Here’s the Buzz! ‘Jesus Christ Superstar’ is Happening at Sunset Playhouse

Elm Grove, WIWhat’s the buzz? The first musical by Andrew Lloyd Webber and Tim Rice for the professional stage, JESUS CHRIST SUPERSTAR has wowed audiences for more than 50 years. A timeless work, the rock opera is set against the backdrop of an extraordinary and universally-known series of events but seen, unusually, through the eyes of Judas Iscariot.

Loosely based on the Gospels of Matthew, Mark, Luke, and John, SUPERSTAR follows the last week of Jesus Christ’s life. The story, told entirely through song, explores the personal relationships and struggles between Jesus, Judas, Mary Magdalene, his disciples, his followers, and the Roman Empire.

The iconic 1970s rock score contains such well-known numbers as “Superstar,” “I Don’t Know How to Love Him,” and “Gethsemane.”

Dates: April 18-May 5, 2024
Location: Sunset Playhouse (700 Wall St, Elm Grove, WI)
Tickets: $28 (Tickets may be purchased at the Box Office, visiting www.sunsetplayhouse.com, or calling 262-782-4430
Showtimes: Thurs-Sat at 7:30pm. Sundays at 2pm. There will be a Wednesday show at 7:30pm on April 24.

Directed by: Tommy Leuck
Musical Direction by: Mark Mrozek
Choreographer: Abby Rasmussen

Cast
Jesus – Joshua Pope
Judas Iscariot – Jesse Weinberg
Mary Magdalene – Natalie E Wikstrom
Peter/Jesus Understudy – Sean Patrick Lambie
Simon/Zealot – Nick Sweet
Caiaphas – Tom Flanagan
Pontius Pilate – Nicholas Callan Haubner
Annas/Judas Understudy – Coltyn VonDeylen
King Herod – Bob Fuchs
James/Leper/Demon – Patrick Schneider
John/Leper/Demon – Jordan Paullin
Andrew/Leper – Ben Quartemont
Phillip/Leper/Soldier 1 – Anthony Munar
Matthew/Leper/Soldier 2 – Matthew Zietlow
Thomas/Leper/Angel – Faith Klick
James/Leper/Angel – Summer Kleppek
Bartholomew/Leper/Angel – Abby Armstrong Check
Thaddeus/Leper/Angel – Caitlin Lee
Ensemble/Leper/Angel/Priest – Hannah Molitor
Ensemble/Leper/Angel/Priest – Barbara Zaferos
Ensemble/Leper/Maid/Angel/Priest – Margaret Teshner
Dance Captain/Ensemble/Featured Dancer/Demon – Makenna Lemke
Ensemble/Featured Dancer/Leper/Demon – Viktoria Feely
Ensemble/Featured Dancer/Leper – Lorraine P Bueckers
Ensemble/Featured Dancer/Leper/Demon – Theresa Guardiola
Ensemble/Featured Dancer/Leper – Krystyna Jones
Ensemble/Featured Dancer/Leper/Demon – Tova Blasberg

Hallelujah, It’s Heavenly!!

Keith Patrick McCoy (Front) stars in ‘Cotton Patch Gospel’. Back row (L to R): Isiah Harper, Michelle Justice, Dean Justice, Justin Belew, Jeff Snider

If a man tried to take his time on Earth and prove before he died what one man’s life could be worth, well I wonder what would happen to this world?  Find the answer to this question in Cotton Patch Gospel by Tom Key and Russell Treyz with music and lyrics by Harry Chapin.  It is currently playing at Springer Opera House.

It’s no secret that this is one of my favorite shows.  This is the fourth time I’ve reviewed a version of this musical and I’m always discovering something new based on the storytelling of each cast.  However, I was particularly looking forward to this version as it would be the first time I would see it performed under its original intentions (one actor playing all the roles and backed by a bluegrass band). 

I was not disappointed.

This is a beautiful show for the Easter season and I salute the cast for an energetic and fun-filled night plus give them further kudos for showing great poise as the weather looked like it was turning a little inclement for this outdoor production.

I’ve always appreciated Key & Treyz’s script for its wonderful worshipfulness and clarity.  They do an excellent job of taking the Gospel of Matthew, modernizing it and making it completely understandable to any and all regardless of one’s faith background. In this take, Jesus is born in Atlanta, raised in Valdosta and lynched for the sins of humanity.  Key and Treyz were able to take the most important points of the Gospel and translate it into a 90 minute show that never feels rushed or edited.

