Flash! Bam!! Alakazam!!

The Wicked Witch of the West is one of the most iconic villains in both literature and film.  But, what if we’ve all been fed a line about her evil?  What if the official history was simply a lie?  Discover the true story of the Wicked Witch of the West in Wicked which is currently playing at the Orpheum Theatre.

I’m definitely of two minds about this show.  I was entertained.  The show is beautifully sung and strongly acted.  But the story lacks a certain punch.  The idea is definitely intriguing, but Winnie Holzman’s script based off the novel by Gregory Maguire fails to hit a home run and has to settle for a double. The first act tends to drag a bit though the developing friendship between Elphaba (Wicked Witch) and Glinda helps to sell it due to the work of the leading actresses.

The story picks up considerable steam in the second act once Elphaba has been deemed the Wicked Witch and an enemy of Oz.  The script introduces multiple storylines and even wraps them all up, but some storylines aren’t developed enough and are just bluntly ended.  However, there is some considerable skill with the way the story weaves in the characters of The Wizard of Oz where it’s clear that that story isn’t a complete lie, but a version manipulated by the true powers in Oz. 

Joe Mantello gets as much out of the script as is humanly possible.  From a technical standpoint, the show is solid as a rock.  The pace is on point.  Cue pickups tight as a drum.  The actors have been coached into strong performances and each has a well-developed character.  Mantello has a real gift for duet scenes as some of the show’s strongest moments are when just two characters are interacting and they can be full of tension and pain or dripping with tenderness and sweetness.

Some strong supporting performances come from John Bolton who plays the Wizard.  He’s more (or should I say less) than a weak man.  He’s a power addict responsible for most of Oz’s problems.  Jake Pedersen excels as Boq, a Munchkin doomed to a dire fate due to his fawning over Glinda and his angering of a powerful foe.  Lisa Howard is downright sinister as Madame Morrible, the power behind the throne.  Kimberly Immanuel has a wonderful arc as Nessarose, the crippled sister of Elphaba who seems sweet, but hides a vindictive nature that makes her worthy of her never revealed title of Wicked Witch of the East.  Michael Genet is sympathetic as Dr. Dillamond, the last animal allowed to teach at the university and a tragic victim of the elite’s desperation to hold on to power.

There’s a lot under the surface of Jordan LItz’s Fiyero.  Fiyero puts on a good front of being a lazy gadfly, but it hides a tortured unhappiness.  Litz is wonderful as he comes off as a not overly intelligent jock until an act of kindness towards a lion cub starts to peel back his layers to reveal the honorable and heroic man lurking beneath the façade.  Litz has a beautiful tenor and knows how to act through the numbers and can be delightfully humorous when he sings about “Dancing Through Life” or heartfelt and loving as he pledges love to Elphaba in “As Long As You’re Mine”.

Jennafer Newberry shines brightly as Glinda.  Newberry does a remarkable job showing us the true Glinda.  She isn’t good.  She’s a rich, stuck-up, vapid airhead used to getting her own way with a bent for malapropisms.  But it’s a joy to see how her friendship with Elphaba helps her to truly become a better person and to inspire her to overthrow the true wickedness in Oz.  Newberry also has a stunning soprano which she can use to comedic effect evidenced by “Popular” where she tries to help Elphaba fit in or use to tug your heartstrings in “I’m Not That Girl” and “For Good”.

Lissa deGuzman is stunning as Elphaba.  She is brilliant at portraying the outcast who hides her pain under the mantle of responsibility as she cares for her sister.  It’s a treat to watch her slowly work her way out of her awkwardness until she claims her role as the Wicked Witch of the West (though not in the way you may think).  deGuzman has a stunning lower soprano and she nails the show’s hallmark song “Defying Gravity” to the floor.

Evan Roider and his orchestra never miss a note in their performance.  Susan Hilferty’s costumes recall the film version of the story with its fantastical clothes and characters.  Chic Silber’s special effects add that crucial bit of magic to the show.  Tony Meola’s sounds help bolster the show with sounds of magic and raging storms.  Eugene Lee’s sets are very impressive with the ever present clock and gears and the homunculus used by the Wizard to seem all powerful.  Kenneth Posner has a good use of lights especially when acts of magic are enacted.  James Lynn Abbott’s choreography is solid, but lacks any huge moments.

