You Say You Want a Musical Revolution

Tony and Maria are in love, but their love faces numerous obstacles.  Her brother and his best friend are the leaders of rival gangs that refuse to let them be together.  The world also tries to keep them apart due to its racism as they come from different cultures.  When they try to rise above these problems, they get dragged back down and crash to a hideous reality.  This is West Side Story based on a concept by Jerome Robbins, written by Arthur Laurents, with music by Leonard Bernstein and lyrics by Stephen Sondheim.  It is currently playing at Springfield Little Theatre.

It isn’t often that I find myself tongue-tied when I start to write a review, but I am still in a state of glorious shock at what I just saw.  Prior to tonight, I had never seen West Side Story in any capacity though I had read that the original mounting of the show revolutionized what could be done with choreography.  While I have no real comment to make on that, I can say that SLT’s take on this show completely revolutionized what I considered possible with musical theatre.  This was, by far, the single best musical I have seen mounted on any community theatre stage.

Lorianne Dunn does double duty as both director and choreographer and excels in both aspects.  As director, she has put together an absolute masterpiece of a production.  Her direction is certain as she expertly maneuvers her actors through the emotional beats of the stories and songs and leads them to sterling performances.  Her staging is impeccable.  It makes full use of the performance space and none of her actors upstaged themselves or others.

Her choreography is genius.  Never have I seen such lavish dance numbers especially standouts such as “America”, the prologue, and “The Rumble”.  Her work is all the more impressive given the youth of her cast who absolutely nail their performances with a polish and poise that experienced veterans would envy.

This cast is just amazing.  Their energy (and fitness levels) was off the charts.  They were clearly having fun and that added further fuel to nearly flawless performances.  The chorus remained in each and every moment adding vital life and reality to this staged world.  Exceptional supporting performances were supplied by Richard Bogue as the racist and thuggish Lt. Schrank; Lysander Abadia as Bernardo, the leader of the Sharks; Robert Hazlette as the always angry Action and he also gets the lead on the night’s funniest number, “Gee, Officer Krupke”; and Miriam Stein as Anita, Bernardo’s girlfriend and Maria’s best friend.  Ms Stein especially shines with a velvet lower soprano in “America” and “A Boy Like That”.

Asa Charles Leininger stuns as Riff, the leader of the Jets.  Leininger makes Riff far more than a brainless brute with his multilayered take on the character.  His Riff started the Jets to have a sense of belonging.  He’s proud of his gang because of the support they provide.  He’s tough.  He’s loyal, remaining friends with Tony despite his walking away from the gang.  His Riff even has a code of honor as he’s willing to settle his issues with the Sharks with one fistfight.  He even has some common sense as he refuses to react to those that call him and his gang hoodlums and prefers to stay cool.  Leininger’s New York accent is spot on and he retains it as his lower tenor entertains us with “Jet Song” and “Cool”.

Tanner Johnson is scary smooth as Tony.  Johnson takes the audience by the hand and gracefully leads it through Tony’s emotional journey.  He’s got the perfect personality for the likable Tony who is trying to escape his former world of violence by holding down a job and finding love.  You will be swept along with him as he experiences the highs of love, the horror at his violent actions when he gets dragged back into the gang world, and his heartbreak when he thinks he has lost Maria.

Johnson also has a gorgeous tenor voice.  More importantly, he knows how to act through the songs, striking each emotional beat with unerring accuracy.  Some of his best moments were his joyous “Maria” and his beautiful take on “Somewhere”.

Genevieve Fulks is a powerhouse of talent and will steal your hearts as Maria.  She has such innocence and sweetness in the role and you can believe she has the power to evolve Tony into a better person.  But she just as easily handles anger and pain when her world begins to fall apart due to the lifestyle of violence lived by her loved ones.  And, my word, what a heavenly voice she has.  Ms Fulks’ operatic soprano gave a performance for the angels with showstopping turns in “I Feel Pretty”, “I Have Love”, and “Tonight”.

Susan Gravatt and her orchestra perfectly play the score of this musical.  John R. “Chuck” Rogers has designed a magnificent set of fences, crumbling tenements, and fire escapes.  Jamie Bowers’ lights and sounds enhance the story.  Kris Haik and Ginny Herfkens are winners with their precise costuming with the t-shirts, jackets, and jeans of the gangs and the elegant dresses for the ladies.

As I said earlier, this is the best community theatre musical I have ever seen staged in nearly a quarter century of theatre involvement. I have seen professional productions that couldn’t hold a stick to this show.  It’s just a blitzkrieg of perfection from the fantastic story to grade A direction to stunning choreography to flawless acting and entrancing singing.  If you love theatre and live in or near the Springfield, MO area, buy a ticket to see this show.  You will be blown away.