Paul Pierce provides very strong direction as he’s guided his lone actor to an impressive performance with a sure and solid hand.  The animation is constant and there’s nary a static moment in the show.  I was also quite pleased with the staging as it had the feeling of an old-time revival show.

Keith Patrick McCoy expertly handles an awesome burden as he plays everybody.  On a scale of 1 to 10, his energy hovered around 15 and he effortlessly transformed himself into several dozen characters with changes in posture and modulation of his angelic baritone.  Some of his great performances included his rendition of the show’s narrator, Matthew, the former IRS man whose respect and love for Jesus is palpable; his sincere and humble Jesus; the conflicted Jud who betrays the Son of God; a smarmy and hypocritical televangelist hyping faith cruises to the Holy Land and Hong Kong; a malevolent Herod bent on killing Jesus to retain his throne; a surprisingly sinister Pontius Pilate who engineers Jesus’ murder.  Last, but certainly not least, I give a personal standing ovation to McCoy’s interpretation of John the Baptizer as he finally gave me the Baptizer I’ve long wanted to see in the form of a blood and guts, fire and brimstone preacher. 

McCoy’s singing is every bit as good as his acting and it always suited the character singing the song. Favorite performances were his Jesus humorously teaching His followers to treat others the way they would want to be treated in “Turn It Around” and agonizing over His impending death in “Goin’ to Atlanta”.  He also has stellar turns as Herod cold-bloodedly admitting “I Did It” when he has an orphanage bombed in an attempt to kill Jesus and as Matthew explaining the takeover plan he and the Apostles cooked up for Jesus in “We Gotta Get Organized”.

The only critique I had was that I thought McCoy could have taken a beat when he transitioned characters and seemed to rush his lines on a few occasions, but I’m going to qualify that by saying he may have been forced to move a little faster due to the weather. 

McCoy was ably supported by a bluegrass band who serves as a second character in the production.  They play all the instruments, sing the bulk of the songs and sometimes stepped in as minor characters.  Justin Belew and Jeff Snider dazzled on guitar and banjo.  Dean Justice was flawless on the stand up bass and his low tenor voice excelled on the somber “Are We Ready?”  Michelle Justice did some fine fiddling and had a lovely solo in “Mama Is Here”.  Isiah Harper was a strong featured vocalist especially in “Something Brewing in Gainesville” and “You Are Still My Boy”.

Debbie Anderson’s musical direction was right on the money as she understood the nuances of Chapin’s score and correctly emphasized its humor and gravitas where needed.  I loved Matthew Swindell’s less is more set of a simple backdrop, table and boxes.  Katie Underwood’s lights were absolutely phenomenal and bolstered key emotional points especially the blue light on Jesus in “Goin’ to Atlanta” and the red and black of Jesus’ lynching.  Sandy Dawson’s costumes were top notch with McCoy’s dapper brown suit and the plaid shirts and overalls of the band.

So if you’re looking for some family entertainment this Easter season, spend some time in the cotton patch with this wonderful cast and story and find out why Cotton Patch Gospel is “The Greatest Story Ever Retold”.

Cotton Patch Gospel plays at Springer Opera House through April 3.  Remaining live performances are April 2 at 8pm and April 3 at 2:30pm.  Livestream performances will be held April 1-3 at 8pm (EST) and a matinee performance at 2:30pm (EST) on April 3.  Tickets range from $20-$38 and can be obtained by calling the Box Office at 706-327-3688 or visiting www.springeroperahouse.org.  Springer Opera House is located at 103 10th St in Columbus, GA.

Photo provided by Allie Kent

Something Brewing at Springer Opera House

The cast of ‘Cotton Patch Gospel’ Back row (L to R): Justin Belew, Isiah Harper, Dean Justice, Jeff Snider Seated: Michelle Justice Kneeling: Keith Patrick McCoy

Columbus, GA–Dubbed “The Greatest Story Ever Re-Told,” Cotton Patch Gospel is the exuberant musical that tells the story of the life of Jesus, but set in modern-day, rural Georgia.  Jesus is born the son of a carpenter in Gainesville, meets a country preacher named John the Baptizer on the banks of the Chattahoochee and delivers the Sermon on the Mount on Stone Mountain.

The show will run as part of the Springer Opera House’s Outdoor Theatre Festival along with other musicals and children’s theatre shows. Opening March 24 in the newly-built Springer amphitheater, Cotton Patch Gospel arrives just in time for the Easter season.