In spite of the story not quite being all it could be, Wicked is definitely a pleasant evening of theatre with strong musical performances and splendid acting.  It is also certain to enthrall the kids and the kids at heart.

Wicked runs at the Orpheum Theatre through May 15.  Performances are Tues-Sat at 7:30pm, Saturdays at 2pm and Sundays at 1pm and 6:30pm.  Tickets range from $43.50 to $188.50 and can be obtained at www.ticketomaha.com.  The Orpheum Theatre is located at 409 S 16^th St in Omaha, NE.

A Love Cursed

Out of tragedy is born love.  And out of that love arises another tragedy. . .and a bit of hope.  Come discover the story of the Tin Woodsman of Oz before he became the Tin Woodsman in the Strangemen Theatre Company’s production of The Woodsman by James Ortiz with music by Edward W. Hardy and lyrics by Claire Karpen.  It is currently playing at the Blue Barn Theatre.

The hardest thing about writing an article is coming up with a good conclusion.  This time, it’s a piece of cake.  Go see this show.

OK, now let’s get to that analytical stuff.

I knew I was going to see something different when I saw this show, but what I didn’t know was just how good it was going to be.  Ortiz has written a sensational tale about the pre-metal life of the Tin Woodsman.  It’s sweet.  It’s moving.  It’s even a little spooky at times and you’ll likely shed a tear or two before it’s all through.  For the purists, the transformation to the Tin Woodsman is very faithful to L Frank Baum’s description from the original Oz novels.  For those thinking of bringing kids, it means it’s a little grim, but not overly violent.

Ortiz draws from a wide variety of performance styles such as straight dialogue, pantomime, puppetry, and musical.  Outside of a prologue, a song, and a rare word here and there, this show is done with no dialogue and I think that’s where its real power lies.  The actors have to tell a highly nuanced tale with naught but facial expressions, body language, and little expostulations of sound.  The result is a production that ranks as one of my favorite shows of the season.

James Ortiz and Claire Karpen co-direct this singular tale and their control and execution of the story is like watching a master painter create a masterpiece from scratch.  Finding beats in dialogue is tricky enough, but finding beats without the spoken word is another beast all together and the two directors expertly strike each and every one without effort.  Under their coaching, the performers “tell” this story with crystal clear expressions and body language that let me “read” this story just as easily as I read novels.  Their direction combined with movement direction from William Gallacher creates a story that really invokes all of your senses.  You can almost smell the campfire, hear the pounding of a panicked heart, and feel the texture of a warm hand on a body that no longer has sensation.

The ensemble is a critical part of this production as they literally become the world.  They are the trees of the forest.  Their whistles are the songs of birds.  Their snaps are the pop of a fire.  Their slaps are the blows of an ax.  They also play a variety of supporting parts and I was especially impressed by the work of Barry Carman and Stephanie Jacobson as Pa and Ma Chopper as they tell an excellent story about their courtship and their life together complete with posture changes to signify their aging.  I was also floored by the work of Michael Burns, Caulene Hudson, and Be Louis with their puppetry of the Wicked Witch of the East.  Their skilled manipulations made the Witch seem like an otherworldly force of nature and a truly vile villain.

The beauty of Anna Jordan’s performance as Nimmee made me want to weep.  She has an absolutely phenomenal physicality that makes for great pantomime.  You can feel and see the fear in her tense body whenever the Witch is around.  Her selling of the routine physical abuse dealt to her by the Witch is spot on.  The slow opening of her heart to Nick Chopper is wondrous to behold.  And a bit where she and Nick try to subtly cozy up to each other by a fire is sweet and funny.

Matthew Olsen’s portrayal of Nick Chopper (the flesh and blood version of the Tin Woodsman) is equally powerful.  His love for his family is palpable and it was a joy watching his childish antics as he grew up especially as he learns to fight from his father and properly wield an ax.  His courage is inspiring as he battles a forest monster to protect Nimmee.  And his anguish is haunting as he slowly loses his human nature.

