An Accidental Friendship

A young businessman is forced to assist an elderly Jewish man once a week for six months after nearly hitting him with his car.  What begins as an unwelcome punishment soon evolves into a warm friendship as each helps the other to escape from a prison of his own making.  This is Visiting Mr. Green and it is currently playing at the Lofte Community Theatre.

Jeff Baron’s script is a feast for character actors.  There are a lot of rich, chewy scenes for actors to gnaw on as well as oodles of character development and all wrapped in a slice of life package.  The construction of the script is remarkable.  Initial scenes are short due to the two men wishing to spend as little time together as possible.  As their friendship develops and grows, the scenes lengthen.  When their relationship hits the skids, the scenes begin to shrink again.  It’s also a touching tale of two people trying to come to grips with a world in which they don’t seem to fit.

Kevin Colbert provides an effective piece of direction.  He gives the scenes plenty of time to breathe and utilizes the energies of his two thespians well.  The more keyed up Ross Gardiner constantly moves around and performs little actions to burn off his excess energy while the more laconic and elderly Mr. Green is a bit more economical with his movements.  This utilization of energy leads to some good staging as the two actors use the entire apartment which keeps this purely dialogue driven from drifting into static.  Colbert has also guided his actors to a pair of very stellar, human performances.

Ross Mumford is very charming and likable as Ross Gardiner.  That likability is key to his performance as Mumford wisely skips the obvious choice of being a jerk at the top of the show.  He’s basically a good guy, who is wound a little tight and unhappy about his community service.  This makes his opening up to Mr. Green believable when their relationship blossoms into a true friendship.  Gardiner hides a heavy secret and that secret might lead a lot of actors to the lazy choice of playing him angry, but Mumford constantly picks better alternatives.  He gets frustrated.  He gets indignant.  He gets sad.  When anger is used, it’s brief and appropriate.  Mumford does need to be aware of his body as he upstaged himself on a few occasions and needs to cheat out on some of his conversations with Mr. Green.

Bill Bossman gives an exceptional performance as Mr. Green.  I loved his use of body language.  At the start of the show, Mr. Green is sickly and malnourished and his movements reflect that as his steps are plodding and weak.  As he begins to eat more regularly, thanks to Ross, he gets some pep in his step and starts moving a bit more easily, but still in the style of an octogenarian.  Bossman puts some great crust on the grieving widower who simply wants to be left alone until he learns that Ross is Jewish and then you can see and hear his interest piquing which gets the ball rolling on their friendship.  Bossman well essays Green’s unyielding beliefs and attitudes and is very convincing when he starts to let those walls crumble as those beliefs and attitudes have caused the fractures in his life instead of healing them.

Kevin Colbert’s apartment is well suited to Mr. Green’s life.  It’s simple, but comfortable.  It’s even homey after Ross cleans it up and you can definitely see the touch of Green’s late wife after the place has been tidied.  The set is boosted by the properties of Melinda Mead and Sheila Hansen with books, dishes, knickknacks, and a very convincing mess with newspapers strewn about the place at the top of the show.  Nick Haussler further adds to the feeling of a low rent apartment with the squawking erupting from the kitchen faucet.  Janet Sorensen’s costumes suit the characters’ characters with the simple dress shirt, tan pants, and sweater of Mr. Green and Gardiner’s business attire.

It’s a sweet show with a lot of heart and Visiting Mr. Green has proved to be another feather in the cap of the Lofte.

Visiting Mr. Green plays at Lofte Community Theatre through May 16. Showtimes are Thurs-Sat at 7pm and Sundays at 2pm. Tickets cost $24 and can be purchased at www.lofte.org or by calling the box office at 402-234-2553. Lofte Community Theatre is located at 15841 Manley Road in Manley, NE.

‘Visiting Mr. Green’ Opening at Lofte Community Theatre

Manley, NEVisiting Mr. Green will run at Lofte Community Theatre from May 6, 2022 to May 15, 2022. Showtimes are Thurs-Sat at 7pm and Sundays at 2pm. Tickets cost $24 and can be purchased at www.lofte.org or by calling the box office at 402-234-2553. Lofte Community Theatre is located at 15841 Manley Road in Manley, NE.