“In this season of renewal, rebirth, and hope, Cotton Patch Gospel is just what the world needs right now,” explained Springer producing artistic director Paul Pierce.  “With music by the late, great Harry Chapin (Cat’s in the Cradle, Taxi) Cotton Patch Gospel is marked by a feeling of childlike belief, wonder and simple reverence.”

“We all remember the Sunday school lesson where the teacher asked, “What if Jesus were born today? How would you react?”  This show takes that simple question and brings it to life,” Pierce said.

The script was adapted from the Rev. Clarence Jordan’s book “Cotton Patch Version of Matthew and John” by Tom Key and Russell Treyz.  Tom Key was the long-time artistic director of The Theatrical Outfit in Atlanta who recently retired.  Mr. Key collaborated with Grammy Hall of Fame honoree, Harry Chapin – one of the most beloved singer-songwriters in music history – to create the songs for Cotton Patch Gospel. Chapin won Grammy Awards in the 1970s for chart-topping hits like Cat’s in the Cradle, Taxi, Dreams Go By, W.O.L.D. and Sunday Morning Sunshine.

Connection to Habitat for Humanity and the Fuller Center for Housing

“Cotton Patch” author Rev. Clarence Jordan was a farmer who grew up in nearby Talbotton, Georgia, and sought to improve the lives of sharecroppers through scientific farming techniques. He was ordained at the Southern Baptist Theological Seminary and obtained a Ph.D. in Greek New Testament in 1938. In 1942, Jordan and his wife, Florence, founded Koinonia Farm, a 440-acre interracial farming community near Americus, Georgia.  As the Civil Rights Movement progressed, Koinonia Farm became the target of boycotts, violence, and bombings.

In the 1960s, as hostilities subsided in Sumter County, Jordan turned his attention to writing and speaking.  Through his expertise in New Testament Greek, Jordan translated the Synoptic Gospels using homespun language that his Southern audiences could relate to. Thus, Jerusalem became Atlanta, Pontius Pilate became the Governor of Georgia and Bethlehem became Gainesville. 

In 1965, two millionaires, Millard and Linda Fuller, from Lanett, Alabama, became dissatisfied with their wealthy and privileged lifestyle and moved to Koinonia Farm to serve Rev. Jordan’s mission.  The partnership resulted in the founding of Habitat for Humanity in 1976 and later, the Fuller Center for Housing. Fuller is internationally regarded as the founder of the affordable housing movement.

The Springer Production

Cotton Patch Gospel stars Keith Patrick McCoy as the apostle Matthew, who tells the story of Jesus’ life: birth to death to Resurrection.  Harry Chapin’s songs span musical styles from country to blues to folk to Gospel to bluegrass to jazz. The on-stage band is comprised of Michelle Justice, Justin Belew, Isiah Harper, Dean Justice and Jeff Snider. Pierce is the director of the show.

Cotton Patch Gospel runs March 24, 25, April 2 at 8:00 pm and March 27, 28, and April 3 at 2:30 pm. For tickets, call the Springer box office at 706-327-3688 or visit the Springer website at springeroperahouse.org.  Group rates are available for churches, youth groups, and senior groups.

Photo provided by Allie Kent

The Golden Review: Valparaiso, IN and Songbird Prairie

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Songbird Prairie Bed & Breakfast

Today the road has brought me to Valparaiso, IN.

Welcome to my 50th B & B review.  Having reached this magic number, I wanted this review to be something special.  I needed a destination with lots to do, a top of the line inn, and I wanted it to feel like a bit of a road trip.  I pored over my spreadsheet of inns to find something to fit the bill and as I perused the Indiana section it hit me right between the eyes.  I found Songbird Prairie Bed and Breakfast, a luxury inn which has won numerous “best of” and hospitality awards over the years.  I booked a room and eagerly looked forward to a grand adventure.

Friday evening found me making the trek to Indiana.  I had decided to split up the drive over 2 days so I would have energy for activities once I arrived in Valparaiso so I made an overnight stop at a Travelodge in Iowa City, IA.

 

It had been a fairly pleasant day when the drive started, but by the time I had rolled into Iowa City, it had become a hazy gray and the humidity had shot past the roof.  So humid was it, that I actually saw steam rising from pools of water from a storm that must have dumped on the city before my arrival.  The conditions felt perfect for a tornado and I later learned that one had touched down just outside the city, but nothing came of it.