Never before have I seen a show where light was so crucial to its telling and Jamie Roderick’s work is of superior quality.  His lighting is so atmospheric as he takes you to the depths of a pitch black forest with just a wisp of sunlight peeking through to the magical charges of Nick Chopper’s amulet to the dankness of the Witch’s lair.  Jenny Pool’s costumes had a nice old fashioned flair of a long forgotten time.  The set was pretty much bare bones though I thought the tree branches hanging about the theatre and the old fashioned lights set above the stage (and a bit out into the seating area) was a very nice touch.  And the violin score provided by Samantha Perkins was heavenly especially with the haunting song of the Tin Woodsman at the end.

This is storytelling at its finest.  It’s an achingly beautiful and well told love story guaranteed to melt the coldest of hearts.  At the risk of repeating myself, go see this show.

The Woodsman plays at the Blue Barn Theatre through June 16.  Showtimes are Thurs-Sat at 7:30pm and Sundays at 6pm.  On June 9, there will be an additional 2pm matinee and Jun 16 will have only a 2pm matinee.  Tickets are $35 ($30 for seniors) and can be obtained at www.bluebarn.org or by calling at 402-345-1576.  The Blue Barn Theatre is located at 1106 S 10^th St in Omaha, NE.

Blue Barn Announces Auditions for “Indecent” & “The Woodsman”

BLUEBARN THEATRE announces auditions for Indecent by Paula Vogel

Auditions will be held at The Bluebarn Theatre, 1106 South 10^th St

Saturday, Dec. 1^st from 12pm-4pm  &  Sunday, Dec. 2^nd  from 12pm-4pm

Callbacks, if necessary, will be held on Saturday, December 8^th from 12-4pm

Indecent runs March 21^st, 2019 through April 14^th, 2019. Rehearsals begin February 11^th, 2019.

Company Members Needed

 The Stage Manager, Lemml– (M, 30-50).  

A wise fool who sees it all.

The Ingénues- (1F, 1M, 20-35).

All the brides, the grooms, the writers, the socialists, the believers.

The Primes- (1F, 1M, 35-55).

All the vamps, all the vice, the scarred and the schemers in their prime.

The Elders- (1F, 1M, 50+).

All the fathers, mothers, the sages and the fools at any age

The Musicians- (3 any gender, any age).

On violin! On accordion! On clarinet!

Performers who also sing and move and act with the troupe.

Preparation

Please present a classic or contemporary monologue under 2 minutes.

Be prepared to perform 30-60 sec  of “Ain’t We Got Fun” or a folk song of your choice, a capella.

Auditions will include prepared sides and cold readings. There may also be dance/movement elements at the auditions. Sides will be available on November 12^th.

For more information, to request a copy of the script, or to schedule an audition, please contact Barry at bcarman@bluebarn.org .

*Indicate which roles you’d like to be considered for when scheduling your audition.

*If you are auditioning as a musician, please indicate which instrument(s)

you play when scheduling your auditions, and prepare a 32 bar solo.

About the play:

Inspired by the true events surrounding the controversial 1923 Broadway debut of Sholem Asch’s God of Vengeance—a play seen by some as a seminal work of Jewish culture, and by others as an act of traitorous libel. INDECENT charts the history of an incendiary drama and the path of the artists who risked their careers and lives to perform it. A glorious celebration of the power of theatre to harness the very best of the human spirit.

 

Auditions for The Woodsman by James Ortiz with Music by Edward Hardy and Lyrics by Jen Loring

Auditions will be held at The Bluebarn Theatre, 1106 South 10^th St

There will be three sessions:

Session 1:  Monday, Dec 10^th from 5pm-7:30pm

Session 2:  Monday, Dec 10^th from 7:30-10pm

Session 3:  Tuesday, Dec 11^th from 3pm-6pm

Callbacks will be held Tuesday, December 11^th from 7:30-10

*Violinists will be auditioned from 6:30-7:30 on Tuesday, Dec 11^th, those called back

will join the 7:30-10pm session with the actors immediately following.

The Woodsman runs May 16^th, 2019 through June 16^th, 2019. Rehearsals begin April 8^th, 2019

Schedule your Audition with Barry Carman at bcarman@bluebarn.org.