West Side Story plays at Springfield Little Theatre through Feb 4.  Showtimes are Thurs-Sat at 7:30pm and Sundays at 2pm.  Tickets range from $16-$36.  For tickets visit http://www.springfieldlittletheatre.org or call the Box Office at 417-869-1334.  Parental discretion is advised for coarse language and gestures and some scenes of violence.  Springfield Little Theatre is located at 311 E Walnut St in Springfield, MO.

Springfield Little Theatre Kicks Off 2018 with “West Side Story”

Meme - SLT's West Side Story_preview

Springfield, MO–Springfield Little Theatre (SLT) is pleased to present West Side Story at the historic Landers Theatre beginning Friday, January 19 through Sunday, February 4, 2018.  Performances start at 7:30pm on Thusdays-Saturdays and at 2pm on Sundays.

Young lovers are caught between prejudice and warring street gangs in this seminal retelling of Romeo and Juliet written by Arthur Laurent with music by Leonard Bernstein and lyrics by Stephen Sondheim.

The powerful, poignant, and timely musical explores the rivalry between the “American” Jets and the Puerto Rican Sharks, two teenage street gangs in New York City.  Tony, best friend to the leader of the Jets, falls in love with Maria, sister to the leader of the Sharks.  Their struggle to survive in a world of hate and violence weaves an innovative, heart-wrenching, and relevant tale.

From the first notes to the final breath, West Side Story is one of the most memorable musicals and greatest love stories of all time.  The score is widely regarded as one of the best ever written.  The dark theme, sophisticated music, extended dance scenes, and focus on social problems marked a turning point in American musical theatre.

SLT’s West Side Story features a cast of 57 and is directed and choreographed by Lorianne Dunn with music direction by Susan Gravatt.  Performing the iconic roles of star-crossed lovers, Tony and Maria, are Tanner Johnson and Genevieve Fulks.  Johnson, a student at Drury University studying Arts Administration and Vocal Performance, is making his Springfield Little Theatre debut.  Fulks was last seen on the Landers stage as Doris Walker in Miracle on 34th Street the Musical.  Since that time, she has performed as Young Maxine in Maxine’s Christmas Carol (Andy Williams Moon River Theatre), Susanna in Le nozze di Figaro (Opera in the Ozarks and Springfield Regional Opera), Zerbina in The Maid Mistress (Classical Arts Inc), and Madame Herz in The Impresario (Ozark Family Opera).  Genevieve is a professional singer and actor and also teaches voice at MSU, Drury, and SLT.

West Side Story is rated PG-13.  Tickets range in price form $16-$36.  Group pricing is available for parties of 10 or more.  Please visit www.springfieldlittletheatre.org to purchase your tickets and select seats 24/7.  You may also call the Box Office at 417-869-1334.

Parents’ Night Out is offered on Saturday, January 20 for only $10 per child.  Drop your kids off at 5:30pm and treat yourself to dinner before watching the performance.  Or drop your kids off at 7:15pm just before you take your seat.  Children will enjoy a full evening of theatre activities and can be picked up in the lobby following the show.  Register when you purchase your tickets or add it on later!

Enjoy a Backstage Pass Experience before any of the performances for only $10.  Observe company warm-ups prior to the show, take a guided tour backstage, and receive a signed poster and photo with the cast.  Register when you purchase your tickets or add it on later!

Final Fridays Improv Night takes place on Friday, February 3 following the performance.  Admission is “pay what you can”.  SLT’s Teen Players present this hilarious, family-friendly program to raise funds for SLT’s education programs.

The Landers Theatre, SLT’s beautiful home, is located in downtown Springfield at 311 East Walnut Street.

Support for West Side Story is provided by Phenix Marble, Lezah & Ron Stenger Family, Mirowski Inspections, KOLR10, 104.1KSGF, and the Missouri Arts Council, a nonprofit state agency.

The Barn Players Present a Night of Sondheim

“SONDHEIM ON SONDHEIM”

The Barn Players 61st Anniversary Musical Benefit A Once-In-A Lifetime Theatrical Experience – June 24-25-26

The Barn Players, Kansas City’s largest, oldest and most renowned community theatre, will present a special 61st Anniversary musical benefit fund raiser, presenting three performances of “SONDHEIM ON SONDHEIM”, at the Barn Players, 6219 Martway in Mission, Kansas. The annual benefit raises funds for season productions, Barn Junior and Barn Kids activities and for various operational needs. The Barn Players is a 501-3-c, not-for-profit organization and benefit ticket price of $25 is 100% tax deductible.