The hotel was serviceable and even had a swimming pool.  I deposited my luggage in my room and cast a grateful eye on my king-sized bed.  The smell of a Domino’s Pizza down the hall reminded me that I should probably do something about my own hunger.

A restaurant called Los Agaves Mexican Grill was attached to the hotel and solved my problem of finding a place to eat.  My waiter, Jose, brought me a bowl of chips and salsa while I looked over the menu. I opted to try the Chiles Colorado.  Shortly after my order, a plate of grilled beef tips in a spicy red mole sauce with Spanish rice and refried beans appeared before me.  With the use of warm corn tortillas, I made several “tacos” to enjoy the meal.  It plugged the spot dead center and I went back to my room and laid down to sleep.

The bed was quite comfortable as I slept the sleep of the dead.  I’m talking limbs splayed out, slack jawed sleep.  After waking up, I got cleaned up and had the hotel’s deluxe continental breakfast which meant some hot items were available.  I had a biscuit with some sausage gravy and a bowl of Frosted Flakes with a cup of orange juice to wash it down and was back on the road about 90 minutes later.

I enjoyed a very peaceful drive as I listened to the tunes of my MP3 player and wondered if Indiana had finally completed the construction which had bedeviled me several times over the years.

They had.

But it didn’t make much difference as traffic still slowed to a snail’s pace after I crossed over.  However, as I only had to travel about 11 miles to reach my exit, the slower pace didn’t cause me any duress.

So it was that I found myself in Valparaiso, hometown of popcorn magnate, Orville Redenbacher.  The town of Valparaiso is also nearby the Indiana Dunes for those who like the outdoors, Chicago for those seeking big city fun, and South Bend, IN if you’d like to visit Notre Dame.

Songbird Prairie, owned and operated by Barbara and Efrain Rivera, is nestled out on a wooded acreage just outside of Valparaiso.  The large, red mansion is at the end of a long gravel road.  I was met at the door by Barbara who gave me a tour of the home.

Luxurious is indeed the word to describe this inn as it not only boasts very fancy and comfortable rooms, but it also has a spa room and gift shop.

Barbara led me to the Robin Suite, the inn’s best room.  This elegant room had a king-sized Ethan Allen bed, carpet so soft that my feet practically sank in the fibers, brownish-green walls with an outdoor mural of blue sky and clouds painted on the ceiling, a fireplace (only operable during colder months), and a huge bathroom which featured a chromotherapy Jacuzzi.

 

After getting settled, I headed off to services at St Elizabeth Ann Seton.  Due to the size of the parking lot, I thought this would be a good sized church, but it was actually quite small.  The service was quite energetic and you could see that Father was full of the Spirit as he talked about the glory of the Resurrection and even used the traditional Protestant greeting of “He is risen” and the congregation actually responded with “Indeed He is risen.”

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St Elizabeth Ann Seton Catholic Church

After a vigorous service, I was ready for dinner and I decided to try the Industrial Revolution.  This restaurant  celebrates America’s technological advancements and each week a different pioneer is featured.  This week, it was the man who brought Atari to America.  For dinner, I decided to try the Garlic Parmesan Burger with a side of garlic potato wedges.  The burger was actually quite tasty, but could have benefited from some more vegetables.

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Industrial Revolution

The day started to catch up with me, so I went back to the inn to give the Jacuzzi a spin.  This was a smart bathtub.  A light goes on when the tub has reached the proper level of water.  You can set the duration and intensity of the jets which are pinpoint and built into the walls of the tub.  The tub even uses chromotherapy which means that the tub cycles through a series of colored lights to help bring you into a deeper state of relaxation.  I stayed in the tub for nearly 45 minutes soaking up every joule of heat.  From there, I crawled into bed and set a white noise machine to the sound of rainfall to fall into the blissful arms of slumber.

I awoke the next morning to see that real rain had actually fallen during the night.  A light sprinkle was still falling, but it wouldn’t derail any of the day’s plans.  But, first, I needed some breakfast.

Breakfast is held in the sun room which is miked so guests will be serenaded with the music of songbirds.  Now I have had the privilege of enjoying some very fine dining in my travels, but this had to be the best presented meal I had ever had.  Each course was a piece of artistry in how it was framed on the plate.  The artistic description especially suited the first course as Barbara had carved watermelon into the shape of birds and served them with a cranberry scone.