 

Company Members Needed

7 Actors     1M and 1F (20s-30s), 1 F(20s-40s), 4 others (any age); 1 Violinist

To request a character breakdown with descriptions, possible doubling, and puppets, contact bcarman@bluebarn.org  

Casting note: The Woodsman is a wordless, physical, actor-driven ensemble that incorporates puppetry. All actors must be able to move well and fill physical shape with story, character and intention, and have strength, flexibility, and stamina. All actors are on stage for most of the 75minute show.

Preparation

Actors

Please prepare a one-minute classical monologue (Shakes, Moliere, Ibsen, Strindberg, etc), and 16 bars of a folk song in the style of the show to be sung a capella.

Come prepared to move; most of the audition will consist of an hour of exercises with other actors in ensemble work and imaginative storytelling.

Violinists

We are looking for a dynamic and intuitive player, who can play the exhilarating passages with bravado but won’t tire from the tedious passages. Should be able to adapt to the ambience of every scene. Must be an experienced team player, adept at their part with a command/ knowledge of all other vocal parts.

To request audition passages, contact bcarman@bluebarn.org.

To hear the music, go to https://open.spotify.com/playlist/7fEXlXPYpdCm27MYOUL0OE . 

About the Play

Based on the forgotten writings of L. Frank Baum, Strangemen Theatre Company’s THE WOODSMAN gives this darkly beautiful, haunting, and heart-breaking story new life through original music, physical storytelling, and innovative puppetry. A re-imagined tale of the origin of Baum’s “The Tin Woodman of Oz.”

The Wamego Files: A Case Study of Victory Inn, Oz, a Headless Horseman, and Zombies

Victory Inn

Well, October is here which brings visions of colorful leaves, Halloween, haunted houses, and a return to the road.

This leg of the road would bring me to Wamego, KS as I had negotiated a media ticket with the famed Columbian Theatre to review their production of Sleepy Hollow.  My home away from home would be the Victory Inn Bed and Breakfast owned and operated by Francis and Margaret Feyh.

I was particularly looking forward to traveling this time as I would actually be going in a new direction.  Nothing but highways going west and south.  New scenery, at last.  It was a pleasant afternoon for a drive and I enjoyed passing through the small towns of our great country.  About 1pm, my thoughts turned to lunch just as I began to pass through the town of Tecumseh in Nebraska.

Lo and behold I saw a place called Frazier’s Café off to my left and decided it would be a make for a good break.  I glanced through the menu looking for something different when my eyes fell upon a meal listed as the H Bomb which described itself as a spicy chicken fried steak sandwich.  I decided to order one though I thought the price was a little high at $9.95.  That is I thought it was a little high until I actually got the sandwich.

Frazier’s Cafe

This sucker was about the size of an H Bomb as well.  It was so big that I needed a knife and fork to eat it.  It was tasty and big enough for 2 meals which is exactly what I made out of it.

Full from lunch, I continued my drive which included traveling through Burchard, NE, the birthplace of silent film star, Harold Lloyd.  About 3:30pm I entered Wamego and parked in its downtown area.  I wandered up and down the street admiring the buildings.  I stepped into the library and thumbed through a few books before I finally headed over to Victory Inn.

I was immediately struck by the beauty of the inn.  It had a well manicured backyard with a little waterfall and gazebo.  I rang the doorbell of the back door and waited a few minutes.  Upon hearing nothing, I began to search out the front door when I heard the turn of doorknob.  I did an about face and retraced my steps as Margaret welcomed me into her home.

She quickly led me to the Victory Inn Suite before leaving me to my own devices.  I got myself settled and goggled at the palace sized bathroom which housed a Jacuzzi bathtub before exploring the house.  I admired the antiques and glassware and bumped into Margaret’s husband, Francis who quietly welcomed me to the inn.

After wandering about the home, I drew a hot bath and enjoyed a good long soak before slipping into my suit and heading over to the Columbian Theatre.

Columbian Theatre

The theatre is quite an impressive edifice.  It was built in the late 1800s as a music hall and that same hall still serves as the theatre’s performance space.

The show itself was rather disappointing. After a rough show, I walked back to the inn where I wrote a very difficult review and then retired for the night.

In the morning I was ready for breakfast and Margaret had a nice repast waiting.  There was nothing fancy about the meal.  It was just good old-fashioned home cooking with eggs, bacon, cinnamon coffee cake, some amazing hash browns, and juice.