“SONDHEIM ON SONDHEIM” is a very special musical and is hailed as a “funny, affectionate and revealing tribute to musical theatre’s greatest composer Stephen Sondheim”. It contains music and lyrics written by Sondheim from nineteen of his greatest shows, his personal life and his artistic process. The play is hailed as a once-in-a lifetime theatrical experience and is truly one of the most unique productions ever presented on the Barn Players stage; the play is directed by Rick Baumgardner, with musical direction by Roberta Wilkes.

Audience members may also participate in a raffle for items ranging from services, restaurants and events, and enjoy a wine reception following each performance, all included in the ticket price which is 100% tax deductible.

WHAT: The Barn Players 61st Anniversary Musical Benefit “SONDHEIM ON SONDHEIM”

WHERE: The Barn Players, 6219 Martway in Mission, KS

DATES: Friday evening, June 24th at 7:30 p.m. – doors open at 6:30

Saturday evening, June 25th at 7:30 p.m. – doors open at 6:30

Sunday afternoon matinee, June 26th at 2:00 p.m. – doors open at 1:00

TICKETS: for all performances are $25.00 each and include the play, the raffle and wine reception and are available on the theatre webpage – www.thebarnplayers.org.

Auditions for Sweeney Todd at Chanticleer

Auditions for Sweeney Todd  at  Chanticleer Theater 
January 10th & 12 7:00 PM

Location:  830 Franklin Ave, Council Bluffs, IA

Production Dates March 11-30
Rehearsals begin Sunday, January 17

Audition Material Needed (ex: cold readings, contrasting monologues, prepared song, dance, etc.)
Please prepare 16-32 bars of a song and  bring music for the accompanist – no a cappella, please , no dance audition is required

Show Summary
One of the darkest musicals ever written, Sweeney Todd: A Musical Thriller is the unsettling tale of a Victorian-era barber who returns home to London after fifteen years of exile to take revenge on the corrupt judge who ruined his life. When revenge eludes him, Sweeney swears vengeance on the entire human race, murdering as many people as he can, while his business associate, Mrs. Lovett, bakes the bodies into meat pies and sells them to the unsuspecting public. Perhaps composer/lyricist Stephen Sondheim’s most perfect score, Sweeney Todd is lush, operatic, and full of soaring beauty, pitch-black comedy and stunning terror. It’s one of the signal achievements of the American musical theater of the last fifty years, and it’s the high water mark of Sondheim’s six remarkable collaborations with director Harold Prince.

  • Contact Information:   Please email  laureen.pickle@cox.net  with questions

    Stage & Music Director: D. Laureen Pickle
    Asst. Director: Mark Reid
    Stage Manager: Jamie Jareke

    Detailed Character Descriptions:
  • Sweeney Todd/Benjamin Barker (Bass/Baritone F2 – Gb4, 30 – 50) A man consumed by revenge after his wife is kidnapped and raped, and he is wrongly convicted and sentenced to life imprisonment.
  • Mrs. Nellie Lovett (Alto/Mezzo G3 – E5, Cockney accent, moves well, 30 – 50) An amoral, pragmatic seller of meat pies. She lusts after Todd. A very high-energy role.
  • Joanna Barker (Soprano C3 – Bb5 , 15 – 25) Benjamin Barker’s daughter, a ward of Judge Turpin. Beautiful and pure-hearted.Anthony Hope (Tenor or Bari-tenor, Ab2 – F#4, 18 -30) A good-natured, optimistic& naive young sailor.
  • Beggar Woman/Lucy Barker (Soprano or Mezzo-Soprano Ab3 – F5, 25 – 40) Barker’s wife, who he believes to be dead. Schizophrenic personality ranging from pathetic to crudely suggestive.
  • Judge Turpin (Bass/Baritone E2 – F#4, 40 – 60) A lustful, immoral, power-hungry man. Twists the law to suit himself.
  • Beadle Bamford (Tenor D3 – D5, 35 – 50) Judge Turpin’s partner in crime. “A bully with a thin veneer of gentility.”
  • Adolfo Pirelli/Danny O’Higgins (Tenor B2 – C5, 30 – 50) A charlatan who claims to be “the king of the barbers, the barber of kings.” Must be able to use both rich Italian and rough Irish dialects. A very high operatic style tenor role.
  • Tobias Ragg (Tenor or unchanged voice Bb2 – A4,  looks 13-25) Pirelli’s young, simple, and kind-hearted assistant.  Will hear both younger boys aged 12 and older, or men aged 17 and older
  • Ensemble: A wide variety of roles will come from the ensemble. Ensemble members must have strong, trained voices and good musicianship. The Ensemble is the key to success for this production, and many solo opportunities are available.