The main entrée was French Toast souffle with sausage patties and the souffle was incredibly on point especially with the wonderful aftertaste of cinnamon.  For dessert there was strawberry sorbet and beverages were orange juice and water served with lemon and a bit of mint, I believe.

 

I had a big day planned and got started immediately.  I headed to the nearby town of St John to visit The Shrine of Christ’s Passion.

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The Shrine of Christ’s Passion

The Shrine is a walking version of Christ’s Passion or The Stations of the Cross as they are known in Catholicism.  Members of all branches of Christianity visit every year and it is a profound experience.  If you’re a believer, you must experience this place.  If you’re not, you just might become one after visiting.

The Shrine is absolutely free and survives solely on donations and sales from the gift shop.  The gift shop is pretty impressive and has a wide variety of Christian gifts, literature, and a second floor where it’s Christmas year-round.

The walking area contains 40 life sized bronze statues that feature the Stations with a few extras such as the Agony in the Garden, the Last Supper, Jesus appearing to Mary Magdalene after His Resurrection, the Ascension, and Moses on Mt Sinai.  The detail of the statues is incredible, especially with the eyes which brilliantly communicate the emotions of the various moments.  I was transformed as I walked the path and truly felt like I was watching my Savior walk the path of the cross.

 

I spent nearly 2 hours at the Shrine and bought a meditational called Jesus Today by Sarah Young on my way out.

I reflected on the experience as I drove back to Valparaiso where I would visit Zao Island.

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The dragon of Zao Island

Zao Island is a little fun park that features batting cages, an arcade, laser tag, go-karts, a super slide, a small gator farm, and two mini-golf courses that USA Today called the most interesting in the country.

That last part is what really caught my attention.  I wouldn’t normally play mini-golf by myself, but I wanted to experience this one given the newspaper’s statement.  The course didn’t quite meet my standards.  For me, the fun in mini-golf is gimmickry and challenging holes.  While there were a few complex holes, they were pretty much straightforward putting greens and failed to scratch my itch.  My own personal tastes aside, the park has more than enough to do for an afternoon of family fun.

I returned to the inn to begin a bit of writing and headed out to dinner at about 5:30.

I decided to try Yats Cajun Creole.  This is a small eatery near Valparaiso University with a daily changing menu.  I decided to have some gumbo and this time it truly was a stew as it was served on a plate.  The stew part of the gumbo was tasty, but I would have preferred a little more of the stew and a little less rice.

From there, it was back to the inn for a quiet evening of writing and reading before another Jacuzzi bath and setting the white noise machine to waterfall to help put me out.

Breakfast the next morning consisted of water with lemon and mint, orange juice, a fruit cocktail of apples, kiwi, grapes, strawberries, and oranges, lemon poppy and banana nut muffins, bacon, herb baked potatoes, omelet stuffed with cheese, peppers, and ham, croissant, with a choice of several small cheesecakes for dessert.  I had just enough room to sample the lemon cheesecake with edible butterfly.

 

And that, my friends, brings an end to the Golden Review.  I will actually be slowing down the B & B portion of this blog for a bit to focus on some other things.  I still fully intend to continue with an annual Christmas review, but other reviews will be sporadic for a little while.

But, if you find yourselves in the Valparaiso area, enjoy a bit of luxury at Songbird Prairie while you’re exploring.  You may find it hard to tear yourself away after having a taste, both literal and metaphorical, of its elegance.

Until the next time. . .happy travels.

Sioux Empire Community Theatre Presents ‘Jesus Christ Superstar’

Jesus Christ Superstar

Music by Andrew Lloyd Webber

Lyrics by Tim Rice

Location:  Sioux Empire Community Theatre (315 N Phillips Ave, Sioux Falls, SD)

Performance Dates:  May 5-21 (Showtimes are 7pm Thurs-Sat, 2pm on Sun)

Ticket Prices:  $30

Box Office:  605-360-4800 or visit www.siouxfallstheatre.com

Description

It seems especially fitting that the first rock opera, created as a concept album at the end of the turbulent ’60s, should have at its center a social and political rebel. Jesus’ meteor-like rise in renown provides, as the title suggests, a parallel to contemporary celebrity worship. As his radical teachings are evermore embraced, Judas increasingly questions the enlightened motives of this new prophet, resulting in betrayal. Christ’s final days are dramatized with emotional intensity, thought-provoking edge and explosive theatricality. Propelled by a stirring score, by turns driving and majestic, satirical and tender, Jesus Christ Superstar illuminates the transcendent power of the human spirit with a passion that goes straight to the heart.

