and “People Want Peace” is a brilliantly constructed anthem.

True, age shows a bit more in his voice as it cracks and creaks, but I think it actually adds potent character to his songs, especially to the softer, more powerful numbers.  But that unmatchable gift of melody is still untouched and functioning at peak capacity.

Take a ride on Egypt Station.  It’s one of the best works from an artist who’s still churning out pleasurable and exciting music after 55 years and shows no signs of slowing down.