Synopsis

Mr. Green, an elderly, retired dry cleaner, wanders into New York traffic and is almost hit by a car driven by Ross Gardiner, a 29-year-old corporate executive. The young man is given a community service of helping the recent widower once a week for six months. This is a moving and often funny story about two men who do not want to be in the same room together. As they get to know each other and come to care about each other they open old wounds they’ve been hiding and nursing for years.

Cast

Bill Bossman as Mr. Green
Ross Mumford as Ross Gardiner

Lofte Community Theatre Announces 2022 Season

Harvey by Mary Chase

Performances: April 1, 2, 3, 7, 8, 9, 10
Auditions: February 15 & 16 @ 7 PM

This Pulitzer Prize winning play has been adapted many times for film
and television, most notably a 1950 film starring James Stewart.

The Story: Elwood P. Dowd insists on including his friend Harvey in all of his sister Veta’s social gatherings. Trouble is, Harvey is an imaginary six-and a-half-foot-tall rabbit. To avoid future embarrassment for her family, Veta decides to have Elwood committed to a sanitarium. The search is on for Elwood, who eventually arrives at the sanitarium of his own volition, and it seems that Elwood and his invisible companion have had a strange influence on many people…and you will be one of them. Don’t miss this theatrical classic!

Visiting Mr. Green by Jeff Baron

Performances: May 6, 7, 8, 12, 13, 14, 15
Auditions: February 22 & 23 @ 7 PM

Mr. Green, an elderly, retired dry cleaner, wanders into New York traffic and is almost hit by a car driven by Ross Gardiner, a 29-year-old corporate executive. The young man is given a community service of helping the recent widower once a week for six months. This is a moving and often funny story about two men who do not want to be in the same room together. As they get to know each other and come to care about each other they open old wounds they’ve been hiding and nursing for years. We suggest PG-13.

Legally Blonde by Heather Hach with Music & Lyrics by Laurence O’Keefe and Neil Benjamin

Performances: July 16, 17, 21, 22, 23, 24, 28, 29, 30, 31
Auditions: May 24, 25 @ 7 PM

This fabulously fun award-winning musical is based on the novel by Amanda Brown and the Metro-Goldwyn Mayer motion picture. Elle Woods appears to have it all. Her life is turned upside down when her boyfriend dumps her so he can attend Harvard Law. Determined to get him back, Elle ingeniously charms her way into the prestigious law school. While there she struggles, but with the support of some new friends she quickly realizes her potential and sets out to prove herself to the world. Exploding with memorable songs and dynamic dances – this musical is so much fun, it should be illegal!

The Diary of Anne Frank by Frances Goodrich and Albert Hackett. Adapted by Wendy Kesselman

September 2, 3, 4, 8, 9, 10, 11
Auditions: July 25 & 26 @ 7PM

In this transcendently powerful adaptation Anne Frank emerges from history a living, lyrical, intensely gifted young girl, who confronts her rapidly changing life and the increasing horror of her time with astonishing honesty, wit, and determination. An impassioned drama about the lives of eight people hiding from the Nazis in a concealed storage attic, The Diary of Anne Frank captures the claustrophobic realities of their daily existence—their fear, their hope, their laughter, their grief.

Noises Off! by Michael Frayn

October 15, 16, 21, 22, 23, 27, 28, 29, 30
Auditions: September 4 & 5 @ 7PM

Called “the funniest farce ever written,” Noises Off presents a manic menagerie of itinerant actors rehearsing a flop called Nothing’s On. Doors slamming, on and offstage intrigue, and an errant herring all figure in the plot of this hilarious and classically comic play.

Every Christmas Story Ever Told (And Then Some!) by Michael Carleton, James Fitzgerald, and John K. Alvarez

December 2, 3, 4, 9, 10, 11, 15, 16, 17, 18
Auditions: October 24 & 25 @ 7PM

Instead of performing Charles Dickens’ beloved holiday classic for the umpteenth time, three actors decide to perform every Christmas story ever told — plus Christmas traditions from around the world, seasonal icons from ancient times to topical pop-culture, and every carol ever sung. A madcap romp through the holiday season!