Cast

Raine Jerke as Jesus

Ryan Harr as Judas

Jenn Lee as Mary Magdalene

Rick Weiland as Pilate

James C. Van Oort as Caiaphas

Devin Basart as Annas

Darren Lee as Peter

Paul Ridgway as Simon

Robin Byrne as Herod

Abigail Chapdelaine and Lenora Hintze as the Soul Girls

Ensemble features Tyler Johnson, Dennis H. Berger, Landon Javers, Brandon Tople, Megan Davis, and Cecily Fogarty

Cotton Patch is Fun, but Flawed

It’s the Gospel of Matthew told Southern style.  This is Cotton Patch Gospel by Tom Key & Russel Treyz with music by Harry Chapin and inspired by a novel from Clarence Jordan.  This musical will have your feet tapping, your hands clapping, and your fingers snapping throughout the night and is currently playing at the Howmet Playhouse.

This musical has long been a personal favorite of mine, though I imagine many have not heard of it.  It was a big hit when it first came out in 1982 and even netted a Los Angeles Dramalogue nomination for Best Actor for Tom Key (who also co-wrote the script).  From an epic score by Harry Chapin to the vibrant, colorful characters created by Key and Treyz, Cotton Patch Gospel has all of the elements for a hit show.  I had long hoped for the opportunity to see this play and when I discovered it would be produced at the Howmet Playhouse, I drove 16 ½ hours to see it live.

No, that was not a misprint.

I drove 16 ½ hours to watch this show and it was well worth the drive.  Backed by a powerful quartet of musicians, the 5 person cast, under the direction of Debra Freeberg, provided a very entertaining night of theatre.  Ms Freeburg is to be complimented for some very creative and inventive directing, though there were beats that could have been delved into more deeply.  She also coached solid to excellent performances from her cast.  I was also intrigued by the use of a small cast.  Tom Key wrote the play so it could be performed as a one man show or a full scale production, but this is the first time I have seen a small cast used and that decision worked very well indeed.

Steven Barre was one of the two standout performers of the night.  Barre has a good sense of body language and voice as he easily switched between the humble, but harried, Joe (Jesus’ stepfather), the arrogant and dangerous, Governor Herod, and the conflicted Jud, who ultimately betrays Jesus.  Barre is a very animated actor and his energy and enthusiasm added greatly to his work which was a treat for the eyes and ears.  My only criticism is that Barre’s take on John the Baptizer was too restrained and he needs to let loose and go full force with the zealous preacher.

Barre also has a wonderful 2nd tenor singing voice which was capable of subtle and rich nuances.  From the cold-blooded gloating of Herod’s arranging the murder of innocent children (I Did It) to the sad Joe wondering why Jesus won’t see him (You Are Still My Boy) to a jubilant Apostle (Jubilation), Barre proved himself to be a well rounded performer and a great asset for the show.

Brianna June Clark was the other standout performer of the night.  Ms June Clark had a beautiful, clear soprano singing voice and she knows how to find the emotional beats of a song.  From a soulful, haunting number from a mother who cannot accept the death of her child (Mama is Here) to a wistful dream that Jesus wasn’t dead (One More Tomorrow), Ms June Clark knocked one musical pitch after another out of the park.

She was also just as adept on the acting side of things.  Ms June Clark has an incredible presence and excellent facial expressions along with a good sense of improv.  Whether she was the slightly befuddled Andy, the menacing Governor Pilate, or the Virgin Mary, Ms June Clark was, quite simply, an utter delight.  She also had the funniest moment of the night with her audible nausea at the sight of the victim when Jesus tells the story of the Good Samaritan.

I wish the show had more than a one weekend run as I sensed a great deal of potential in the performances of Alex Cooke and Annie Bulthuis which could be realized with a longer run.  Both gave solid performances, but they needed a bit of fine tuning.

Both (and the rest of the cast at various points) needed to project more and talk louder to overcome the nearly black box nature of the theatre’s acoustics.  They also need to slow down their delivery a bit and focus a bit more on the beats and nuances of their dialogue.  A lot of humorous lines and dramatic moments didn’t get the emphasis they needed due to their rushing the lines.  I understand that the entire rehearsal process only lasted two weeks which isn’t enough time to get into the grit and gristle of a script.  So they deserve kudos for the solid foundation they developed with their limited preparation time.