Old fashioned country breakfast

I needed some exercise so I spent the next two hours wandering around Wamego where I visited the park, saw the town’s famed windmill, and then I stopped at the famed Oz Museum.

The windmill of Wamego

The Wizard of Oz is very big in this town.  Not only do they have a museum dedicated to all things Oz but several businesses are named after items in the story such as Oz Winery and Toto’s Tacoz.

The Oz Museum has brought in visitors from all over the globe and it was actually an interesting little visit.  The history of L Frank Baum (author of the series), the birth of the stories, the creation of the famed movie, and other Ozian things came to life before my eyes.  The most surprising piece of trivia I learned was that the books were so popular that other writers were brought on to create more stories after Baum’s passing.  Baum had written 15 stories, but the series ended after the 40^th novel written in the late 1960s.  For those who have the time or desire, the film is also shown all day.

When I stepped outside it looked like it was about ready to rain so I decided to while away the afternoon in my room where I watched the Iowa Hawkeyes pummel the Purdue Boilermakers.

After thoroughly enjoying Iowa’s shellacking of Purdue, I took another Jacuzzi bath and then headed over to St Bernard’s Catholic Church for worship.  The church is a pretty impressive edifice and looked fairly new to my eyes.  My eyes did not deceive as the building was erected in 2010.

St Bernard Catholic Church

It was a pretty good service and Father had a very thought-provoking sermon about how 80% of Catholics no longer attend services which got me to thinking as to how much the attendance rate had fallen amongst all denominations.  His most telling statement was, “I don’t think it’s because we (he was an elderly man) were old-fashioned.  I think we’ve just lost faith.”  Very profound food for thought.

After services, I had hoped to eat at the Friendly Cooker, a diner on the main street of Wamego.  However, the only nights they serve supper are Thursdays and Fridays.  Instead, I decided to try the cuisine at Toto’s Tacoz.

Toto’s Tacoz

Twas not a bad choice at all.  I had the namesake food which ended up being shredded beef, cheese, onions, lettuce, cilantro, sour cream, and tomatoes on a tortilla.  It was seasoned quite nicely and a little of it goes quite far.

Then I headed over to Junction City, a military town (Fort Riley is nearby) to experience Zombie Toxin.  As a teenager in Omaha, I rather enjoyed the haunted house attractions available in the city and we have some pretty good ones.  While my interest in them has waned as I’ve gotten older, this one made me curious as it touted itself as the #1 haunted attraction in Kansas.

After visiting it, I can say that those claims are perfectly valid.  I would also like to give a special shout-out to Rob for providing me with a speed pass media ticket so I could enjoy Zombie Toxin.

First off, this attraction pays meticulous attention to the details.  It begins with the story of Dr. Von Monschture which I absolutely love because it gives a sense of reality to the attraction.  Once inside, you appreciate the care that went into this place.  Each room has a specific atmosphere and a lot of creativity went into creating the numerous experiments in Von Monschture’s quest to revivify corpses.  There’s nothing cheap about the horrors here.  It has the quality of a big budget horror flick.

Aside from the horrifying beasts, you’ll have to deal with crackling electricity, falling barrels, giant wolf’s heads and a maze in darkness in your attempts to escape from the mad scientist.  Oh, and be wary.  The weird creations and characters of the house pop out anywhere and anytime.  I’m still trying to figure out who or what grabbed my jacket at about the halfway point.

If you live in the vicinity of Junction City and are looking for something to do this Halloween season, visit Zombie Toxin.  I promise you won’t be disappointed.

After visiting the haunted house, it was time to head back to the inn for the night.

For some reason my sleep was a little fitful.  I popped out of my sleep due to goofy dreams on a couple of occasions, but still felt well rested when I woke up for good around 7am.

Another old fashioned breakfast was on the table consisting of pancakes, sausage, scrambled eggs, cinnamon pecan rolls, juice, and water.  Once more I ate my fill, then came back to finish writing.

Another leg of the road has been completed and Wamego is a quaint little town with friendly folk and a bit to do.  Take in a show at the Columbian.  Travel to the merry old land of Oz.  And for those who need more, the town of Manhattan is less than 30 minutes away.  But make sure you get a room at Victory Inn, you’ll get comfort, hospitality, and a good meal.

Until the next time.