Get Ready to Rock with Tara Vaughan

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Omaha, NETara Vaughan’s She Rocks will open Thursday, June 13 at the Omaha Community Playhouse.  The show will run in the Howard Drew Theatre from June 13-30.  Performances will be held Thurs-Sat at 7:30pm and Sundays at 2pm.

Tara Vaughan’s She Rocks is a celebration of women artists and songwriters from the 60s-80s woven together through songs and stories delivered by Tara Vaughan–a bona fide superstar whose soulful vocal and piano techniques are reminiscent of a bygone era.  Her vocals echo legends like Patsy Cline and Sam Cooke, while her piano skills are seeped in influences like Carole King and Elton John.  Backed by an all-star band, Tara’s set list includes hits from artists like Janis Joplin, Linda Ronstadt, Aretha Franklin, Blondie, Heart, and more.

Tickets are on sale now starting at $30 and vary by performance.  Tickets may be purchased at the OCP Box Office located at 6915 Cass Street, by phone at 402-553-0800 or online at www.omahaplayhouse.com.

The McGuigan Invasion

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On Feb 9, 1964, a group known as The Beatles made an appearance on The Ed Sullivan Show.  Their triumphant American debut not only forever altered the course of American music, but triggered an event known as The British Invasion as a slew of English bands would find their way to our shores to dominate the pop charts.  Last night at the Wilson Performing Arts Center in Red Oak, IA, people got a chance to either relive that era or experience it for the first time with Billy McGuigan’s latest show, The British Invasion.

Like the Beatles, Billy McGuigan continues to churn out hit after hit and his latest show is certainly no exception.  With his one of a kind energy and ability, Billy and his band, the Downliners, took the audience on a blitzkrieg tour of the British Invasion as they snapped out a wide arrangement of songs from a variety of bands such as The Who, Gerry and the Pacemakers, Petula Clark, The Dave Clark 5, Herman’s Hermits, Cream, Them, The Rolling Stones, and, of course, The Beatles.

Billy McGuigan was in especially good voice last night and set the tone for the night with his opening number of The Who’s “Pinball Wizard” complete with some pinwheel guitar playing ala Pete Townshend. From there, he gave his rich tenor quite the hefty workout.  Whether he was belting out hard rocking numbers such as “Under My Thumb” and “I Can’t Get No Satisfaction” from the Rolling Stones complete with Mick Jaggeresque dancing and strutting to singing lighter rock numbers such as Herman’s Hermits’ “Something Tells Me I’m Into Something Good” to gently emoting tender tunes like Peter and Gordon’s “I Go to Pieces”, McGuigan could simply do no wrong.

McGuigan also proved his remarkable versatility by tackling The Animals’ “House of the Rising Sun” with a take that would make Eric Burdon proud.  And he actually made me like a Van Morrison song (my favorite number of the night, actually) with his interpretation of Them’s “Here Comes the Night”.

Billy McGuigan was powerfully supported by his multitalented band, the Downliners, including his brothers, Ryan and Matthew McGuigan, on percussion, bass, and backing vocals who shined in their own numbers.  Matthew worked some magic with The Kinks’ “Tired of Waiting of You” while Ryan was in full John Lennon mode with The Beatles’ “Twist and Shout” before the two joined forces on the awesome “Revolution”.  Tara Vaughan tickled the ivories as only she can and was featured in several numbers as her, oh so gorgeous, alto attacked Dusty Springfield’s “Son of a Preacher Man” and Petula Clark’s “Downtown”.  Omaha’s answer to Pete Townshend, Max Meyer, dazzled the audience with skillful lead guitar playing and solos while Adam Stoltenberg’s drumming was the unbreakable foundation for these numbers.

Early in the night, Billy told the audience that for a fraction of the cost of a Rolling Stones ticket we were actually hearing the same songs complete with lyrics and sung in tune.  Well, the ticket may have been a fraction of the cost, but the talent is absolutely priceless as Billy and the Downliners make these classic songs their own and you should certainly get a ticket the next time you hear that Billy McGuigan and The British Invasion is coming your way.

Locally, Billy McGuigan will be back in action on March 30,2019 when he teams up with the Omaha Symphony at the Holland Performing Arts Center in Omaha, NE with yet another new show, America Rocks the 60s.  Ticket prices start at $19 and can be purchased at Ticket Omaha.

This summer, Billy’s keyboardist, Tara Vaughan, formally debuts her own show, She Rocks!, over at the Omaha Community Playhouse.  This production features the legendary hits of female singers and songwriters and will run for 3 weeks beginning on June 13, 2019.  Tickets begin at $30 and can also be purchased at Ticket Omaha.

She Rocks! She Rocks, Indeed!!

World, Tara Vaughan has arrived and she is tearing it up at the Omaha Community Playhouse in her new show, Tara Vaughan’s She Rocks.

Produced under the auspices of Rave On Productions, Tara Vaughan’s She Rocks is a killer revue focusing on the legendary female artists and/or songwriters of the 60s-80s with a splash of the 90s and today thrown in for good measure.  In a thrilling night of rock and roll suitable for people of all ages and presenting artists of all eras, you’ll hear numbers from Linda Ronstadt, Heart, The Go-Gos, Fleetwood Mac, Sandie Shaw, Amy Winehouse, Sheryl Crow, and even an original tune written by Ms Vaughan herself.

Long known as a talented singer/songwriter (and the keyboardist & vocalist for the Rave On Productions), Ms Vaughan’s talent explodes in a stunning tour de force performance for this revue.  Tara Vaughan does not play music. . .she exudes it.  It’s as if the notes just come from the very depths of her soul and she then shares it with the audience with every fiber of her being and her incredible alto voice.