Ms Bulthuis has a skillful alto voice which she put to good use in numbers such as “Love the Lord Your God” and “We Gotta Get Organized”.  She also has one of the most expressive faces I have ever seen.  With a slight cock of her eyebrow or a tiny purse of her lips, I was able to follow the thoughts of Ms Bulthuis’ characters without her uttering a single word.  I also thought her interpretation of Rock as slightly less than intelligent to be a very fine and funny bit of acting.

Cooke’s 2nd tenor voice also demonstrated a knack for subtle shades of emotion.  His primary role was that of Jesus and his portrayal of Jesus’ fears and sadness at his imminent lynching in “Goin’ to Atlanta” was not only spot on, but had me shedding a few tears as well.

Though he has no lines, Tim Todd does have a good grasp of pantomime which allowed him to tell his own story and kept him involved in each moment of the show.

There were a few technical flaws during the night.  There was some wicked feedback coming from a speaker at a few points and the actors’ microphones were either failing or their volume was constantly adjusted throughout the show.

Musical Director, Karen Burek, and her Band (Josh Bourdon, Alex Johnson, David Russell, and Lare Williams) do superior work with their stellar musicianship and flawless playing.  Tom Klonowski’s light design was award worthy and Jessica Reilly’s bare bones set was a thing of beauty.

In spite of a few flaws which I believe could be easily overcome with a longer run, Cotton Patch Gospel was an inspiring, moving, and entertaining night of theatre and I want to thank the cast and crew of this show for making my epic journey to see it a worthwhile one.

Cotton Patch Gospel has one final performance on Saturday, August 8 at 7:30pm.  Tickets range from $16 to $20 and can be obtained in person at the Box Office or by calling them at 231-894-2540 one hour before showtime.  They can also be obtained at their website, www.howmetplayhouse.org.  The Howmet Playhouse is located at 304 S Mears Ave in Whitehall, MI.

2015 Playhouse Awards Night

Last night the Omaha Playhouse held its annual Awards Night to honor the contributions of its numerous volunteers on all sides of the stage.

Volunteer Awards

PRESIDENT’S AWARD:  Trish Liakos and Steph Gould, Act II

EDWARD F. OWEN AWARD:  Carter and Vernie Jones

TRUSTEES’ AWARD:  Mary Dew and Bob Fischbach

Acting Awards

FONDA-MCGURE AWARD (Best Actor)

Brennan Thomas for his performance as George in Who’s Afraid of Virginia Woolf?

Melanie Walters for her performance as The Lady of the Lake in Spamalot

MARY PECKHAM AWARD (Best Featured Actor)

Musical

Dave Wingert for his performance as Man in Chair in The Drowsy Chaperone

(Tie)  Megan McGuire for her performance as the Drowsy Chaperone in The Drowsy Chaperone and Molly McGuire as Janet Van De Graaf in The Drowsy Chaperone

Play

Matthew Pyle for his performance as Jeffrey Skilling in Enron

Charleen Willoughby for her performance as Martha in Who’s Afraid of Viriginia Woolf?

BARBARA FORD AWARD (Best Supporting Actor)

Musical

Brian Priesman for his performance as Patsy in Spamalot

Rebecca Noble for her performance as Norma Valverde in Hands On a Hardbody

Play

Andrew Prescott for his performance as Caleb DeLeon in The Whipping Man

Megan Friend for her performance as Honey in Who’s Afraid of Virginia Woolf?

ELAINE JABENIS CAMEO AWARD (Best Cameo Performance)

Musical

Matthias Jeske for multiple roles in Spamalot

Roni Shelley Perez for her performance as Mary Magdalene in Jesus Christ Superstar

Play

Paul Schnieder for his performance as Kenneth Lay in Enron

Julie Fitzgerald Ryan for her performance as Felicia Dantine in I Hate Hamlet

BILL BAILEY DEBUT AWARD (Best Debut Performance

Nick Albrecht for his performance as King Arthur in Spamalot

Sarah Query for her performance as Cindy Barnes in Hands On a Hardbody

Superstar Soars

From the first notes of Jim Boggess and his superlative orchestra, you will be catapulted on an amazing journey for the eyes, ears, and heart as you experience the last week of Jesus’ life told in the style of a rock opera.  This is Andrew Lloyd Webber’s Jesus Christ Superstar currently playing at the Omaha Community Playhouse.

This is, by far, the best musical ever mounted on an Omaha stage and Kimberly Faith Hickman deserves a standing ovation of her own for an extraordinary display of direction and choreography.  Never is there a wasted beat, nuance, or moment and you will be riveted to this incredibly powerful story from beginning to end.  It has been updated so that the tale now takes place in modern times which I believe strengthens its relevance.  Jesus and his followers are now street people living in a derelict shantytown while Pilate and the high priests are well dressed businessmen.  Lydia Dawson’s masterful costuming and Jim Othuse’s deceptively simple set perfectly catch the mood of this update.

This is one of those shows where I truly wish I’d be able to single out every performer individually in a review, but for the sake of brevity, let me say that this cast is phenomenal.  Each and every one is always in the moment and exudes an incredible amount of energy that helps propel the show to unimaginable heights.  Among the talented ensemble were a few standout performances that deserve special notice such as Zach Kloppenborg’s portrayal of the obsequious, irritating suck up Annas.   His whining tenor wonderfully grates on your nerves throughout the night.  Jimmy Nguyen’s Peter was a surprising delight as his strong, supple singing voice completely belies his slight frame.  Jerry Van Horn rules the stage as King Herod as he smarmily tries to get Jesus to prove his divinity in “Herod’s Song”.

Roderick Cotton is a marvel as Jesus’ betrayer, Judas Iscariot.  Oddly enough, he is actually the centerpiece of this story as it is told from his point of view.  Cotton makes for a surprisingly sympathetic Judas as he is Jesus’ right hand man, but fears things are getting out of control now that people believe that Jesus is the son of God (Heaven on Their Minds) while he is convinced Jesus is just a wise teacher.  Cotton’s powerful tenor is capable of capturing a wide range of emotion from sneering superiority as he blasts Mary Magdalene for anointing Jesus with expensive ointment in “Everything’s Alright” to desperation as he feels compelled to betray Jesus for his own good in “Damned for All Time/Blood Money” to anger as he confronts Jesus at “The Last Supper”.

Cotton is also a treat to watch in his silent moments as his expressions are crystal clear and tell a story all of their own.  Not only is it a striking performance, I believe it has the potential to be an award winning one at the end of the season.

John Gajewski handles the role of Jesus with grace and aplomb.  His dynamite tenor reaches searing and soaring falsettos that would make Ted Neeley proud.  Gajewski’s Jesus really emphasizes his human nature and reminds us that Jesus felt the same emotions as every other person.  Rarely have I heard such subtle, outstanding nuance in a voice as Gajewski glides from tender love and hope for his followers to understand the truth of his mission in “Simon Zealotes/Poor Jerusalem”, to supreme confidence in his message in “Hosanna”, to fury at the desecration of his Father’s house in “The Temple”, to frustration with his followers not getting it in “The Last Supper”, and caps it off with a haunting acceptance of his death in “Gethsemane”.

Gajewski’s expressions and body language are just as subtle.  Particularly telling were the weariness in his face when he accepts his destiny in “Gethsemane” and his pained suffering as he is scourged in “Trial by Pilate”.  Both moments had me searching for a tissue.

Many experienced performers would be envious of the stage presence and confidence possessed by young Roni Shelley Perez who plays Mary Magdalene.  Her sweet soprano captures utter devotion to Jesus as she comforts him in “Everything’s Alright”, a perplexed confusion in her dominating solo “I Don’t Know How to Love Him”, and a slow understanding of the truth of Jesus in “Could We Start Again, Please?”  Her performance was one of the night’s many highlights.

Also spectacular were Cork Ramer as the high priest, Caiphas, and Michael Markey as Pontius Pilate.  Ramer’s flawless bass exudes a dark menace as he plots to eliminate Jesus in “Jesus Must Die” and a mocking congratulations and thank you to Judas in “Judas’ Death”.  Markey’s facile baritone paints a picture of a man reluctant to execute the innocent Jesus, but who finally buckles under the extreme pressure in “Trial by Pilate”.

A few minor missteps in diction, projection, and dancing did not distract from this entrancing, beautiful, and moving night of theatre.  As Saturday’s sellout crowd indicates, this show is already morphing into a massive success.  Get a ticket before it’s too late to see this epic hit and potential awards season darling.

Jesus Christ Superstar runs until April 4 at the Omaha Community Playhouse.  Showtimes are 7:30pm Wed-Sat and 2pm on Sundays.  Tickets cost $40 for adults and $25 for students.  Contact the box office at 402-553-0800 or visit www.omahaplayhouse.com The Omaha Playhouse is located at 6915 Cass St in Omaha, NE.