Kicking it off with the sweet, but melancholic “When Will I Be Loved?” by Linda Ronstadt, Ms Vaughan proceeded to demonstrate an unmatched versatility with an extremely diverse set that included the Sandie Shaw version of “Always Something There to Remind Me”, Dusty Springfield’s “Son of a Preacher Man”, Heart’s “Barracuda”, and Blondie’s “Call Me”.  But she could also slow it down with sensitive and moving songs such as a little Cass Elliot in “Dream a Little Dream of Me”, Amy Winehouse’s “Valerie”, and Fifth Dimension’s “Wedding Bell Blues”.  However, I thought two of her best numbers in a night full of great ones were her take on Carly Simon’s “You’re So Vain” (a personal favorite song of mine) and her own original number written “in a similar vein of “You’re So Vain’”, “Blame it On My Youth”.

In between numbers, Ms Vaughan shared stories with the audience about the creation of the show, memories of her life, and gentle ribbing of her mother with a soft-spoken, almost shy stage presence that hooked the audience in from the first word.

The arrangement of the numbers gave the night’s music a familiar, but fresh feel and Ms Vaughan was epically supported by a powerful band which included Ryan McGuigan on keyboards, percussion, and backing vocals; Matthew McGuigan on bass and backing vocals (and a solo on The Supremes’ “Can’t Hurry Love”); Jess Errett on electric acoustic guitar and backing vocals (plus a solo with The Go-Gos “Head Over Heels”); Max Meyer, who provided some stellar solos on lead guitar, and Adam Stoltenberg on drums.  The night even included a guest appearance from Billy McGuigan who teamed up with Ms Vaughan to belt out Marvin Gaye & Tammi Terrell’s “Ain’t No Mountain High Enough”.

This is just a taste of what those of you lucky enough to have tickets to tonight’s sold out performance have in store for you.  And if you don’t have a ticket, don’t worry.  Tara Vaughan and She Rocks will return to the Omaha Community Playhouse in late June 2019 for a three week engagement.  Tickets go on sale November 20.  I promise you an experience you won’t forget and you will find that Tara Vaughan most.  Definitely.  Rocks!!!

You’ll Wish this Show Would ‘Not Fade Away’

In the fall of 2002, a phenomenon was born.  The Omaha Playhouse presented Buddy:  The Buddy Holly Story starring Billy McGuigan.  Fueled by his dynamic performance as the iconic singer, the musical proceeded to smash Playhouse box office records and set Billy on a course as a full time professional performer.  Since that fateful fall, Billy McGuigan has taken his interpretation of Buddy Holly from coast to coast with nearly 2,000 performances and setting new box office records at 6 theatres.  Now he returns to where it all began with Rave On:  The Buddy Holly Experience currently playing at the Omaha Community Playhouse.

The show’s title sums up the show perfectly.  It is an experience and must be experienced in order to understand its grandeur.  Describing this show taxes my wordsmithing to the limit.  To say it is impressive seems a severe understatement.  Explosively awesome is the best description I can come up with and even that seems to fall just a little short.  To give you an idea of the might of this show, it received a standing ovation. . .after the first act.

McGuigan shows himself to be a true auteur with this show as he wrote, produced, directed, and starred in it.  It is neither a play nor a jukebox musical.  It is a character concert.

McGuigan does not play Buddy Holly.  No, no, no.  He BECOMES Buddy Holly.  I was blown away by his performance as Holly when I saw Buddy’s original run nearly 14 years ago, but what Billy does with the character now nearly defies belief.  He has every tic and nuance of Holly down to a science:  voice, posture, mannerisms, singing style, you name it.  But he still imbues the performance with an energy that is distinctly his own which makes the character of Holly and the music he plays just that much better.

And let’s understand something.  McGuigan is one polished musician.  His execution of Holly’s songs was deadly accurate and he ran through the classics such as True Love Ways, Rave On, Oh, Boy, and That’ll Be the Day.  But, with ease, he also sailed through many obscure Holly numbers such as Lonesome Tears, Modern Don Juan, and Handsome Brown-Eyed Man.  And he does it all with a lively and infectious energy as he bantered with the audience and got everybody clapping and singing along.

A front man is only as strong as his backup band and the Raybandits brought it all and more with a night of surefire musicianship and their own shining moments.

The flawless rhythm of Rich Miller’s drumming will have you thinking he is the second coming of Ringo Starr.  Miller especially amazes with a solo number where he turns a simple cardboard box into a masterful piece of percussion work.  Jay Hanson’s lead guitar sizzled all night long.  Tara Vaughan’s fingers danced along the piano keys and her sultry alto kept the audience rapt during a performance of Willie Nelson’s Crazy.  The acoustic guitar and bass work of Ryan and Matthew McGuigan were second to none.  Ryan McGuigan awed the audience as his John Lennonesque voice soared in Ritchie Valens’ La Bamba and Matthew McGuigan revved up the crowd with Chuck Berry’s Johnny B Goode.

The title of this review may be a little more prophetic than you think.  Pictures of Billy McGuigan’s history as Buddy Holly were set all over the theatre and one telling photo was listed simply as “The End 16/17”, suggesting that Billy may be retiring the role of Buddy Holly once and for all.  If this be the case, I urge you in the strongest possible terms to get a ticket to catch the greatest interpreter of Buddy Holly before it’s too late.  As the opening night performance was nearly sold out, odds are high that this run is going to run out of tickets mighty quick.  Do not delay and prepare yourself for a night of colossal fun.

Rave On:  The Buddy Holly Experience plays at the Omaha Playhouse through June 26.  Showtimes are Wed-Sat at 7:30pm and Sundays at 2pm.  Tickets cost $40 and can be obtained through the Playhouse’s web site at www.omahaplayhouse.com or call the Box Office at 402-553-0800.  The Omaha Playhouse is located at 6915 Cass St in Omaha, NE.